Thursday, November 10, 2016

WHITE MAN'S BLUES

by James McKee


Musician and Trump supporter Kraig Moss sings and plays his guitar as South Carolina voters line —WNYC

Well I’m walking down the street,
There’s no English to be heard;
Yeah, I’m walking down my street,
Ain’t no English, not one word.
I was born in the First World;
Looks like I’ll be buried in the Third.


First they take away your job,
Send the factory off to Mexico;
Then they go after your woman;
Where she’s got to, I ain’t know;
Now they’re coming for what’s left,
Time for another Alamo.


I hear them say white man
With that look on they face;
Everybody saying white man
Like it have some nasty taste;
Seems like they forget
Who it was built this place.


Our daddies had it good,
Everybody knew God was white;
Our daddies kept it simple,
You were black if you weren’t white;
If that means they done wrong,
I got no use for doing right.


Prisons are full and getting fuller,
Because the law is the law.
How come we got so many prisons?
And who is it makes up the law?
Ask too many questions,
You find out what prison’s for.


In New York they call me racist,
Mock my accent and my state;
To L.A. I’m just a redneck,
Love two things, guns and hate;
But I’m the first to get a call
When there’s a war that can’t wait.


Had a dream last night:
A river of strangers rushing by;
No one hears me or sees me,
And then that flood, it runs dry.
I knew when I woke up
Nothing changes till I die.


James McKee and his wife live in New York City, in a neighborhood where the 1% seldom go.  A New Yorker by birth (and likely by death), he enjoys failing in his dogged attempts to keep pace with the unrelenting cultural onslaught of late-imperial Manhattan.  After taking a degree in English & Philosophy, he held a number of ludicrously unsuitable jobs before spending over a decade as a teacher and administrator at a small special-needs high school. His poetry has appeared or is forthcoming in Ploughshares, The Raintown Review, Saranac Review, The South Carolina Review, THINK, Mobius, The Road Not Taken, The Worcester Review, The Lyric, The Rotary Dial, and elsewhere; one of his poems recently won the Sow’s Ear Review Poetry Contest, another is a finalist for the Dana Award for Poetry, and a third has been nominated for this year’s Pushcart Prize. He currently works as a private tutor and spends his free time, when not writing or reading, traveling less than he would like and brooding more than he can help.