Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Wednesday, May 11, 2011

AT THE KING'S TOMB DURING FLOOD TIME

by Earl J. Wilcox



Friends and family stand at the ready
on the front lawn of gaudy Graceland---
Priscilla, Lisa Marie, four grandchildren,
Carl Perkins (his blue suede shoes damp
from a leak in his water pistol), Michael
Jackson, Nicholas Cage, while a southern
gospel quartet sings Shall We Gather
at the River?


Faithful guards with water pistols stand
at the ready on the mansion’s front lawn,
gawk at tourists who snap photos of the
Mississippi River at flood tide, file past
the King’s tomb, his home forever flooded
by gold, silver, and platinum LPs plus
green shag carpet on the floors and walls.


Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.
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Tuesday, May 10, 2011

HORISHI

by Rochelle Owens  


Desiring  e u p h o r  i a
envying Van Gogh  the tattoo artist
begins carving sunflowers

a layer of  s k i n  the  s k i n
the  c a n v a s
absorbing sunlight

s p a c i n g  the petals
each puncture the molten eyeballs
thumbs and fingers of Van Gogh

marking the  s k I n
inserting the pigment 
 the  s k i n  the  c a n v a s

absorbing sunlight
each leaf touches of yellow
dabs of white and green

a single rapid stroke

ravenous the flesh  the  c a n v a s
near the armpits
among the petals of flowers

a bright blue halo
leaves of beaten gold from the sun’s core
the mystical signature of Van Gogh

hidden inside of the thighs
of the samurai warrior
occult words  energy of the Logos

from ink to blood
the thorns piercing  the  s k i n
the  c a n v a s  absorbing sunlight

the sound needles make  the  waves
the waves and wind


Rochelle Owens is the author of twenty books of poetry, plays, and fiction, the most recent of which are Solitary Workwoman(Junction Press, 2011), Journey to Purity (Texture Press, 2009), and Plays by Rochelle Owens (Broadway Play Publishing, 2000). A pioneer in the experimental off-Broadway theatre movement and an internationally known innovative poet, she has received Village Voice Obie awards and honors from the New York Drama Critics Circle. Her plays have been presented worldwide and in festivals in Edinburgh, Avignon, Paris, and Berlin. Her play Futz, which is considered a classic of the American avant-garde theatre, was produced by Ellen Stewart at LaMama, directed by Tom O’Horgan and performed by the LaMama Troupe in 1967, and was made into a film in 1969. A French language production of Three Front was produced by France-Culture and broadcast on Radio France. She has been a participant in the Festival Franco-Anglais de Poésie, and has translated Liliane Atlan’s novel Les passants, The Passersby (Henry Holt, 1989). She has held fellowships from the NEA, Guggenheim, Rockefeller, and numerous other foundations. She has taught at the University of California, San Diego and the University of Oklahoma and held residencies at Brown and Southwestern Louisiana State. This is Rochelle Owens' nineteenth New Verse News poem.
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Monday, May 09, 2011

ANGLERFISH

by Marie-Elizabeth Mali


What if we women were anglerfish, our lures
springing from our foreheads, an irresistible
lighthouse of hunger, our giant-toothed jaws
so unhinged we could swallow prey twice our size?
What if our men were small, unable to feed
on their own, equipped with little more
than a powerful nose with which to find us,
starving to death if they don’t? When they find us
and bite into our sides, what if they were
to dissolve like angler males, becoming
an ever-ready portable sperm factory
hanging off us, of which we might carry six?
No more forest of barstools to hack through
on a Friday night, hoping to meet a kind
baboon in a clearing. No more detention
at the checkpoint for no good reason, no more
booze poured in our eyes, nose, mouth, vagina,
no more army boots to the head, no more
gun-barrel rapes, no more running naked
down the street begging for help from people
who blame us for our blood-streaked thighs.


Marie-Elizabeth Mali is the author of Steady, My Gaze (Tebot Bach, 2011) and serves as co-curator for louderARTS: the Reading Series and the Page Meets Stage reading series, both in New York City. Her work has appeared in Calyx, Poet Lore, and RATTLE, among others.

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Sunday, May 08, 2011

THE BODYBAG

by Abby Tiffany

A Found Poem
based on the essay, “The Hardest Letter to Write” by Parker Gyokeres,
from Operation Homecoming, an anthology edited by Andrew Carroll.

Somewhere I left myself behind.
Where am I?
Who am I?
I want that part of me to return.
A husk is all that is left of me, infected inside.
Leaving behind family;
Leaving behind beautiful, loving memories.
I am not a person, but a stump.
A casualty of memory lost.
“You will forget your family” I was told.
And I did.
There is a brutal terror in my world
when the street is full of people passing by,
do I know them?
I was a fun loving person, I am told.
I think that person left and never came back. 


Author’s Note: The original piece “The Hardest Letter to Write” is a soldier’s reflection of his time spent in Iraq. The letter is a series of recollections of his relationships with others. He encounters bravery, faith, and emotional lobotomization through the lens of living and working with other soldiers and civilians. His story is very real, as are the deeper struggles he and those he detailed have to face: the danger of the unknown, the distress of being away from home, the personality changes that can make you a stranger to those who know you. These echoed to me of the struggles that men and women living with Alzheimer’s face every day. These men and women have lost their home in a very real sense, and in moments of lucidity are able to understand how very much that is. This found poem was written for these men and women.


Currently a fourth year student at the Rochester Institute of Technology, Abby Tiffany wrote this Found Poem as an assignment for her Garbage Archaeology class.
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Saturday, May 07, 2011

QUAKERS SIT IN MEETING AT TEXTRON

by Marian Kaplun Shapiro

Wilmington, Mass., Jan. 17, 2010

                   Ten:
                       Seven men.
              Three women.
                  Twelve chairs, two
                  waiting for someones yet
                  uncome. You, perhaps. And you.
                  Cluster bombs don’t explode
here in Wilmington where
you live, where, it turns out,
cluster bombs are made. Who
would have thought it! Bombs
on Lowell Street. Bombs in
                  your neighborhood!  Here sit
                  an ordinary-looking bunch
of people, they might be your parents,
or the FedEx man, or
the waitress at the diner, or
the gym teacher at the middle
school. Here they sit. Their homemade
signs lean like bystanders,
against a leafless tree. Their feet
grounded on frozen dirty snow,
they sit on folding lawn chairs,
heads bowed, eyes closed
in prayer, shrugged in ear-lapped hats/
                  coats/mittens/socks/wool-
                  lined boots/scarves/blankets.
                  One hour, silent.  When
                  you walk/drive past this human
circle you’re not worrying
                  about the ied’s your jeep
                  might meet. Your kids are home, safe
                  in the back yard,  rolling out
a snowman, poking each other,
laughing nervously because
they’ve dared to go ahead and pinch
one of your best rep ties
to knot around  its neck. Your wife
is checking out the on-line after-
Christmas sales. You think, What
makes these people sit here on
a Sunday morning? What do they want?
                  Nothing more than this,  they’d say.
                  You saw us sitting, and you read
the signs. You saw the empty chairs.

                  You made our day.


Marian Kaplun Shapiro is the author of a professional book, Second Childhood (Norton, 1988),  a poetry book, Players In The Dream, Dreamers In The Play (Plain View Press, 2007) and  two chapbooks: Your Third Wish (Finishing Line, 2007) and The End Of The World, Announced On Wednesday (Pudding House, 2007). As a Quaker and a psychologist, her poetry often addresses the embedded topics of peace and violence, often by addressing one within the context of the other. A resident of Lexington, she was named Senior Poet Laureate of Massachusetts in 2006, in 2008, and in 2010. 
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Friday, May 06, 2011

SAUDI ARABIA

by Stephen Lefebure


Sand is called to prayer, and makes ablution
As it must, with dirt, with hands like hair.
Passing through all windows, doors and shutters
Sand considers water a pollution,
Sky a road, the wind a thobe to wear –
Sand is one long trachea which utters
Cries: its inarticulate locution
Summons everything into the air.
Most effective when its message stutters,
Sand disperses with no diminution.
On its blackened knees, sand bends to prayer,
Throws its forehead to the Earth, and mutters.


Poetry by Stephen Lefebure appears in print periodicals and on websites of varying combinations of respectability and coolness. It might also be found between the pages of volumes in the secret lending libraries of Arabia, on the lotus leaves at the base of the pillar of Ashok in Nepal.  One anthology called Wild Song presents it along with poetry by much more famous people.
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Wednesday, May 04, 2011

A TEST OF THE GREAT MAN THEORY OF HISTORY

by Romie Stott


In two years we've fought pirates, fixed colleges
brought women where there should be women
brought doctors where there should be doctors
kickstarted three flailing industries
and capped a hole at the bottom of the sea.

It would take at least five issues of Superman to get so much done
and he had but one Lex Luthor
(I wish Donald Trump would shave his hair)

Our Good president, our shining-man hero president,
he says we've done this together
but I don't pay much in taxes
I mostly play solitaire on my computer
and drive politely in traffic, which is good
but not Good - not Nobel peace prize.
Not save the Libyans.

No, I think it's him more than me, or we,
or socio-economic tides, which are pointing the other direction.
Maybe he wasn't born in Hawaii like he says
but on a planet with a dying sun, many miles away.


Romie Stott has worked as an editor with Reflection's Edge and Drollerie Press. Her poems have been published by Strange Horizons, Jerseyworks, and Black Words on White Paper. She is a professional narrative filmmaker whose work has been commissioned by the National Gallery, London and the Dallas Museum of Art.
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LONE SNAKE

by Susan Supley

Bin Laden is dead
His spawn live on,
Exult at the rejoicing,
Where lies victory?


Susan Supley lives in Florida, and is retired. Not having to work for a living, she is therefore able to live as a poet. Her work has been seen in The Healing Muse, The New Verse News, Secret Garden Newsletter and her blog, aturtlespeaks.
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Tuesday, May 03, 2011

GOD’S A CHRISTIAN

by Bill Costley


(CBS) The Evening News interviews
Americans who’d lost family members
in Manhattan on 9-1l. Among people
seeking resolution, a grey-haired

man in a brown suit testifies
what he feels about Osama’s
killing: he’s glad because
“I’m a Christian; God’s a Christian.”

driving the day further backwards.


Bill Costley has served on the Steering Committee of the San Francisco Bay area chapter of the National Writers Union. He lives in Santa Clara, CA.
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Monday, May 02, 2011

ON THE DEATH OF OSAMA BIN LADEN

by John Paul Davis
- after Alan Gillis

I want this magic to be true:
After the madman’s body falls
the soldiers who shot him
sneak backward through night
to their helicopters,
which corkscrew tail-first
to waiting aircraft carriers,
where they’re swallowed
down into the briefing rooms
where the mission papers
are tucked primly into top-secret
envelopes. All over the Middle East
this is happening, history’s
most powerful army
loses ten years of sunburn
& PTSD, crates up the fighter
drones, disassembles their machine
guns, backs the tanks onto behemoth
airplanes waiting to snap
back halfway around the globe
where the shining arms
of landing strips wait
to cradle each solider
easing down the ramp,
where tears climb the faces
of spouses waiting in cars
to ferry them to bed
where they make love
like it will never happen
again. The world’s most ancient
and beautiful cities rise
from rubble as the wrath & flame
is slurped back into missile payloads.
Somewhere in Washington DC
your can hear the static
sound of the President’s signature
peeling itself off the Patriot Act
& spiraling back into a pen.
Everywhere police unfrisk
Muslim men & women
as if patting dignity
back onto their no-longer
contentious bodies. FBI wires
shuck themselves from telephones
& shrink away like lost
erections. The rhetoric of talk radio
hosts grows less & less racist
& crazy. An army of volunteers
& heroes rise from their sickbeds,
exhaling toxins & dust
that rides every wind
back to the gleaming beacon
city poking out into the Atlantic
where ruins climb themselves
toward heaven, fusing
back together, smoke & soot
resolving to steel & stone
until people from all over the city
eagerly pour into them, some so desperate
they fly feet-first up dozens
of stories in through windows,
followed by the fairy dust
of glass shards that jigsaw
back into windows behind
them. They land on their feet,
run back to their desks
as the towers spit out
first one airplane,
then another, coughing
deep & loud as God.
The planes race
each other back to Boston,
where nineteen men
grow less certain & foolish,
put away their box-cutters,
forget everything they learned
in a Florida flight school,
go back to their homelands
where they back away
from rich men in limousines
with their diabolical
offers & serpent-twisting
of scripture. They back
away & away, out
of the sorrow of centuries-old
conflict & in under
the blessed doorframes
of their families’ houses,
where their mothers
embrace them
as if for the very last time.


John Paul Davis’s poems have been published in print and online journals such as RATTLE, The Columbia Poetry Review, WordRiot, Apparatus, The Cordite Poetry Review. He was a 2009-2010 writer in residence with Vox Ferus. He is editor and designer of Bestiary Magazine.
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THE DEATHERS

by Earl J. Wilcox


We will not believe Ben Laden is dead until we see the Death Certificate. The DNA is faked; he was obviously a clone, a Ben Laden Look-Alike.

Show us pictures of the person whom Obama claims is the assassinated Osama Ben Laden. We demand his finger prints be proven.

Show us the body. It could not have been buried at sea as there is no water near the compound where he was allegedly killed.

Better yet, put his body on display for all to see. The so-called American Seals are not even in Pakistan. They could not have killed Osama.

America obviously blew up one of its own helicopters to make this story look good.

Obama is playing one of his early Trump cards to win the next election.

Show us the body.


Earl J. Wilcox writes about aging, baseball, literary icons, politics, and southern culture. His work appears in more than two dozen journals; he is a regular contributor to The New Verse News. More of Earl's poetry appears at his blog, Writing by Earl.
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MARTYRDOM WITHHELD

Poem by Charles Frederickson; Graphic by Saknarin Chinayote


Helicopter blades uncover gauzy haze
Silver linings chewed to bits
As chopper descends wither fades
Fallen blossoms turned into seedpods

Inner circle disconnects forbidden entry
Vultures hover round cornered myth-takes
Impenetrable mystery threadbare homespun Fate
Heretical disbelief in spite of

Gray matter-of-fact shades of black
Pearls onyx diamonds lapis lazuli
Sapphire horizon scrubbed squeaky clean
Flawless gemstone imperfections declared fake

Iconic gold-plated vigil lamp oil
Spilt exhausting crumbly wick trust
Candlewax meltdown both ends lit
Turvy-topsy upended hourglass flipped over

Double-faced mirror sleeps through alarm
Reverse side image time warped
Day of reckoning sticky tarpit
Peacock tailfeathers molten spinal tap

Weathered brow unblinking stare down
Crow’s feet necromancy rear-view blocked
Relentless silence pinhole of light
Focus listing things to undo


No Holds Bard Dr. Charles Frederickson & Saknarin Chinayote together comprise PoeArtry. Flutter Press has just published Charles’ new chapbook fanTHAIsies.
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THE DAFFODILS' LAMENT

by Kathryn Ridall


the daffodils now appear,
     strewn across
          our spring yard

winter has been
      a hazardous affair

the only birdsong
      the hoarse rasp of crows

for months I have scrawled
     on crumbling pages
with elusive script

now spring opens her yellow doors,
     I want for a moment
          to forget

how earth’s crust heaved,
      cities rattling
 like bags of bones

how the sea rose
     and a proud people
          was submerged
   
then poisoned by fuel
       meant to aid

now is the time
      of spring’s awaited
           redemption—

a dollop of sunlight,
the flowers with bright
     lamenting faces


Kathryn Ridall is a poet from Eugene, Oregon. She is the author of the chapbook, The Way of Stones, and editor of the poetry anthology. When the Muse Calls: Poems for the Creative Life.
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Sunday, May 01, 2011

PHOEBE SNOW July 12, 1950 – April 26, 2011


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