VERONIKA

by Frank Conahan

Scientists have been forced to rethink the intelligence of cattle after an Austrian cow named Veronika displayed an impressive—and until now undocumented—knack for tool use. Photo: Veronika scratching her back with a stick. Photographer: Antonio J Osuna Mascaró —The Guardian, January 19, 2026

I was reading that

A cow in Austria is

Using a stick to

Scratch various parts of her

Body. She holds it

Differently in her mouth to

Reach her itchy parts. 

This is news because she's not

A chimp. They do stuff

Like this all the time, it seems. 

Animals who have

Intelligence of different 

Degrees use tools with

Different sophistication. 

Dogs and cats play with

Toys, slippers, sticks, and corpses.

Ravens manipulate

Stones. Chimps employ weaponry.

Why are we surprised?

Intelligent animals 

Use tools, look at us.

We're practically destroying 

The planet with ours.

(Intelligence is... complex.)

I hope the cow is

Enjoying celebrity.

She could be dinner soon.

Frank Conahan lives in reclusive retirement outside of Baltimore, Maryland. He follows current events with trepidation and copes by writing verse. He has recently published poems with Bards of Maryland. His collection Nothing Is Coming will be published this spring.

NOT ICE

by Erin Murphy

Homeland Security officials have urged disaster response staff at the Federal Emergency Management Agency to avoid using the word “ice” in public messaging about the massive winter storm barreling toward much of the United States... The concern is that the word could spark confusion or online mockery, given the ongoing controversy surrounding US Immigration and Customs Enforcement—also known as “ICE.” —CNN, January 24, 2026

It’s frozen water—not ice.

We have mouses not mice.

Say two times, not twice.

 

Your kid’s hair may be lousy

but it’s not crawling with lice.

Predators lure but do not entice.

 

Even the city in France

must change its spelling

to Niece instead of Nice

 

which looks like nice.

Casinos don’t use dice—

from now on, the plural

 

of die is dies. Take your

chances at the craps table,

on the sidewalk, in your

 

own car or home. Believe

what they say you saw

with your own eyes.

Erin Murphy’s latest books are Human Resources and Fluent in Blue, winner of the 2025 American Book Fest Best Book Award in Poetry. 

MINNEAPOLIS, JANUARY 2026

by Buff Whitman-Bradley

In the midst of winter I found there was, within me, an invincible summer.

—Albert Camus, "Return to Tipasa"

 

In the midst of winter

It is difficult to remember lilacs

And warm afternoons in May.

 

In the midst of blizzards

It is difficult to remember

The gentle glow of August evenings.

 

In the midst of vicious assaults

It is difficult to recall

Companionable conversations.

 

In the midst of monstrous brutality

It is difficult to keep faith

In the tender and indestructible spirit.

 

In the crash and flash-bang and shatter

It is difficult to make out

The many quiet voices of love.

 

But we must

Mustn’t we?

Buff Whitman-Bradley podcasts his poetry at thirdactpoems.podbean.com .

THE CITY OF WATER

by Bänoo Zan

for the people of Iran

The townspeople are hungry *

for bread and freedom

 

The streets are rivers

bubbling with chants

 

Crowds break into the food storage

of revolutionary guards

 

not to loot 

but to rip the rice bags

throw fistfuls overhead

 

reenact the Milky Way

against the night of news blackout

 

We are protestors

not rioters

 

We fear bullets

but we fear silence more

 

In this torrent of blood

courage is not a laurel wreath 

but a lifeline  

 

May joy echo in our mountains 

May justice wash the blood off our valleys

May our twin lakes be ^

as lucid as freedom

 

 

---

* “Abdanan” means “the city of water.” Located in Ilam Province, Iran, it was the scene of a remarkable protest on January 6, 2026.

^ These twin lakes are called the Black Bull Lakes. They are known for their clear blue water, although where the depth increases, the water appears to be black. The overall patterns of blue and black look like spots on a cow’s hide. 

Bänoo Zan is a poet, translator, and curator, with numerous published pieces and books including Songs of Exile and Letters to My Father. She is the founder of Shab-e She’r (Poetry Night), Canada’s most diverse and brave poetry open mic series (inception 2012). It bridges the gap between poets from different ethnicities, nationalities, religions (or lack thereof), ages, genders, sexual orientations, abilities, poetic styles, voices, and visions. Bänoo, with Cy Strom, is the co-editor of the anthology: Woman Life Freedom: Poems for the Iranian Revolution. She is the recipient of the 2025 Writers’ Union of Canada Freedom to Read Award.

THE ICE STORM

by Susan Cossette

Leave this city, black ice.

These roads are unusually treacherous.

 

Snow, thaw, then refreeze--

a polar vortex roars in from Manitoba.

 

This four-wheel drive offers

little protection from icy roads.

 

One bad tap of the brakes

will send me crashing into 

a graffiti-adorned delivery truck

which states simply,

ICE out.

 

Or worse, 

into the protestors on the corner 

of Penn Avenue and 17^th Street 

in north Minneapolis

on this foggy subzero morning.

 

Whistles shriek in feverish shrill 

in crazy unison with car horns,

and phone cameras rolling, 

recording truth suppressed.

 

Ten black SUVs skulk 

on each side of the pitted street,

curbs piled high with sooty snow.

 

Polished obsidian flanks of fear--

ICE has rolled in.

 

Unmarked men stalk door to door

in a Latino neighborhood near,

faces shrouded, shadowy brute army.

 

The salt has not made the roads safe.

The protests change nothing.

The passport I keep 

on my front seat means nothing.

 

We do not leave our homes

because we are too cold, 

too afraid, or both.

 

We are cyphers, faces pressed 

against cold glass, 

hands zipped tied, hog tied—

frozen blood stains dirty ice.

 

I pray for the brother and sister

I almost wish were my children

after two years of seeing them holding hands

each morning at the bus stop on 17th,

backpacks with smiling stuffed toys 

clipped to the straps.

 

For their mother watching 

her babies climb into the yellow vessel,

and the door close tightly behind.

She scurries up frozen sidewalks 

to the food pantry.

 

Jesus, get me to the next corner,

keep my small clenched hands visible 

on this cold steering wheel.

Susan Cossette lives and writes in Minneapolis, Minnesota. The Author of Peggy Sue Messed Up, she is a recipient of the University of Connecticut’s Wallace Stevens Poetry Prize. A two-time Pushcart Prize nominee, her work has appeared or is forthcoming in Rust and Moth, The New Verse News, ONE ART, As it Ought to Be, Anti-Heroin Chic, The Amethyst Review, Crow & Cross Keys, Loch Raven Review, and in the anthologies Fast Fallen Women (Woodhall Press), Tuesdays at Curley’s (Yuganta Press), and After the Equinox.

MY AMAZING INVESTMENT

by Pat Davis

I think they are sheep at first
but they’re corpses
wrapped and tied in white shrouds.

I wish they were low clouds
laid out in a row

but they’re my purchases,
femur, tibia, wrist
tied up for delivery.

I bought the rubble,
the bulldozers, too.

Israel lets in chips 
and Coke.

Children are dying of hunger.
Children are dying of cold.

Our papers blame the wind.
Blame the rain. 
Aid is blocked, the doctors

forced out.
By the toe-end of a corpse 
as long as my forearm 

is a puddle of muddy water in which a star
was lost

Patricia Davis’ poems appear in Smartish Pace, Image, Southern Humanities Review, Hayden’s Ferry Review, and other journals. Also a playwright, she earned her MFA from American University. She is translations editor for the literary journal Poet Lore and lives in the Washington, DC area, where she works in human rights advocacy.

EVERY LITTLE BIT: A HAIBUN

by Miriam Weinstein

AI-generated graphic by NightCafé for The New Verse News.

My assignment—oranges and limes—As much or as little as you’re able to bring—the emailed instructions specified. Food and supplies collected for people afraid to leave their homes during the ICE invasion of Minnesota. Operation Metro Surge. Thousands of uniformed, masked agents carrying weapons—now a common sight on the streets of my city. Agents of fear acting erratically. Lying in face of facts. Spreading terror and chaos across my State—land of ten thousand lakes, surging rivers, roaring waterfalls. In the church parking lot, volunteers load carts—boxes of diapers, canned goods, packaged products and produce. A middle-aged man wheels a cart to the side of my car. I pull out two large reusable bags, empty contents. Five, six pound bags of oranges, five, three pound bags of limes. Small offering considering—68, 400 people, rounded and roughed up, interrogated, arrested. In the name of searching for illegal, criminal aliens, citizens and legal residents—seized—two Americans murdered by ICE agents. Their real agenda—to breed uncertainly, fear, and chaos. Every little bit counts my friend tells me. I’m desperate today to believe in something. Has the produce I dropped off  reached its destinations? During this unfathomable crisis, is someone, somewhere being nourished?

Dusk display—turkey vulture 

soars, swoops down. Curved beak 

grasps carcass, carries rat skyward.

Miriam Weinstein completed a two year apprenticeship program at the Loft Literary Center in 2013. She has two chapbooks published by Finishing Line Press: Twenty Ways of Looking and How to Thread a Needle. Her poems are in several anthologies and journals including A 21st Century Plague, Rocked by the Waters, Poems of Hope and Reassurance, The Heart of All That Is, Survivor Lit, The New Verse News, Plum Tree Tavern, Vita Brevis Press, St. Paul Almanac, and American Jewish World. Her manuscript Here. Between. Beyond. was a finalist for the Concrete Wolf Press Louis Award. Miriam Weinstein is an avid birdwatcher and environmentalist. She lives in Minneapolis, MN.

DIRGE FOR AMERICANS

by Greg Friedman 

shoot first 

lie after 

 

They came in search of virgin 

land but found earth who was 

mother, sky who was father 

to those who walked on, under, 

in harmonies unknown across 

oceans. Unaware in the grasping. 

 

shoot first 

lie after 

 

They told us the stories: patriots 

of liberating pine trees and snakes 

un-tread-upon, wresting liberty  

from plough-wielding hands and  

chained feet brought unwilling, 

un-asked-for to bondage. 

 

shoot first, 

lie after 

 

We learned the lie, detonate it 

annually with fanfare and fire, 

touting tricornered hats and parchment 

promises which excluded souls 

with hypocrisy’s math which 

wove the original sin into 

the flag-fabric of a nation. 

 

shoot first 

lie after 

 

Even the taciturn words of Lincoln, 

mixing the knife-edged speeches of 

Douglass, passed into shades on blood- 

lands, and twisted into stone idols of 

Lee and Jackson, while newer  

promises stonewalled freedom. 

 

shoot first 

lie after 

 

Riders of terror hiding under white  

in black nights un-re-constructed 

the fragile facades of freedmen’s 

bureaus and the warrior-president, 

while carpetbags carried the poisons  

of our Adam’s choices, the apple  

eaten once and choking, choking us still. 

 

shoot first 

lie after 

 

They marched, some walked into water- 

cannon resistance, some earned ropes 

others bullets. But a people progressed, 

overcame, would not be moved until law 

moved and protections etched on stones 

hewn from prophets’ preaching. Alas, 

though, alas, the original grasp of  

the banned fruit reached again to 

roll back black tides of truth, un- 

write the engraved securities and 

spread denial with ballots and faces 

shrouded lest we see hate’s true faces. 

 

Shoot first 

lie after 

 

What mirrors can poets hold up  

to who we are, the maga-faces of 

us, masked and armed with original 

animosity, that snake-fed wish for 

the knowledge of evil without good, 

the forbidden fruit of persistent 

preferences, potent with orange truths, 

to contrive, convince what eyes saw, 

not innocence—but what hate reshapes. 

 

shoot first 

lie after 

 

Our weak words gain spirit in gathered 

places of open and zoomed assemblies 

of naming, crafted calls for hands to 

join and more voices to move between 

the guns and the victims, recognize 

the lies as they spew like Connor’s 

cannons to push us off the streets 

of spoken truths. We speak first, 

second, third and always,  

after  

and until. 

Greg Friedman is a Franciscan priest, author and poet, currently living in Rome, Italy. 

OUT OF SERVICE

by Jan Steckel

Ghost cars with their lights still on, 
radios blaring, windows shattered,
litter the streets. It's like the rapture, 
drivers disappeared. Alex Pretti's
beautiful baritone talks about service,
sacrifice, freedom that isn't free.
He's reciting his own epitaph,
just doesn't know it yet.
Boy Scout, choir boy, runner, biker, 
named his dog Joule after a unit of energy.
Someone needs to immortalize him
in a song, like Joe Hill. I'm tired
of snuff videos featuring our best
and brightest. Bone-weary
of tinpot dictators, bantam Nazis 
in custom greatcoats. Alex was a lover
who was loved, cared for people,
made them laugh. Now he's meat.
The pathologist will crack his chest,
weigh his heart, find it lighter 
than a feather. Joe Hill tells Joule,
"Hear that? He's coming."
All the ghost cars flash their lights
in time to the whistles and shots.

Ghosts and Oceans, Jan Steckel's latest book, is a collection of short fiction. Her poetry book The Horizontal Poet won a Lambda Literary Award. Her books Like Flesh Covers Bone, Mixing Tracks, and The Underwater Hospital also won awards.