Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Wednesday, December 24, 2025

WRAPPING PAPER, DECEMBER 2025

by Catherine D'Andrea




white snowflakes

                  are scattered

on red 

                  the pattern

regular

                   I try

not to think 

                  too much 

not to look 

                  too close  

pretend each 

                  shape is 

unique not

                  the same

repeaters

                  the same

pattern again

                  and again 

the red

                  unfurled

on the floor 

                  spattered

on the ground

                  beach

classroom

                  bed

the red

                  the red 




Catherine D’Andrea taught French, raised two children, and confronted cancer before succumbing to poetry. She is a graduate of the MFA program at Western Connecticut State University and her work has appeared in Blue Heron Review, Literary Mama, The New Verse News, Poor Yorick Journal, and other publications. She lives in Connecticut with her husband and two cats.

Tuesday, December 23, 2025

ESCOFFIER GRABS A BURGER

by Jon Wesick

 



After John Steinbeck inaugurates the Trump-

Kennedy Center, Edwin Hubble gets his horoscope 

done, setting off a flash flood of intellectual foment. 

Simone de Beauvoir tunes in to Andrew Tate,

Lord Haw-Haw blows Winston Churchill’s mind,

Stanley Kubrick remakes Birth of a Nation

and Aaron Copeland replaces “Fanfare for the Common Man”

with “Who Let the Dogs Out?”

 

Rachel Carson invests in coal. Jonas Salk delves into iridology. 

Charles Darwin searches for lizard people in the Galapagos.

Carl Friedrich Gauss abandons mathematics for numerology.

Coco Chanel wears Garanimals. Epicurus praises Jell-O.

Isaac Newton is never without his lucky rabbit’s foot

and Albert Einstein always forwards chain letters.

Fyodor Dostoevsky watches Jerry Springer 

and Virginia Woolf never misses Real Housewives

You can find Da Vinci painting Elvis on velvet at any gas station.



Hundreds of Jon Wesick’s poems and stories have appeared in journals such as the I-70 Review, New Verse News, Paterson Literary Review, and Unlikely Stories. He is a regional editor of the San Diego Poetry Annual and host of the Gelato East Fiction Open Mic as well as the NAV Arts poetry reading. His latest short story collection is Saint John the Blasphemer. He lives in Manchester, New Hampshire and longs for gene editing to bring giant wombats back from extinction.

Monday, December 22, 2025

THE SCRUBLAND

by Sezin Devi Koehler





for Rob Reiner


the humid air streams off the slash pine barks

     the breath of a ghost lover against my neck

the tinnitus buzzing of insects, some vampires some not

     the goth butterfly that lands on my sweaty shoulder

     for a drink—I become nectar

gopher turtles scurry into their burrows at my footsteps

     grumpy Harry before Sally

sugar sand yields under my pink sandals

     when it rains, hungry quicksand 

     isn’t just a threat to Westley and Princess Buttercup

this oak tree is 265 years old, the banyan dripping limbs at least 300

these willows extend a fairy circle in the air

rodents of usual size rut below sawgrass thrones

the path into the forest has been worn by hundreds of feet

the train runs parallel, its mournsome whalesong

     I’m the fifth friend in Stand By Me

     looking for my own dead body in the moist brush

     a phoenix in progress

I didn’t forget my comb here by the tracks

     but I did forget myself in the junkyard of a marriage

     that did not bring us together today

I walk through the woods of your memory

as I wish

     come back to us soon

     come back soon

     come back



Sezin Devi Koehler is a multiracial Sri Lankan/Lithuanian American and author of Much Ado About Keanu: A Critical Reeves Theory (April 2025, Chicago Review Press), a sociocultural deep dive into what makes Keanu Reeves so extraordinary as a performer and artist. Pop-culture writer, entertainment journalist, and Rotten Tomatoes-certified film and TV critic for Black Girl Nerds, Sezin's bylines also include Entertainment Weekly, The Daily Beast, Scalawag Magazine, Tasteful Rude, Teen Vogue, and many more. Her poetry has appeared in Tension Literary. Sezin is a board member of the San Francisco Writers Grotto and wordsmiths from an East Oakland historic landmark that looks uncannily like the house from Practical Magic, where she can see the San Francisco Bay from her own window.  

Sunday, December 21, 2025

DROPPING OFF THE NATIVITY

by Tricia Knoll





For the community of Winooski [Vermont], the week following Thanksgiving began with a disturbing absence: a second-grade student’s desk was empty. What followed was a rapid-fire sequence of press releases, emotional pleas, and contradictory reports that have left many Vermonters confused about how a seven-year-old boy went from a holiday road trip to a federal detention center in Texas. —Compass Vermont, December 7, 2025


Handmade of painted paper mâché, the figures of the old nativity scene rest in the tattered box I pick up at the church bazaar for $2. Baby Jesus. A goat. Two men with lambs on their shoulders. Mary. Joseph. Five wise men bearing gifts. Two identical angels hinting this might be a combination from two original sets. A blue angel who cannot stand up. A flimsy barn and dry grass. I leave it on the doorstep where my favorite children live, hoping someone might tell the children the story of outcasts, love and humble housing. How Christmas got its name. Even if they use pagan filters. A text arrives: their house doesn’t do nativity. It’s going to Goodwill. I ask for it back. The news: ICE pulled over a seven-year-old and his mother in Illinois. Originally from Ecuador, they live in the town just upriver from me. The child’s school was the first declared sanctuary school in Vermont. The mother and child are now in detention in Texas. The superintendent of schools works to raise money for legal aid, to help the father contact them. Inside me sounds like sanctuary, mercy, peace, star of hope and love reverberate like the striking of a distant temple bell. 



Tricia Knoll's hometown of Williston, Vermont is the center of ICE's national data collection and the place scouring social media to find evidence of immigrants without citizenship. She is a poet currently writing in prose. Her chapbook The Unknown Daughter was recently a finalist in the New England Poetry Club chapbook contest.

Saturday, December 20, 2025

OBITUARY FOR WOMEN WHO STOP TRAFFIC

by Mary K O'Melveny




Cora Weiss, who was active for more than half a century in support of gender equality, international peace, the anti-Vietnam War movement, civil rights and nuclear disarmament, and who helped organize some of the most important mass demonstrations of the 1960s, died on Monday in Manhattan. She was 91. —The New York Times, December 8, 2025


          For Cora Rubin Weiss (1934-2025)

 

Women Strike For Peace detected

Strontium 90 in newborn’s teeth,

food, air, water. Filled Central Park

with a million activists for 

nuclear disarmament.

Pedestrian gridlock stilled horns,

thrilled peace advocates everywhere.

Atomic tests were later banned.

 

Later, Cora chaired justice protests,

led the New Mobilization 

Committee to end the American 

War in Vietnam. She carried signs:

Not Our Sons. Not Your Sons as she

pursued Pentagon bigwigs, garbed in

pearls, high heels, demanding war’s end. 

Hundreds of thousands followed her there.

 

Traffic came to a stop when she 

lay down on Park Avenue with 

her resistance sisters, each one

bearing names of  Vietnamese 

dead by US guns, bombs, napalm. 

She ferried letters from Hanoi

POWs to home and back.

Carried hopes, parried criticism.

 

Mentored by Eleanor Roosevelt

as a girl. In college, she met,

married Peter, a civil rights 

lawyer activist. Together, 

they fought against bigotry – from

McCarthy to Trump. Cora knew

the key role that women play in

teaching about love, unity.

 

Throughout her life, she stopped traffic-

king of hate. Fought for global peace

education. Fought for humanity.

She never gave up. Never walked 

away from a righteous cause. Never

stayed silent when protest was called

for. Never got up from a roadway

if something remained to fight for.



Editor's note: Peter Weiss died in November 2025 at the age of 99.



Mary K O’Melveny, a happily retired attorney, is the author of four poetry collections and a chapbook. Her most recent, If You Want To Go To Heaven, Follow A Songbird, is an album of poems, art and music. Mary’s award-winning poems have appeared in many print and on-line literary journals and anthologies and on international blog sites, including The New Verse News. Mary’s collection Flight Patterns was nominated for the Eric Hoffer Book Award. Her book Merging Star Hypotheses (2020) was a semi-finalist for The Washington Prize, sponsored by The Word Works. Mary has been three-times nominated for a Pushcart Prize. She is an active member of the Hudson Valley Women’s Writing Group and her poetry appears in the Group’s two published anthologies An Apple In Her Hand and Rethinking The Ground Rules. Mary lives with her wife near Woodstock, New York.

Friday, December 19, 2025

MASS SHOOTING #8

600 block of Jackson Ave., Muskegon, MI, Dec 6, 2025



by Ron Riekki

“Sure, this world is full of trouble

I ain't said it ain't.”

—Douglas Malloch, “It’s Fine Today”





They say there are 200 different words for snow
in the Sámi language, like the northern Sámi
 
vahtsa, which is new snow on old snow, which
now is the case, driving a rented car on plowed
road, but then turning onto the street of our latest
 
mass shooting in Michigan and instantly it’s
unplowed, so thick with snow that it scrapes
 
the bottom of the vehicle, yet ice on the tires
so that the car swerves back and forth, with
a realization that I can’t stop, so I drive by
 
a house with caution tape lying in snow, but
it doesn’t look like the photos or videos online
 
of where the shooting happened and I wonder
if it’s another incident, especially since this city—
Muskegon, Michigan—has been plagued with
 
a dozen shootings: 9mm and Glock and “AR-
style rifle” and “stolen pistol” and “handguns”
 
and another shooting on the 1400 block of
Gyrock and a “19-year-old has been arraigned”
and nine killed and eleven injured in Muskegon
 
this year alone, a population of 38,000, and it’s
26 degrees with the wind chill, two months since
 
the last mass shooting; and a Democrat online
tells me it’s due to the cold, and someone else
online says it’s due to astrology, wants to know
 
the alignment of the stars, and I stare at the home
I think where the shooting happened, but I can’t
 
stop, the street empty, absolutely nobody outside,
and the house where it happened looks dead, no
lights on inside, but, later, down the street, I see
 
a window with bright white Christmas decorations,
a snow-colored fake tree elegant in the window,
 
and I swing the car around once there’s plowed
road and go down it again, still not able to stop,
still swerving, windows down, the cold frowning
 
into the car, a church nearby unplowed as well
as if no human has been down this street since
 
the shooting, the feel of abandonment, how that
tends to be the feeling of so many of these sites
of shooting, and I stop at a shop, a garage, closed
 
for the night, a large sign saying BLOOD’S all
in red, all in caps, such an odd name for a “front
 
end clinic,” the address 13-something, and
the building bone-colored; getting my bearings,
I drive, looking for anyone to talk to, but all
 
is winter-quiet, a worker stepping out of a back
exit of a restaurant, wiping sweat off his fore-
 
head with his sleeve, his breath visible, and
then, amidst all these closed stores: a liquor
store, how so many of these mass shootings
 
are near liquor stores and churches, parks
and cannabis dispensaries. A 4-year-old
 
was shot at this mass shooting. A 22-year-
old woman and 25-year-old man killed.
A worker throws out piles of cardboard
 
into a dumpster—no recycling—massive
letters of SAM’S DRINK ALL on the store,
 
such a bizarre name, like a command, and
the worker tells me he has no thoughts on
the shooting, doesn’t want to talk about
 
the shooting, doesn’t want me going into
the store, calls and confirms that I am not
 
allowed into the store, but then teenagers
walk into the liquor store and there seems
to be no problem with this. Seeing two
 
children alone in a car, the mother later
emerging from inside. I talk with a 14-
 
year-old who wanders up, says that his
birthday is tomorrow. He’s with a friend.
I ask how we stop gun violence, if they
 
heard about the shooting. They tell me
they know there’ve been shootings. How
 
do we stop them? One of them walks
away, into the store.  The 14-year-old
remains, saying it’s “parenting” and
 
"finances," that “it gets harder every year,”
that people sell drugs to survive. I ask
 
how he’s avoided it: “work and school
and sports.” Football.  Behind him,
the words liquor – beer – wine – lotto.
 
These liquor stores near mass shootings,
always so busy. The 14-year-old goes inside.


Thursday, December 18, 2025

THE PRICE OF KNOWLEDGE

by Steven Kent




"American Academy of Pediatrics loses government funding after criticizing RFK Jr" —The Guardian, December 17, 2025



Though docs at large

Can prove success,

They're not in charge

At HHS,

Where Bob is firm

And don't play nice--

You diss The Worm,

You pay the price.



Steven Kent is the poetic alter ego of writer and musician Kent BurnsideHis work appears in 251, Asses of Parnassus, The Dirigible Balloon, Light, Lighten Up Online, The Lyric, New Verse News, The Orchards Poetry Journal, Philosophy Now, The Pierian, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, Snakeskin, and Well Read. His collections I Tried (And Other Poems, Too) (2023) and Home at Last (2025) are published by Kelsay Books.

LIGHT

by Chris Reed




Flakes of snow glow orange like fireflies

over a winter field of bare and capped heads,

candles held high in the snow swept vigil.

Light gathers itself to the campus lamp,

lone glow behind a policeman’s head, 

his face like ours in shadow.

 

We connect light to morning and sight,

to warmth and touch, to seasons

of planting and harvest,

and in our winters, to what still returns

after the night, the storm, and the losses.

 

But light doesn’t care for our veneration.

Indifferent, it turns the glow back on us.

Red radiates off the side of a face at a window.

reflects the ambulance light in the night,

red hands holding back the drapes.

 

Flashes of gunfire on Bondi Beach

found celebrants honoring a festival

of light, light as healing and possibility,

as the connection and love that endures,

telling the story of an ancient flame.

 

I look up from my screen of news and photos

as light sends the shadow of a bird outside

my window, flying across my pale nubby rug. 

Sunlight paints the many leaves of the jade tree

and stretches along the floor to my feet.

 

Light remembers that in the beginning

it took on the job of radiance and promise,

and we took on the job of repairing

the vessels that we are, 

so that we might hold the light. 

 

In recent news photos, light is reserved,

embarrassed for us, 

embarrassed to have been the gold on snow,

the red glare on the cheek at the window,

the sun setting over a bloody beach,

— and asks — Can’t you do better than this?



Chris Reed has been writing poetry for five years. As a writer and a retired Unitarian minister she values the work of social justice and witnessing that is done through poetry. But admits she has sometimes had a difficult time reading news stories during this last year. And this is not a comment on her eyesight. Her first chapbook Two Years and Two Months was published last month by Finishing Line Press.

ALMA MATER / SOUL MOTHER

by Annie Rachele Lanzillotto




a womb
a place we encourage our youth to strive to go 
to hope to go, 
to set their sites on,
Thayer Street where we promenade our thoughts, 
The SciLi where we fill ourselves with knowledge, 
thousands of hours reading reading everything we can get our hands on,
Soul Mother my heart aches for you
Soul Mother we send our young for your warm embrace,
Soul Mother we fail you, 
Youth we fail you,
Youth full of promise we fail you, 
Fail to protect you from the excesses of rage that is both a byproduct of our society, 
and rage that wells up from within, Rage that is armed.

Oh if it could only be a fair fight again, if only a raging man could have just fists and wits
Oh if only 

But that era is gone
And only one such as Gandhi could put out a meaningful call for all to lay down weapons,
and in the end, 
it was a bullet that got him too
a bullet kills a peacemaker

cursed bullets
cursed designers of bullets
cursed rage that had no better way to explode
cursed testosterone gunpowder rage
cursed whoever politicizes this killing of youth of brilliance of hard-working teenagers striving to carve of this world a better place 
Soul Mother, Alma Mater I ache for you


Annie Rachele Lanzillotto, class of 1986, Brown.

Wednesday, December 17, 2025

EUGENICS

 by Willam Cullen Jr.


British Eugenics Society poster from the 1930s. 
© Wellcome Collection. Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)


eugenics
the non-renewal
of health care subsidies


William Cullen Jr. is a veteran and works at a social services non-profit in Brooklyn, New York. His work has appeared in the American Journal of Poetry, Gulf Stream, I-70 Review, Lake Effect, Pirene's Fountain, Poetry South, and Spillway.