Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Sunday, January 12, 2025

TRUMPED UP

AI-generated graphic by NightCafé for The New Verse News.



Robert Witmer lives in Tokyo, Japan, where he served as a Professor of English at Sophia University until his retirement in 2022. His poems have appeared in many journals and anthologies. He has also published two books of poetry: Finding a Way (2016) and Serendipity (2023). Besides these original works, he served as the lead editor for a series of translations of contemporary Japanese plays, Half a Century of Japanese Theater.

Saturday, January 11, 2025

A REQUEST TO THE STATE

by David Chorlton


Aaron Gunches is not going to get his wish to be executed on Valentine’s Day. In an order Jan. 8, the Arizona Supreme Court rejected a Gunches pleading to forgo any more legal maneuvering and finally put him to death after he pleaded guilty to the 2002 murder and kidnapping charges of Ted Price, his girlfriend’s ex-husband. Instead, the justices said they want to hear arguments from all sides, including Attorney General Kris Mayes, who wants Gunches executed, but not on his schedule. —Arizona Capitol Times, January 8, 2025



The sun must wish events
were kinder when it climbs the sky
and looks down on
the latest shooting incidents, fires
gone wild
                  and a prisoner deciding
his time is due to die. The forecast here
is for deportations but
no rain. It’s playoff time, every touchdown
seems like another shot
and the elements are favorites to win
against all opposition. No sign
                                                         of clouds today
just wind in California
and Arizona waiting for an execution. 
Department of Corrections, chemicals
imported, nostalgia for
old West public hangings with the law
as violent as the criminals.
                                                 Legislation’s
language does not cover  peace
or love. A man condemned
can do no more than ask
that he become the state’s revenge
on Valentine’s Day.


David Chorlton is a longtime resident of Phoenix who finds comfort in keeping track of local birds and creatures on the fringe of the urban world. Having spent his early years in Europe, he still observes his surroundings with the pleasure of being in a foreign place.

Friday, January 10, 2025

COVER IT

by Ron Riekki


“Everyone keeps saying 'apocalyptic,' but that doesn’t begin to cover it.” —CNN’s Karina Tsui from Pacific Palisades, January 8, 2025

 


My sister texts me saying she is sorry

to hear about my long disease [sic] and I

think of the long history of fire, how often

our world wants to be held instead of this,

now, how it’s helled.  And in the military

they put me in the burn pits, not to help,

but for punishment, no mask given, and

 

forced to stand there with the ash now

that owns me, apical scarring, and this

is the world now, scaring me, the news

where I see fire in the Ukraine and fire

in Gaza and fire in Sudan and fire in

Myanmar and fire in Haiti and I look

online at a “current large wildfire map”

 

and it looks as if all of California is on

fire and I worked in California during

COVID, a disaster healthcare volunteer,

going to all the worst-hit cities, raged

by COVID and, always, driving in, I’d

see countless TRUMP signs [sick],

almost as if COVID went wherever his

 

supporters were, a nurse yelling one

time that the OR needed to have at

least two sets of negative pressure

respirators, and I remember a shift

where all of the staff was sick, how

nobody showed up but me, and, out-

side, the horizon was ablaze, rooms

 

packed with COVID patients, one

dying every other shift, and I could

go outside for my break, but couldn’t

take my mask off outside either, not

with the planes dropping fire retardant,

and a medic telling me that the UV

in L.A. was deadly, is deadly, and this

 

doctor screaming something about

a CT scan, and a COVID patient who

came in with no ID (we took him),

and an MP from a nearby military

base who died in his 20s, drowned

in the water of his own lungs, and

how someone came in and a nurse

 

was asking if the patient couldn’t

breathe because of COVID or be-

cause of the fires and the fires were

COVID and COVID was a fire, is

a fire, and my father is in bed and

he’s flicking through the news and

it’s orange-red on the screen and

 

red-yellow on the screen and it’s

yellow-orange, all these different

hells we create—bombings and

wildfire and a Republican’s pool

in his mansion backyard drowning

in flames and the fires in Burkina

Faso don’t make our news and

 

the fires in Cameroon don’t make

our news and the fires in Mali

don’t make our news, but fires

of the wealthy are all over our

screens and the mansions are so

quickly eaten by Hell.  My son

googles the words Who invented

 

fire? and the A.I. answers, Homo

sapiens and we invented all of

this, all of this ash and smoke

and I remember when I was

standing in the middle of my

lungs being destroyed for

the rest of my life and there

 

was fence all around me and

I thought of incarceration,

how we are getting so good

at war that we are turning our

whole entire world into a prison

and the only way out of this hole

is to stop everything we’re doing.



Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice (Michigan State University Press).

Thursday, January 09, 2025

KRONOS EATS HIS CHILDREN

by Susan McLean





Kronos rules a golden age.
A.I. fulfills his every whim.
He fracks to fuel his leverage.
He won't let regulations trim
his profits or his privilege.

Kronos drives an SUV:
it's comfortable; he needs his room.
When there's a place he wants to be,
his private jet can save him time,
and time is money, naturally.

You can't eat money, though, so when
the ice caps melt, the oceans warm,
droughts, floods, and hurricanes pile on,
and all the crops dry up or drown,

his kids will find he's eaten them.



Susan McLean, a retired English professor from Southwest Minnesota State University, taught a course in Greek myth and literature for thirty years, and finds that those myths continue to resonate with what's happening now.

Wednesday, January 08, 2025

A HAUNTING AND A CURSE

by Patricia Smith Ranzoni



               

     Came a land with no children but many flowers. 

Weeded out by ground thieves, God-given, they thought 

and said. Their right, being most moral to themselves.


     In mothers’ wombs slaughtered sons and daughters. 

In incubators denied power. Refused milk, starved, no matter 

their wails, no rescue or slightest mercy even water.


     Survived to toddle, shot in their heads. Walk or run, 

in knees hobbling for life. Life? Called lawn to be mowed.

At mid-youth, still alive, picked off, 


     thought of as rats on forbidden dumps. And grass 

to be cut. Bombed and drone-shot day and night til nothing

but chunks rolled in dirt like fish in flour 


     from nets also forbidden. Came a land with no 

children, a foot, arm, patch of flesh while rubble baked and 

blew away in the sun, then the absolute misery of winter 

without shelter not a dry or safe space to be had not a meal 

     and the people who wanted it that way, staked and 

claimed, liking it with no children or only childrens’ bones, 

congratulating themselves. No humanitarian aid allowed! 

No humanity for Christ’s sake!


     Came a time their stolen olive trees turned blood red 

fruiting with the colors of newborn eyes watching them.


     Their soiled window boxes boasted the lushest 

greens ever seen, breaking out with poison petals 

startlingly splendid but quick to rot. 


     Their gardens made them sick. Trees never 

stopped boiling over with tears. Yet still, they praised

themselves, thanking their gods. 


     The map to the land with no children can be found 

by the cries the wind is made of. World ‘round, it is named 

shame in laments whispered and screamed forever.


Outback Maine native Patricia Smith Ranzoni is a child veteran of WWII and retired educator nearing the land of 85. Daughter of a woodsworking paper mill rigger and farm woman, she and her second generation Italian-American husband met and married while working their way through the University of Maine (1962). With their three children they have devoted their lives to keeping the family G.I. Bill homestead for three more generations. They were the last on both sides to keep a family cow. Her mostly self-taught poetry has been published across the country and abroad, including numerous times in The New Verse News where she goes for solace.

Tuesday, January 07, 2025

BEAUTY AND THE WOOLY BEAST

by Lisa Seidenberg


Left: Archaeologist Kathleen Martinez believes a marble statue discovered at a temple site portrays the face of Cleopatra. (Image courtesy Egypt Ministry of Tourism and Antiquities via Hyperallergic. Right: Researchers inspect the remains of a baby mammoth found in the Siberian permafrost in Russia's Batagaika crater. (Image by Roman Kutukov / Reuters via NBC News.)


A female wooly mammoth was found
In the frozen reaches of the “mouth of hell”
Nestled in a crater underground

50,000 years since she made a sound
Did she leave with a tale to tell
Nestled in her crater underground?

She was named Yana, a gentle sound
We don’t know if she let out a yell
Stumbled down by chance or forced underground

Cleopatra’s stone head was found uncrowned
Along with coins and other bagatelles
Scattered near her tomb recovered underground

Burial sites are a scientist’s playground
Clues in bones, a grown-up show and tell
Treasures from an ancient lost and found

Might the wooly beast and the Egyptian Queen 
prefer their secrets to remain unseen?
Safe-keeping their private lives 
Locked away from prying eyes



Lisa Seidenberg is a writer and filmmaker who resides in coastal Connecticut. She is a nominee for the 2025 Pushcart Prize. Her recent work has been published in Asymptote Journal, The New Verse News, OneArt: A Journal of Poetry, and Gyroscope Review. She is peer poetry reviewer for Whale Road Review.

Monday, January 06, 2025

PANTOUM: THE TALIBAN TALI-BANS WINDOWS

by Steven Croft




No more open casements, no more moments at windows
Bring back the view of flowers and the love-burned orchards
Buildings now a punishment, knowing prisoners love windows
Talibs say: "Seeing women through windows is an obscene act"

Bring back the view of flowers and the love-burned orchards
To bodies now haram, faces now haram, our voices now haram
Taliban warn: "Seeing women as women is an obscene act"
Captive in darkness, dark-bitter roots till these walls come down

To bodies now haram, faces now haram, our voices now haram
At breast, our babies, throats filled with milk and woodsmoke
Captive in darkness, seeds for flowers, till these walls come down
No more subterranean, no more cavemouth blocked

At breast, our babies, throats filled by milk and woodsmoke
In the candlelit square of mirror, I hope myself, hopeless
No more subterranean, no more cavemouth blocked
But for the world I've stopped hoping, hope tombed long ago

In the candlelit ghosts of windows, I see myself hopeless
My pain bleeds down the panes, alone with my punishment
For the world will not see us, our hope tombed long ago
For the world will not see us, it stopped looking long ago


Steven Croft lives on a barrier island off the coast of Georgia. His latest chapbook is At Home with the Dreamlike Earth (The Poetry Box, 2023). His work has appeared in Willawaw JournalSan Pedro River ReviewSo It GoesAnti-Heroin ChicThe New Verse News, and other places, and has been nominated for the Pushcart Prize and Best of the Net.

Sunday, January 05, 2025

THE MOST BEAUTIFUL WORD IN THE DICTIONARY

by Arlene Weiner


“Tariff,” Donald Trump has said many times, “is the most beautiful word in the dictionary.” —The Guardian


Tariff?
More beautiful than cerulean? 
Than mother? Than home?
 
Something Arabian
about tariff: a perfume. 
Something elaborate: a fringe. 
 
Certainly more beautiful
than beautiful, bee-yoo-tiffle.
Related to giraffe? To sheriff?
 
herd of tariffs, say, gathers
high-hanging fruit. A tariff
with a posse protects. 
 
And yes, Arabian: Wikipedia: 
The English term tariff
derives from the French: tarif
 
a descendant of the Italian: tariffa,
from Medieval Latin: tariffe…  
from the Ottoman Turkish…
 
borrowed from the Persian…
The Persian term derives from Arabic:
 تعريف, ta rif.
 
To riff on tariff: What if 
the English, the French, the Italians, 
the Turks, the Persians
 
had taxed foreign tongues,
policed the borders of language,
put up walls?
We’d have no tariff, no beautiful tariff.


Arlene Weiner lives in Pittsburgh. She has been a copy editor, a den mother, a Shakespeare scholar, and a member of a group developing computer-based instruction. Her poems have appeared in a number of journals and anthologies. Ragged Sky Press has published three collections of her poetry: Escape Velocity, City Bird, and More. She also writes plays.