OLD AND FAMILIAR

by Dick Altman

A preliminary review by U.S. Customs and Border Protection’s internal watchdog office found that Alex Pretti was shot by two federal officers after resisting arrest, but did not indicate that he brandished a weapon during the encounter, according to an email sent to Congress and reviewed by The New York Times [January 27, 2026].

We were both

ten years old,

and best friends,

the colonel’s

daughter

across the street

and I,

when he said

I think

you’re old enough

to see these

army newsreels,

from my days 

back

in World War II.

 

Down into 

the basement

we went.

Before he turned

out the lights,

we watched

as he took out

a giant reel

of sixteen millimeter

black and white film,

he fitted

to his old army

projector.

 

The two of us

watched in terror,

as people were

dragged from shops

and apartment

buildings,

thrown

to the ground,

and beaten.

With the same

fright in our voices,

we asked

what they

did wrong.

 

The colonel

stopped the film

and turned

on the lights.

What did they

do wrong,

he repeated.

Hitler—

a name

we knew barely

at a distance—

hated Jews,

he said.

The people

pictured here

were Jews.

In that quiet

fatherly tone,

I knew so well,

he looked at me

and said,

you’re Jewish,

aren’t you.

 

The next images,

forever fixed

in my mind,

showed mounds

of dead bodies 

being bulldozed

into trenches,

at what he called

“the camps”.

A vile end,

I later thought,

for a people

doing nothing 

wrong,

but approaching

their god,

in the Fuhrer’s eyes,

from the wrong

testament.

***

I can’t pick up a paper,

or see a newscast,

that doesn’t remind me—

as ICE grabs individuals

off the street,

or wades into crowds

with smoke bombs,

to break up protests—

of those images

the colonel

shared with us,

that day long ago.

 

We were still

too young

to understand

when he told,

how Hitler came

to control the truth

proclaimed 

by print

and radio.

As truth today

seems to reincarnate

with each sunrise,

the colonel’s films

begin to feel

eerily familiar.

Have America’s

once welcome

immigrants,

incarcerated now

at every turn,

I ask myself,

become

yesterday’s

vilified Jews,

our government

more Hitlerian

by the hour?

And more

terrifying?

 

Dick Altman writes in the thin, magical air of Old West’s high desert plains, where, at 7,000 feet, reality and imagination often blur. He is published in the American Journal of Poetry, Santa Fe Literary Review, Fredericksburg Literary Review, Foliate Oak, Landing Zone, Cathexis Northwest Press, Humana Obscura, Haunted Waters Press, Split Rock Review, The Ravens Perch, and others here and abroad.  His work also appears in the first edition of The New Mexico Anthology of Poetry, published by the New Mexico Museum Press. Pushcart Prize nominee and poetry winner of Santa Fe New Mexican’s annual literary competition, he has authored over 290 poems, published on four continents.

OUT OF SERVICE

by Jan Steckel

Ghost cars with their lights still on, 
radios blaring, windows shattered,
litter the streets. It's like the rapture, 
drivers disappeared. Alex Pretti's
beautiful baritone talks about service,
sacrifice, freedom that isn't free.
He's reciting his own epitaph,
just doesn't know it yet.
Boy Scout, choir boy, runner, biker, 
named his dog Joule after a unit of energy.
Someone needs to immortalize him
in a song, like Joe Hill. I'm tired
of snuff videos featuring our best
and brightest. Bone-weary
of tinpot dictators, bantam Nazis 
in custom greatcoats. Alex was a lover
who was loved, cared for people,
made them laugh. Now he's meat.
The pathologist will crack his chest,
weigh his heart, find it lighter 
than a feather. Joe Hill tells Joule,
"Hear that? He's coming."
All the ghost cars flash their lights
in time to the whistles and shots.

Ghosts and Oceans, Jan Steckel's latest book, is a collection of short fiction. Her poetry book The Horizontal Poet won a Lambda Literary Award. Her books Like Flesh Covers Bone, Mixing Tracks, and The Underwater Hospital also won awards.

ENDANGERED SPECIES / WHAT DOES IT FEEL LIKE?

by Dick Altman

An Indonesian father of an infant with special needs, who was detained by federal agents at his hospital workplace in Minnesota after his student visa was secretly revoked, will remain in custody after an immigration judge ruled on Thursday that his case can proceed. The day before [Aditya Wahyu] Harsono’s bond hearing, DHS disclosed their evidence against him. Besides stating that his visa had been revoked for the misdemeanor graffiti conviction, for which he paid $100 in restitution, they also mentioned an arrest from 2021 during a protest over the murder of George Floyd. That charge was dismissed. Harsono is Muslim and frequently posts on social media in support of humanitarian relief for Gaza. He also runs a small non-profit, which sells art and merchandise, with proceeds going to organizations aiding Gaza. —The Guardian, April 29, 2025. Peyton Harsono (pictured above) and Madison Weidner have organized a GoFundMe to support Harsono’s family in these dark days.

I dream,

every now and then,

of an army newsreel

the colonel

across the street,

shows

two ten-year-olds,

his daughter and me.

We are old enough,

he says,

quoting Burns,

to witness “man’s

inhumanity to man,”

a phrase lost on us,

until he turns down

the basement lights,

and the 16-mm film

begins to unwind.

 

It opens

on a city street

of old buildings,

older than anything

I know of America.

The sidewalks busy

with baby carriages,

people shopping,

children skipping.

When,

out of a doorway,

two men abruptly

drag a man

into the street.

They punch him,

until he falls

to the ground,

and then begin

to kick him.

We can only stare.

The colonel,

as if reading

our minds,

says

they’re beating him

because he’s Jewish.

And the voiceover

starts to explain.

*

When I awaken,

my mind grinds

incessantly

on the words

endangered species.

Grinds on the video

of a woman in white—

a student protester

of foreign extraction,

here in America—

converged upon

by three men in black,

who arrest her.

A chilling reminder

of the colonel’s

newsreel.

Echoing

across the nation’s

landscape,

across mountain,

prairie and sea.

 

Endangered species.

My mind trembles

over the syllables,

as I imagine them

enclosing themselves

around the laws

and institutions

that nourish

and drive

our democracy.

 

Endangered species.

I strangle on the words,

here in Indian Country,

where a holocaust

nearly drove a people

into extinction.

We have a history,

I say to myself.

Can we,

as a nation,

change course?

I can almost

imagine

a raging knock

at the door,

as I write.

“You and

your words—

they’re coming

with us,”

I hear

a voice yell.

 

And I think

of the eyes

that might read

these thoughts.

And of the lines

and lives

that didn’t survive

during

and between

last century’s

Great Wars.

And I confess—

I fear those eyes.

 

 

Dick Altman writes in the thin, magical air of Old West’s high desert plains, where, at 7,000 feet, reality and imagination often blur. He is published in the American 

Journal of Poetry, Santa Fe Literary Review, Fredericksburg Literary Review, Foliate Oak, Landing Zone, Cathexis Northwest Press, Humana Obscura, Haunted Waters Press,

Split Rock Review, The Ravens Perch, Beyond Words, and others here and abroad. His work also appears in the first edition of The New Mexico Anthology of Poetry, published by the New Mexico Museum Press. Pushcart Prize nominee and poetry winner of Santa Fe New Mexican’s annual literary competition, he has authored some 250 poems, published on four continents.

A TrOcitieZ

by Abby Caplin

AI slips into my personal emails, a spying  
Big Brother, peering over my shoulder. Last fall, money
circled  
down the drain, in what might be our last election.
Eight years, I guzzled the news. Now I sip and worry how “Dt” might get 
flagged by Em’s tentacles, if not weirdly written. 
Google renames the Gulph.of.MeXicoh to the Gulph.of.AmeRikaH, our maps  
hijacked by data centers in Dallas. Institutions, 
international alliances, even lowly pennies have not been spared. My neighbor 
Jenna, a vibrant woman with twin two-year-olds, was laid off last Friday by Dt/Em’s  
kangaroo government. AI sums up what’s inside my email: 
Letter of Rejection from The New Yorker; Ruth had surgery; Abby offers advice on 
medications. My mother always told me to   
never underestimate the stupidity of the American people. 
Oh, how she was right! I rewatch 
Pride and Prejudice where a wealthy man learns from a strong female lead, so 
quaint, and You’ve Got Mail, where a 
revenue-oriented man’s heart is softened by a trusting,
spirited woman, but not enough to not destroy her livelihood.  
Tr 
Ump will someday be laid out, like Savonarola, upon his bonfire of the 
vanities. But for now, I should watch 
what I write, for the mighty egos, 
extracted from the ashes of the Third Reich, are celebrating their carnage,  
yucking it up in private jets. Congratulations, Na 
Zis, though you too will fail. 


Abby Caplin's poems have appeared in AGNI, Moon City Review, Mudlark Flash, Pennsylvania English, Salt Hill, and elsewhere. Among her awards, she has been a finalist for the Rash Award in Poetry, The Poetry Box Chapbook Prize, and a nominee for Best New Poets, Best of the Net, and the Pushcart Prize. She is the author of A Doctor Only Pretends: poems about illness, death, and in-between (2022). Abby is a physician in San Francisco, California.

CHECK YOUR PHONE!

by Roderick Deacey

Check your phone—

it’s full of messages,
all are saying
check your phone.
Check your creek—
it keeps on rising,
so do temperatures,
the tundra’s melting,
ice floes are melting,
ice caps are melting.
It appears that ice
is getting scarcer.
Check your freezer—
it’s full of polar bears!
That’s not funny,
they are homeless,
so are penguins.
Check your oceans—
coral’s dying,
sea-weed’s dying,
whales are dying,
fish are dying,
even octopi
are saying bye-bye.
Sea’s full of plastic—
that can’t feed us.
What’s going on here?

Check your phone—
it’s full of fascism,
it’s caught a virus,
it’s caught fanaticism,
anti-Constitutional
Christian nationalism.
The leading candidate
has set a camping date
to rehouse us vermin
soon as he is back in,
billionaires back him,
better believe him!
Hey, great-grandad,
those Nazis you fought—
they’re back again.

Check your phone—
it’s bleeding bargains,
don’t buy bargains,
but buy a bunch
of solar chargers.
And download books—
many, many books—
for long, dark evenings.
Are they coming?
What do Boy Scouts say?
Be prepared! But first,
download this handy volume:
"Edible Plants for Eating;
How to Find Them."
It’ll help you forage
in field and forest—
the hunter-gatherer diet,
you may have to try it!

Check your phone!
Computer projections
predict who’s winning—
no one’s winning!
We’re all sad losers,
no cause for mirth
on screwed-up Earth.
The Washington Post
confirms we’re toast,
The New York Times asks
“It’s really that time?”
CNN says start again,
while Fox whines Biden
should have known.
I wrote The Guardian—
they just groaned.
As for M-S-N-B-C,
they say truth will set us free—
that’s not proven to be true…
so now, what should you do?
You know, don’t you?
Check your phone!


Roderick Deacey recently discovered his bio had been replaced by instructions on how to turn himself in. He remembers regularly performing beat poetry with bass-player and drummer. He also remembers sending poems to literary magazines and occasionally having some published. He has decided not to turn himself in but to turn in a few spare poems instead.

POPE PIUS XII KNEW

December 1, 1942

by Susan Cossette

Letter between Pope Pius XII, who served as Pope during World War II, and a German Jesuit reveals Pius knew of the atrocities committed by the Nazis during the Holocaust —James Gordon,  Dailymail.com and Wires, September 18, 2023

You knew and what did you do?

 

The Jesuit priest wrote to you.

The SS was running death factories,

6,000 Poles and Jews killed every day.

 

You knew about Auschwitz and Dachau.

 

Did you pray on your lapis lazuli rosary 

for the teenaged girl who saw her parents murdered?

Face down on her wooden bunk, 

after the tan suits shaved her head and pubic hair.

 

Your supplicants say you worked

behind the scenes to help Jews 

and stayed mute to prevent worsening 

the situation for Catholics in Nazi-occupied Europe. 

 

Your detractors say you lacked courage,

despite pleas from Allied powers fighting Germany.

 

Pius, Pius you knew, you knew.

The yellowed typewritten letter says it all.

 

Pius what did you fail to do?

Susan Cossette lives and writes in Minneapolis, Minnesota. The Author of Peggy Sue Messed Up, she is a recipient of the University of Connecticut’s Wallace Stevens Poetry Prize. A two-time Pushcart Prize nominee, her work has appeared or is forthcoming in Rust and Moth, The New Verse News, ONE ART, As it Ought to Be, Anti-Heroin Chic, The Amethyst Review, Crow & Cross Keys, Loch Raven Review, and in the anthologies Fast Fallen Women (Woodhall Press), Tuesdays at Curley’s (Yuganta Press), and After the Equinox.