SEVEN-POINT-FIVE PERCENT

by Gale Naylor

after Jose Hernandez Diaz

AI-generated graphic by NightCafé for The New Verse News.

Wearing a tie can reduce blood flow to the brain by seven-point-five percent. I’ve heard the percentage is higher if the tie is red. And long—with its triangular tip seeking a fly like the tongue of some metal-infatuated snake, while the tail tightens around a thick neck—carotid compression. Does lack of oxygen fill the brain’s airless void with dreams… of castles lined with gold; of consequences for thee, adoration for me? Seven-point-five percent. This one, simple fact explains so much: Why rich, suit-and-tie men still seek, long after they should be sated. Why heads—of state, of corporations, of patriarchal households—make decisions empty of heart. The simple cause: compression; the cascading effect: low brain blood-pressure, lack of oxygen, loss of compassion, community, empathy——who knew blood was so important! 

Poetry is how Gale Naylor makes sense of the world as a survivor of incest and sexual abuse; they hope their voice helps other survivors feel less alone. Gale's poems have appeared in Exposed Bone, Calliope-on-the-Web, S/He Speaks 4, Jupiter Review, The Ekphrastic Review, and the California Poet Laureate’s “Our California” website. Gale received an MFA from Antioch University Los Angeles in 2026.

WHAT IS THE GUT TO A PUNCH?

by Malaika King Albrecht

The shooting death of Lorenzo Salgado Araujo occurred as immigration enforcement has ramped up across the country, with thousands being arrested daily. —The New York Times, July 10, 2026

          For Lorenzo Salgado Araujo (1974–2026), initially identified as John Doe.

 

A soft landing. We aren’t the first, scratching our matchsticks along a sidewalk, setting buildings on fire. We want to spark a future we all can breathe in. Family's not nothing, and we’re all relatives in an absolute kind of way, wearing our single-use bodies like prom dresses on our daily trips to the mailbox. The flickering space between birth and death is an unfolding dance of DNA and circumstance. Start the heart like a stopwatch. Let the ticking noise be background sound. Is it personal if it’s all of us? Here is the secret we tell one another in the closet of our dreams: you can’t sit this one out. We’re all John Doe as we pack lunch for work. This war is not a war but is a war if you resist. Behold our given names. Behold the milk poured over tear-gassed eyes. Behold how his speeches are tambourines full of bees.

Malaika King Albrecht's fifth book is forthcoming from Main Street Rag.

PROFIT AND LOSS STATEMENT FOR MR. B.

by Steven Ratiner

 

“The Post needs to be a profitable enterprise that stands on its own two feet.  Let me tell you why. Because it’s a measure of its relevance.  If people won’t pay for our product, it’s not a good enough product.  It would be like poetry without rhyming, it’s too easy.” ––Jeff Bezos in an interview on CNBC reported by The New York Times, May 20, 2026

 

Too easy without rhyme?  Mr. B., I have news for you:

you’ve no understanding of the time that goes into

educating the tongue, cultivating the heart, so that words

might fly true to their destination, bearing the hard

 

truth of what’s required to be an actual human being in

our rancid/gilded age––where suffering’s a commodity

on the Stock Exchange, and all it takes is a few billion

in reserve to live gloriously without a thimbleful of pity

 

or the tonnage of regret.  News flash: your yacht’s run aground

on Circe’s island, as you quaff down cup after cup of kykeon

laced with nightshade, turning into swine along with your crew.

Ithaka can burn for all you care.  There’s no damned hope for you.

 

For what (another old poem) profit a man who gains the world but

loses his soul?  Such unspeakable waste.  What rhymes with that?

 

Steven Ratiner is the author of Grief's Apostrophe, published by Beltway Editions in 2025. He's also published three poetry chapbooks, a collection of poetry interviews, and appeared in several anthologies. His work has appeared in scores of journals in America and abroad, including Parnassus, Agni, Hanging Loose, Poet Lore, Salamander, Vox Populi, QRLS (Singapore), and Poetry Australia––and been translated into Mandarin, Spanish, Ukrainian, and Hebrew. He's also written poetry criticism for The Washington Post, The Christian Science Monitor, The San Francisco Chronicle, and other journals.  Giving Their Word—Conversations with Contemporary Poets was reissued in a paperback edition (University of Massachusetts Press).  He is Poet Laureate Emeritus for Arlington, Massachusetts, and was elected in 2024 as President of the New England Poetry Club, one of the oldest literary associations in America. Now, beginning its seventh year, his weekly Red Letter Poems features a diverse range of poets, from up-and-coming talents to some of the most important voices in contemporary poetry.

AND YOU, WHAT DO YOU NEED?

by Janet Ruth

after Mary Oishi’s poem “I Need Poems”

 

These days I need the sun,
            because it gives us light,
            whether blazing, or watery,
            or obscured by clouds,
and the words to share it with you.

These days I need the moon,
            because it’s a reflection of light,
            whether new & invisible, or waxing,
            or waning, or full,
and the words to share it with you.

These days I need all the flowers,
            because they each provide food
            for some creature and our hearts,
            whether tiny prickly flowers of tumbleweed
            or galaxies of sunflowers,
and the words to share them with you.

These days I need all the world’s creatures
            because if they disappear none of us will ever
            be the same, whether the tiger that padded past
            our jeep in India without a glance, or the black widow
            spider spinning a web by our back door,
and the words to share them with you.

These days I need all the recipes I can collect
            because they feed us, whether my ancestors’
            pfeffernuessen and kringel, sauerkraut and pickled eggs
            or my adopted state’s tamales, posole and biscochitos,
and the words to share them with you.

These days I need all the stories of standing up to say NO!
            because they show us the way
            and the price we must be willing to pay,
            whether Dad’s stories of being
            a conscientious objector in WWII
            or people today carrying signs that say “No Kings,”
and the words to share them with you.

These days I need all of your hearts,
            whether bruised and broken,
            or fibrillating, or full of joy,
            to hold them up to the light with words,
            because they are
                        the heartBEAT            heartBEAT
                                                heartBEAT
            of the real America.

  

Janet Ruth is a NM ornithologist and poet. Her writing focuses on connections to the natural world. She has recent poems in Tiny Seed Literary Journal, Ekphrastic Review, The Lyric and anthologies including The Nature of Our Times (Paloma Press, 2025). Her sonnet “A World That Shimmers” won the inaugural True Concord Poetry Contest, was set to music and performed by True Concord Voices and Orchestra in Tucson, October 2023. Her book,Feathered Dreams: celebrating birds in poems, stories & images (Mercury HeartLink, 2018) was a Finalist for the 2018 NM/AZ Book Awards. 

A VALENTINE FOR MINNEAPOLIS

by Lisa Shulman

 

I love the crunch of your boots in the icy streets,

the rhythmic beat of your mittened hands,

the steam of your breath and the heat of your words 

in this brutal cold and ice-clapped world.

I love the chapped red of your cheeks, your dripping nose

the ice crystals on your eyebrows, your hair,

as you carry signs and bags of food and offer your arm

to that woman on the ground.

I love the street medics with their packs,

the rolling neighborhood patrols,

and the cafes open for free soup and coffee.

I love your cousins in Chicago, Portland, L.A.

I love the way you bang on drums, on cans and dumpsters,

your raucous all-night singing,

your harmonies as you kneel on frozen sidewalks,

your whistles and car horns.

I love your walking school buses,

your inflatable frogs, and knit red hats.

I love the warm and flowing river of your bodies

pouring through your city—

blood pulsing through its veins.

I love your courage that ignites our own,

fire melting ice.

I love your heart.

 

 

Lisa Shulman is a poet, children’s book author, and teacher. Her poetry has appeared in Sheila-na-gig, About Place, Anacapa Review, Inkfish, Kitchen Table Quarterly, New Verse News, and elsewhere. Her new chapbook is Fragile Bones, Fierce Heart. A Pushcart nominee, Lisa teaches poetry with California Poets in the Schools, and workshops for women in recovery.

POLITICAL ARS POETICA

by Susan Cohen

Liam Conejo Ramos

Jupiter is smaller than we thought,

the way that human beings turn out 

to be smaller than we thought. But what use 

is lamentation? Sometimes it’s the smallest

who can nibble their way into the darkest

fastened cupboard of a heart. Sometimes

it’s a boy of five, his Spider-Man backpack, 

that blue bunny hat.

Susan Cohen is the author of three collections, mostly recently Democracy of Fire (Broadstone; 2022). Her poetry has appeared in 32 Poems, Alaska Quarterly Review, New Ohio Review, Prairie Schooner, Rattle, and Southern Review. She’s received the Red Wheelbarrow Prize, Terrain Annual Poetry Prize, and a Special Mention in the Pushcart Prize anthology, among other honors. A former journalist, she lives in Northern California.

OUT OF SERVICE

by Jan Steckel

Ghost cars with their lights still on, 
radios blaring, windows shattered,
litter the streets. It's like the rapture, 
drivers disappeared. Alex Pretti's
beautiful baritone talks about service,
sacrifice, freedom that isn't free.
He's reciting his own epitaph,
just doesn't know it yet.
Boy Scout, choir boy, runner, biker, 
named his dog Joule after a unit of energy.
Someone needs to immortalize him
in a song, like Joe Hill. I'm tired
of snuff videos featuring our best
and brightest. Bone-weary
of tinpot dictators, bantam Nazis 
in custom greatcoats. Alex was a lover
who was loved, cared for people,
made them laugh. Now he's meat.
The pathologist will crack his chest,
weigh his heart, find it lighter 
than a feather. Joe Hill tells Joule,
"Hear that? He's coming."
All the ghost cars flash their lights
in time to the whistles and shots.

Ghosts and Oceans, Jan Steckel's latest book, is a collection of short fiction. Her poetry book The Horizontal Poet won a Lambda Literary Award. Her books Like Flesh Covers Bone, Mixing Tracks, and The Underwater Hospital also won awards.

PLEASE, AMERICA, DON'T TURN YOUR BACK ON ME

by Cecil Morris

AI-generated graphic by NightCafé for The New Verse News.

I remember breaking up with my first real girlfriend, 
the one who surprised me with earthly delights 
and let me touch the promised land, again and again, 
the one who did not push my hands away as if 
they were impertinent puppies, maybe cute 
but mostly annoying. I loved everything about her, 
her hair on my skin, her mouth, her own wild eagerness, 
her eyes turned up to me, the way we enjoyed 
the American River on sun-burnished afternoons, 
even how she dropped the great, immovable river rock 
on my naked heart and made me beg and cry 
and empty myself in stupid, sprawling letters. 
I thought she loved me and then she didn’t love me. 
 
That was almost 50 years ago—1976— 
and this is it again exactly, another love 
rejecting me, lifting her marbled foot and stepping 
on me with all the gorgeous, colonnaded tons 
of her, repulsing my advances, saying keep 
your nasty science off of me and covering 
her liberal titty. Her voice, that smile and kiss 
of democracy, has turned to bray and bawls 
and claims that I misunderstood, that she 
doesn’t even know me. And, again, I am left 
in tears to beg my heart’s case in postcards 
and signs, my own voice now raw with the ache 
of what I thought I had and now have lost. 
Please, America, please. Please come back to me.

 
Author’s note: The epigraph comes from Chris Banks, a line in his long poem “Core Samples of the Late-Capitalist Dream” in Alternator, Nightwood Editions, 2023. I borrowed the “liberal titty” and the imagery and language of the line “Her voice, that smile and kiss / of democracy” from e. e. cumming’s “Thanksgiving (1956)”

Cecil Morris, a retired high school English teacher, has poems appearing in The 2River View, the Common Ground Review, The New Verse News, Rust + Moth, and elsewhere. His debut poetry collection At Work in the Garden of Possibilities (Main Street Rag) came out in 2025.  He and his wife, mother of their children, divide their year between the cool coast of Oregon and the relatively hot Central Valley of California.

ONE INTERPRETATION

by Erika Takacs

Defense Secretary Pete Hegseth has come under public fire for publicly endorsing the misogynistic views of Idaho pastor Doug Wilson (above) and his colleagues in a CNN interview… What sparked the latest round of worry is CNN’s interview in which [Wilson] says “women are the kind of people that people come out of”… Hegseth reposted the CNN interview link on X and wrote, “All of Christ for All of Life.” —Baptist News, August 10, 2025 

Oh—like the crone who strides forth 
out of my skin (wise, bossy, bolder)
whenever I see a young woman try
to tuck herself into a smaller, smaller,
smaller space. Or the diner waitress
who can’t help calling everyone Hon,
the school nurse whose eyes catch
on every helpless child, like the gawky
teen in line at the airport who needs me
to tell him when he’s allowed to board. 
There’s my grandmother, when I use salt
(never measure, more is better), 
and my dad, when I cry at commercials 
(Christmas morning, someone is home 
from college, or the army, and has brewed 
coffee). My brother when I am truly selfless; 
my mother when I’m just lucky. I’ve coaxed
wizards from this old body, vixens
and virgins and vamps. So many people
have come out of me, though not one
is my child. Or maybe all of them are—
every one a new creation, a dazzling
refraction of an infinite heart. 

Erika Takacs is an Episcopal priest, teacher, musician, and poet originally from Wilmington, Delaware. Her writing has been published in The Orchards Poetry Journal, Earth & Altar, The Christian Century, Braided Way, and Thimble Literary Journal. Outside of her work and her family, her three great loves are the music of J.S. Bach, books, and baseball. She currently resides in North Carolina, where she and her husband serve at the pleasure of their very spoiled beagle. 

PURPLE HEART ARMY VETERAN SELF-DEPORTS

by Morrow Dowdle

The quiet girl I’d admired on the playground

defended me against a boy with rough grasp  

and bad breath. Ended with her knee scraped, 

 

dark with embedded mulch. The boy 

ran, exiled from swing and slide.

That spring, I gave her a locket 

 

from the five and ten, real sterling plate. 

Not a partial heart, with zig-zag edges, 

I trusted her to take the whole. And wasn’t she 

 

the bearer of some universal principle:

What you shed for someone incurred a debt.

In the military, I spilled not one red drop—

 

still, the discharge, honorable. Still, years later, 

thanked by strangers. What did I do? 

Sat in the clinic. Tried to save the wounded 

 

from an aftermath I could hardly fathom. 

There is a man, now, up in the air. 

A slick plane flung between continents.

 

My friend and I pricked our thumbs with a needle, 

pressed them together. Citizens then, of each other. 

Not enough to make a man homeless,

 

he must be motherless, childless as well.

His body belongs to no country.

His body gone, with its generous blood.

Morrow Dowdle is the author of the chapbook Hardly (Bottlecap Press, 2024) and has work appearing or forthcoming from New York Quarterly, RATTLE, ONE ART, and Southeast Review. They run a performance series which features historically marginalized voices and are an MFA candidate at Pacific University.

DISMANTLING THE DEPARTMENT OF DEMOCRATS

by William Palmer

MoveOn

Delete each leg

so there is nothing to stand on.

 

Delete each hand

so no one can point any fingers.

 

Delete each arm

so no one can wave them like bats.

 

Delete each head

so no one can understand.

 

Delete each heart

so no one can care.

William Palmer’s poetry has appeared in Ecotone, I-70, JAMA, The New Verse News, One Art and elsewhere. A retired professor of English at Alma College, he lives in Traverse City, Michigan.