GENESIS 2025

by Michael Dorian

Source: Seattle Times

In the beginning

He pardoned all the seditionists.

Now the nation was barren and shapeless,

darkness was upon the land

and He said, “Let there be lies,”

and there were lies.

He saw the lies were good

and He separated the lies from the truth.

He called the lies “truth”

and He called the truth “lies.”

And there was evening 

and there was morning—

the first day

And He said, "Let me stop the wildfires

scorching the pretty landscaping

and those expensive houses. 

I know some people in L.A., some 

very wealthy, well-connected people."

And He released with almighty force

from his gullet a torrent of water pressure

the likes of which no man had beheld.

And the fires stopped burning.

And He saw this was good

and there was evening 

and there was morning—

the second day

And He said, "Let the illegal immigrants

in the land be returned whence they came."

So with a gust of His great breath

He swept them all up in a glorious gale

and blew back to homelands the vermin, 

scattered like so much feed.

And He saw this was good

and there was evening 

and there was morning—

the third day.

And He said, "Let me build a big beautiful wall

And He saw it was a good wall,

a great wall, better than China’s,

The Greatest Wall Of All Time

that anyone has ever seen anywhere

on Earth or any planet in our 

Solar System or even in all of Space,"

and there was evening 

and there was morning—

the fourth day.

And He said, "Let me stop the war in Ukraine."

And a great swathe of his carefully—

coiffed hair sent all the soldiers

toppling like toys back into their

respective sovereign countries

(with Russia gaining great areas

of formerly Ukrainian land)

and the bloodshed ceased 

like the last lilting notes 

of cherubs’ trumpeted fanfare.

And He saw this was good

(for Putin and Himself, anyway)

and there was evening 

and there was morning—

the fifth day.

And He said, "Let me drill, baby, drill!"

So with tremendous huffing and puffing

He had an angel, a female one, fluff

His manhood until it stood,

a tower of steel shining in the sun,

and He poked it in and pulled it out

with enduring virility

until he had poked 

many a holy hole 

deep into the Earth’s womb

and into 625 million acres

of preserved coastal seawaters

and the nation became richer with crude.

And the land and great numbers

of its people were crude.

And He saw this was good

and there was evening 

and there was morning—

the sixth day.

And on the 7th day

He played golf and he cheated.

Once upon a time, Michael Dorian had a collection of poems and a play in one act published by Silk City Press entitled "The Nektonic Facteur.”  He likes to think that when the going gets tough, the tough write poems. 

SAME WEIRD SH*T

by Cody Walker

via Rolling Stone, January 20, 2025

In 2020 we got HBO so we could watch The Plot Against America. Now it’s almost five years later, and we still have HBO (now called Max). And we still have a plot against America! Except it’s not a plot; it’s an open invitation. You can even vote for it. We did vote for it.

Cody Walker is the author of three poetry collections, all from the Waywiser Press. He lives and teaches in Ann Arbor.

INAUGURATION DAY

by David Rosenthal

AI-generated graphic by NightCafé for The New Verse News.

It’s Monday and the cans are full,
but Friday’s garbage day.
We’ll have to be sustainable,
or else we’ll have to lay

our waste in kitchen corners, or
resort to plastic bags,
and pile them high outside the door
until the old porch sags,

or dig a pit out in the lawn
and bury it down deep,
or burn it all until it’s gone
and crawl on back to sleep.

AI-generated graphic by NightCafé for The New Verse News.

David Rosenthal is a public school teacher in Berkeley, California. He has contributed to Rattle, HAD, Rust & Moth, Birmingham Poetry Review, Teachers & Writers Magazine, and others. He’s been a Nemerov Sonnet Award Finalist and Pushcart Nominee. He’s the author of The Wild Geography of Misplaced Things (Kelsay Books).

TRUMP INAUGURAL

by Paul Hostovsky

AI-generated graphic by NightCafé for The New Verse News.

The day Trump takes office

I’m quitting sugar

to protest the irreplaceable

place of sweetness in the dark

world. I mean look

around. The ice is melting into everything and the levels

of pain are rising worldwide with alarming

silence seeping into everything 

and there’s nothing

I can do about it. I need

to do something about it. I’m quitting

sugar as an act of solidarity, 

a way to keep the sweetness 

holy. Kind of like the sabbath, only

secular. Kind of like a hunger strike, only

healthier. Of course the symbolism

will be lost on Trump, whose own

blood sugar levels are a state 

secret—if it weren’t

lost on Trump he probably wouldn't

have won. Hell, he wouldn’t have 

run in the first place if he understood 

the irreplaceable, unimpeachable,

inexpressible place of sweetness 

in the dark world, which is growing 

darker and more bitter apace, 

and is just as irreplaceable as it ever was.

Paul Hostovsky’s poems have been featured on Poetry Daily, Verse Daily, The Writer’s Almanac, and Best of the Net. He has been published in Poetry, Passages North, Carolina Quarterly, Shenandoah, New Delta Review, Bellevue Literary Review, Atlanta Review, Poetry East, The Sun, and many other journals and anthologies. He has won a Pushcart Prize, the Comstock Review's Muriel Craft Bailey Award, the FutureCycle Poetry Book Prize, and chapbook contests from Grayson Books, Riverstone Press, Frank Cat Press, Split Oak Press, and Sport Literate. Paul has thirteen full-length collections of poetry, the most recent being Pitching for the Apostates (2023). He makes his living in Boston as a sign language interpreter. He lives with his wife Marlene in Medfield, Massachusetts.

HOW TO SURVIVE AN ELECTION

by Steve Zeitlin

Smokejumper

My cousin Rod McIver—smoke jumper—

parachuted into Missouri wildfires

became famous for escaping the great Montana blaze

by igniting a flickering ring of fire round himself,

hunkering down so the 

sea of flames—

passed over and around

 

teaching us—when the infernos of the body politic

hurl down upon your fragile soul

light a passionate, fiery circle 

round yourself, your family, friends

 

let the fires of this wicked world

pass over and around

AI-generated graphic by NightCafé for The New Verse News.

Steve Zeitlin is the Founding Director of City Lore, New York City’s Center for Urban Folk Culture, and co-founder of the Brevitas poetry collective.  He the author of a volume of poetry, I Hear American Singing in the Rain, and twelve books on America’s folk culture. In 2016, he published a collection of essays, The Poetry of Everyday Life: Storytelling and the Art of Awareness with Cornell University Press.  In 2022, he published JEWels: Teasing Out the Poetry in Jewish Humor and Storytelling (JPS/U. of Nebraska Press).

CLOSE TO THE ABYSS

by Marybeth Rua-Larsen

AI-generated graphic by NightCafé for The New Verse News.

 

We’ve never lived so close to the abyss—

a felon in the White House—yet you, my knight,

ride in. I wouldn’t think to call it bliss

 

with tensions at a high-pitched, python hiss

in news reports: so many crimes. Indict!

We’ve never lived so close to the abyss,

 

and you distract me as we reminisce

about our kids, the work we love, hold tight

to us, and still, I couldn’t call it bliss

 

when daughters, sons, so young, are stuck with this:

his lies, the vitriol he spews, the spite.

We’ve never lived so close to the abyss.

 

You vow we’ll move to Portugal, dismiss

the obstacles of language, passports, flight,

the cost. Is now the time to call it bliss?

 

A lunatic— his head ballooned with hubris—

rouses me to stand, to choose to fight.

We’ve never lived so close to the abyss,

but I have you. I will. I’ll call it bliss.

 

Marybeth Rua-Larsen lives on the South Coast of Massachusetts and works in her hometown library as Head of the Reference department. Her poems have appeared in Lily Poetry Review, Magma, Orbis, Crannóg, Eclectica Magazine and American Arts Quarterly, among others. She won the 2017 Luso-American Fellowship for the DISQUIET International Literary Program in Lisbon, Portugal, was a Hawthornden Fellow in Scotland, and was accepted into Marge Piercy’s Summer Poetry Intensive in Wellfleet. She is a member of the Powow River poets, and her chapbook Nothing In-Between is available from Barefoot Muse Press.

FREE BIDEN

by Indran Amirthanayagam

What we cannot explain. What we cannot 
decipher in mind and heart. What we cannot 
understand. That is the legacy of the man

who supplied 2,000 pound bombs, fighter jets,
attack drones; sent naval gunships to anchor 
within striking distance of the Strip, 

and provided building blocks for the Iron Dome. 
This man who championed and invested 
in America, in more red than blue states, 

besides walking the picket line, this loving 
father and husband, left his mind near Yaffa,
on the road to Bethlehem, yet another

occupied territory. Free Biden I hear 
blowing in the wind. among ashes. Too late.  

Indran Amirthanayagam has just published Seer (Hanging Loose Press) and The Runner's Almanac (Spuyten Duyvil). El bosque de deleites fratricidas is forthcoming from RIL Editores. He is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

ANITA BRYANT’S LAST CHRISTMAS WISH

by Chad Parenteau

The problem with wishes 

is that anyone can make them.

On her last day alive, she 

proclaims, I want the world

to become an orange, with skin

so hard nobody can access its

golden treasures by way of bit, 

blade or begging. A hard swallow.

She continues. But before that, 

a pie! I want a pie to strike 

this nation with a crust of fire

and a filling of ice. And every

child of God who ever stopped 

calling or writing their righteous

mothers will finally feel shame

we could never teach. 

A final gasp. And let my last

words before joining an eternal

choir of praise in paradise 

be a whisper in God’s ear, 

a show of appreciation and 

word of advice to His design.

With that, her soul departs so fast

it would have knocked Jesus’ 

family aside on their way to Egypt.

Then in the morning, from 

Christmas to New Year’s and

beyond, the grave dancers guild

develops restless leg syndrome,

kicking under tables and blankets,

unaware they’re missing their number.

Chad Parenteau hosts Boston’s long-running Stone Soup Poetry series. His work has appeared in journals such as Résonancee, Molecule, Ibbetson Street, Pocket Lint, Cape Cod Poetry Review, Tell-Tale Inklings, Off The Coast, The Skinny Poetry Journal, Crossroads, dadakuku, Nixes Mate Review and The Ugly Monster. He has also been published in anthologies such as French Connections, Sounds of Wind, Reimagine America, and The Vagabond Lunar Collection. His newest collections are All's Well Isn't You and Cant Republic: Erasures and Blackouts. He serves as Associate Editor of the online journal Oddball Magazine and co-organizer of the annual Boston Poetry Marathon. He lives and works in Boston.