A RECIPE FOR MORE ABORTIONS

by Gemma Peters

A record number of women—mostly Democrats, many of them galvanized by the threat the Trump administration poses to reproductive freedom—were swept into Congress during in the 2018 midterm elections. The results were still being tabulated on Wednesday when Trump’s Department of Health and Human Services quietly finalized two rules empowering employers, universities and nonprofits to refuse birth control coverage to women. A third rule, also announced Wednesday, would require insurers on the Affordable Care Act marketplace to charge women a separate monthly bill for abortion coverage—a change that advocates say would be so prohibitively expensive it could force insurers to stop offering the procedure altogether. —Rolling Stone, November 8, 2018. Photo: Supporters of birth control coverage rally outside the Supreme Court in Washington, DC, on March 23, 2016. AFP/Getty Images via Vox.

Let prim employers only pay the bills
for men’s, not women’s, sex-related pills.
To interfere with impotence is fine,
but contraception counters God’s design.

Tell alpha males who spew their DNA
unchastely, “That’s not good, but that’s okay.”
Defend those men too strong for self-control.
Let boys be boys. Virility’s their role.

Be sure to slut-shame women who decide
to not end unplanned pregnancies. Deride
those harlots. Praise the girls you think are pure.
Imply it’s best they seek a secret cure
in trouble, since they won’t have your support.
Keep up your “pro-life” pressure to abort.


Gemma Peters writes in Rancho Peñasquitos, California.

PARADISE IS BURNING AND NUMBERS ARE RISING

by Jean Varda




9 drops of rain
one for each of
the people who
died in the flames

Do not burn candles
for the dead
they represent fire
and fire killed them

4 of them burned up
in their cars as the exodus
left single file not fast
enough to escape the flames
on all sides of them, even
licking across the road
under the tires

Buildings collapsing
trees like matchsticks
so unreal
watching from car windows

Hearing explosions,
transformers
propane tanks
bombs going off
like a war

One turned back to
rescue her cat
that was hiding in terror
she checked under the
beds in the closets
while flames enclosed her
roared in the windows
and smoke blinded

Another was delayed searching
for a folder that contained
her advance directive, the
property deed and her children’s
birth certificates
the roof of her house collapsed
in one heaving sigh

A mother turned her car
down a side street to pick
up her child from daycare
the building already gone
the children and teachers
ahead of her on the road out
she didn’t make it

The one who forgot to let
the horses out
so they could flee the fire
as horses will
He couldn’t get back
into his place, fallen trees
on fire blocked the road
he got out and ran into
the open mouth of hell

An elder decided to sit it out
she was old and this house
was built by her grandfather
She was born in it as was her
mother her grandmother
and her five children
this house had a soul
she couldn’t leave it
So she made tea and sat
by the wood stove
rocking till she and the
house disappeared in
roaring flames
that left only a flat
black scar on the earth

This is why I can’t light
the 9 white candles
and watch their tiny
steady yellow flames
But rather place a small
pearl lined shell
beside each unlit candle
and in each a drop of water
for the lives that
burnt up in flames

Jean Varda’s poetry has appeared in The Berkeley Poetry Review, Poetry Motel, Manzanita Poetry & Prose of the Mother Lode & Sierra, Avocet  A Journal of Nature Poems, California Quarterly, Third Wednesday and The Red River Review. Her poem “Naming Her,” published in River Poets Journal 2012, was nominated for a Pushcart Prize. She has taught poetry writing workshops, hosted a poetry radio show and sponsored poetry events at cafes. She also is a collage artist, her way to escape words. She presently lives in Chico, California where she works as a nurse and writes her memoirs.

LITTLE THINKING

by Kathleen A. Lawrence

Source: Boedaq Lieur



Little boy man
with hair of straw
and bubble gum cheeks
hollers at the crack of dawn
for not coming when he called,
orders the morning plans changed
so he can ride his Flintstone car
for 9 holes of golf instead of work,
but pouts if the clouds don't shade
his eyes from happy, babbling brooks.
(he hates the sound of laughing water,
“stop laughing at me” he bellows)

Little big shot
with sticky hands
in ill-fitted Brooks Brothers suit
snaps at the afternoon sun
for not shining bright enough
to polish his dull and tarnished lies,
screeching at the nap time hour
refusing to quiet down
to let the world sleep.
(“shut up” he squawks like a magpie
awake and wanting attention
through the autumn air)

Little baby boss
with sleep in eyes
red helicopter cap
wails at the Man-in-the-moon
calling him names, mocking his craters
blaming him for not casting
a longer shadow
on his tiny little form,
turning his back on the North Star
for stealing his limelight.
(“Damn, stupid moon”
who said it could orbit his earth?)

Little brat-in-chief
with mouth full of teeth
to chew his candy lips
stomps around the penthouse
screeching to the shimmering stars
for sparkling too much,
cursing out the rotating planets
for moving too quickly
and without his permission,
“I get to sign the documents.”
(Swatting at the constellations
like he was bringing down
pesky spider webs that had startled him)

Little monster boy
with orange mask
concealing scary supervillan
who rages at the grass
for growing too soft and green,
and screams against the mountains
for looming tall, purple, and majestic
and breaking the view
from his expensive toy plane.
(in a tantrum he insists that
“everybody sit down, sit down,
so I’m the tallest!”)

Little baby man
with giant demands
snaps his tiny, itty-bitty fingers
demanding the help clean up
his messes while fixing more food,
gobbling treats and tonguing
disapproval he claims his greatness
“I’m big— really, really big”
and the rest of us are just losers.
(he folds his arms and turns away
saying "you're fired" and “dumb,
really really dumb”)

Kathleen A. Lawrence likes the idea of writing poetry under a Cortland apple tree on a crisp afternoon, lifted by a scented autumnal breeze. She longs to write of love and beauty inspired by the loveliness of the world. However, she typically is compelled to write while watching the news explode reality across her flat screen, in her small suburban bungalow, painted an optimistic shade of periwinkle blue. 

ARMISTICE COMMEMORATION IN PARIS

by Alan Catlin

T***p appears disengaged,

outside of the spotlight, except

when greeting Putin and his thumbs

up salute.  Forced to listen to solemn

solo by cellist Yo Yo Ma, the day after

failing to lay a wreath on graves of

the fallen due to inclement weather,

he seems  preoccupied. Compelled to

listen to President Macron deliver

a speech decrying Nationalism, directly

criticizing him, T***p appears tired

as if formulating new ways to become

unchecked and balanced as autocrat-

in-chief, electoral defeats, and late night

television viewing, is wearing him down. 

Protestors raise new trial balloons of baby-

in-diapers-T***p to see if anyone salutes.


Alan Catlin is poetry editor of online journal misfitmagazine.net. His latest book of poetry is American Odyssey from Future Cycle Press.

BREATH OF DAMNATION

by Phyllis Klein

Plenty of people in The City, including this man walking on Market Street, donned a mask Friday due to bad air quality as smoke from the Camp Fire in Northern California drifts down into the Bay Area 2018. (Kevin N. Hume/S.F. Examiner, November 10, 2018)

After the fire fractures its invisible
borders, the air going south becomes
a death powder. The Anna’s hummingbirds,

white-breasted nuthatches, the western
meadowlarks all disappear as if the atmosphere
pushes them indoors. Ominous vapors grab

oranges on their bushes with fingers visible
as ghosts in a dimly lit room. The sun, our lady
of perpetual light, glares down through a haze,

murky blue. Nothing wet. Or shiny. The dirt
tries to move, no wind, no dust, only rocklike
rusty brown with cracks.  Everyone knows this

feeling, a drought, field drained of water,
perdition place of nightmares. Here it is: our
dread of Hades, right outside the window, real

enough to taste, to smell.

Phyllis Klein writes, lives, and works in the San Francisco Bay Area. Her work has appeared in numerous journals and anthologies including Silver Birch Press, Crosswinds Poetry Journal, TheNewVerse.News, Chiron Review, Portside, and Sweet, a Literary Confection. She also has poems forthcoming in I-70 and 3Elements. She believes in artistic dialogue as an intimate relationship-building process that fosters healing on many levels. And the healing power of anything as beautiful as poetry.

A MOTHER'S LAMENT FOR AMERICA THE BEAUTIFUL

by Shirley J. Brewer




Gun shots punctuate country music.
An endless series of ragged wounds
ruin amber waves of grain.

A damaged boy in black
takes aim behind his killer toy.
Gone our purple mountain majesties.

All the years I spent nurturing my child
dissolve in puddles of blood.
America! America!

Without solace, alone I become
a maternal vigilante.
Till all success be nobleness
and ev’ry gain divine.

A grieving parent, I want to destroy
weapons of rage throughout this land.
Oh, beautiful for heroes proved
in liberating strife.

My mission: Annihilate the guns.
Let the alabaster cities gleam
undimmed by human tears.

My child’s life matters.
Will you help me, please?
America? America?
From sea to shining sea.

Shirley J. Brewer serves as poet-in-residence at Carver Center for the Arts & Technology in Baltimore, MD. Recent poems appear in Barrow Street, Comstock Review, Gargoyle, Passager, Poetry East, Slant, and other journals. Shirley’s books include A Little Breast Music (2008), After Words (2013), and Bistro in Another Realm (2017).

MEMO TO JEFF SESSIONS FROM WILLIAM SHAKESPEARE

by Wilda Morris

I warned you in my famous play
what happens when you grasp the coattails
of a sociopath drunk on the possibilities of power,
one who hides evil intent behind the scriptures
he quotes, sows seeds of division,
spreads false gossip, multiplies lies
while boasting his achievements, faith
and truthfulness. Had you read Richard III
and heeded Buckingham, you would have realized
that one brief pause before fulfilling all demands,
one little bit of conscience, and you’d be doomed.
You were destined, like him, for the axe
by your recusal.


Wilda Morris lives and writes in the Chicago area. Her blog provides a contest for poets each month.

TO THE POLITICIAN WITH A MICROPHONE DRIBBLING THOUGHTS AND PRAYERS

by Tricia Knoll





I have my hand up in your face, you crazy motherfucker!
I do not want your prayers and thoughts.
Yes, my son was inside that school. Drawing peonies.

What did you say? I said it was my son dancing
in that bar. I’m sick of your platitudes and droopy eyelids.
He was line dancing and you tap dance about amendments.

He was in the yoga studio doing sun salutes.
That’s what I said and yes, I’m yelling at you.
He was stretching for breath to live in peace.

Yes, he was at Shabbat. Next to his grandmother.
And at the Baptist church. And the nursing home.
And the trucking office. And the Waffle Company.

And you’re out here with your microphone
crooning what a terrible shame
that so many people suffer mental illness

and that your people, the ones in their desks
piled with law books, are going for the death penalty
as if that says something other than you don’t know

nothing. This shooter shot himself.
And I don’t want the other ones
dead, I want them loved by someone

and I want YOU to stop making it sooooo easy
for them to buy the guns that make every
single room in this country dangerous to be alive.

We are all in this together. I was there too.
So was my neighbor and his daughter.
And his neighbor in the wheelchair.

Where were you? Playing golf?


Tricia Knoll is a Vermont poet living in a quiet woods.

WHEN WEASELS HOLD OFFICE AND RATS WEAR ROBES

by Michael T. Young





The great slap away the hand
that reaches out; the great know
the need of a migrant child is not
their need, and to imprison them
will make a country great.

The great watch the news but
spit foul words, praise the attacker,
the killer of journalists because this
will make a country great.

The great bellow of unity and love,
parrot Amazing Grace while grabbing
women between their legs because
this will make a country great.

The great speak their mind, act
from the gut, then deny everything—
brag because the great let no one
forget they’re great and this
makes a country great, like them.


Michael T. Young’s third full-length collection The Infinite Doctrine of Water was published by Terrapin Books. He received a Fellowship from the New Jersey State Council on the Arts, and his chapbook Living in the Counterpoint received the Jean Pedrick Award.

I VOTED TODAY

by Kathy Conway

Walked wearily to the polling place at town hall
ignoring the peak foliage bursting color
in every direction on a fall day here in southern
New England.

I returned home on a street lush with trees -
maples, birches, elms, chestnuts, sumacs.
Windy yesterday yet warm and drizzling today,
I tread on a magic carpet of leafy shapes and colors.

Bright yellow birch leaves cover the sidewalk,
gradually changing to intense reds, then amber,
deep gold and rust.  I strolled wet-faced beneath trees
hanging heavily with colorful offerings.

Looking up, awed by a crimson Japanese Maple,
wet-black limbs foil to the beauty of its ruby red -
a canopy fit for a bride or a queen.  And I remembered that
change is the only constant; that this too shall pass.

The seasons come, go; heat and cold begetting
winter snow, spring green, summer blossoms, fall stipples.
Buoyed by the brilliance and brisk walk, I return hopeful that
my fellow Americans vote to effect change.

Kathy Conway splits her time between a cottage on the coast of Maine and her home outside of Boston. She's taught memoir poetry in Maine and Florida. Besides her chapbook Bacon Street about growing up in a large family, she has poems in themed collaborations.

PROPOSITION EIGHT

by T R Poulson




Who is she, the woman whose blue eyes reach
out in ads, voice strong, hair blonde?  Her clinic
at stake, she says a thousand lives beseech

me, the voter-hero, to Vote No. I remain the cynic.
Draped with red-filled tubes like snakes, a man bids me
Vote Yes! Gown-wrapped clients refer to unhygienic

rooms where unseen life forms lurk and kid me
not.  Gloves, urine, needles, machines, puddles,
fill my mind along with missing kidneys,

those pulsing beans now shriveled, blood now muddled.
I die without dialysis, a man’s voice proclaims.
My barre-toned back holds twin flesh-cuddled

organs pulsing, cleaning. This vote-luring campaign
forms paths and forks that twist and feel the same.

T R Poulson lives in San Carlos, California.  Her work has appeared previously in TheNewVerse.News, along with Rattle’s Poets Respond, Verdad, Trajectory, J Journal, The Meadow, Delaware Review, and Raintown Review.  She enjoys windsurfing, basketball, and horse racing.

POETRY READING AT CHURCH ON ELECTION DAY

by Earl J Wilcox

Source: Chicago Women Take Action

Munching chicken salad, sipping sweet tea,
they chat amiably, push their food gently
around white china plates, look slightly harried.
They are not their usual relaxed and friendly
fellowship souls. It’s Election Day, this first
Tuesday of November. Though T***P himself
is not officially on the ballot this year, he is
there in candidates who walk like him, talk
like him, spew vile like him, scream like him,
lie like he does. No wonder church members
waiting to hear poems about hope and trust
and honesty and charity and faith—these
and other truths of the human heart—are
sober and vexed on this Election Day.


Earl J Wilcox will try to write a poem today, but even if that does not work out, he will definitely vote!

SONG OF THE SEA: MEXICO 2018

by Donna Katzin

"Mexico town devastated by earthquake welcomes thousands from migrant caravan. Migrants from Central America are fleeing poverty and violence and are still weeks away from reaching the US." —The Guardian, October 30, 2018. Photo: Central Americans fill their water bottles with juice while waiting in line to receive donated food in Niltepec, Oaxaca. Photograph: Rebecca Blackwell/AP via The Guardian.

In your unfailing love you will lead

    the people you have redeemed.

In your strength you will guide them

    to your holy dwelling.

—Exodus, 15.1

A human river,
they come in shirts and sandals,                           
children holding their hands, 
mochilas bearing their only belongings.                                           

They come in shirts and sandals,                           
hunger in their hearts,
mochilas bearing their only belongings,                                             
turn their backs on beatings, gunshots in the night.

Hunger in their hearts,
they trudge through wilderness,
turn their backs on beatings, gunshots in the night --
leave the land that gave them life.                     

They trudge through wilderness,         
envisioning a Promised Land,
leave the land that gave them life.
Together they cry out to their god.                                       

Envisioning a Promised Land
like passengers of the St. Louis,
together they cry out to their god
when the border slams shut.                                                 

Like passengers of the St. Louis,           
refusing to turn back                   
when the border slams shut,
they surge in search of a miracle.                                                                         

Refusing to turn back,
a human river,
they surge in search of a miracle,
children holding their hands.

                                                                                             

Donna Katzin is the founding executive director of Shared Interest, a fund that mobilizes the human and financial resources of low-income communities of color in South and Southern Africa.  A board member of Community Change in the U.S., and co-coordinator of Tipitapa Partners working in Nicaragua, she has written extensively about South Africa, community development and impact investing.  Published in journals and sites including TheNewVerse.News and The Mom Egg, she is the author of With the Hands, a book of poems and photographs about post-apartheid South Africa’s process of giving birth to itself.

A ROCK IS NOT A RIFLE

by Akua Lezli Hope

A rock is not a rifle
a jackass is not a genius
hysterical raving is not fact
might is not right

a caravan is not an invasion
a child is not a commodity
a refugee is not refuse
a rock is not a rifle

resentment is not democracy
fear is not strength
denial is not affirmation
a rock is not a rifle

commitment is not a joke
accords are not accidents
science is not opinion
a rock is not a rifle

abuse is not a right
hate is not a right
murder is not a right
a rock is not a rifle

a rock is not a rifle
though you be goliath
and we are david
a rock is not a rifle

Akua Lezli Hope is a creator who uses sound, words, fiber, glass, handmade paper and wire to create poems, patterns, stories, music, adornments, sculpture and peace whenever possible. She has published 125 crochet designs. Her new Word Works poetry collection Them Gone is now available.