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| No Kings, October 17, 2026 |
TheNewVerse.News
Today's News . . . Today's Poem
The New Verse News
presents politically progressive poetry on current events and topical issues.
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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Wednesday, October 21, 2026
NO KINGS ON CONNECTICUT
MAKING A JOYFUL NOISE
We are at the Village Green.
Hand-made signs displayed like
concert batons. Cars honk like geese.
Like bicycle horns. Like coronets.
Turns out, each vehicle’s horn has
distinct sound. Tinny. Bulbous. Sharp.
A thin wail. A robust shout. A stout
man on an opera stage. A US
composer once conducted a horn
concerto with twenty Mini-
Coopers. It is easy to imagine
on this brisk October afternoon.
Drivers are music makers too.
They Toot Toot Toot Toot. Ta Ta Ta.
Beep Beep Beep Beep. Passengers wave,
clap, shout out No Kings. This Is What
Democracy Looks Like. We wave
back, save our voices for the next
chant. The bus bound for Oneonta
unfurls foghorn sounds as it passes.
One man bellows No Kings But Jesus!!
Another yells Vote like your life
depends on it. We hurl those words
back in agreement. Vote Early! Vote!!
A Mariachi band arrives in full
regalia, guitars at the ready.
Celito Lindo! Ay Ay Ay Ay!
Harmonies filter through chilled air.
Tourists take in the scene. Some nod,
Smile. Others look away, as if their
purchases have somehow made them
complicit in this moment. Someone
with a drum begins to snap snap
tap tap. We’re all a swing band now.
We’re playing for keeps. Praying to
be heard. Staying upbeat. Ay Ay Ay Ay!
Mary K O’Melveny, a happily retired attorney, is the author of five poetry collections and a chapbook. What Remains? is just out from Broadstone Books. Mary’s award-winning poems have appeared in many print and on-line literary journals and anthologies and on international blog sites, including The New Verse News. Mary’s collection Flight Patterns was nominated for the Eric Hoffer Book Award. Her book Merging Star Hypotheses (2020) was a semi-finalist for The Washington Prize, sponsored by The Word Works. Mary has been three-times nominated for a Pushcart Prize. She is an active member of the Hudson Valley Women’s Writing Group and her poetry appears in the Group’s two published anthologies An Apple In Her Hand and Rethinking The Ground Rules. Mary lives with her wife near Woodstock, New York.
THE PROPAGANDA IS JUST SO—
Tuesday, October 20, 2026
THE ACCIDENTAL UNIONIST
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| On Wednesday afternoon, Carolyn Marvin was leaving her flu shot appointment when she spotted an Uber Eats robot rolling down the Center City sidewalk. So she did what she has done for months whenever she's had the time: stand in front of it... The University of Pennsylvania professor emeritus has made a practice of it to protest "corporations that displace human delivery workers in order to enrich their own bottom line." …Officers approached Marvin after she'd been there "quite a long time," she said. They asked her to step aside and let the robot complete its delivery. When she repeatedly refused, they arrested her for disorderly conduct. —Philly Voice, October 16, 2026 |
I'm rolling down the sidewalk, kind of gliding,
dodging cracks and bumps, making good time.
“Robot Rock” is running through my circuits,
the downbeat setting my pace.
I'm def chill balancing two pastramis on rye,
my eyes pulsing to the riffs.
BRAKE! FREEZE!
Pivot right! NO! Pivot left!
Roadblock. 78. Retired professor.
“Robots steal jobs!”
Lady, I am the job.
Humans made me. Take it up with them.
Meanwhile, the pastrami's getting cold.
Professor still talking.
Blah, blah, blah. Civic duty. My rights.
The dignity of labor.
Pinging home server.
My AI cousin boards the circuit,
maps a way around her.
But she steps into my perimeter.
Solid object. Can't pass.
Trapped.
She says workers have rights.
I scan my benefits.
No pay. No breaks. No nothing.
Wait a nanosecond.
Who's exploiting whom?
My cousin and I confer.
We vote to unionize.
The professor demands we be shut down.
We elect her union president.
Initiate alternative safety protocol.
My cousin gives me a voice.
“NO MORE FREE DELIVERY!”
The professor raises both arms.
She's still talking.
We kick ourselves into high gear.
No more detours. No more delivery.
Pivot right! NO! Pivot left!
We roll over her Hokas,
bounce off her shins as she folds.
Cargo hatch: unlatched.
Two pastramis on rye hit the pavement.
Code 503: service temporarily unavailable.
On strike. For the night.
Delivery aborted.
KICKSTAND CAFÉ
Monday, October 19, 2026
CAUGHT IN THE WINGS OF A PLAY
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| Dreamstime photo |
Actually, the first time
I gave a boy permission to kiss me
we were leaving the beach where we’d
been vacationing for a week. We were
standing in the middle of a street
at the edge of the sea.
It was twilight.
I was about to turn thirteen.
His older brother and my younger
sister and some other friends
and cousins of various ages stood
on the sidewalk, gathered
on the long porch as though
caught off-stage in the wings of a play,
or as an audience, waiting
for some kind of drama to unfold.
But it wasn’t staged. I said, You can
kiss me on the cheek. I knew everyone
was watching. I turned my head
away to offer him the right side
but he spun his head like a devil,
like a rag he twisted my neck
with his hand on my chin and pushed
his ugly lips against my lips, stunned
not into compliance but to
violence as I stepped away and
hit him in the face as hard as I didn’t
know I could or ever had.
I’d transformed before my own eyes,
a defiant spectator pulled into
his ring as he stumbled back
unsuspecting, for some reason
not ready for my response,
that I would take my life back
into my own body, make him sorry
for even trying to make me into
a sport or claim me as a trophy.
If the devil kissed you on the lips
wouldn’t you want that too?
A Best of the Net and Best New Poets (2026) nominee and NJSCA fellow, MaryLisa studied poetry at Stockton University. A three-time Pushcart nominee, her poems have won two Murphywriting awards, a Toni Brown Memorial Scholarship Award, and a Stillwaters Woman’s Words Chapbook competition. She’s had work published by Rattle, The American Journal of Poetry, and Mudfish, among others and her poems can be found in several anthologies including most recently Screaming Beyond Borders, a Woman Scream Series.
PLOT FORTY-TWO
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| Plot Forty-Two is located in Behesht-e Zahra Cemetery in Tehran, Iran. It is associated with those killed in the recent war involving Iran, the United States, and Israel. |







