SURVIVOR’S GUILT II

by Julie Weiss

Photo by Seema Miah at Unsplash

It snowed last night, an unusual

enough flurry in our part of Spain

to make the news. Downstairs,

my children pelt each other

with snowballs, their voices

all sparkle and windchime.

The sky, though gray, has no

reason to grieve. I stack dishes

in the sink, sweep up crumbs,

grumble, because who doesn´t

grumble about housework?

If a bang knocks a flock of birds

off course, I assume it´s a car

backfiring, no need to scramble

outside in pajamas, search

the snow for blood. It´s easy

to chide your children for tracking

mud inside when a government

thug isn´t kicking down your door.

Easy to indulge in a cup of hot cocoa,

extra marshmallows please, when

your neck isn´t crushed under

a state-sponsored knee. Tomorrow,

they´ll shove another child into

an unmarked van. Another child´s

mother will vanish, or die. Here,

far from my homeland, the sidewalks

will have frozen over. We´ll glide

to school, graceful as skaters,

hoping not to break any bones

on the hard, hard ice.

Julie Weiss (she/her) is the author of The Places We Empty, her debut collection, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II. Her second collection, Rooming with Elephants, was published in February, 2025. "Poem Written in the Eight Seconds I Lost Sight of My Children" was a finalist for Best of the Net, she won Sheila-Na-Gig´s editor´s choice award for "Cumbre Vieja," and she was a finalist for the Saguaro Prize. Recent work appears in ONE ART, Stone Circle Review, Gyroscope Review, and is forthcoming in Cimarron Review and MER. She lives with her wife and children in Spain.

RED FLAG WARNING

by Laurence Musgrove

Cartoon by Tjeerd Royaards at Bluesky

The weather in our leader’s hot mind
set off sirens late in our beds last night
so we got dressed and gathered our dog
and walked downstairs with our neighbors 
and climbed into our cars in the parking garage
and then watched on our little phone screens
the waves of his anger, delusion, and greed,
blowing blame across our frightened land. 

This morning, my dog and I scout the damage,
the trash hanging in trees, wrapped around
sign posts, the early iron sky, horizon of dust,
stiff wind still whistling, dim puddles to jump,
and my little phone screen says to expect 
more storms from our leader overnight,
colder temperatures, then unwelcome snow. 
Each day it’s harder to predict the weather here.

Laurence Musgrove is the author of four poetry volumes: Local Bird (2015), The Bluebonnet Sutras (2019), A Stranger's Heart (2023), and The Dogs Of Alishan And Other Poems From Taiwan (2025). He is also editor of The Senior Class: 100 Poets On Aging (2024) and the online poetry journal Texas Poetry Assignment.

CRUELTY

by Bonnie Naradzay

Some people say
that, having stopped 
reading the news, they 
feel better.
 
The old Chinese poets
remind me to include
today’s weather report
in each poem.
 
Dr Issam Abu Ajwa said
he was forced to sleep
on a floor covered with small, 
sharp rocks, hands and legs tied,
eyes blindfolded.
 
The weather is warm this week—
in fact, the cherry blossoms
here are projected to peak
somewhat earlier this spring.
 
Dr Mohammed Abu Selmia
was tortured for seven months 
then released without charge. 
“I was clubbed, beaten with rifle butts, 
attacked by dogs. I was beaten so badly 
I couldn’t use my legs or walk, he said.
 
Dr Ahmad Mhanna, director
of al-Awda hospital in north Gaza, 
has been in Israeli prisons 
more than a year without charge.
 
Nightfall here, and the evening
becomes a still life—
it glistens like a Chinese lantern
in a garden without strife.
 
Some people try to memorize
a meaningful poem one line
at a time as a way to neutralize 
the news.  In severe winter cold
 
seven children froze to death
in Gaza in the last 48 hours
but today’s weather elsewhere
is quite pleasant overall.

Bonnie Naradzay’s manuscript will be published this year by Slant Books.  For years, she has led weekly poetry sessions at homeless shelters and a retirement community.  Poems, three of which have been nominated for Pushcarts, have appeared in AGNI, New Letters, RHINO, Tampa Review, EPOCH, Dappled Things, and other places. While at Harvard she was in Robert Lowell’s class on “The King James Bible as English Literature.” In 2010 she was awarded the University of New Orleans Poetry Prize – a month’s stay in Northern Italy – in the South Tyrol castle of Ezra Pound’s daughter Mary.  There, Bonnie had tea with Mary, hiked the Dolomites, and read drafts of Pound’s translations. 

ZEUS REDUX

by Steve Deutsch

We do it by ionizing

the radiation and shifting

the polarization of the earth’s

magnetic core

 

millions of times per second.

We control it

from a basement apartment

in Hoboken—

 

that bluest of blue towns,

paid for by the DNC.

The four of us

do the weathering

 

on two old Apple laptops.

Our biggest concern

is the intermittent loss of the internet.

Damn Comcast.

 

We do our best

to make the heat and storms

believable—

blamable on climate change.

 

What a hoax.

Few have noticed

it is only the red areas

suffering the ill effects.

But now, one or two of the wise

have picked up on it,

I assure you that will end

with completion of our next project.

 

Lightening bolts.

Steve Deutsch is poetry editor of Centered Magazine and was the first poet in residence at the Bellefonte Art Museum. Steve was nominated three times for the Pushcart Prize and once for The Best of the Net Anthology. He has published six books of poetry. One, Brooklyn, was awarded the Sinclair Poetry Prize from Evening Street Press.

A WEEK AFTER YET ANOTHER CYANOBACTERIA WATCH ON THE LAKE

by Carla Schwartz

Above: ongoing map of cyanobacteria watches and warnings in Lake Winnipesaukee and other New Hampshire Lakes. Cyanobacteria is a natural part of freshwater ecosystems. But under the right conditions, it can grow too much and cause harmful blooms. Those can produce toxins that are harmful to people, pets, and wildlife, causing symptoms that range from nausea and rashes to muscle paralysis. Ted Diers, the head of the water division at New Hampshire’s Department of Environmental Services, says people should use good judgment when swimming or letting their pets swim. “If you see an area that looks particularly gross, that has a lot of green stuff in the water, you know, you may not want to jump in the water right there,” he said. —NHPR, August 30, 2024

It’s been days since I’ve been here, where the weather is cooling, swum 
here, a dish left on the counter, encrusted with old breakfast. I step outside. 
The sun, bright. The wind bites my skin. It’s a strong wind with harsh gusts 
thrusting leaves, acorns a-scatter, but I suit up for the cool, tap on my music, 
and step out onto my paddle board to face what the lake presents: a disorganized 
wind, flags pointing where they shouldn’t—into the forecast direction rather 
than against. I paddle with and against the swirling wind. I can’t help think about 
Francine, the latest named storm, drawing its strength from the warm gulf waters
as I ignore the chill wind and slide off my board, leashed to my ankle, to swim. 
I take off against the current, waves wanting to turn my body, to go where I hadn’t 
intended, so every so often I check my bearings to unstray. You might think I swim 
for punishment, punishment for not working the booths for the vote, for not 
dragging people’s asses out to vote, for not acknowledging there’s this hurricane
mounting in the gulf, building toward crescendo tomorrow to crash the Louisiana 
shore, and there will be one more and another and another unless we temper 
the warm waters, but I continue on my swim, not punishment, but passion,
to stroke against the waves, to keep myself from swallowing what the climate 
has begun to spoil, to keep myself afloat.

Carla Schwartz’s poems have appeared in The Practicing Poet and in her collections Signs of Marriage, Mother, One More Thing, and Intimacy with the Wind. Learn more at  https://carlapoet.com, or on all social media @cb99videos.

WEATHER FORECAST

by Cody Walker

Cartoon by RaderDraw via Threads: @rader_draw

Shady. Chance
of locusts, darkness, hail.
J.D. Vance
and his padrone prevail.

Cody Walker is the author of three poetry collections, all from the Waywiser Press. He lives and teaches in Ann Arbor.

INCREASING TURBULENCE

by Betsy Mars

 

 

“we live and move and have our being / here, in this curving and soaring world / that is not our own” –Julie Cadwallader Staub, "Blackbirds"

Each body with its own gravity, each a potential
projectile, catapulting beyond our limits.
We pin on wings, ignore warnings, leave
our belts uncinched, bang on overhead bins.

 
Oxygen masks dangle like buttercups, lines tangled 
rice noodles, seatbacks cracked, someone’s hair floats
feathering above. In galleys: scattered wine bottles, 
kiwi slices, coffee urns, snacks, the aftermath.
 
If we could see the air ahead would we swerve, 
fly below, rise above? How many words 
for this invisible curve are there in
blackbird tongue, imperceptible to us?
 
We weather the storm. Again, ask for 
mercy, oscillate, tally the toll. 

Betsy Mars is a prize-winning poet, a photographer, and assistant editor at Gyroscope Review. whose poems can be found in numerous online journals and print anthologies. She has two books, Alinea, and In the Muddle of the Night, co-written with Alan Walowitz. Betsy is currently and sporadically working on a full-length manuscript titled Rue Obscure.

APRIL 5TH

by Terry Trowbridge

shirt available from amazon

Humidity casts a cold spell

over the Great Lakes.

When the spell is broken,

humidity continues to flicker

through the grasses and leaves.

The dampness of breath

and matted fur

attracts housecats

to the leaf piles

where mouse-casting Spring elementals

summoned little rodents into being.

 

At night, the mist turns heavy

and sinks to the ground,

exposing the orchards to starlight.

At day, water evaporates

into a quick-sky of quicklime grey.

The obscurantist Sun,

having chased away Enlightenment

comforts—too soon for lawn chairs—

into the barn workbench beer routine,

 

will remain invisible.

An eclipse is due in three days.

The cats might react confusedly.

The mice might emerge in daylight

And look up at the shadow of the Moon

darkening circle through the cloud cover.

Shadow weather defines a season of transitions.

Terry Trowbridge’s poems have appeared in many journals including, previously, The New Verse News. Terry is grateful to the Ontario Arts Council for his first writing grant, and their support of so many other writers during the polycrisis.

SWINGING ON WINGS OF FLAME

by Mary K O’Melveny

There's a house somewhere I know where the fire's burnin'

All night long… 

And even though the wind may now be howlin'

The stars are bright and they push me on and on

—“Half Moon Rising” (Yonder Mountain String Band)

  

We keep exploring outer space for answers.

Out there, we learn that black holes make sounds

of music as they swallow everything

around them. Celestial destruction

to the tune of string band melodies, as if

the Osborne Brothers or the Red Clay Ramblers

had booked a cosmic venue where eager stars

do-si-do around dark matter’s edges.

 

Sit still and you will hear creation’s story

spelled out with mandolins, fiddles, five-string

banjos. On Earth we are orchestrating our

own demise. Everything has turned extreme.

Our hottest week just past will not be last.

The burning air tastes like barbeque.

Put an ear to ground, hear it singe, smolder,

sear from simmering smog and haze.

 

Far better to harmonize and tap our feet

as Earth’s axis shifts and we wobble, weave

like drunken sparrows. Saharan sands might

land in Kansas while floodwaters choke New

Jersey highways and algal blooms poke out

from Florida’s rivers. Grab a good seat

at our cosmic amphitheater where smoke

rises from the speed of guitar picking.

 

If you listen closely, you can hear some scat,

nonce, argot. Go with the flow. Flat Foot Floogie,

Tutti Fruiti. Explosions of fervor, fury

unleashed by gas ripples in galaxy

clusters. Who can say this fate will not be

ours as well? One hopes we won’t be around

by then. For now, we can dance as glissandos

of sound drift from the heart of the Milky Way.

Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her most recent poetry collection is Dispatches From the Memory Care Museum, just out from Kelsay Books. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

THE BLACK HUMMINGBIRD

by Alejandro Escudé

Why all the gray skies [in Southern California]? It's a reasonable question with a fairly complex answer that we find ourselves asking yearly when they show up and stick around for a few months. Known as May Gray and June Gloom, the period’s a sign of transition from cool winter weather to scorching summer temperatures. —LAist, May 19, 2023. Photo: Ushering in June Gloom near Santa Ynez, California on June 01, 2020. | George Rose/Getty Images via KCET.

The grayness of May isn’t subtle.

It weighs on the birds too, erasing the landmarks.

I notice that my sight changes, eyes have a stalkier bond

To the naked mind—what is that about?

I exit my apartment, crossing the threshold of my door,

And the hallway is blue, chilly, despite the seventy degrees.

I need my poetry heroes to Lazarus from their graves

And deliver me back to my old selves, the dozens of poets

That came before this one who writes only gray verse.

But its always been the black hummingbird that flitted 

Through the glass of my window at the Catholic retreat 

I attended two years after my son was born.

I obeyed the order of silence. At twilight, I made my way

Past the Victorian lamp posts along the garden paths

To the dining hall. And we prayed before and after dinner.

When I returned home, the hummingbird followed.

I ask a coworker: does the gray sky affect your mood?

It is kind of dark, he says, missing the mark.

The grayness lasts so that even the darkness of night is gray.

I shift in my rocky bed, the hours graying into more hours.

You can live this way, you know, many years,

Reading between the testament folds of the colorless clouds,

Seeking something beyond the stormy horizon 

You have come to expect—that gray, prodigious god.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

BALLOONS

by William Aarnes

                after Ingar Christensen 

blown-up balloons exist 

and celebrations exists 

with their popping party balloons, 

adults as caught up 

in the popping 

as their kids 

 

and helium-filled balloons exist 

and the joyful, worried disappointment 

of their so quickly drifting away 

from outstretched hands 

to land somewhere they shouldn’t 

after they burst 

 

and hot-air balloons exist, 

colorful hot-air balloons 

for the risky thrill  

of being above it all, 

of looking down at the countryside, 

the treetops, the houses, the cars, 

the people puny as can be, 

hot-air balloon rides exist 

for that glorious, if fleeting feeling  

that everything’s yours 

as far as the eye can see 

  

weather balloons exist, 

meteorologists all around the world 

working together, 

twice a day releasing balloons,  

balloons that rise twenty miles high 

before they burst, their radiosondes  

parachuting back to earth  

with all their measurements 

of how cold and windy it is 

up above 

 

and spy balloons exist, 

because people don’t get along 

spy balloons exist, 

keeping track 

of whatever nefarious planning 

and digging and building 

and moving around 

must be going on 

 

and nation-states exist, 

nation-states puffed-up 

and thin-skinned as balloons 

William Aarnes lives in New York. He admires—and thinks everyone should read and reread—Susanna Nied's translation of Ingar Christensen's alphabet.