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Showing posts with label snow. Show all posts
Showing posts with label snow. Show all posts

Wednesday, March 25, 2026

THERE IS NOT ENOUGH SNOW

by David A. Goodrum


by Daryl Woods at Dreamstime


To cover the battlefields.

To soften the blows.

To fill the caskets with snowmen.

No blizzard to interfere

with news transmission, offer

the comfort of momentary quiet.

 

The country drifts

into one war then another.

There will never be enough snow 

to blanket the lies of politicians,

which seep out like the blood

of eviscerated rabbits.


Whichever way the wind blows

there is never enough snow

to level-fill the trenches.

There is always a hollow

a depression that shows

where the civilians are buried.



David A. Goodrum is the author of Abrupt Edges (Bass Clef Books, 2025), Vitals and Other Signs of Life (The Poetry Box, 2024) and Sparse Poetica (Audience Askew, 2023). Recent journal publications have appeared in The Orchards Poetry Journal (which awarded his poem “Winter Inquisition” a Pushcart Nomination), Cirque, and Triggerfish Critical Review, among others. David lives in Corvallis, Oregon. 

Saturday, February 21, 2026

THE STRANDED CITY

by Iman Oshani
 
 
Tehran skyline at sunset, with the city's iconic Milad Tower rising in the distance, January 2026 —Iran International

 
The smell of gunpowder
lingers for a lifetime.
And in this land,
the snow migrated last year.
Car washes are shut down,
and cars won't move under the weight of ash.

Houses are drained of commotion.
The bedroom.
A large bed.
Sheets neatly made, but gathering dust.
The desk clock faces the wall.
And on the floor,
lies the only corpse: a fly.

The phone will not ring.
The TV is locked on the news.
And behind the window, there is no view...
except
a dog walking by,
sniffing the holes in the buildings.


Iman Oshani is an Iranian writer and poet based in Tehran. His work explores the surreal intersections of memory, objects, and the geography of crisis.

Wednesday, February 11, 2026

A WHISTLE AND A HONK FOR OUR CITIES UNDER SIEGE

by Raymond Nat Turner
 
 
 
 

Exploding eyeballs of children in chokeholds. Shivering 

seniors drug out into teen temperatures in their underwear;

bloody faces of body-slammed elders, face prints in snow.

Packs of 250lb. fantasy football bettors/NFL-wannabes pile on.


Invasion of the body snatchers! Deputized traitors / MAGAt 

magicians disappearing loved ones. Boss Tweet’s bounty hunters—

$50,000 bonuses — body-slamming, beating down, choking and

Redacting 1st , 4th,  14th and other amendments—on our dime!


Home doors busted open like piñatas by battering ram-wielding

thugs. Shards of car window glass shower city streets with freezing

chaos and terror. 

Another US city’s under siege. Will the reign of ICE stall in snow?


Burrito shop hungry hardhats flooded for lunch; 

for strategy sessions; for 30 minute escapes into

sports sections folded up in sturdy denim back 

pockets: EMPTY.


Coffee shop where co-workers; old and new

neighbors and welcome visitors gathered to chat

over cappuccino, chai, mocha, Americano; or sat

journaling or answering messages: EMPTY.


Corner church swollen with Sunday harmonies 

with communion; with fellowship: EMPTY.

Neighborhood school’s steady stream of shrieking drop-offs 

and pickups ground to sudden halt.

Clinic’s steady stream of cold and flu sufferers: are missing

in action. Community life is strangled under brownshirt siege.


Recalling “No Kings” rally ‘eons ago.’ Signs reading: NO WAR BUT 

CLASS WAR! Recalling contagious rage against grifting Judas. And

feeling hopeful as hell. Remembering solidarity’s our silver lining

in swastika infused clouds … almost filling battleship gray skies...

 

 

Raymond Nat Turner is a NYC poet; Black Agenda Report's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC.

Friday, January 23, 2026

SCULPTURE

by Jan Chronister




In Duluth, Minnesota
a well-known snow sculptor
crafts a car on his front lawn—
Honda Pilot with smiling driver,
arm hanging out. 
He adds a sign that says,
“I’m not mad at you.”
Someone places flowers
on the white canvas.

A photo of the sculpture on Facebook
draws close to one hundred hateful comments,
some even rejoicing at her death.

It’s going to be cold in Minnesota—
wind chills as low as -60.
The snow car and driver
will be around a long time.
Perhaps long enough
for the haters to find 
their humanity.


Jan Chronister is a retired educator who splits her year between the extremes of northern Wisconsin (by Lake Superior) and southern Georgia. She has authored three full-length poetry collections and twelve chapbooks. Jan edits and publishes the work of fellow poets under the imprint of Poetry Harbor.

Wednesday, January 21, 2026

SYSTEM SNOW

by Elizabeth Kerlikowske





Elizabeth Kerlikowske pays attention, though she doesn't want to.

Tuesday, January 20, 2026

SURVIVOR’S GUILT II

by Julie Weiss


Photo by Seema Miah at Unsplash


It snowed last night, an unusual
enough flurry in our part of Spain

to make the news. Downstairs,
my children pelt each other

with snowballs, their voices
all sparkle and windchime.

The sky, though gray, has no
reason to grieve. I stack dishes

in the sink, sweep up crumbs,
grumble, because who doesn´t

grumble about housework?
If a bang knocks a flock of birds

off course, I assume it´s a car
backfiring, no need to scramble

outside in pajamas, search
the snow for blood. It´s easy

to chide your children for tracking
mud inside when a government

thug isn´t kicking down your door.
Easy to indulge in a cup of hot cocoa,

extra marshmallows please, when
your neck isn´t crushed under

a state-sponsored knee. Tomorrow,
they´ll shove another child into

an unmarked van. Another child´s
mother will vanish, or die. Here,

far from my homeland, the sidewalks
will have frozen over. We´ll glide

to school, graceful as skaters,
hoping not to break any bones

on the hard, hard ice.


Julie Weiss (she/her) is the author of The Places We Empty, her debut collection, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II. Her second collection, Rooming with Elephants, was published in February, 2025. "Poem Written in the Eight Seconds I Lost Sight of My Children" was a finalist for Best of the Net, she won Sheila-Na-Gig´s editor´s choice award for "Cumbre Vieja," and she was a finalist for the Saguaro Prize. Recent work appears in ONE ART, Stone Circle Review, Gyroscope Review, and is forthcoming in Cimarron Review and MER. She lives with her wife and children in Spain.

Saturday, January 10, 2026

IF THIS IS THE POEM YOU READ WHEN I'VE BEEN MURDERED BY ICE

by Hailey Elles

Cartoon by Dennis Goris.




This is survival. 

My friend says 

“we are at war

with our government.”


We also discuss

her new winter boots, 

which hold snugly 

as she walks her dog, 

clipping her prophecies 

and beaming them to me. 


This disjointed 

correspondence

is how she is with me 

as my studded tires grip 

these switchbacks 

like a prayer– 


I am praying 

there will be no children

waiting by the doors 

of the middle school 

I was supposed to open 

five minutes ago–oh, 

I am tired. It is not possible 

to go faster. And anyway, 

every tree is sparkling 

on this cold morning, 

almost invisible 

against the sunrise, 

as red as the drag in blood-

shot eyes. All the plowmen 

are out, salting the roads,

trying to preserve any

beautiful, useful thing.



Hailey Elles is a writer, teacher, and literacy organizer who lives in Bridgewater, Vermont. She has a masters in secondary English education and is currently pursuing a masters in English as a Breadloaf Teacher Network Fellow at Middlebury College. Her writing has appeared in various journals and publications, most recently in Half and One, the BLTN Journal, and Poet's Choice.

Saturday, January 03, 2026

EIGHT DEGREES

by Laura Rodley




Eight degrees
no one at the bird platform.
Ten degrees, juncos
in their butler uniforms
dart into the snow
unearthing seeds;
how less than an ounce
of feathers and a
rapidly beating heart
keeps them warm
is a miracle.


Pushcart Prize winner Laura Rodley’s latest books are Turn Left at Normal by Big Table Press, and Counter Point, Legacy Award finalist. Her Ribbons and Moths: Poems for Children by Kelsay Books was selected as a finalist in the “Animals/Pets/Nature” Category in the 2025 Independent Author Network (IAN) Book of the Year Awards, won the 2024 International Book Award for Children's Nonfiction, eon the 2025 Bookfest for Nonfiction Outdoors, and Bronze in the Moonbeam Book Awards.

Friday, December 19, 2025

MASS SHOOTING #8

600 block of Jackson Ave., Muskegon, MI, Dec 6, 2025



by Ron Riekki

“Sure, this world is full of trouble

I ain't said it ain't.”

—Douglas Malloch, “It’s Fine Today”





They say there are 200 different words for snow
in the Sámi language, like the northern Sámi
 
vahtsa, which is new snow on old snow, which
now is the case, driving a rented car on plowed
road, but then turning onto the street of our latest
 
mass shooting in Michigan and instantly it’s
unplowed, so thick with snow that it scrapes
 
the bottom of the vehicle, yet ice on the tires
so that the car swerves back and forth, with
a realization that I can’t stop, so I drive by
 
a house with caution tape lying in snow, but
it doesn’t look like the photos or videos online
 
of where the shooting happened and I wonder
if it’s another incident, especially since this city—
Muskegon, Michigan—has been plagued with
 
a dozen shootings: 9mm and Glock and “AR-
style rifle” and “stolen pistol” and “handguns”
 
and another shooting on the 1400 block of
Gyrock and a “19-year-old has been arraigned”
and nine killed and eleven injured in Muskegon
 
this year alone, a population of 38,000, and it’s
26 degrees with the wind chill, two months since
 
the last mass shooting; and a Democrat online
tells me it’s due to the cold, and someone else
online says it’s due to astrology, wants to know
 
the alignment of the stars, and I stare at the home
I think where the shooting happened, but I can’t
 
stop, the street empty, absolutely nobody outside,
and the house where it happened looks dead, no
lights on inside, but, later, down the street, I see
 
a window with bright white Christmas decorations,
a snow-colored fake tree elegant in the window,
 
and I swing the car around once there’s plowed
road and go down it again, still not able to stop,
still swerving, windows down, the cold frowning
 
into the car, a church nearby unplowed as well
as if no human has been down this street since
 
the shooting, the feel of abandonment, how that
tends to be the feeling of so many of these sites
of shooting, and I stop at a shop, a garage, closed
 
for the night, a large sign saying BLOOD’S all
in red, all in caps, such an odd name for a “front
 
end clinic,” the address 13-something, and
the building bone-colored; getting my bearings,
I drive, looking for anyone to talk to, but all
 
is winter-quiet, a worker stepping out of a back
exit of a restaurant, wiping sweat off his fore-
 
head with his sleeve, his breath visible, and
then, amidst all these closed stores: a liquor
store, how so many of these mass shootings
 
are near liquor stores and churches, parks
and cannabis dispensaries. A 4-year-old
 
was shot at this mass shooting. A 22-year-
old woman and 25-year-old man killed.
A worker throws out piles of cardboard
 
into a dumpster—no recycling—massive
letters of SAM’S DRINK ALL on the store,
 
such a bizarre name, like a command, and
the worker tells me he has no thoughts on
the shooting, doesn’t want to talk about
 
the shooting, doesn’t want me going into
the store, calls and confirms that I am not
 
allowed into the store, but then teenagers
walk into the liquor store and there seems
to be no problem with this. Seeing two
 
children alone in a car, the mother later
emerging from inside. I talk with a 14-
 
year-old who wanders up, says that his
birthday is tomorrow. He’s with a friend.
I ask how we stop gun violence, if they
 
heard about the shooting. They tell me
they know there’ve been shootings. How
 
do we stop them? One of them walks
away, into the store.  The 14-year-old
remains, saying it’s “parenting” and
 
"finances," that “it gets harder every year,”
that people sell drugs to survive. I ask
 
how he’s avoided it: “work and school
and sports.” Football.  Behind him,
the words liquor – beer – wine – lotto.
 
These liquor stores near mass shootings,
always so busy. The 14-year-old goes inside.


Monday, December 08, 2025

COLOR OF THE YEAR

by Pepper Trail




“A shade of white will be the defining color of the next year.” —The New York Times, December 4, 2025

 
“A lofty white 
whose aerated 
presence acts 
as a whisper 
     of calm 
          and peace 
               in a noisy world.”
 
Let us blank
out all the noise
the alien rhythms
the clashing, chaotic colors
of the needful, striving world
 
The many shades of browns and blacks
(containing all colors, muddled, mongrel)
are too confusing to distinguish
so let them be bleached or thrown away
leaving us uniform, monotone, pure
 
This is our ideal: nothing at all 
no mark upon your page
no disturbance in your minds
the white of the vaporous clouds
of the snow, burying all in stillness
 
Do not call it blindness
it is merely the absence of anything to see
and so this is our choice for the Color of the Year
and the next, and the next, this white
ever more perfect, more perfectly… nothing


Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry.

Monday, February 03, 2025

THERMOGENESIS

by Melanie Choukas-Bradley



 

Here in Washington, DC

Where we have some actual swamps

Glorious muddy places it would be criminal to drain

Skunk Cabbage flowers

Are bursting through the ice and snow

Generating their own heat

Their meat-red spathes

Coddling round golden spadices

Tricking carrion flies to pollinate them

Here at the Lunar New Year

Let’s make like the Skunk Cabbage

Thermogenesis!

 


Author’s note:submitted this poem hours before the January 29th plane crash in Washington, DC. My heart goes out to the family and friends of everyone connected with this tragedy, to the city of Wichita, Kansas, and to my own city, where creative resilience is needed now more than ever.



Melanie Choukas-Bradley is a Washington, DC naturalist and award-winning author of eight nature books, including Wild Walking—A Guide to Forest Bathing Through the Seasons, City of Trees, A Year in Rock Creek Park, and Finding Solace at Theodore Roosevelt Island. She has had several previous poems published in the The New Verse News and many poems published by Beate Sigriddaughter’s Writing in a Woman’s Voice, including four that have won “Moon Prizes.” Her poetry has also been featured on nature-oriented websites.