THE COST OF CAUTION

by Peter Witt

 

Malaysia's Karex Bhd, the world's top condom producer, plans to raise prices by 20% to 30% and possibly further if supply chain disruptions drag on due to the Iran War, its chief executive said on ‌Tuesday. —Reuters, April 21, 2026 

 

 

Safe sex just got more expensive,
the price of latex climbing like a fever.
There’s an oversupply of children on the horizon,
a tidal wave of toddlers waiting to break.

It starts with the fuel, the heavy scent of diesel
rising in cost, slowing the world to a crawl.
Then the cold creeps in. In northern towns,
people turn the heat down, then cuddle 

for warmth under quilts heavy as lead,
and you know what happens next.

In the tropics, the AC hums a frantic tune,
while lovers move in the artificial chill
like dancers in a refrigerated dream.
With the cost of flight soaring high as a hawk,
the world settles for staycations, 
quiet afternoons where the bedroom door
becomes the only destination left.

Without protection, the "frolic" turns to fate.
Be prepared: nine to twelve months from now,
the world may explode with new life,
a sudden reversal of the long decline.,

And while Iran guards its humming centrifuges,
and the nuclear material sits heavy and silent,
Trump stands at the podium, grinning at the chaos,
explaining to the cameras that the crying in the cradles
was all just part of the plan.

 

 

The Trump administration, dominated by religious anti-abortion conservatives and reeling in money from a new wave of pronatalist tech reactionaries, has long been considering ways to persuade, pressure and cajole women into having more babies. —The Guardian, April 14, 2026

Peter A. Witt by chance lives in Texas and is a recovering university professor who lost his adjectives in the doldrums of academic writing. Poetry has helped him recover his ability to see and describe the inner and outer world he inhabits. His work has been twice nominated for the Best of the Net award and has appeared in a variety of online and print publications. He also writes family history.  His book about his aunt was published by the Texas A&M University Press (Edith's War: Writings of a Red Cross Worker and Lifelong Champion of Social Justice). He is also an avid birder and wildlife photographer.

MY AMAZING INVESTMENT

by Pat Davis

I think they are sheep at first
but they’re corpses
wrapped and tied in white shrouds.

I wish they were low clouds
laid out in a row

but they’re my purchases,
femur, tibia, wrist
tied up for delivery.

I bought the rubble,
the bulldozers, too.

Israel lets in chips 
and Coke.

Children are dying of hunger.
Children are dying of cold.

Our papers blame the wind.
Blame the rain. 
Aid is blocked, the doctors

forced out.
By the toe-end of a corpse 
as long as my forearm 

is a puddle of muddy water in which a star
was lost

Patricia Davis’ poems appear in Smartish Pace, Image, Southern Humanities Review, Hayden’s Ferry Review, and other journals. Also a playwright, she earned her MFA from American University. She is translations editor for the literary journal Poet Lore and lives in the Washington, DC area, where she works in human rights advocacy.

SCULPTURE

by Jan Chronister

In Duluth, Minnesota

a well-known snow sculptor

crafts a car on his front lawn—

Honda Pilot with smiling driver,

arm hanging out. 

He adds a sign that says,

“I’m not mad at you.”

Someone places flowers

on the white canvas.

A photo of the sculpture on Facebook

draws close to one hundred hateful comments,

some even rejoicing at her death.

It’s going to be cold in Minnesota—

wind chills as low as -60.

The snow car and driver

will be around a long time.

Perhaps long enough

for the haters to find 

their humanity.

Jan Chronister is a retired educator who splits her year between the extremes of northern Wisconsin (by Lake Superior) and southern Georgia. She has authored three full-length poetry collections and twelve chapbooks. Jan edits and publishes the work of fellow poets under the imprint of Poetry Harbor.

SYSTEM SNOW

by Elizabeth Kerlikowske

Elizabeth Kerlikowske pays attention, though she doesn't want to.

EIGHT DEGREES

by Laura Rodley

Eight degrees

no one at the bird platform.

Ten degrees, juncos

in their butler uniforms

dart into the snow

unearthing seeds;

how less than an ounce

of feathers and a

rapidly beating heart

keeps them warm

is a miracle.

Pushcart Prize winner Laura Rodley’s latest books are Turn Left at Normal by Big Table Press, and Counter Point, Legacy Award finalist. Her Ribbons and Moths: Poems for Children by Kelsay Books was selected as a finalist in the “Animals/Pets/Nature” Category in the 2025 Independent Author Network (IAN) Book of the Year Awards, won the 2024 International Book Award for Children's Nonfiction, eon the 2025 Bookfest for Nonfiction Outdoors, and Bronze in the Moonbeam Book Awards.

MASS SHOOTING #8

600 block of Jackson Ave., Muskegon, MI, Dec 6, 2025

“2 people dead, three others, including child, injured in Muskegon shooting”

by Ron Riekki

“Sure, this world is full of trouble

I ain't said it ain't.”

—Douglas Malloch, “It’s Fine Today”

They say there are 200 different words for snow

in the Sámi language, like the northern Sámi

 

vahtsa, which is new snow on old snow, which

now is the case, driving a rented car on plowed

road, but then turning onto the street of our latest

 

mass shooting in Michigan and instantly it’s

unplowed, so thick with snow that it scrapes

 

the bottom of the vehicle, yet ice on the tires

so that the car swerves back and forth, with

a realization that I can’t stop, so I drive by

 

a house with caution tape lying in snow, but

it doesn’t look like the photos or videos online

 

of where the shooting happened and I wonder

if it’s another incident, especially since this city—

Muskegon, Michigan—has been plagued with

 

a dozen shootings: 9mm and Glock and “AR-

style rifle” and “stolen pistol” and “handguns”

 

and another shooting on the 1400 block of

Gyrock and a “19-year-old has been arraigned”

and nine killed and eleven injured in Muskegon

 

this year alone, a population of 38,000, and it’s

26 degrees with the wind chill, two months since

 

the last mass shooting; and a Democrat online

tells me it’s due to the cold, and someone else

online says it’s due to astrology, wants to know

 

the alignment of the stars, and I stare at the home

I think where the shooting happened, but I can’t

 

stop, the street empty, absolutely nobody outside,

and the house where it happened looks dead, no

lights on inside, but, later, down the street, I see

 

a window with bright white Christmas decorations,

a snow-colored fake tree elegant in the window,

 

and I swing the car around once there’s plowed

road and go down it again, still not able to stop,

still swerving, windows down, the cold frowning

 

into the car, a church nearby unplowed as well

as if no human has been down this street since

 

the shooting, the feel of abandonment, how that

tends to be the feeling of so many of these sites

of shooting, and I stop at a shop, a garage, closed

 

for the night, a large sign saying BLOOD’S all

in red, all in caps, such an odd name for a “front

 

end clinic,” the address 13-something, and

the building bone-colored; getting my bearings,

I drive, looking for anyone to talk to, but all

 

is winter-quiet, a worker stepping out of a back

exit of a restaurant, wiping sweat off his fore-

 

head with his sleeve, his breath visible, and

then, amidst all these closed stores: a liquor

store, how so many of these mass shootings

 

are near liquor stores and churches, parks

and cannabis dispensaries. A 4-year-old

 

was shot at this mass shooting. A 22-year-

old woman and 25-year-old man killed.

A worker throws out piles of cardboard

 

into a dumpster—no recycling—massive

letters of SAM’S DRINK ALL on the store,

 

such a bizarre name, like a command, and

the worker tells me he has no thoughts on

the shooting, doesn’t want to talk about

 

the shooting, doesn’t want me going into

the store, calls and confirms that I am not

 

allowed into the store, but then teenagers

walk into the liquor store and there seems

to be no problem with this. Seeing two

 

children alone in a car, the mother later

emerging from inside. I talk with a 14-

 

year-old who wanders up, says that his

birthday is tomorrow. He’s with a friend.

I ask how we stop gun violence, if they

 

heard about the shooting. They tell me

they know there’ve been shootings. How

 

do we stop them? One of them walks

away, into the store.  The 14-year-old

remains, saying it’s “parenting” and

 

"finances," that “it gets harder every year,”

that people sell drugs to survive. I ask

 

how he’s avoided it: “work and school

and sports.” Football.  Behind him,

the words liquor – beer – wine – lotto.

 

These liquor stores near mass shootings,

always so busy. The 14-year-old goes inside.

Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice.

NEW YEAR'S EVE IN GAZA

by Donna Katzin

Part of the humanitarian zone, around Al-Aqsa University, west of Khan Yunis. February 2024, compared to December 2024. Credit: Planet Labs PBC via Haaretz, December 31, 2024

There is no shelter to keep out the cold                                     

in Deir al-Balah—no water

safe to drink or mouthfuls of food…

famine claims the children one by one,

even infants who, though barely named,

are loved.

 

Winter winds do not appear to notice,

rip through shreds of plastic

pretending to be tents,                                       

that can no longer hold together

as unspoken words and stifled prayers

stab at throats too dry to utter them.

 

Without knocking, rain pours through the openings,

soaks clothes and bedding to the skin

for days and nights that never close their eyes,

like a lethal benediction

claiming tiny souls of unblessed babies

freezing in their mothers’ arms.

 

A world away, one million revel in Times Square 

awash in bright lights and bubbly 

on the eve of the New Year.

 

 

Donna Katzin is founding and former Executive Director of Shared Interest, investing in South Africa's democratic development, and co-coordinator of Tipitapa Partners, working with Nicaraguan mothers to feed their children.  She is also a member of the Reconstructionist Movement's Tikkun Olam (Repair the World) Commission, and a published poet honored to have been included in The New Verse News.

WAKING UP COLD

by Thomas R. Smith

Watercolor painting by Judys Art

October 2024

Change of the seasons, woke up cold.

Time to pile on extra blankets.

Thought of the people living in rubble,

huddling under whatever scrap of comfort

they can pull around their bones—sick,

hungry, broken, families blown away,

entire bloodlines erased.  With no plan

to rebuild, it could take generations.

How to face such a dawn knowing children,

grandchildren, great-grandchildren pre-condemned?

Nor to forget among the tens or hundreds

of thousands dead those double hostages

of Hamas and Bibi.  God help us all.

Woke this morning, cold from a year of war.

Thomas R. Smith’s recent books are a poetry collection Medicine Year (Paris Morning Publications) and a prose work Poetry on the Side of Nature: Writing the Nature Poem as an Act of Survival (Red Dragonfly Press). He lives in western Wisconsin near the Kinnickinnic River.

HAIKU

by Geoffrey Philp

Did you enjoy the cherry blossoms' early peak bloom? It was a warning sign. A 1,200-year record of cherry blossoms shows our current climate is historically unprecedented.  [Photograph byRinko Kawauchi]—National Geographic, March 26, 2024

In an early spring

maples bloom while elms tremble—

dreading a cold snap.

Geoffrey Philp, a Silver Musgrave Medal recipient, is the author of Archipelagos, a book of poems about climate change which was long-listed for the Laurel Prize. Philp’s Twelve Poems and a Story for Christmas retells the nativity story, transporting readers back to that holy night in a fresh yet traditional way. His poem “A Prayer for My Children” is featured on The Poetry Rail—an homage to 12 writers who shaped Miami's culture. He  lives in Miami and is working on a children's book Marsha and the Mangroves.

MY BODY DOESN’T BELONG TO ME

by Linda Laderman

The Alabama Supreme Court [pictured above in Night Country] has ruled that frozen embryos created and stored for in vitro fertilization (IVF) are children under a state law allowing parents to sue for wrongful death of their minor children… The 8-1 majority of the court found that it was a long-established precedent that "unborn children" are "children" for the purpose of the 1872 wrongful death law at issue in the case. It said that any doubt about that was removed by a 2018 amendment to the state's constitution, which declared that it was "the public policy of this state to recognize and support the sanctity of unborn life and the rights of unborn children." —Reuters, February 23, 2024

I tell my husband that my body doesn’t belong to me.
Does it belong to me then, he says. He thinks he’s hilarious,
 
a comedian. That’s what he calls me when I say something 
he finds absurd or annoying. So I say, are you a comedian?
 
Then he asks me to explain. If your body doesn’t belong 
to you, who does it belong to? All sorts of entities, I say.
 
He thinks I’m overreacting after we watched the episode 
of True Detective Night Country, where we (spoiler alert)
 
find out that the frozen male bodies were not murdered
by a demon, but by a group of indigenous women who
 
were rightly pissed that their friend Annie K was brutally
beaten to death after she discovered a truth hidden from her
 
by her lover. I say, good for those women. Those men deserved
to be put out in the cold  How many times have women put
 
their hands on truth’s hot stove, in spite of its capacity to burn,
and ended up paying for it with everything that meant anything?
 
I ask, did you read the ruling from Alabama’s Supreme Court?
and wave my phone with the breaking news in front of his face.
 
Look, I say, Alabama is the spawn of Dobbs. This is not an episode on HBO.
Well, he says, what are you going to do, throw a bunch of naked law-
 
makers into sub-zero temperatures and leave them to freeze to death?
Only if I have the means and opportunity, I say. You are a comedian, he says.

Linda Laderman is a Michigan poet. Her work can be found in many journals, including SWWIM, One Art, The Scapegoat Review, and Mom Egg Review. She is the 2023 recipient of Harbor Review Jewish Women’s Prize and was recently nominated for a Pushcart Prize.

WINTER 2045

by Steve Deutsch

We bought the corner place

on Burroughs Street—

I’m sure you know it—

a stately two story

built when the neighborhood

was only good for grazing cows.

 

It took two years of construction

now that the summer restrictions 

are in force. We replaced the windows,

added insulation and central air—

two bathrooms and a kitchen.

 

Only this week, we found our way 

to the attic. It’s a wonderland.

Skis and snow shovels

and sleds for children and adults.

And in two huge chests

clothing for a winter fashion show

on an air-conditioned stage.

 

It was cold here once—

although the children refuse

to believe it.

It was cold here once—

although I hardly remember.

Ice hung from the trees—

the snow so high

we could barely open our back doors.

 

My parents would go 

south for the winter—

to Florida or coastal Carolina.

To places first scorched then drowned—

to places now as bare 

as the surface of the Moon. 

 

Steve Deutsch is poetry editor of Centered Magazine and is poet in residence at the Bellefonte Art Museum. Steve was nominated three times for the Pushcart Prize. His chapbook Perhaps You Can was published in 2019 by Kelsay Press. His full length books Persistence of Memory; Going, Going, Gone; and Slipping Away were published by Kelsay. His book Brooklyn was awarded the Sinclair Poetry Prize from Evening Street Press and published in 2023.

BLIZZARD OF OZ ‘23

by Scott C. Kaestner

Frostbitten existential mood swings

my fingers can’t feel my toes

numb 

        frozen

try to twist, try to wiggle free

nothing. My mind is a mine field

explosive blue diamond 

in snow drift icicle sky

and damn it gets so cold

when an angry sun scorches

everything in sight. The world is

upside down, reason I know

do you hear the shit coming out

of peoples mouths? The aliens

no doubt are bored with us and

have moved onto planets with

                intelligent

                                 life

something religion and politics

and 24 hour news cycles

eliminated from Earth

quite some

         time 

                ago

so here I am, here we are

freezer burnt waiting for the end

or a new beginning or at least

some warm socks to apocalypse in.

Scott C. Kaestner is a Los Angeles poet, writer, dad, husband, and an invisible man in plain sight. Google “Scott Kaestner Poetry” to peruse his musings and maybe even buy a book.

THE COLD

by Liz Ahl

The wind tries every latch, each seam, but

it’s the knuckle-cracking record-breaking cold 

whose fists pound hourly the walls, the roof, 

cop-heavy menace, tree-fall percussive, 

making the house itself a booming bass drum 

or splintering ax fall or too-close shotgun blast—

anything but a place you'd want to rest your head.

No use trying to bar the door: the cold knocks 

from deep already inside, beneath the stain, 

in the tightest betweens, down in the grain 

where some breath of moisture kept its own counsel 

for as long as it could before it finally froze and fractured, 

abruptly unloading its long-kept secret, releasing

in a compulsive shout what was once unspeakable.

All day and into evening the house tries to undo itself

like this, in some weird winter molt—clapboards and nails 

popping in a deconstruction zone of home-unmaking, 

house un-warming—and so tonight we'll play at sleep, 

pray we'll wake to the still-ticking of the faucets

we left open to slow drip, to prevent the pipes 

from joining the home’s involuntary revolt against itself.

Liz Ahl is the author of A Case for Solace (Lily Poetry Review Books, 2022) and Beating the Bounds (Hobblebush Books, 2016), as well as several chapbooks. She lives in New Hampshire.

OH, BLACKBERRY WINTER

by Earl J. Wilcox

Late last night, you creep upon us—

cold, chilly rain, winds whipping

across Georgia & Carolinas.

Our pretty in pink peach orchards

shuddered, ready to eat (almost)

strawberries huddle under plastic tarps.

Bright purple and yellow pansies

still hopeful of weeks yet to shine

before the wilting suns of summer.

Our most beloved children—azaleas

and dogwoods—both already dressed

in their Easter bonnets. cringe, nearly

freeze in the cold winter-like night.

Oh precious and sacrosanct blackberry

cobbler, we shall miss your bubbly sauce,

your savory aroma fresh from our ovens.

Hurry along, children, summer time—

when the living comes easy—already

peeps from behind her humid clouds.

Tomorrow she will likely hum her hymn,

teach cat fish to jump.

 

 

Earl Wilcox writes from South Carolina where all flowering creatures are in bloom.

RIFFS ON "POETRY MAKES NOTHING HAPPEN"

by John Minczeski

"poetry makes nothing happen"

—W. H. Auden, "In Memory of W. B. Yeats"

Some nights, like this one, something  

thuds against the house, a tennis ball or branch  

from the shrub below our bedroom window.  

  

Poetry makes nothing happen.  

I mean, we lie awake   

as a bitter wind slashes at the house.   

  

We have no need to shelter in a mosque or subway,   

but still my heart aches. Poetry makes nothing   

happen. It could be a deer  

  

that got into fermented crabapples.  

It could be a deer gnawing the shrub  

below the window. Some windows  

  

crack from the cold. Some explode.  

Poetry makes nothing happen  

and life goes on as if there’s no bounty  

  

on our ordinary world. Remember when the oracle  

said a great general would win the battle?   

The moon continues its unhurried changes  

  

as it has in the small forever of my life.  

It makes nothing happen, poetry. Skin cracks  

in the cold, like a tax on breathing.  

  

Stepping inside to instant warmth  

from the wind, we tell each other  

what we already know about brutality   

  

and winter. Once again poetry has made   

nothing happen. People go on dying daily  

for lack/ of what is found there.   

John Minczeski is the author of A Letter to Serafin and other collections. Recent poems have appeared in Tampa Review, The New Yorker, Harvard Review, Cider Press Review, Bear Review, North Dakota Review, and elsewhere. 

WOMEN OF GHŌR

by Steven Croft

In twilight we stare into our deaths

like we are the coming darkness

Our harrowed babies cry

but we dare not sing to them

The flour is gone in days

even tea is scarce

Our colorful dresses long hidden

or already burned for warmth

A bird calls a melody from a snowy tree

like joy trapped by the coming darkness

Warlords with stern faces walk the streets

with whips, rifles,

Whip-march a head-bent man with hands

bound behind by thick layers of rope

They tell us we have now what the hands

of the people have earned

And there is nowhere else to go, just

a cold valley, hill passes snowed for winter

If allowed to sing, we would moan a dirge

now even the night-bird is quiet

Nowhere is even a seed of relief

markets, kiosks, shops, silent and empty

They say our sins haunt us now—

girls wanting work and education

In the cold schools boys recite the Quran

Ameen

But how many times, O Knower of the Unseen,

until all our sins are erased

In our dreams of spring we see green trees

goat's milk and markets full of vegetables

In our dreams of spring we dance and sing

in our colorful dresses

Steven Croft lives on a barrier island off the coast of Georgia. He is the author of New World Poems (Alien Buddha Press, 2020).  His poems have appeared in Willawaw Journal, San Pedro River Review, The New Verse News, North of Oxford, Anti-Heroin Chic, Soul-Lit, and other places, and have been nominated for the Pushcart Prize and Best of the Net.

ANOTHER RAPID TEST

by Devon Balwit

The Biden Administration to Begin Distributing At-Home, Rapid COVID-⁠19 Tests to Americans for Free. Americans can order a test online HERE

It’s just a cold, we say. We’re feeling fine.

But want to reassure, so swab away—

Another rapid test without a line.

 

The tests are nearly impossible to find.

We call around or treasure hunt all day.

It’s just a cold, we say. We’re feeling fine.

 

We hide our coughs from those who’d mind.

But none of us can forego pay.

Another rapid test without a line.

 

The law now makes tests free—how kind—

but where to find them? Hunt and pray.

It’s just a cold, we say. We’re feeling fine.

 

We’re three years into this new grind—

Vaccinated, boostered—the whole array.

It’s just a cold, we say. We’re feeling fine.

Another rapid test without a line.

 

When not teaching, Devon Balwit chases chickens in Portland, OR. Her most recent collections are Rubbing Shoulders with the Greats [Seven Kitchens Press, 2020] and Dog-Walking in the Shadow of Pyongyang [Nixes Mate Books, 2021]. 

ICE CREAM ACTIVISM

by Alisha Goldblatt

after “The Emperor of Ice Cream” by Wallace Stevens

Photo: Emmanuel Dunand/Agence France-Presse, via Getty Images via The New York Times.

Lick the sins of countries past,

the thrown stone, and gather your pints

in unbleached paperboard, crisp waffle cones.

Sell hazelnut play on words that

signal virtue and decadence, and

slick the tongue divine, smooth on spoon.

Let slingshots rile the bull market.

The only flavor is a flavor of fear.

In the modern white freezer, vats 

blister thumbs from the plastic scoop

whose spring-back lever neatly cleaves the ice.

The Green state, the Holstein cows, the fourteenth star.

Shirtsleeves cuffed, tough and chocolate stained

to show how cold we are, and numb.

Let the melting be violent and swift. 

The only flavor is the flavor of fear. 

Alisha Goldblatt is an English teacher and writer living in Portland, Maine with her two wonderful children and one lovely husband. She has published poems in the Common Ground Review, Literary Mama, and Burningword Literary Journal, among several others. Alisha writes whenever she can and gets published when she’s lucky.