HOW TO MAKE AN ISD*

by W. Barrett Munn

*Improvised Sandwich Device

AI-generated graphic by NightCafé for The New Verse News.

Prosecutors Fail to Secure Indictment Against Man Who Threw Sandwich at Federal Agent. It was a sharp rebuke to the prosecutors who are dealing with the fallout from President Trump’s move to send National Guard troops and federal agents into Washington. —The New York Times, August 27, 2025

It's obvious I've been radicalized.
In nursing school, I was taught
critical thinking. But then, 
I attended a radical-left 
communist community college
in tiny rural Tonkawa, Oklahoma.
It hasn't helped
that I"ve had to listen to this fool spout
his nonsense day after day after day.
Like Father Karras in The Exorcist, 
I've been driven to take some kind of action 
against all these devils.
I'm at Subway. The idea pops.
I begin to make a plan. The casing
of the bomb will be critical, hard but
not too hard, and not too heavy to hold
in one hand. That means it will have to be
toasted and still have some heft.
Nothing light with a lot of holes in the crust.
Sourdough-based wheat would be perfect.
The explosive mixture must be carefully
chosen. Muscle weighs more than fat.
That eliminates a salami based explosion.
Meatballs are out automatically— 
You don't want to cause tomato sauce
collateral damage to any registered voters.
Tuna would work if it's not too wet.
This stuff is ghastly. 
I've got it: long, thin strips of lean roast beef.
I'll pay extra for a double helping, tell
the girl with the plastic covered hands
to pack it down hard.
And cheese. American is probably
best, or so my targets think, although most
have Swiss bank accounts created for them
by their oligarch handlers. 
Time to think of condiments. Screw the pickles.
Red onions and slices of jalapeno stacked
on top near the toast so they'll scatter
on impact. I'll need a fuse. Something
with a slow burn that will give me 
a head start. Dark mustard with horseradish
is perfect. After I pay, I toss the package 
up and down, feeling its heft, guessing that 
if it doesn't go off now it must be ready. 
I leave the store and see the crowd 
a block away. With renewed resolve I start 
to walk that way thinking, I really should 
have brought my toothbrush.

The poems of W. Barrett Munn have appeared in print and online in Awakenings Review, The New Verse News, Sequoia Speaks, Soul Poetry, Prose, & Arts Magazine, Book of Matches, Copperfield Review Quarterly, Haikuniverse, 5-7-5 Haiku Journal, and many others.

CAN WE SEE THE SUN?

by William Aarnes

Beth and I are wearing masks

and, as can happen on the subway,

 

the unmasked man across the aisle

raises his voice to everyone

 

in the car to tell us that wearing masks

and getting vaccines just shows

 

we’re brainwashed by the “slime”

of lies told by the government

 

and the media.  We’ve been tricked

into believing all kinds of fictions.

 

“Take the sun,” he says, his voice

rising.  “Yes, take the goddamned sun.

 

You’re telling me you can see something

that’s ninety-three million miles away?

 

Anyone who thinks for himself knows

his eyes can’t see that far! You’d need

 

a Hubble, though that Hubble’s

just another made-up lie. Anyone

 

who’s reasonable and thinks for himself

knows he’s not seeing the sun. Read

 

your Plato and stop looking up

at the useless sky. Don’t listen

 

to those swindlers that are telling you

any different. And stop going along

 

with the idea that something invisible

can make you sick. Or just go ahead.

 

I don’t give a damn. Why would anyone               

give a damn? You’re all just pathetic!” 

As we leave the train, we don’t dare

wish him well—what would he do?—

though we want to. Beth and I wear

our masks the two blocks home.

It’s a gloomy afternoon, light rain.

And the first thing I do in the door

is—trusting the internet—open my laptop

to look up the diameter of the sun.

Then how much light the sun gives off—

enough, I’m told, to leave you blind.

William Aarnes lives in New York.  He worries about what the conservative response to COVID has done to our thinking about public health.  And yesterday his appointment to get a COVID booster was cancelled because the pharmacy had yet to receive its supply.

RIFFS ON "POETRY MAKES NOTHING HAPPEN"

by John Minczeski

"poetry makes nothing happen"

—W. H. Auden, "In Memory of W. B. Yeats"

Some nights, like this one, something  

thuds against the house, a tennis ball or branch  

from the shrub below our bedroom window.  

  

Poetry makes nothing happen.  

I mean, we lie awake   

as a bitter wind slashes at the house.   

  

We have no need to shelter in a mosque or subway,   

but still my heart aches. Poetry makes nothing   

happen. It could be a deer  

  

that got into fermented crabapples.  

It could be a deer gnawing the shrub  

below the window. Some windows  

  

crack from the cold. Some explode.  

Poetry makes nothing happen  

and life goes on as if there’s no bounty  

  

on our ordinary world. Remember when the oracle  

said a great general would win the battle?   

The moon continues its unhurried changes  

  

as it has in the small forever of my life.  

It makes nothing happen, poetry. Skin cracks  

in the cold, like a tax on breathing.  

  

Stepping inside to instant warmth  

from the wind, we tell each other  

what we already know about brutality   

  

and winter. Once again poetry has made   

nothing happen. People go on dying daily  

for lack/ of what is found there.   

John Minczeski is the author of A Letter to Serafin and other collections. Recent poems have appeared in Tampa Review, The New Yorker, Harvard Review, Cider Press Review, Bear Review, North Dakota Review, and elsewhere. 

FEBRUARY 2020

by Jennifer Franklin

Our long coats are all that separate us from the cold. Half-way around the world, the sky opens to put out wildfires over the carcasses of burned marsupials. We wait for the subway, for the train. My daughter waits for her short yellow bus that arrives each morning with one sobbing boy. He would be a perfect metaphor of Orwell’s belief that we’re all alone if he didn’t look so sad, his shirt buttoned askew. Politicians preen and posture; the air is damp with acquittal. We bend our heads but not in prayer. Our palms hold small backlit tablets that promise information and escape. Miles north, a student paints a swastika in my old dorm. Another student covers it with a star. Only the dog is calm, sleeping in a circle in her clean fleece bed. Orwell wrote, “There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.” I try to put my daughter to sleep on time in her new room. As I read the familiar incantations, flowers climb up the lamp to the ceiling. All the animals have escaped the zoo. I want the story to end there. All of them tucked into the corners of the zookeeper’s room—breathing their heavy eucalyptus breath across the night. Their fur shining in the moonlight through the blinds.

Jennifer Franklin (AB Brown University, MFA Columbia University School of the Arts) is the author of two full collections, most recently No Small Gift (Four Way Books, 2018). Her poetry has been published or is forthcoming in American Poetry Review, Blackbird, Boston Review, New England Review, Gettysburg Review, Guernica, JAMA, Love’s Executive Order, The Nation, Paris Review, Plume, “poem-a-day” on poets.org, and Prairie Schooner. She is currently teaching poetry in Manhattanville’s MFA program. She also teaches manuscript revision at the Hudson Valley Writers Center, where she runs the reading series and serves as Program Director. She lives in New York City. The poem appearing here is from Jennifer’s forthcoming collection Momento Mori: Antigone.

A COLLECTION OF SHORTS ON CHURROS

by Jen Schneider



Handcuffed for Selling Churros: Inside the World of Illegal Food Vendors —The New York Times, November 12, 2019


Salt and Tears

Tears of sweet
salty goodness
wrapped
in a 99 cent
pastry
served hot
on a cold
city corner

Tears of sour
salty numbness
wrapped
in a 99 dollar
fine
served hot
in a cold
city jail

Small Change

I’ll take three. Please,
keep the change.

Sweet, heavenly steam
on cheeks
as flaky pastry
with a hint
of cinnamon and sugar
melt in my mouth.

A small taste of heaven
on Earth, purchased
daily for a mere 99 cents.

Suffocating Fines

My simple
guilty pleasure,
her lifeline—dough for
milk, denim, rent—
silenced
with fines
that tally
a month’s worth
of churros and
violation of a permit
system
that permits no entry.

Seeking
a seat—if not
at the table—on the subway.

Jen Schneider is an educator, attorney, and writer. She lives, writes, and works in small spaces throughout Philadelphia. Her work appears in The Coil, The Popular Culture Studies Journal, unstamatic, Zingara Poetry Review, 42 Stories Anthology (forthcoming), Voices on the Move (forthcoming), Chaleur Magazine, LSE Review of Books, and other literary and scholarly journals.

STRANGERS ON A TRAIN

by Devon Balwit

Top photo: “How New Yorkers Deal With Swastikas on the Subway” by Gregory Locke, The Forward, February 5, 2017.

Images collide in my news feed
the way strangers do on a train,
strangers on a NYC subway car,
rubbing out swastikas, the words
“Jews belong in the ovens,”
above archival Giacometti,
working papier-mâché
over the armature of a man,
a man gaunt like the Jews
after their ride in the trains,
heads shaved, teeth stripped,
children gone, names erased,
Giacometti’s man rising
like a corpse, refusing to stay dead,
race hatred rising, spectral,
bans, deportations,
Giacometti, the NYC riders,
showing what resistance looks like
when train doors open on shadows,
showing what makes a human being.


Devon Balwit is a writer and teacher from Portland, OR. She has two chapbooks forthcoming—how the blessed travel from Maverick Duck Press and Forms Most Marvelous from dancing girl press. Her recent work has found many homes, both on-line and in print.

AMERICAN LUST STORY

by Penny Perkins

There’s a boy. And there’s a girl.
                                    And you might think just from that set up that this is a story about the attraction between them.
                                    Or at least a story about the boy being attracted to the girl. Because often times in these boy/girl stories we don’t see what the girl wants or feels, only (or mainly) what the boy wants or feels.
                                    But, be relieved, this is not that story.
                                    Because, in this case, the boy is actually a manboy, a damaged boy trapped in the body of a perverted man, and the girl (there are many) is an actual girl, in some cases as young as 13 or 14 years old. The manboy has been soliciting for sex with girls ages 13 through 16. And, in this time and place, what he is doing is technically illegal, technically against the law, but it happens all the time, a lot more than we “good people” want to know about or educate ourselves about. But this specific time with this specific manboy—which is rare given how frequently this type of activity goes on—the manboy is caught. Being the historical moment that it is, the buying and selling of girls is facilitated a lot by technology and the internet, which does leave a footprint (omg, caveat emptor!) that the police can use as evidence to charge him. The manboy has left a thick trail of emails and texts and search engine histories and images downloaded onto smart phones and computer hard drives. The police confiscate these things from the manboy’s home and digital forensics sink him. The cache of electronic artifacts of his lust implicate the manboy on his illegal, criminal proclivities for young flesh. “Middle school girls are hot,” he is quoted as saying to a female reporter. To be sure, he is gross and his statement is gross. But, given the huge numbers involved in the criminal activity of buying and selling young girls, there are clearly a lot of manboys who agree with his assessment.
                                    Probably none of these incidents with the manboy in question would have been any note at all to the general public, except for one thing: The manboy sells sandwiches for a living, and has gotten very rich doing so, but now the sandwiches are mad at him for associating their “eat fresh” product with something that is distasteful and not very fresh at all. As it turns out, the sandwiches themselves also have a digital footprint and they use it against him: their twitter feed washes their hands of him and they tweet tweet tweet to let the public know they are against the eating of underage sandwiches. On the other side of irony town, though, their website proclaims that every sandwich has a story. It’s just that the sandwiches didn’t want the manboy’s story to be their story. Can’t blame ’em. Lo and behold it sucks to make a manboy a millionaire hawking your feel-good sandwich story and then go have him turn around and use that money to sate the appetite of his curious, criminal desires. Yeah, that sucks for the poor sandwiches. Not good for franchise business. But it really, really sucks for the girls, the underage girls, the girls he raped, and it sucks for all the other disenfranchised girls bought and paid for, sold and sliced like sandwiches for the manifold manboys of America.


Penny Perkins holds an MFA in creative writing from the Institute of American Indian Arts in Santa Fe, NM. Her short story “Car Ride Through Corn Fields (1975)” was chosen by Manuel Muñoz as the winner of Beecher’s Magazine 2014 Fiction Contest. Her short story “Gut Feelings” was a finalist for the Reynolds Price Prize in Fiction as a part of the 2015 International Literary Awards sponsored by the Center for Women Writers. Recent short stories have been published or are forthcoming in The Pine Hills Review, Waxwing #5, and HOAX #10. Other publication credits for fiction, poetry, and non-fiction include Salon, Conditions, The Portable Lower East Side, Curves, Girlfriend No. 1, and Book, among others. She currently lives in northeast Florida and teaches at the University of North Florida in Jacksonville.

TWERKING ON THE SUBWAY

by Will Stockton

On the D train north
D – isn’t that just too cute? –
twerks my husband.
Without cable we live
in 2009. I saw the performance
on YouTube the morning after.
Without cable Miley Cyrus
is still Hannah Montana
and Robin Thicke is no one
we know. Cyrus says – You're
wanting to make history, y'all –
so pulls old strings of slut shaming,
of swift love and theft.
I thread the move into a lyric
I sang on the El south from Fullerton –
Is it worth it? Let me twerk it –
as D, white hipster, high school
musical dancer, bends over to touch
his toes, to keep his balance
as the train swerves left.


Will Stockton is associate professor of English at Clemson, South Carolina, where he teaches Renaissance literature and queer studies. His most recent book, Crush, forthcoming from Punctum Books, is a collection of poems and lyric essays co-written with D. Gilson.