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Showing posts with label #resistance. Show all posts
Showing posts with label #resistance. Show all posts

Friday, July 12, 2019

HAS ANYBODY SEEN THE RESISTANCE?

by George Salamon





"For their heroism was that they had to conquer themselves first."
—Albert Camus, "Letters to a German Friend: First Letter"


The word is everywhere,
Action remains nowhere.
Consciousness is raised,
Resistance demands deed,
Not just correct creed.
Occupy Wall Street troubled
No one on the actual street.
Call it protest, call it outrage,
Only oneself does it assuage.


George Salamon supports many of the protests and marches, but thinks "resistance" requires what the protestors and marchers are not (yet?) willing to risk. Can't blame them. He lives and writes, often politically incorrect stuff, from St. Louis, MO.

Monday, April 22, 2019

SAVE THE WALRUS

by George Salamon


The walrus deaths shown in “Our Planet” are becoming increasingly common as the sea ice they depend on melts away faster than we predicted. Over the past decade, climate change has caused summer sea ice to disappear from the walrus’s shallow foraging grounds in Alaska’s Chukchi Sea. That’s because the Pacific walrus needs sea ice year-round for giving birth, nursing their young and resting. Over the past decade, climate change has caused summer sea ice to disappear from the walrus’s shallow foraging grounds in Alaska’s Chukchi Sea. Without summer sea ice for resting, walrus mothers and calves have been forced ashore in huge numbers, where they have limited access to food and are vulnerable to being trampled to death, attacked by predators or crowded into dangerous places looking for space to rest—like the edge of a cliff. “Some of them find space away from the crowds. They struggle up the 80-meter cliffs, an extraordinary challenge for a 1-ton animal used to sea ice,” narrator David Attenborough says solemnly. “At least up here, there is space to rest. A walrus’ eyesight out of water is poor, but they can sense the other down below. As they get hungry, they need to return to the sea.” What follows is footage of walruses tumbling one by one down sharp cliffs, crashing into the rocky beach and other walruses below. “In their desperation to do so, hundreds fall from heights they should never have scaled,” Attenborough says. —Common Dreams, April 17, 2019


You can quickly become nauseous
Viewing the suicidal walrus,
Latest victim of man's avarice
Driven by an appetite so ravenous
To living things it's cancerous.
If you, like many of us, turn away
It will only embolden greed's sway.
Let us form an army of resistance
And fight for the walrus's existence.


George Salamon lives and writes in St. Louis, MO and hopes to see a walrus again.

Saturday, January 26, 2019

WOMEN'S WAVE 2019

by Donna Katzin


A contingent of Jewish women and supporters march to Freedom Plaza in Washington on Saturday. (Evelyn Hockstein for The Washington Post, January 19, 2019)


In the shadow of the Thurgood Marshall Court House,
above the African Burial Ground,
we come from our own Egypts
our Red Seas, deserts of despair,
wildernesses of silence.

Rivers from centuries and continents
some resplendent, some reluctant,
converge, water this wave.

As the rally wakes to Aretha’s reveille—
Respect—the youngest demonstrator,
on her mother’s shoulders,
thrusts her tiny fist
over the shivering crowd.        

A black bearded brother in a pink pussy hat
snaps bare fingers, bobs to refrains
of Sweet Honey in the Rock.

And from the Italian contingent –
Ravioli, ravioli,
Give me my birth controli!

In kente cloth, a grandmother from Nigeria
waves her sign: Human rights
don’t stop at the border.

Our parka-ed multi-colored bodies—
gay, straight, trans—sway
to the Resistance Revival Chorus,
do not feel the cold.

Millenials contemplate the question:
Ever wonder what you would have done during slavery,
the holocaust, civil rights?
You’re doing it right now!

Together we remember those who march with us:
Sandra Bland, Mother Jones, Dolores Huerta,
Ethel Rosenberg, Fanny Lou Hamer,
who taught us: Solidarity is
not a spectator sport.

Rise up, Sisters.
Democracy is a dance.
Our movement is a wave.
We are a revolution.

It’s our damn turn.


Donna Katzin is the founding executive director of Shared Interest, a fund that mobilizes the human and financial resources of low-income communities of color in South and Southern Africa. A board member of Community Change in the U.S., and co-coordinator of Tipitapa Partners working in Nicaragua, she has written extensively about South Africa, community development and impact investing. Published in journals and sites including TheNewVerse.News and The Mom Egg, she is the author of With the Hands, a book of poems and photographs about post-apartheid South Africa’s process of giving birth to itself.

Wednesday, September 12, 2018

DENIAL VILLANELLE

by Judith Terzi


Cartoon by Rob Rogers.


I didn't leave the fridge door open all night.
I didn't leave the front door ajar all day.
I didn't leave the water boiling. Fire fright.

I didn't leave the bathroom light on. Energy blight.
I didn't leave the water running in the sink, btw.
I didn't leave the fridge door open all night.

Pas moi, pas moi. Must have been Mike.
I didn't leave the toothpaste top off in the mêlée.
I didn't leave the water boiling. Fire fright.

I didn't take the papers off the desk. No sleight
of hand in dawn's early light. No fingerprints, eh?
I didn't leave the fridge door open all night.

Yes you, you ate the apple pie. We have to indict.
I didn't, I didn't steal the cap, the coke, the hearsay.
I didn't leave the water boiling. Fire fright.

I didn't eat the last Twinkie. Pas moi, alright?
Then who stole the cookies from the cookie tray?
I didn't leave the fridge door open all night.
I didn't leave the water boiling. Fire fright.


Author of Museum of Rearranged Objects (Kelsay Books, 2018) and five chapbooks, Judith Terzi's poems appear widely in literary journals and anthologies. Her poetry has been read on the BBC, nominated for Best of the Net and Web, and included in a study guide for the artist-in-residence program for State Theater New Jersey. She holds an M.A. in French Literature.

LODESTAR

by Alejandro Escudé


North Star Time Lapse from Indiana Public Media


Could there be a kind of moral astigmatism?
The misshapen soul, perhaps? An oval moon,
a flat Earth, lightning horizontal like a miser’s
chicken scratch? The identity of this person,
a missing profile on a dating search. Pundits,
linguists, pouring out to decipher the op-ed’s
content, the newly discovered wall in the tomb
of a pharaoh. How much can be spilled forth?
What secrets can be unearthed? A facile ghost,
the remnants of a Southern rebel. One sheet
to hide a thousand sheets, cataracts, so that
one is a bed of trees on which an infant lies.
We shall prepare to say our tender goodbyes
to the land that was. Red, green, white, blue.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Friday, January 05, 2018

SHOVELING OUT A MOOSE

by Skaidrite Stelzer




most of us do what we can
if we believe we can do it
if someone has not whispered in our ears
that the world is too cruel
a world that will kill us (it’s true)
yet we must move against the snow banks
dig deeper than we believe
a moose in a snowbank
that in summer would throw us
trampled in grass
now knows we are animal
surviving all of us
as best we can


Skaidrite Stelzer lives and writes in Toledo, Ohio. Growing up as a post-war refugee and displaced person, she feels connected to the world and other stray planets. Her poetry has been published in Fourth River, Eclipse, Glass, Baltimore Review, and many other literary journals as well as TheNewVerse.News.

Wednesday, January 03, 2018

BUFFING UP MY RESISTANCE RING

by Tricia Knoll


The young boy on the deck
of a cave fingers his ring.
Seeking to join the flock

that scoots through space,
the resistance that old women
like me have known as marches,

petitions, sit-ins, showings up,
letter writing, paying forward,
and which he may learn as war

to tilt love forward, to feed
the hungry, house them,
welcome them from the far

corners of the universe.
This forever war, I want to say
to him standing in hope,

the forever work of keeping
shine in our hands. Guard
the glow for work.


Tricia Knoll’s collection Broadfork Farm, now available from The Poetry Box, contains poetry about pigs, dogs, starry nights, predators and farmers on this small organic farm in Trout Lake, Washington. Knoll is a regular farmsitter on the property.

Wednesday, August 09, 2017

RESISTANCE, AMERICAN STYLE

by George Salamon




“But the resistance doesn’t do vacation.” 
in “The Resistance Now: Trump's on vacay, so now's the time to act” 
The Guardian, August 4, 2017


"Not my president," they shouted.
Resist! their signs urged.
Petitions flooded the corridors of Congress.
Pundits wetted their . . . lips.
Our country will never submit
To that authoritarian blowhard and bigot.
He twittered as he tumbled in office, and
We salivated at the prospect of his fall.
Seven months later, he's still in the saddle
While the resistance saunters on its high horse.
Woe, above all else we're consumers.
We commodified our resistance
As we do everything else.
For everything that happens in the land
There's a space on a shelf in the market.
Call it American exceptionalism.


George Salamon lives and writes in St. Louis, MO.

Friday, February 17, 2017

THE DIVIDED STATE OF AMERICA

by Anna M. Evans




I wonder how they sleep at night, those folk
who disagree with me. Although their views
are driving current policy, the joke
is on them when they watch the nightly news
and see the protest rallies everywhere—
each witty hat, each cutely-worded sign.
Aren’t they ashamed? Do they not even care
the country will remember them as swine?

But then I see they think the same of me:
that they're the strong, while my kind are all flakes.
Impossible for either side to see
the other’s merits or their own mistakes.
By day, we all shake our self-righteous heads;
at night we lie uneasy in our beds.


Anna M. Evans’ poems have appeared in the Harvard Review, Atlanta Review, Rattle, American Arts Quarterly, and 32 Poems. She gained her MFA from Bennington College, and is the Editor of the Raintown Review. Recipient of Fellowships from the MacDowell Artists' Colony and the Virginia Center for the Creative Arts, and winner of the 2012 Rattle Poetry Prize Readers' Choice Award, she currently teaches at West Windsor Art Center and Rowan University at Burlington County College. Her sonnet collection, Sisters & Courtesans, is available from White Violet Press.

Saturday, February 11, 2017

STRANGERS ON A TRAIN

by Devon Balwit


Top photo: “How New Yorkers Deal With Swastikas on the Subway” by Gregory Locke, The Forward, February 5, 2017.

Images collide in my news feed
the way strangers do on a train,
strangers on a NYC subway car,
rubbing out swastikas, the words
“Jews belong in the ovens,”
above archival Giacometti,
working papier-mâché
over the armature of a man,
a man gaunt like the Jews
after their ride in the trains,
heads shaved, teeth stripped,
children gone, names erased,
Giacometti’s man rising
like a corpse, refusing to stay dead,
race hatred rising, spectral,
bans, deportations,
Giacometti, the NYC riders,
showing what resistance looks like
when train doors open on shadows,
showing what makes a human being.


Devon Balwit is a writer and teacher from Portland, OR. She has two chapbooks forthcoming—how the blessed travel from Maverick Duck Press and Forms Most Marvelous from dancing girl press. Her recent work has found many homes, both on-line and in print.

Monday, January 30, 2017

DUNGEONS FROM DRAGONS

by Dennis Etzel Jr.




Asmund wakes me up for another game
as the sun tries rising in another December
morning I try to rise he says he likes to wake up
in a little dark time not too early
looks out the window over our back
yard over our Kansas our country
waking up I’ve never woken up in such a dark time
these gradual small wake-ups to dungeon builders

as our resistance is set to dismantle walls Asmund asks
if this little dark time is okay for me to wake up in
I say yes let’s go downstairs with your brothers to sit
navigate the dungeon together keeping the dragons
from getting further ahead as we search for a secret door
for freedom I show my sons how to throw the dice



Dennis Etzel Jr. lives with Carrie and the boys in Topeka, Kansas where he teaches English at Washburn University. He has an MFA from The University of Kansas, and an MA and Graduate Certificate in Women and Gender Studies from Kansas State University. He has two chapbooks, The Sum of Two Mothers (ELJ Publications 2013) and My Graphic Novel (Kattywompus Press 2015), a poetic memoir My Secret Wars of 1984 (BlazeVOX 2015), and Fast-Food Sonnets (Coal City Review Press 2016). His work has appeared in Denver Quarterly, Indiana Review, BlazeVOX, Fact-Simile, 1913: a journal of poetic forms, 3:AM, Tarpaulin Sky, DIAGRAM, and others. He is a TALK Scholar for the Kansas Humanities Council and leads poetry workshops in various Kansas spaces.

BABEL

by Rachel Voss


As a poet in the Internet Age, you find, through a quick search,
that the image you seized upon during a walk to do laundry is not,
sadly, an original one: Trump Tower of Babel.

(And that search just as swiftly uncovers the wisdom of the tarot—
apparently—did you know this?—the Tower card—yes, likely a reference
to Babel—is a trump card which immediately follows the Devil

and is associated with “sudden, disruptive, and potentially destructive
change”—truly, you’ve stumbled into an online abyss of hidden meanings
and Wikipedia distractions.  Return to your laundry.)  Crestfallen,

I do, but realize that as with all myth, it’s what you make of the story
that matters.  Is it a “fact” to hoard like grain in a pyramid built
by literal nonsense, rigid and unyielding?  Or is it a metaphor to continually

mine, one that will somehow always yield gold?  I settle on the latter,
settle into the chatter of the mind, replaying last night’s conversations:
the hungry talk, the ravenous listening, the bread, the wine.

What communion this?  A pop tune, perhaps, a drunken howl—no,
we will never be saints—choral support, the words we somehow all
remember, liked a mantra turned and returned to.

And so the story isn’t about the modern-day Nimrod, the hubris of phallus
gesturing lewdly heavenwards—it’s about the confounding tongues, mysterious
in their multiplicity, voices beautiful in their baffling difference

from our own.  We’ve been talking a lot about ‘doing something’—
and I think the talk, remarkably, is something.  Sing, goddess,
of “a cry of pain that could have got loud and worse but hadn’t” (Bishop)—

a cry that turned into the voice we use when we want to be heard
at a noisy party, or over the din of the city, or ignorance, or when you’re looking
for the right words to say, I can’t understand you, not anymore, we need

to go back to the time when we all used the same language,
a song as elemental as a beating heart, the sound that a human being
makes when it says, I’m here, we exist, and I want you to know

what I mean.


Rachel Voss is a high school English teacher living in Queens, New York. She graduated with a degree in creative writing and literature from SUNY Purchase College. Her work has previously appeared in The Ghazal Page, Hanging Loose Magazine, Unsplendid, 3Elements Review, Silver Birch Press, and Bodega Magazine, among others. 

LIFE GOES ON

by David Chorlton


He was found dead between two buildings, a homeless man who grew up in town and had been a fixture on the streets of Libertyville [IL] for many years. But it wasn't always that way. Jack Thomas, 48, was a high school grad with college degrees, a talkative sort who loved cars and music. He was said to be a dreamer who went to California in the mid-'90s to be discovered and returned a different person. —Daily Herald, January 27, 2017. Photo: Jack Thomas via Jack Thomas Memorial Fund.


Light in the window blinds marks a beginning
and the historians are busy.
Sparrows in the orange tree
sing morning news
as coffee water wakes up to a boil.
There aren’t enough votes
to stretch the darkness into one more hour of sleep.
The choice is rebellion
or breakfast. Waffles today,
served without discussion
over anything but music. A bad dream
sticks to the plates though,
and won’t wash away. The water swirls
around and around
in the eye of a storm.

*

A wounded train cries out to the rain
that there is still far to go.
The sidewalks are polished misery.
In the park the cormorants rest on their island
with the dripping palms
and hang out their wings to dry.
When the telephone rings
somebody speaks in Spanish, so quickly
the words fly off around the kitchen
where they can’t be caught
and understood. I’d like to be friendly
but this isn’t a day for it. It still feels uncharitable
to simply hang up
and a weak apology is the best I can summon.
There goes my voice
through the wire stretched across the yard
where the pigeons with their cold, pink claws
are waiting, whatever the weather.

*

There’s a somber warning
in the news again, and hummingbirds
flashing their gorgets
against a morning thundercloud.
Weeds take hold
of more territory each day
and legislation of hurricane force
is being signed into law
as we pull them.

*

Between the cats who show up to be fed
and coyotes running wild in the neighborhood
we’re not sure which side to be on.
The yard is eerily still this morning

while the sky fans its feathers
and a talon scratches the silence open.
Families have been divided, friendships

broken, but the homeless men
sitting in a vacant lot
have nobody left to betray them, and nothing

but the cold wind for company.
No use telling them
to join the crowd now gathering to make the best
of the situation, having learned

to laugh away our anger
and play the rain like harp strings when it falls.

*

A Fire Department ambulance blocks two lanes
next to the light rail station
where a man is lying down, too far gone
to appreciate

that the day’s faraway events might
have repercussions for him
when he awakens
and attempts to stand up
with nothing to hold on to. Flashing lights,

a siren, and the ambulance
leaves without him. We don’t know the protocol
for stopping to smell a person’s breath

and test his viability
in a time so burdened with violence and tragedy
that we bleed
from other people’s wounds.


David Chorlton is a transplanted European, who has lived in Phoenix since 1978. His poems have appeared in many publications on- and off-line, and reflect his affection for the natural world, as well as occasional bewilderment at aspects of human behavior. His newest collection of poems is Bird on a Wire from Presa Press, and late in 2017 The Bitter Oleander Press will publish Shatter the Bell in my Ear, his translations of poems by Austrian poet Christine Lavant.

Sunday, January 29, 2017

T***P'S INAUGURAL ADDRESS:
AN ERASURE

by Floyd Cheung


Cartoon by Mike Luckovich


America,
transfer power
to a small group

not your victories
not your triumphs
little to celebrate
across our land

this moment
belongs to

historic
crucial
Americans

demand a righteous
system flush with
carnage
pain
one glorious destiny

The oath I take today is
For industry
armies
borders
and
wealth ripped

a decree to
power

a vision
America First
ravages

I will
with every breath
let you down

understanding the right
interests first

impose our way
for everyone

old alliances
will eradicate the Earth

the bedrock of
our country,
prejudice.

The Bible tells us, "How good and pleasant it is when
America is totally unstoppable.”

fear
miseries
national
divisions

black or brown or white,
salute the American
child

be ignored again

Thank you. God bless you. And God bless America.


Author’s note: Erasure poems preserve the order of words in the original text but delete many in order to create a new work, in this case a distillation of Trump’s inaugural address as it might have been heard by some.

Floyd Cheung has taught American literature at Smith College in Northampton, Massachusetts, since 1999. His chapbook Jazz at Manzanar was published by Finishing Line Press in 2014.

ATTITUDE

by Brigitte Goetze


Archive photo: AP Photo/The Canadian Press, Winnipeg Free Press-Wayne Glowacki

The alternative ways are in stark opposition, but if she works patiently through her difficulties, trusting herself to life, living each day as fully and as truly as possible, seeking through sincerity of living to solve the problem of their opposition, she may perhaps find a way to a reconciliation. —Ester Harding


Power will have its way,
no matter how damned
its path. Like flood water
it will widen a small crack,
splitting the land into two,
uprooting what stands innocently
in its commandeered course.

You, who live upstream,
pick up whatever tool you have,
wheelbarrow, shovel, hoe,
rush up the Hill, help
draw a ditch across the slope,
diverting the deluge’s downpour
away from seedlings and old shrubs.

And you, who live downstream,
join your neighbors,
fill sandbags or nourish those
working: many a place can be
cordoned off from the swollen,
murky, ice-cold torrent against
which weapons of war are useless.

Energy cannot be destroyed, but
it can be channeled. Even if some will not
be protected from the inevitable
mud flow, yet, it may not devour all.
We are able, willing, and ready
to defend with our hands and hearts
what we have labored so hard to build.


Brigitte Goetze lives in Western Oregon. A retired biologist and a goat farmer, she now divides her time between writing and fiber work.

ALTERNATIVE FACTS:
ESCHER MEETS KAFKA

by Kenneth Arthur


"Relativity" by M.C. Escher

Hooded walkers circle
the courtyard stairwell
intent on mysterious missions,
ascending, descending, never arriving.

Hoods up. Get in Line.
Eyes straight ahead.
Ascending patriots on the left,
Descending on the right.

Others watch amazed, amused.
Some sit pensively in despair.

Begin—
foot up foot down
foot up foot down
foot up foot down
march march march
Eyes straight ahead.
go go go
Do not notice that man you passed.
You will be at your destination soon.
That is not the same man you passed before.
Soon we will be great again.
How can you possibly pass the same person?
Do not believe your eyes.
You are on your way to greatness.
Hoods up. Get in Line.
Eyes straight ahead.

Atop the grand building
where columns and archways
impose facade upon
impenetrable interior,
no one disrupts the procession.


Kenneth Arthur is a former professional computer nerd and currently a minister in the United Church of Christ. Besides dabbling in poetry, he is the author of a book of theology scheduled for publication in 2017. He currently lives in Kalamazoo, Michigan.

HOW DID WE LET IT GET SO FAR?

by Lucia Cherciu




He wants to close borders and build a wall
while refugees are waiting in pain.
We watch in disbelief and want to crawl

back into bed and hide for four years, then all
come out and vote. We brainstorm ways to strain
his plans to close borders and build a wall.

What strategies shall we use to stall
the madness derailing from his chain?
We watch in disbelief and want to crawl

as every day new stories snowball
into disasters and catastrophes that sustain
his plans to close borders and build a wall.

Those of us who lived under dictators can recall
the disappointment, hurt, and disdain.
We watch in disbelief and want to crawl

and set up stages and struggle to tell all,
gather crowds at street corners and explain
what happens when someone builds a wall.
We watch in disbelief and want to crawl.


Lucia Cherciu is a Professor of English at SUNY/Dutchess in Poughkeepsie, NY, and she writes both in English and in Romanian. Her new book Train Ride to Bucharest is forthcoming from Sheep Meadow Press. Her other books include Edible Flowers (Main Street Rag, 2010), Lepădarea de Limbă/The Abandonment of Language (Vinea, 2009), and Altoiul Râsului/Grafted Laughter (Brumar 2010). Her poetry was nominated twice for a Pushcart Prize and Best of the Net. 

Friday, January 27, 2017

FIRST POEM OF A NEW YEAR

by Linda Lerner


Photo credit: Nick Cobbing at LegalPlanet


I thought of the polar bears when
he told me of waking up with
his arm flapping around like it wasn’t his

not right away, of course,
but after he’d gotten more accustomed
to it, like the polar bears

who’ve been unhomed & had to
scavenge for food on land when
the ice began melting,

told him I understood, though
I’ve never seen a polar bear or been
in his place; he thought that having scraped off the
last vestiges of immunity after a bad fall
I felt more vulnerable but that’s not what I meant,
something had gradually shifted; none of us
were where we thought we were;
one morning a stricken body politic
woke up flapping about in utter confusion asking
                                                what just happened 
my friend looked at me and asked,
one hand forcing the other to get past it

Linda Lerner has new work in Onthebus, Chiron Review, Gargoyle, and SoFloPoJo. In spring 2015, she read six poems on WBAI for Arts Express. Her recent collections include Yes, the Ducks Were Real and Takes Guts and Years Sometimes (NYQ Books) and a chapbook of poems inspired by nursery rhymes Ding Dong the Bell Pussy in the Well.

Thursday, January 26, 2017

3 EXCUSES FOR NOT MARCHING AND THEN A POEM

by Melissa Fite Johnson


A woman wears a Statue of Liberty crown and holds a torch at the Women’s March in New York on Saturday. Credit Sara Hylton/The New York Times via Alaska Dispatch News, January 22, 2017



1. Dry throat I must coat with water or I’ll cough. 
2. Dog-sitting for a friend so she can march. 
3. The angry parent who checked Facebook 
to confirm I’m a liberal teacher.  

He might find this poem.
It makes me squirm, the thought he could take 
my thoughts from my head. My old professor 
always says, It’s easier not to write. 
Today, it was easier not to lurch 
open the garage, turn the key, thrust myself 
into history, into the brave crowd 
filling their lungs with songs instead of doubt. 
My body won’t speck a grainy photograph. 

August 28, 1963, a young girl rested 
her arm on a rail, her head on her arm. The video 
unspools her at “sweltering with the heat of 
oppression.” Every phrase was 
a lighted match. Each flame passed through her. 

January 21, 2017, what words, what fire
I could have carried home like a torch.


Melissa Fite Johnson’s first collection, While the Kettle’s On (Little Balkans Press, 2015), won the Nelson Poetry Book Award and is a Kansas Notable Book.  Her poems have appeared in Valparaiso Poetry Review, Rust + Moth, Broadsided Press, velvet-tail, and elsewhere.  Melissa teaches English and lives with her husband in Kansas.

Monday, January 23, 2017

THE PARK CLOSES AT DUSK

by CL Bledsoe & Michael Gushue





The problem is bears in the classroom.
The problem is bears who don't know
which utensil is for the pâté, which
is for olives.
The problem is that I'm right.
The problem is our tax dollars at work.
Ask all the questions you want. Questions are free.
Answers require donations.
The problem is bears who don't speak proper English.
The problem is bears stealing jobs.
The problem is union bears.
The problem is the lack of bear vouchers.
Bears should be left up to the states,
the largest donors.
Bears eating pâté. Bears who can spell their government
representatives' names and use a touch-tone phone.
The problem is bears who don't know how to stitch
their own wounds.
The problem is bears on death panels,
bears running internment camps.
The problem is bears as Uber drivers.
Bears want to take away our pâté knives.
The problem is bears don't eat pâté
and the ones who do don't vote.
The problem is bears taking our guns and making them into backscratchers.
Russian bears who've invaded our classrooms after the arctic ice melted.
The problem is what's going on behind the bears' backs
while we're watching their teeth.


CL Bledsoe is the assistant editor for The Dead Mule and author of fourteen books, most recently the poetry collection Trashcans in Love. He lives in northern Virginia with his daughter.

Michael Gushue is co-founder with Dan Vera of Poetry Mutual and Poetry Mutual Press. He co-curates the intermittent reading series Poetry at the Watergate with Deborah Ager. His chapbooks are Gathering Down Women, Conrad, and Pachinko Mouth. He lives Washington, D.C.