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Showing posts with label border. Show all posts
Showing posts with label border. Show all posts

Friday, February 27, 2026

ALL MY AUNTIES WERE THIRD WORLD WOMEN

by Vinay Krishnan

 

when you fly international, one of the TSA’s 

prohibited travel items is solidarity for the world’s 

oppressed. don’t put solidarity in your luggage. you 

can’t leave with that. you definitely can’t come home with 

that. at customs, we need an itemized list of any 

new truths you have in your bags that we’ve been 

hiding from you here in America. empty your 

pockets and prove to me you’re not carrying a 

trinket that connects you to another man’s struggle. 

take off your shoes and socks and place your 

brown feet on this white floor as a reminder. a 

reminder that every border crossing is a strip 

search and a cudgel, distilling you into something 

that fits more easily into an overhead compartment 

or a cage or a grave.


but today I had to laugh at that. because all my 

aunties were third world women. and now we're 

running it back, old and new blessings. all my 

aunties were third world women. all my aunties 

were third world women.



Vinay Krishnan is a writer and community organizer. His poetry has appeared in Cordite Poetry Review, his fiction has appeared in Barren Magazine, and his non-fiction has appeared in SLAM Magazine.

Thursday, February 26, 2026

WE CROSSED

by Zebo Zukhriddinova 

 

 

AI-generated graphic by NightCafé for The New Verse News.

 

I want to speak loud enough for the child who 

packed a suitcase bigger than their arms,

for the teenager who learned the word visa before 

they learned how to drive,

for the mother who ironed hope into a shirt at 3 a.m. before a flight that smelled like goodbye.


I want to speak the way drums speak in a stadium,

the way a voice echoes under bright lights like it refuses to disappear,

the way someone stands at a microphone and 

says:

we are still here.


We did not leave because we hated home.

We left because we loved it too much

to watch it close its doors on our future.


We left because dreams were heavier than fear,

because opportunity whispered louder than 

comfort,

because sometimes survival is not dramatic—

it is paperwork, it is embassy lines, it is a number blinking above a counter

where someone decides if your life may continue.


We learned how to pronounce ourselves again.

We learned that “Where are you from?” can be 

curiosity

or it can be a cage.

We learned to laugh at jokes about our accents

while secretly holding our language like a fragile heirloom

we refuse to drop.


They say immigrant like it is a shadow.

Like it is something that sneaks.

Like it is something that takes.


But we are not shadows—

we are sunrise workers, late-night students,

we are the hands that build and the minds that

 innovate,

we are the children who translate bills at the 

kitchen table

while finishing homework about a history that forgot to mention us.


We crossed oceans, yes—

but mostly we crossed versions of ourselves.

We crossed from who we were told to be

into who we dared to imagine.


And if you ask what we carried,

it was not just luggage.


We carried recipes memorized by heart.

We carried songs our grandmothers hummed 

while sweeping.

We carried photographs folded at the corners

from being opened too often in dorm rooms

where homesickness sounds like silence.


We carried love.


Love stronger than border walls.

Love louder than speeches soaked in fear.

Love stubborn enough to bloom in foreign wintersand call it spring.


Because hate is loud—

it chants, it points, it builds fences out of words —

but love is louder in the long run.

Love studies for exams in a second language.

Love sends money back home.

Love stands in graduation gowns and whispers,

“We made it.”


To the ones who left young—

who traded playgrounds for airports,

who learned currency exchange before algebra,

who grew up between time zones—

this is for you.


You are not “temporary.”

You are not “other.”

You are not a debate.


You are the proof

that hope can pack a suitcase

and still make room for courage.


And one day, when they ask what immigration 

looks like,

tell them it looks like a child refusing to shrink their dream

to fit inside a border.


Tell them it looks like love

walking through customs

with nothing to declare

except a future.



Zebo Zukhriddinova  is an international student currently studying in the United Kingdom.

Saturday, March 29, 2025

WE'RE SITTING AROUND A TABLE NOT FAR FROM THE RUSSIAN BORDER

by Ron Riekki




A Chinese artist, a Russian musician, and American poet,
and we talk about surveillance, sharing how dangerous it is
to be an artist, after speaking with a local who told us about
the tensions with Russia, how they're like a choking fog,
and the musician from Russia says it's all propaganda there,
says she doesn't care, that her voice will never be voiceless,
tells us about being taken in by the Russian police and how
she brutalized them with truth, was let go, and then let go
of her country, emigrating, immigrating, Euro-ricocheting around,
and hanging out with Pussy Riot, doing anti-war campaigns,
and we speak of the ten percent of the Russian population
being tortured, and she speaks of physical torture and
emotional torture and the torture of propaganda, and
the Chinese artist talks about holding up signs in Hong
Kong that were all white, not allowed to have signs with
actual words, so this haunting image, this effective image
of hundreds of artists and writers and protestors and students
holding up these white signs, ghost signs meant to haunt
politicians, and the American poet talks about being hunted
by the Trump administration for a pro-Islamic, pro-immigrant
tweet, how the administration administered paperwork to his
home, pages and pages and pages of warning, how watched
we are everywhere, he says, he thinks, he feels, and we are
near the Russian border, except it's shut down, too dangerous,
and here we are, doing art that is too dangerous, and having
this conversation that is too dangerous, so dangerous that
we turn off our phones to make sure we are not being listened
to, because we want to create the form of our words, rush
home and turn our conversations into lyrics and artwork
and this poem you are reading now, written near a border
that is rotting with worry, a border that lacks moonlight tonight.


Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice.

Monday, March 24, 2025

I-89 FROM VERMONT TO CANADA IN WINTER

by Tricia Knoll




The Canadian border is less than an hour north.
Our countries have history. Good neighbors, 
borrow and offer. Fight side by side. 
I get my power through Hydro-Quebec.
Canadians come to shop, ski, hike
icefish, and mountain bike. I drive north
for museums and botanical gardens. Maple sap
runs both ways. Sugar shacks boil
here and there. I love the maple leaf flag 
as much as the blue and yellow of Ukraine. 
We share shock and a blood moon.
So close now
 
to winter’s big thaw. My eyes downcast. 
As if every winter pothole 
might eat me, vomit me out. 
Black slush banks the highway, 
a salt road gleams white. 
Once fleeing to Canada seemed
like an escape-hatch. Love
your neighbor. Don’t beggar them.
Will Canadians forgive? 
The border is less than an hour away.
We are so very close. 


Tricia Knoll lives in Vermont near the Canadian border. Her 2024 collection Wild Apples documents her downsizing and move seven years ago from Oregon to Vermont. The taste of maple is sweet; the anger of neighbors is not.

Saturday, November 23, 2024

ROTATED

by Richard Garcia


AI-generated graphic by Shutterstock for The New Verse News.



You will be rotated. You will be rotated in ways you did not foresee. You will be walking casually away in one direction and then find yourself walking casually away in the opposite direction. Do not be alarmed this will only be a test. If this were the real rotation you would not be able to read this because your eyes would be rotated. Do not attempt to curry favor by accepting your rotation—your acceptance will be rotated. You will find yourself in a line of concentric circles that spiral along the border. You will be rotated toward checkpoints where tall, broad-shouldered men wearing military caps and mirrored aviator sunglasses, with belts cinched below their bellies and pistols strapped to their hips are waiting to inspect your papers. You will be rotated into newly constructed barriers where bullhorns will declare, Y'all git along now, you folks gonna be rotated and all your people gonna be rotated, your children gonna be rotated and that's how it's gonna be now and forever. 



Richard Garcia's poetry books include The Other Odyssey (Dream Horse Press, 2014), The Chair (BOA 2015), and Porridge (Press 53, 2016). He has received a Pushcart Prize and been in Best American Poetry.

Sunday, November 10, 2024

THE NEW CREED

by Indran Amirthanayagam




I will close the border

help heal our country

I will fix everything


This is what I read

on the billboards

of the Daily Message


from our first 

Great Leader, 

the Soul from Queens,


the Charlatan of 

the Deal and now 

my President


so help me Poetry

and help me God



Indran Amirthanayagam has just published Seer (Hanging Loose Press) and The Runner's Almanac (Spuyten Duyvil).  He is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Friday, June 07, 2024

THE FORTRESS, MY UNCLE

by Indran Amirthanayagam


President Biden announced an executive order on Tuesday to essentially block asylum at the southern border, a major shift in how the United States has historically handled claims for protection. The move, a suspension of longtime guarantees that give anyone who steps onto U.S. soil the right to seek a safe haven, is intended to deter illegal border crossings, an issue that has weighed on Mr. Biden’s political fortunes as he heads into the November presidential election… Immigration advocates have said the changes, taken together, amount to a virtual suspension of the asylum system for people crossing the border. The Biden administration “is eliminating key protections to prevent refugees from being returned to harm through imposition of this ‘shout test,’” said Robyn Barnard, a lawyer at Human Rights First. “It will be a recipe for disaster and certainly result in refugees being sent to danger or worse death.” —The New York Times, June 4, 2024


The fortress, the wall, thou shalt
not enter these rolling hills and 
grasslands where bison and 
Natives once roamed. You will 

not drink at the rancher’s 
trough or sleep in the sanctuary 
city’s single residency hotel. You 
will not get bussed to the liberal

East where a temporary home
waits until shelter services stop 
at sixty days and you find
yourself on the proverbial street

unless you have relatives willing 
to keep you off the public books. 
This is no grand illusion, no 
welcome, but you have left 

your local gangs to find 
a safer and more fitting union, 
turned into a red and blue 
wall. Incredible failure 

of the big heart to open, 
to say we will find a way 
to allow the Dream free again 
as in the old poems and movies 

that led our fathers and mothers 
to make the trek west and east, 
north and south. Goodbye 
to all that jazz America. Goodbye.


Indran Amirthanayagam is the translator of Origami: Selected Poems of Manuel Ulacia (Dialogos Books). Mad Hat Press has just published his love song to Haiti: Powèt Nan Pò A (Poet of the Port). Ten Thousand Steps Against the Tyrant (BroadstoneBooks) is a collection of Indran's poems. Recently published is Blue Window (Ventana Azul), translated by Jennifer Rathbun. (Dialogos Books). In 2020, Indran produced a “world" record by publishing three new poetry books written in three languages: The Migrant States (Hanging Loose Press, New York), Sur l'île nostalgique (L’Harmattan, Paris) and Lírica a tiempo (Mesa Redonda, Lima). He edits The Beltway Poetry Quarterly and helps curate Ablucionistas. He hosts the Poetry Channel on YouTube and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Wednesday, February 21, 2024

THE WITLESS MAY PROCEED

 by Steven Kent




Hearings, we hold hearings by the score;
In fact, no time is left for legislation.
Our tools are slander, smear, insinuation,
Red herring, shady witnesses, and more.

Ukraine's on hold, and Israel to boot;
The "crisis" we decried down at the border
Seems not so pressing after all: Trump's order
To wait till post-election we salute.

Impeachment, though—Mayorkas—couldn't wait,
While hopes today are really, really ridin'
On hints and whispers aimed at Hunter Biden
(Since we've found zero evidence to date).

Hearings, we hold hearings by the score;
We talk the talk but balk at taking action.
We work instead through media distraction--
Real governance these days is such a bore!


Steven Kent is the poetic alter ego of writer, musician, and Oxford comma enthusiast Kent BurnsideHis work appears in 251, Asses of Parnassus, Journal of Formal Poetry, Light, Lighten Up Online, New Verse News, Philosophy Now, Pulsebeat Poetry Journal, and Snakeskin. His collection I Tried (And Other Poems, Too) was published in 2023 by Kelsay Books.

Thursday, November 02, 2023

THE BETRAYAL OF TIKKUN OLAM

by Beth Heller


To repair the world, they said,
was our duty and our privilege
and the reason for our continued existence
 
Israel was supposed to be
the place where this work was embodied
and my body was put to use in its garden
 
I carried water in buckets
My 15 year old arms reaching toward trees
planted in the name of hope

We looked across the border
into barren desert and felt pride
And this was the mistake

This pride in green fields on one side
and desert on the other
We thought it meant they didn’t care

or couldn’t do the hard work of growing
We thought we had the right
and the power

And that THEY did not
And that THEY only wanted bombs 
and rage
 
This pride is the killer
the border, the dividing line 
between right and wrong

When all we had to do was step over 
a nonexistent line in the sand
drawn by meddlers and offer a hand
 
Now it is too late
The healing has flipped to genocide 
in no other name than power
The thing that was planted
was hate
on both sides of the fence
 
Tikkun Olam is for all of us
A responsibility and
a privilege

And the path is a walk
through a rain of blood
nurturing nothing

Same as it ever was
in this desert where humanity
has wandered far too long
 
Blame us
Blame them
Blame everyone

Or not, but walk
Walk that path 
towards oasis

The one fountain
contained in our bodies
everywhere

The same blood pumps through all of us
The same blood stains the ground
on either side of the fence

The same blood
calls out for 
peace


Beth Heller’s poetry has appeared in a variety of chapbooks and anthologies, including those of the Austin International Poetry Festival, the Houston Poetry Fest, Wild Word: Poets of the Gunnison Valley, and Fools Court Press, Houston, as well as newspapers and journals such as the Mountain Gazette, Fungi Magazine, and most recently and after a decades-long absence from public poeming, Medicine for Minds & Hearts: a MycoAnthology of poems inspired by a love of mushrooms, Fungi Press.  She moves around but is currently nested in Western North Carolina