THE SIREN SONG OF TRUTH

by Robin Stevens Payes

Believe women. Believe girls.

The women, the girls know.
Our story ancient. Our voices new.

They make us believe
The crime is our fault.
Men take our bodies,
Unable to resist the siren
Song of our bodies.

The song of our bodies
Does not belong to us.
Girls whom men called sirens,
Children wounded into silence,
Sing their bodies.

Sing their truths aloud.
Strongmen claim they are victims
Of the song of our bodies.
Weak men whose bodies
Are out of control.

Bodies anatomically ungoverned.
Bluster out of control.
Vanquishing other bodies—
Seas, straits, oil fields,
Mines, minds.

Strap yourselves tighter to the mast.
Now the bindings break.
Your strength offers no protection
Against the siren song of Truth.
The women. The girls. Know.

Mother Earth sings Her body,
Raped by weak men
Whose strength is measured
In violence. Did their mothers
Teach them this was fair game?

We sing our truths aloud,
Sirens flashing red:
Pull over now. Stop raping
Our minds, our bodies,
Our mothers, our daughters.

Ourselves. Loudly we sing
Our bodies to wholeness.
Weak men are broken,
No fault of ours.
Blame your wounds, not our anatomy.

Our siren song strengthens.
Our story ancient.
Our voices new.

Believe us.

Robin Stevens Payes is a Pushcart Prize–nominated poet, storyteller, and cultural steward whose work braids ancestral memory, science, myth, and moral imagination. She is the author of the YA time-travel adventure series Edge of Yesterday and creator of [re]member the world, a multi-genre project retrieving and reweaving the silenced history of her grandmother’s flight from Ukraine’s Pale of Settlement. Her poetry has appeared in The New Verse News, Dawn Horizons, East Sea Bards, Maryland Bards, Poetry Reviews, and Reflections. She writes about creative ethics, generational healing, and cultural repair on her Substack, Releasing Memory. 

THE WITLESS MAY PROCEED

 by Steven Kent

Hearings, we hold hearings by the score;
In fact, no time is left for legislation.
Our tools are slander, smear, insinuation,
Red herring, shady witnesses, and more.

Ukraine's on hold, and Israel to boot;
The "crisis" we decried down at the border
Seems not so pressing after all: Trump's order
To wait till post-election we salute.

Impeachment, though—Mayorkas—couldn't wait,
While hopes today are really, really ridin'
On hints and whispers aimed at Hunter Biden
(Since we've found zero evidence to date).

Hearings, we hold hearings by the score;
We talk the talk but balk at taking action.
We work instead through media distraction--
Real governance these days is such a bore!

Steven Kent is the poetic alter ego of writer, musician, and Oxford comma enthusiast Kent Burnside. His work appears in 251, Asses of Parnassus, Journal of Formal Poetry, Light, Lighten Up Online, New Verse News, Philosophy Now, Pulsebeat Poetry Journal, and Snakeskin. His collection I Tried (And Other Poems, Too) was published in 2023 by Kelsay Books.

AFTER LISTENING TO THE JANUARY 6TH HEARINGS

by Moira Magneson

After William Blake

 

Each day

I am thunder-

struck by the

howling storm

of lies, the fly-

swarm pox.

O beloved rose,

I am through

pretending

I could ever know

anything.

No wits about me.

What is left

is simply local

noticing—sugar

dissolving in

a cup of tea.

The sharp stink

of skunk on

the country road.

The mourning

dove's tender

three-note woe.

 

Moira Magneson calls the Sierra foothills home and has taught English for many years at Sacramento City College. Prior to teaching, she worked as a river guide throughout the West. Her work has appeared in a variety of journals and anthologies, including Persimmon Tree, Plainsongs, Canary, and California Fire and Water—a Climate Crisis Anthology. She looks forward to the day when our nation will no longer be in thrall to the 45th president.

THE SADDEST DAY OF MY LIFE: JANUARY 6, 2021

by Nan Ottenritter

on the eve of the January 6 hearings

Television crews and technicians prepare for Thursday night's hearing by the House select committee investigating the Jan. 6, 2021, attack at the Capitol, on June 7. (J. Scott Applewhite/AP via The Washington Post)

I want to say my saddest moment of my life

was when my first love left me, my father died, or

when we pulled the plug on my terminally ill brother.

 

I want to say the saddest day of my life

was a missed job opportunity, a miscarriage,

a failed novel.

 

But truth be told, it was seeing

our stormed Capitol on January 6, 2021.

The cracked glass, ransacked desks.

 

Hearing screams of trapped Capitol Police,

chants of hanging Mike Pence,

the hubris of those unquestioning, disrespectful

 

of all I have come to regard as second only to god,

sacred as only sacred in a secular sense can be.

How can you not appreciate our American democracy?

 

This democracy is the only life I know.

Please don’t take it away from me, from us.

Let me talk to you of miracles,

 

moments of shame and victory,

moments shared and shattered,

moments that are, like it or not, our collective lives.

 

I want to remain with you.

And you?

Nan Ottenritter lives and writes in Richmond, VA. Her first chapbook Eleanor, Speak is available from Finishing Line Press.

TRAJECTORIES #7

by David Chorlton

Photo Illustration by The Daily Beast / Photo and Video by Getty

It’s such a pleasant and deceitful
day, with the afternoon light
lying back on the green
side of the mountain
and quail in a covey scurrying
for cover as the hearings wind
down until tomorrow. The local Red-tail
prowls the atmosphere,
circling the golf course
pond while pigeons
flock for safety in numbers. Witnesses
appear one
at a time, exposed to words
that fly from a questioner’s mouth
and don’t know
where to land. Is good the bright
and bad the shadow, or
the other way around? It all depends
which side a person’s on,
and the small birds know their place.
Seventy-three degrees; not a cloud
in sight; the whistleblower’s name
is still a secret; there is
no wind to turn the turbine
vent that complains every time it blows,
aching as only
metal can.

David Chorlton  is a long time resident of Phoenix, who loves the desert and its wildlife but can't quite stay away from watching public issues unfold. He recently produced a long poem, Speech Scroll, which will surface in the not too distant future thanks to Cholla Needles Press.

THE BALLAD OF LINDSEY GRAHAM'S PICKLE

by Janice D. Soderling

Dong, dong, it pealed from each bell tower
until full twelve was said.
Cold, coverless and quivering,
Graham flopped around in bed.

He sat up, did the Senator,
and stared into the night
for at the footboard of his bed
commenced a nebulous light.

A ghastly apparation grew
and softly did it moan.
With trembling hands, it held aloft
a moss-bedecked tombstone.

"Oh, Lindsey," wheezed the ghostly guest.
Oh, Lindsey Graham, behold."
There on the mildewed stone was writ,
Orange glitter is not gold.

"And quid pro quo is not BS.
Go read the damning transcript."
A tortured moan froze Lindsay's blood,
"Far better men than you've flipped.

"Beware the traitorous pumpkin man."
The moan rose to a shout.
"I come to save you from yourself."
The frightened man cried out,

"Who art thou, apparation grim?
Who gives my blood such chill?
The Ghost of Hearings-Yet-To-Come?
Or that socialist, Joe Hill?

The glowing ghost gave mirthless laugh.
"Joe Hill has never died.
Takes more than guns to kill a man,
No matter how they tried.

"John sent me here to wake you up.
You're backing the wrong horse.
The bus is nigh. His game is rigged.
Stay off his damned golf course."

Then Lindsey woke, relieved, and said,
"Joe Hill's a loser Commie.
But that's the last time that I eat
dill pickles with pastrami."

Janice D. Soderling is a previous contributor to TheNewVerse.News. Her work was recently at Light, Better Than Starbucks, and La Libélula Vaga.

DINNER MUSIC

by David Chorlton




The hearings started early western time.
The quail had hardly stirred
from the bougainvillea next door
and the rabbits made
their nervous way through the fence.
Watching seemed an obligation
despite the steamy details
and having no advertisements to interrupt
the way that questioning unfolded
aided concentration
although the cats demanded their usual share
of attention. The Costa’s hummingbird
came and went, came
and went, and the House finches
clung to the feeders
as the sun rose to its zenith
around the time the official lunch break
ended. We still had enchiladas
to eat, and a Bartlett’s pear
each. It was difficult to reconcile
the calm mood here
with the anger onscreen, but there was
laundry to fold away
and dishes to wash, so a lot of it didn’t
register. For once
a commentary was superfluous. The picture
showed a very public private moment
while outside the window
a Say’s phoebe appeared. He flew
to the water shining with sky.
The proceedings took an operatic turn: cry
a little, rage a little, talk
about God. There was chili
for dinner, and a vinyl disc with Monteverdi.
Such music was a fitting end
to the day: passion
rolling its eyes and clutching at the heart
without inhibition, secure
in the knowledge that music would restore
the dignity that evil took away.

David Chorlton was born in Austria, grew up in Manchester, England, and lived in Vienna before moving to Phoenix in 1978. The Bitter Oleander Press published Shatter the Bell in my Ear, translations of poems by Austrian poet Christine Lavant. Reading T. S. Eliot to a Bird is from Hoot ‘n Waddle in Phoenix.

THE PARK CLOSES AT DUSK

by CL Bledsoe & Michael Gushue

The problem is bears in the classroom.
The problem is bears who don't know
which utensil is for the pâté, which
is for olives.
The problem is that I'm right.
The problem is our tax dollars at work.
Ask all the questions you want. Questions are free.
Answers require donations.
The problem is bears who don't speak proper English.
The problem is bears stealing jobs.
The problem is union bears.
The problem is the lack of bear vouchers.
Bears should be left up to the states,
the largest donors.
Bears eating pâté. Bears who can spell their government
representatives' names and use a touch-tone phone.
The problem is bears who don't know how to stitch
their own wounds.
The problem is bears on death panels,
bears running internment camps.
The problem is bears as Uber drivers.
Bears want to take away our pâté knives.
The problem is bears don't eat pâté
and the ones who do don't vote.
The problem is bears taking our guns and making them into backscratchers.
Russian bears who've invaded our classrooms after the arctic ice melted.
The problem is what's going on behind the bears' backs
while we're watching their teeth.

CL Bledsoe is the assistant editor for The Dead Mule and author of fourteen books, most recently the poetry collection Trashcans in Love. He lives in northern Virginia with his daughter.

Michael Gushue is co-founder with Dan Vera of Poetry Mutual and Poetry Mutual Press. He co-curates the intermittent reading series Poetry at the Watergate with Deborah Ager. His chapbooks are Gathering Down Women, Conrad, and Pachinko Mouth. He lives Washington, D.C.