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Showing posts with label Dr. Christine Blasey Ford. Show all posts
Showing posts with label Dr. Christine Blasey Ford. Show all posts

Wednesday, October 10, 2018

HOLD HER DOWN, SHUT HER UP

by Kathleen A. Lawrence






She put her cold hand over my mouth,
she whispered hotly in my ear
a wet warning, “don’t talk about it.”
She ordered me to keep his secret,
their secrets become our secrets,
their sins we own, if we share what should
be buried, for country, and for tradition.
Silence is your patriotic virtue,
your civic duty to keep it to yourself.
Swallow the pain, spare us your burden.
“Shhh!” she blew with heavy, minty breath
in my face like a school librarian
who didn’t like her job, she glared
at me with the eyes of a water moccasin,
never blinking, she repeated her threat
to everything good I had ever known,
every future I had ever dreamed,
she swatted away my annoying truths,
she laughed uproariously at my viridity,
innocence, naivety, and guilelessness,
and pelted me with any other Ivy League
language she could spit and spatter
my way. To intimidate me, she put all
her boozy weight on top of me,
covering me like a wool blanket
at a rainy homecoming game,
she left me raw, itchy, confused
and unsure I’d ever get rid of the need
to scratch, to tell, to scream out
spilling her secrets, their secrets,
that kept them standing on marble,
speaking under alabaster columns,
holding conferences to tell their stories.
She held me down, like a pile-up
on the playground when you couldn’t see,
or breathe, or scream, but you knew
you knew them just the same. You
knew his face, like you knew
your own sweat, and stomach ache,
and migraine, and fear of the dark.
Leaning on me she excused herself,
her own participation, she spoke kindly
of her own parents, old like mine,
but obviously not as important.
She stood without empathy while keeping
me locked in another room upstairs,
over and over, blaming me and my sisters,
aunts, friends, little girls not yet able to speak,
and anyone who spoke, tried to speak.
But I was muffled, suffocating with her thick
deference to men. She gulped water
for fuel and fury and shouted of her anger.
She looked down with a whiff of pity
and smarminess, high with condescension,
drunk with power, unhinged with desire
to overpower me and feeling superior
from the artificial height of her leather pumps.
She wished I was still, quiet, subdued,
still asleep in my tower. But I am awake.
Locked in a bathroom, at a party,
dragged into a bush, cornered in a bar,
shoved into the backseat, and I scream
without sound. She covered her ears
to my words, her eyes to my struggling,
and uses her mouth instead to tell his lies
and to keep me the liar. She was not rumpled,
her manicured hands washed with rose hips.
She proudly marked the date with Sharpee
on her calendar with a gold star for her ability
to twist, conquer, silence, strip, and grope
the truth all without a wrinkle, smudge or tear
to her well-pressed suit. Like the cunning asp
slithering down the flag pole she has silenced me,
before the stars and stripes and Alexander
and Anita. She has humiliated me, and hissed
a reminder of what will happen to anyone else
who tries to get away with the truth.


Author’s Note: This piece was written as a reaction to the extensive news coverage of Senator Susan Collins delivering her lengthy, self-indulgent, speech to provide explication and some might say excuses for her decision to vote in support of Kavanaugh's acceptance to the Supreme Court. Her desperate rhetoric tried to explain the irony of her assertion that she, like many of her Republican colleagues thought Dr. Blasey Ford's testimony was wholly believable and 'compelling' however, she still didn't believe her testimony or find it reason enough to stall her approval. Many of the senators said they thought something must have happened to the 'nice lady' they just don't think it involved Kavanaugh and that she must be 'mixed up.' They were quick to add that while they were impressed with what seemed to be her 'truthful' testimony they think the whole situation is a case of mistaken identity. Some questioned her ability to recall all the details, and T**mp even mocked her about this. The way she's been treated is despicable and more classic, blaming the victim, or assaulting the assaulted. This poem tries to get at the idea that Collins was telling another woman to keep her mouth shut. In my opinion, she has joined the enablers. She tells Blasey Ford and millions of other women and girls and yes, some men and boys to keep quiet. Like the mother who calls her daughter a liar, for accusing her step-dad of assault and warns her that they could lose everything if she tells anyone, the message is clear. That no one will believe her. I tried to use the details of Dr. Ford's description of the assault she endured as well as some of the other details of other women giving testimony across the country this week interwoven with the assault on the truth.


Kathleen A. Lawrence was born in Rochester—home of the Garbage Plate, Kodachrome, and Cab Calloway. She has been an educator for over 35 years, teaching Communication, Popular Culture, and Gender Studies at SUNY Cortland. She started writing poetry two years ago and her favorite challenge is the spiraling abecedarian. She has had poems appear in Rattle online for Poets Respond®, Scryptic, Eye to the Telescope, Parody Magazine, and Inigo Online Magazine. She's had poems nominated for the Rhysling Award and twice for the "Best of the Net" award. Her poem "Just Rosie" was nominated for the Pushcart Prize.

Sunday, September 30, 2018

DINNER MUSIC

by David Chorlton




The hearings started early western time.
The quail had hardly stirred
from the bougainvillea next door
and the rabbits made
their nervous way through the fence.
Watching seemed an obligation
despite the steamy details
and having no advertisements to interrupt
the way that questioning unfolded
aided concentration
although the cats demanded their usual share
of attention. The Costa’s hummingbird
came and went, came
and went, and the House finches
clung to the feeders
as the sun rose to its zenith
around the time the official lunch break
ended. We still had enchiladas
to eat, and a Bartlett’s pear
each. It was difficult to reconcile
the calm mood here
with the anger onscreen, but there was
laundry to fold away
and dishes to wash, so a lot of it didn’t
register. For once
a commentary was superfluous. The picture
showed a very public private moment
while outside the window
a Say’s phoebe appeared. He flew
to the water shining with sky.
The proceedings took an operatic turn: cry
a little, rage a little, talk
about God. There was chili
for dinner, and a vinyl disc with Monteverdi.
Such music was a fitting end
to the day: passion
rolling its eyes and clutching at the heart
without inhibition, secure
in the knowledge that music would restore
the dignity that evil took away.


David Chorlton was born in Austria, grew up in Manchester, England, and lived in Vienna before moving to Phoenix in 1978. The Bitter Oleander Press published Shatter the Bell in my Ear, translations of poems by Austrian poet Christine Lavant. Reading T. S. Eliot to a Bird is from Hoot ‘n Waddle in Phoenix.

Wednesday, September 26, 2018

SCARLET LETTER

a scrambled abecedarian (b-a)
by Kathleen A. Lawrence

Treating the Witness As Hostile by Nomi Kane at The Nib


Bow-tied braggarts, bastions
of booze-blaming bullies cry
bull, boys and badgers, confused
or calculating drunken details
dump, erode egos, discredit,
evoke faulty faith to devalue,
dirtying facts gag and gouge
as guy-gangs hustle indulgence,
high school hijinks inflict insults,
insinuate, juggle judiciary kings,
keystones knocking lasciviousness
liberties mauled lady must be
mixed-up, Mrs. mistaken, nameless,
mucking up, needling to negate
nuance, taking oath obfuscates,
old preppies paddling Potomac,
peddling principles, poach questions,
quizzing professor by quoting
quibbling red republic run scorched
scarlet supreme, titillated teens
torch truth, touch, unravel, unnerve,
undermining her vixen vows,
vilified woman wrecked, vestige
of wisdom waning with wicked
exploding exploits of extended youth
exposed yielding to yens, yellowing,
yapping zealots assume, zookeepers
attack, zombies assault, aggressors
assign her letter A, the Accuser.


Kathleen A. Lawrence spent most of her youth in a plaid navy and spruce green plaid jumper and knee socks. Since then she has not worn knee socks but still spends her days at school. She teaches Communication, Pop Culture, and Gender and likes to write poetry. She has published in several magazines with poems about such things as the blue-shelled beetles, the sophisticated lily, mean 'tweens tweeting, Tr**p's tips for getting women, the lovely Puerto Rico, and growing up schooled by nuns wielding the ruler in the black and white days of pre-Vatican II. 

Tuesday, September 25, 2018

WHEN GIRLS LEARN TO SWIM

by Marsha Owens


Fear of Drowning by Chelsea Emerson

                                 
                                    dedicated to Dr. Christine Blasey Ford


water so big

tucked half in
half out nothing
to stand on in-
hale if you dare
surrender

bare shoulders
taut lips blue
legs spread
into scissors
stiff and strong
turn limp

relax
they say


Marsha Owens writes to understand. Her poems and essays have appeared at TheNewVerse.News, thewildword, Rat’s Ass Review, Streetlight Magazine, the Dead Mule School of Southern Literature, and in the anthology Life in 10 among others. She lives in Richmond,VA, not far from the peaceful Chesapeake Bay. 

Monday, September 24, 2018

I BELIEVE HER EVERY WORD

by Angie Minkin




The first time I was six years old,
walking home from school
with my best friend.
Big boys pulled us into the bushes.
They pulled our panties down
and laughed.
We ran home ashamed,
too afraid to tell.

When Ann and I were nine,
an older kid in the neighborhood
convinced us to join him
on his porch swing.
I remember every touch -
creepy, scary, so wrong.
That time we told.
Buzz was sent away.
His mother screamed at us.
We moved soon after.

Fast forward a hundred slights,
a thousand catcalls,
a million looks behind me
when I dared to walk alone at night.

Stop at 25:  our safe Iowa town, so friendly -
no one ever locked the door.
indescribable chill of a stranger in my bedroom,
pulling the sheet off my naked body,
my boyfriend right next to me.
I was nightmare frozen, voice strangled
Dan lost his voice screaming as he chased the intruder.

I knew it was Ben, our landlord’s strange nephew.
it was dark—I couldn’t prove it.
The cops didn’t believe me.
Why was I on trial?
I check all doors carefully now.

Stop at 27:  eager to start my new career
teaching disturbed kids in East Palo Alto
The day before school started,
the assistant principal showed me the supply closet.
Yes, he got me in a clinch.
What a stupid cliché.
I forced my arms up
as he forced his tongue in my mouth.
I didn’t know his name then.
I’ll never forget it now.

Stop at 32:  working in a Mission District office
a vagrant licked the large window
masturbated while staring right at me.
I pressed charges.
The jury found reasonable doubt
after I was grilled on my past.

Now a woman past my prime,
the cloak of invisibility is comforting
But the bile in my throat
will never completely vanish.


Angie Minkin’s poems have been published in The Pangolin Review and Vistas & Byways. After years of working her left brain, she is happily rehabilitating my right brain with poetry, yoga, and dance.  Minkin lives in San Francisco’s blue bubble where she takes poetry workshops with mentors Diane Frank and Kathleen McClung.