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Showing posts with label girls. Show all posts
Showing posts with label girls. Show all posts

Saturday, March 28, 2026

THIS YEAR, WE MARCH ON MY BIRTHDAY

by Ann E. Wallace




I was born in a springtime blizzard. 

     I know to expect storms that run roughshod 

over delicate crocuses poking their stubby 

 

buds from the hard, freeze-weary earth. 

     I read the news each day—of men trafficking 

in children with bluster and impunity,

 

of blue butterfly girls detained in cells, 

    out of sight, where they learn to withstand 

the cold sting of humanity’s turned back 

 

and our leaders’ smug shrugged shoulders. 

    This is the way winter is, they say. 

But seasons change. And I know, 

 

in my small, weathered body, we are built 

   to stand up to gales and thunder, to the old 

guard of winter’s flailing bravado.


These storms, we will ride them out. We stretch 

   and yawn, gather force under hostile conditions. 

Today, we call forth a new season.



Ann E. Wallace is Poet Laureate Emeritus of Jersey City, New Jersey and the author of Keeping Room(Nixes Mate, 2026), Days of Grace and Silence: A Chronicle of COVID's Long Haul (Kelsay Books, 2024) and Counting by Sevens (Main Street Rag, 2019). You can follow her on Instagram @annwallace409.

Tuesday, March 10, 2026

DOES THE SUN RISE (FOR ME)?

by Indran Amirthanayagam




Does the Sun rise 

for me? Or if not 

for me, does it rise


for my brother,  

for my sister?

What about


the sun rising

over Tehran

or Gaza,


London,

or Doha?.

Does the sun


rise for me?

Who is 

my brother?


Who is 

my sister,

the mother


wailing beside

the rubble

of the school,


her girls

bombed

to bits?


Does the Sun 

rise anyway

over killing fields?


Does it rise

over our bodies

thrashing 


in the dark?

Does it rise

exposing


the open 

grave?

Does it rise


helping plants 

to bloom?

Does it rise


whether

we live 

or die?



Indran Amirthanayagam writes a SubstackHe has just published Isla itinerante ( Editorial Apogeo, Peru, 2025) and White Space Sonnets ( Sarasavi publishers, Sri Lanka, 2025)His other publications include El bosque de deleites fratricidas ( RIL Editores), Seer (Hanging Loose Press),The Runner's Almanac (Spuyten Duyvil), Powèt Nan Pò A: Poet of the Port (Mad Hat), and Ten Thousand Steps Against the Tyrant (Broadstone Books). He is the translator of Kenia Cano’s Animal For The Eyes (Dialogos Books) and Origami: Selected Poems of Manuel Ulacia (Dialogos Books). He edits The Beltway Poetry Quarterly, hosts the Poetry Channel on YouTube, and publishes poetry books with Sara Cahill Marron at Beltway Editions.

Friday, February 20, 2026

INTERLOCHEN

by Virginia Aronson

 

Years before they were convicted sex offenders, Jeffrey Epstein and Ghislaine Maxwell used his wealth to gain access to a prestigious boarding school for young artists in Michigan, using a rental lodge Epstein donated to the school as a base from which to recruit some of their earliest victims, according to Department of Justice records and former campus administrators. —NPR, February 19, 2026

You sit on a bench
licking your ice cream
vanilla, maybe mocha
surrounded by summer
friends 13, 14 you are
such lucky talented girls
at the famous incubator
for budding artists
young friends giggling
singing in the sunshine
when she walks by
with a small cute dog
on a leash

and the bench empties
you're all squealing
you all love Yorkies!
you all bend to pet her
your future before you
like a field of daisies
and romping puppies
your friends drift off
to play piano, dance, paint
and the woman turns
her intense gaze
on you, she wants you
to meet her friend
this man can help you
he gives scholarships
he loves young artists
he is very wealthy
fellow Interlochen grad
school and camp benefactor
and your bright eyes brighten
your dreams coming true

and this man, he pays
for your education
while he takes
everything else
your childhood
your dreams
your sweet future
as he pets you
for years
and keeps you
on his tight leash.


Virginia Aronson is the director of Food and Nutrition Resources Foundation and the author of many published books. New poetry collections include Collateral Damage (Clare Songbirds Publishing), Whiskey Island and Whiskey Straight Women (Cyberwit Press).

Tuesday, February 17, 2026

CONSTRUCTS

by Mickey J. Corrigan


“God is a construct. Cute girls are real.” —Deepak Chopra in a 2017 email to Jeffrey Epstein


When a man makes them
from fantasy and baby powder
beach sand and blonde hair
all free for the handling
others will leave all
their morals behind
a long trail of wisdom
words that touch the world
like a sprinkling of fairy dust
while nothing beats something
young, innocent, nubile 
like flesh in man's hands.

“Only sinners are invited”
worshipers bend the knee 
to robes, collars, words
of the wise, the spiritual
who anoint and advise
to lead the best lives
while off-screen they take
what they believe they deserve
while you bow and prostrate
to the higher ideal
a cardboard cutout
hiding the breadcrumb path
to your cute kids.


Originally from Boston, Mickey J. Corrigan hides out in the lush ruins of South Florida. Salt Publishing in the UK released Project XX, a satirical novel about a school shooting. Bloodhound Books UK published What I Did For Love, a spoof of the classic Lolita. Poetry has been published in literary journals, chapbooks, and collections.

Wednesday, August 14, 2024

THAT THING SHE SAID

by Lisa Shulman


AI-generated graphic by Shutterstock for The New Verse News


when our hand clap games

were shuffled off sidewalks by boys on bikes

 

when classrooms became cages

we stammered behind

 

when our ideas were ignored

when our dreams were stolen

 

when the male gaze followed us unbidden

down dark streets, into sunny parks

 

when we said no

when we said stop

 

when we no longer said

anything

 

she said it for us

put voice back in our mouths

 

in the face of all the world

has tried to silence—

 

We are speaking now.



Lisa Shulman is a writer, children’s book author, and teacher. Her work has appeared in ONE ART, Poetry Breakfast, CatamaranMinnow Literary MagazineCalifornia QuarterlyThe Best Small Fictions, and a number of other magazines and anthologies. Nominated for a Pushcart Prize, Lisa’s poetry has been performed by Off the Page Readers Theater. Her chapbook Fragile Bones, Fierce Heart is forthcoming from Finishing Line Press. Lisa lives in Northern California where she teaches poetry with California Poets in the Schools. 

Wednesday, September 28, 2022

READING ANNE FRANK’S DIARY IN FARSI

by Elane Gutterman


About a dozen teen girls in a secret book club in Afghanistan are reading—and finding comfort in—Anne Frank's diary. Arzou, one of participants, said it was the first time they had read the firsthand account of a teenage girl living through extreme hardship. "I think Anne Frank is like, as a friend for me," she said. Photo: Diaa Hadid. —NPR, September 11, 2022.


I don’t want to live in vain like most people
 
In a basement at the edge of Kabul, at a secret
      book club,
a dozen teenage girls defy the Taliban,
feed their curiosity, exercise their minds,
connect to a Jewish girl from a distant time and
      place.
 
I want to be useful or bring enjoyment to all people
 
In translated books, the girls find themes to tunnel
      through darkness. 
Volunteer leaders steer the conversations, probe
      with questions. 
Girls like Arzou discover a kinship with Kitty—
      Anne’s diary, relate 
to bickering with mom, crush on Peter, resolve not
      to lose hope.
 
Even those I’ve never met
 
What brave teens, they’ve survived suicide
      bombings, 
losses, terrors, hardships of their Hazara minority.
In the past year, they’ve cried and tried to 
      circumvent 
the Taliban’s intent to cover, confine, undermine
      women.
 
I want to go on living even after my death
 
Masouma finds comfort in Anne’s diary, despite
      her grasp
of Anne’s horrific end. These teenage girls of
      Afghanistan 
now all dream of writing a book. Zahra says,
      “Nobody 
knows how long I will live, or when I will die.” 


Editor's Note: The italicized lines are quotations from Anne Frank's The Diary of a Young Girl.


Elane Gutterman is a trustee and the literary chair at the West Windsor Arts Center. Her poems invoking social justice have appeared in prior issues of The New Verse News. Her first book of poetry, Tides of Expectation (Kelsay Books), was published earlier this year. She dedicates this poem to the brave girls in the secret book club in Kabul and to one remarkable Afghani girl who arrived in Santa Fe, NM this week to begin tenth grade studies there.

Wednesday, August 31, 2022

THE BOARD SPEAKS TO AN ASSEMBLY OF FIFTH-GRADE GIRLS

by Terri Kirby Erickson 


Sunday school at a Baptist church in Kentucky, 1946 


The Board has determined that fifth grade,
which may be too late for some, is the most
optimal time to inform girls that post-birth
females are not fully autonomous human 
beings. No adverse circumstances or plans
or dreams or medical emergencies trump 
your legal and moral responsibility to give 
birth should any male, whether by force or 
consent, plant his seed in the fertile ground 
of a uterus that becomes, immediately upon
conception, the sole property of The State
The Board, comprised of five men and two 
wholly compliant women, strives to remain 
sympathetic to how hard it must be for you 
to accept this news, having been so revered 
before birth and deceived into believing you 
have the same rights and post-delivery value 
as boys and men. Let us assure you today, 
that you do not. Indeed, should you become 
pregnant and experience a life-threatening 
situation, the continuation of a fetal heart-
beat is all that matters. Furthermore, there 
are many government agencies dedicated to 
ensuring that, under penalty of death or life 
in prison for all involved, no pregnancy is
unlawfully terminated. No questions? Then 
you are, as will often be the case, dismissed.

 
Terri Kirby Erickson is the author of six collections of poetry, including A Sun Inside My Chest (Press 53), winner of an International Book Award for Poetry. Her work has appeared in “American Life in Poetry,” Asheville Poetry Review, JAMA,Poet’s Market, Quarterly Literary Review Singapore (QLRS)The SUN, The Writer’s Almanac, Third Wednesday, and many more. Other awards include the Joy Harjo Poetry Prize and a Nautilus Silver Book Award. 

Friday, October 08, 2021

BLACK LIVES MATTER?

by Shoshauna Shy




Another daughter gone missing
and this time the prime suspect
her fiancé.
In the 'newsroom,' Jerry brightens:
This'll loop in the masses since
the Jan 6 redux and Pfizer boosters
fizzed flat, the public worn thin
by Ivermectin, Gresham memoirs,
voting laws rewritten, so here's
a scoop to revive our
sagging revenues.

I locate her photo off Instagram,
prep to launch the story when Jerry
muscles me aside.
Think Natalee Aruba, Mormon Smart Girl,
JonBenét—and he photoshops bluer eyes,
streaks the chick's hair more blonde.
Nobody will click if she's beige
or black or brown.


Author of The Splash of Easy Laughter and four other poetry collections, two of which won an Outstanding Achievement Award from the Wisconsin Library Association, Shoshauna Shy's poems have appeared in a variety of anthologies, journals and magazines, inspired videos and even decorated the hind quarters of city buses. One of her poems was nominated for the Best of the Net 2021, and flash fiction pieces were selected for the Best Microfiction 2021 anthology, and another was among the seven finalists for the Fish Flash Fiction Prize out of County Cork, Ireland. She is the founder of the Poetry Jumps Off the Shelf program, and the Woodrow Hall Top Shelf Awards.

Friday, April 09, 2021

FLORIDA MAN AT THE CAPITOL

by Mickey J. Corrigan


Cartoon by Andy Marlette.


On the same marble floor
where legislation is passed
and the invaders broke in
on January 6th
Florida Man held contests
for scoring with aides.

In this historic building
where laws fail to pass
for equal rights 
for all 
Florida Man lit up
donned a gas mask
during session.

From this legendary building
where flags became weapons
the mob broke down doors
looted rooms, beat cops
Florida Man made dates
online, young girls
hired and seduced
by his political clout.

Outside this same building
in the early spring sunlight
yet another cop killed
the violence continuing
while Florida Man 
FOX-faces us all
proclaiming his innocence
in all things unseemly.


Originally from Boston, Mickey J. Corrigan writes tropical noir with a dark humor. Novels include Project XX about a school shooting (Salt Publishing, UK, 2017) and What I Did for Love, a spoof of Lolita (Bloodhound Books, UK, 2019). In 2020, Grandma Moses Press released the poetry micro-chapbook Florida ManThe Physics of Grief puts the fun back in funerals while taking a serious look at the process of mourning (QuoScript, UK, April 2021). 

Friday, May 24, 2019

A GIRL STORY, CIRCA 1960

by Marsha Owens




We rode the same school bus,
but Trudy had boobies.
Like a scrub bush by the road
she sat alone, her face pressed
to the window. Some boy
always dropped in beside her
like he was doing her a favor.

One day, she didn’t ride the bus,
her absence an exhale never missed.
Mom said she went to the home
out on the highway where girls
go who get themselves pregnant.

Christina in English class got all As,
went to church, went all the way
& got herself pregnant, shameful
they said & she watched her boyfriend
march in graduation, then in Vietnam.

I saw a movie, smokey, sharp needles & dark
alleys, men jumping in & out of cars,
off & on girls with hollowed-out eye sockets,
pain screamed like life caught in a trap.

Back in my dorm I hung up my blouse,
coat hangers jangled impatience like little
girls who just want to go outside and play.


Marsha Owens lives and writes in Richmond, VA. Her work has been published in The Wild World Anthology, Streetlight Magazine, Huffington Post, and others. She co-edited the anthology Lingering in the Margins.

Tuesday, September 25, 2018

WHEN GIRLS LEARN TO SWIM

by Marsha Owens


Fear of Drowning by Chelsea Emerson

                                 
                                    dedicated to Dr. Christine Blasey Ford


water so big

tucked half in
half out nothing
to stand on in-
hale if you dare
surrender

bare shoulders
taut lips blue
legs spread
into scissors
stiff and strong
turn limp

relax
they say


Marsha Owens writes to understand. Her poems and essays have appeared at TheNewVerse.News, thewildword, Rat’s Ass Review, Streetlight Magazine, the Dead Mule School of Southern Literature, and in the anthology Life in 10 among others. She lives in Richmond,VA, not far from the peaceful Chesapeake Bay. 

Thursday, December 29, 2016

ELECTION SHOCK, TWIN CITIES, 2016

by Sue Reed Crouse




You will tire
of using his face

to pick up dog shit.
You will quit saying cataclysm

because cataclysm unites
a country. You will cull Facebook,

CNN, the front page from your day.
You will say, I’m done, I’m through

fuck it. You will get your household
Canada-ready. You will roam the woods,

call on the willow, golden in the low light
and the pond, steeped in the oak’s rich tannins.

But then, you will go downtown and see
Somali school girls swinging, their shashs

billowing and you’ll drive on Lake Street,
where Dia de los Muertos celebrations—

with marigolds, calavaras, offrendas
were held last week. You will

pass houses
flying the rainbow flag

and you’ll go home
and get to work.


Sue Reed Crouse is a 2011 graduate of the Foreword Program, a two-year poetry apprenticeship at the Loft Literary Center in Minneapolis. Much of her work is elegiac in nature, exploring themes of grief and loss after losing Laura, her 20 year-old daughter in 2008. Finding fresh ways to explore this universal theme through image-driven poetry helps her navigate the sorrow and, hopefully, help others who grieve. Crouse’s work appears in Verse Wisconsin, The Aurorean (Showcase Poet), The Talking Stick (First Prize, Honorable Mention), Grey Sparrow, Earth’s Daughters, Damselfly Press, Midway Journal, Sleet Magazine, Unhinged, Little Lantern Press and a chapbook entitled Gatherings: A Foreword Anthology. Her manuscript One Black Shoe was a finalist for the Backwaters Prize last year.

Monday, November 14, 2016

THE WEEKEND AFTER

by Katherine Smith





The quiet of the street’s
Unbroken, except for
The intermittent roar

Of leaf-blowers beneath
The maple trees next door,
The sound of aluminum

Bats struck against a ball.
The shouting near the school
Not far from where I live

Grows louder as I walk
Towards it, past the park.
The light this afternoon

Filters through crimson rain
Of walnut leaves to chips
Of bark beneath the slide,

Merry-go-round and swing.
A sheepdog with my Thai
Neighbor passes by, and he

Scoots his dog’s white rump
To mulch beside the curb
So I can pass. In DC

The protests have begun
And a cold front moves
If not through autumn sky,

Quite yet, then through the hearts
That thump within the half
Of us like a blade. I think

Of the writing prompt,
Abandoned for a walk,
That asked us poets to devise

A proper response to one
The history books will call
Winner. But here I pause

To watch a team of girls
At the softball pitch,
A group of dads, who coach

The way to swing a bat.
I contemplate the courage,
Dignity, and grace,

The beauty, human, flawed,
Of course, as all beauty is,
Thrown towards us like a ball

We couldn’t catch.


Katherine Smith’s previous publications include appearances in Poetry, Cincinnati Review, Missouri Review, Ploughshares, Southern Review and many other journals. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book Woman Alone on the Mountain (Iris Press) appeared in 2014.

Sunday, November 15, 2015

RECOMBINATION

Editor's Note: We are pleased to repost this poem, originally published in TheNewVerse.News on Saturday, August 15, 2015. It is one of our 2015 Pushcart Prize nominees.


RECOMBINATION
by Jim Bartruff



Image source: Collateral Damage



1.

Spurred by the aroma of wheat and lamb,
we had been starving the last hundred miles,
we lathered the horses over steppe and stone,
and before the body of our force had forded
the clearest rivulet we had crossed in a year,
a bustle of water circuiting their gate,
we dammed it with the limbs of the boys
they pushed out to be sacrificed, and delay.
Only the backward ship their decrepitude
into the hills to hide, let strong men die,
and leave their women to hold back the horde.
The white, the broken hairs black shawls tear
from their heads in a show of grieving and pain,
their village merely a smudge of charnel and ruin,
would never amount to half a hand of cordage,
not nearly enough to stake a calf to the grass.
We are feared but we are not amoral.
We killed the idiots as weak for refusing
to rape the children of the unbelievers,
and also the one who stormed the palisade
to get at the girl the king had set aside.
Tomorrow, when we mount and are gone,
the ancients skulking back will have a shame
to eat and little else, though once they awaken,
they'll see we have diluted their waste away,
have given them a purpose to pierce their ache.
By spring next year the rivulet will clear,
and if their golden roof thatch is erased,
there will be babies with other eyes than blue,
eyes with folds across their lids, and slants
of mind the likes of which they've never abided.
They'll know, just as we ascertained the mothers knew,
prying their tears apart to watch our teeth.

2.

If I wasn't so young I wouldn't have fought;
because I fought them I was easy to find.
They smell as rank as elk must smeared on fur.
Only the first of them hurt, and their things were shriveled
compared to what I have seen attached to my brothers,
little vicious men with little things.
Eventually lazy and less insistent, they have let
me to the well on guard to wash them out.
I thought to jump but even drunk they held me
to have me later. Aunt they killed for complaining
but they needn't have, and mother's somewhere.
It is sister they have strapped in the cage.
If she fights, the king will call it a sign.
If she screams, she'll be eliminated.
Kings use any excuse they can to keep
their weakling and their swords within their sway,
and brothers long ago taught what works best.
I hope my sister can intuit His need.
I hope she chooses to survive and escapes,
and one day straggles through the wilderness
to what was home. The men are half-asleep.
Once their wine digests, we'll have a night,
and they will force me to watch their shudders and shakes.
But there are others who'll remember this.
From the lintel, like a hollyhock,
Father's head swivels on a silken knot.


Jim Bartruff's work has appeared in Canto, Westwind, Barney, Marilyn, Drastic Measures.  He is a past winner of the William Carlos Williams and Academy of American Poets prizes.  A third-generation native of Los Angeles, he was previously a print journalist and screenwriter, now living in Portland, Oregon.

Saturday, August 15, 2015

RECOMBINATION

by Jim Bartruff



Image source: Collateral Damage



1.

Spurred by the aroma of wheat and lamb,
we had been starving the last hundred miles,
we lathered the horses over steppe and stone,
and before the body of our force had forded
the clearest rivulet we had crossed in a year,
a bustle of water circuiting their gate,
we dammed it with the limbs of the boys
they pushed out to be sacrificed, and delay.
Only the backward ship their decrepitude
into the hills to hide, let strong men die,
and leave their women to hold back the horde.
The white, the broken hairs black shawls tear
from their heads in a show of grieving and pain,
their village merely a smudge of charnel and ruin,
would never amount to half a hand of cordage,
not nearly enough to stake a calf to the grass.
We are feared but we are not amoral.
We killed the idiots as weak for refusing
to rape the children of the unbelievers,
and also the one who stormed the palisade
to get at the girl the king had set aside.
Tomorrow, when we mount and are gone,
the ancients skulking back will have a shame
to eat and little else, though once they awaken,
they'll see we have diluted their waste away,
have given them a purpose to pierce their ache.
By spring next year the rivulet will clear,
and if their golden roof thatch is erased,
there will be babies with other eyes than blue,
eyes with folds across their lids, and slants
of mind the likes of which they've never abided.
They'll know, just as we ascertained the mothers knew,
prying their tears apart to watch our teeth.

2.

If I wasn't so young I wouldn't have fought;
because I fought them I was easy to find.
They smell as rank as elk must smeared on fur.
Only the first of them hurt, and their things were shriveled
compared to what I have seen attached to my brothers,
little vicious men with little things.
Eventually lazy and less insistent, they have let
me to the well on guard to wash them out.
I thought to jump but even drunk they held me
to have me later. Aunt they killed for complaining
but they needn't have, and mother's somewhere.
It is sister they have strapped in the cage.
If she fights, the king will call it a sign.
If she screams, she'll be eliminated.
Kings use any excuse they can to keep
their weakling and their swords within their sway,
and brothers long ago taught what works best.
I hope my sister can intuit His need.
I hope she chooses to survive and escapes,
and one day straggles through the wilderness
to what was home. The men are half-asleep.
Once their wine digests, we'll have a night,
and they will force me to watch their shudders and shakes.
But there are others who'll remember this.
From the lintel, like a hollyhock,
Father's head swivels on a silken knot.


Jim Bartruff's work has appeared in Canto, Westwind, Barney, Marilyn, Drastic Measures.  He is a past winner of the William Carlos Williams and Academy of American Poets prizes.  A third-generation native of Los Angeles, he was previously a print journalist and screenwriter, now living in Portland, Oregon.

Sunday, March 01, 2015

GOING TO CLASS BEFORE EVERYTHING CHANGES

by Anuja Ghimire



Two teenage Nepalese schoolgirls suffered burn injuries after a boy hurled acid at them early Sunday, police said. The girls, aged 15 and 16, were admitted to a hospital with burn injuries after the youth attacked them with a bottle of acid. The two were sitting in class at a coaching centre in Kathmandu waiting for other students when the attack occurred. "A masked boy came into the room and threw acid at them," senior police officer Narayan Khadka told AFP. Khadka said an investigation was underway to find the attacker, and added that his motive had not yet been established. Acid attacks, which disfigure and often blind their overwhelmingly female victims, are often a form of revenge in South Asia linked to dowry, land disputes or refusal to a man's advances. Although acid attacks are now a criminal offence in neighbouring India, there are no specific laws addressing it in Nepal.  --Yahoo! News, February 22, 2015; Kathmandu Post photo by NARENDRA SHRESTHA & Nimesh Jang rai



To stick
a little round ball
of chewed gum under the desk
And spread notebooks
over the two initials and the arrow
Carved with a ball point pen,
shielded with a heart
Your mouth
buried in a friend’s ear
The latest
on the boy who smiled
 in the hallway,
again
The crumpled yellow paper
wet with your sweat
Because words
only spoken
are too soon
forgotten

To relearn
Pythagorean theorem,
though you don’t understand
why
You wear
the red sweater
 your mother hand washed
-- It should last another year --
And the white shirt
your father ironed
So the collar is creased
just right
Because rules
followed
unlock
happy tomorrows

To pull out
the new protractor
your brother bought
The last one
chipped and broke
into three uneven bits
You measure
the angles of triangles,
your duty
And sit
with dreams
folded in your pockets
Before the unguarded door
opens
letting in
the rushed steps
Because you
are beautiful,
but you have
to become someone


Anuja Ghimire is from Kathmandu. Her poetry is published in Riverlit, Glass, Clay, Ishaan Literary Review, Zest, Right Hand Pointing, Stone Path Review, Constellations, and others. She lives in Dallas.