WINNER OF INTERNATIONAL BAT WEEK, 2023

by Cecil Morris

Bureau of Land Management wildlife technician photographed William ShakespEAR, a female Townsend's big-eared bat, in Jackson County. William ShakespEAR won BLM's 2023 Bat Beauty Contest. Photo courtesy Emma Busk / Bureau of Land Management via Oregon Public Broadcasting.

William ShakespEAR—right, not the poet-actor-
playwright who, maybe, made your high school English
class a drag, but a Townsend’s big-eared bat—won
the National Bat Beauty Contest this Halloween
and brought his bouquet of mosquitoes and moths
home to Ashland in southern Oregon, home
of a pretty famous Shakespeare Festival
where, I must admit, I was not bothered by
any flying insects during an evening
performance of Romeo and Juliet
in the outdoor theater. So good on you,
William ShakepEAR. Perhaps you can bring back
glamour to big ears, which would benefit
me, a man almost 70, with thinning hair
and elongating ears (think King Charles III
or the pendulous lobes of Nicole Kidman).
I do not want to be Dumbo with a flat
tire, Dumbo depressed, or Alfred E. Neuman
deflated. Of course, you, Mr. ShakespEAR
have perky, pricked up, Doberman-like ears,
and I am sure no one makes fun of you.
Too bad Bat Week has not had the success
of Shark Week. We need a Spielberg thriller
with blood and menace: EARS. Who’s listening now?

 

Cecil Morris taught high school English for 37 years. Now retired, he spends his time writing poems and shaking his head at the news. He has poems in or forthcoming from Cimarron Review, Hole in the Head Review, The New Verse News, Rust + Moth, Sugar House Review, Willawaw Journal, and other literary magazines.

DID YOU SEE GROUNDHOG DAY THE OTHER NIGHT?

by DeWitt Clinton

Too many days identical to identical days though
Identical days are far better than having no identical
Days left, as in that was the last identical day we spent
But then, you’ll be coming along soon I suspect, just
As the rest of us don’t really have a lifetime left though
Everyone is saying we’ll get over this, through this, we’ll
Make it, just take big deep breaths, eat Brussel sprouts,
Ease up on the whites and reds or for our friend up the
Road, the foreign sounding frothy drink he ends each day
With but really, it’s only not so bad if someone you know
Doesn’t call or send a text or drop in on a video check
As the bad boy virus is going to take way too many of us
Even if we keep a positive glow about all that’s happened
So far, and the reports of available masks made across
The oceans, the make-shift ventilators, the gloves that
Seem to tear even as we put them on, perhaps it’ll just
Be that unmasked ungloved shopper eager to stock up
On a basket of groceries, Charmin, Bounty, Clorox wipes,
Or just about anything that might convince us we’re clean,
We’re not sick, we don’t have a dry cough just a cough
Now and then, and our temp is about the same as it’s
Always been, and the chest occasionally feels all wound
Up but it’s probably just something we ate that gives
Us such a burn that would put any of us into a panic
Over is this it, is this what we’re trying to dodge, is this
Tasty tiny bat going to take us all out, like this, right now?
Well, yes, as the bad bug seems to constantly evolve
Into something we can’t even begin to imagine, though
Whatever it is, we’re just never going to know exactly
How to take the bugger out, just like granny did years
Ago when she twirled that chicken around and around
Then placed the goofy neck out nice and straight so
No one would have to wonder, ever again, what some
Of us, but not all of us, might be salivating again as
By sundown, the table is set, parts are frying, and
We just hope everybody we knew yesterday will
Be knocking on the door, hoping there’s still a chance
That tomorrow will be another chance for another
Identical day that will help us to get through what
Some of us actually look forward to, something identical.

DeWitt Clinton is Professor Emeritus at the University of Wisconsin—Whitewater, and lives in Shorewood. Recent poems of his have appeared in Lowestoft Chronicle, The New Reader Review, The Bezine, The Poet by Day, Verse-Virtual, Poetry Hall, Muddy River Poetry Review, Across the Margin, and Art + Literature Lab. He has two poetry collections from New Rivers Press, a recent collection of poems At the End of the War from Kelsay Books, and a collection of poetic adaptations of Kenneth Rexroth’s 100 Poems from the Chinese in production from Is A Rose Press.

THE WEEKEND AFTER

by Katherine Smith





The quiet of the street’s
Unbroken, except for
The intermittent roar

Of leaf-blowers beneath
The maple trees next door,
The sound of aluminum

Bats struck against a ball.
The shouting near the school
Not far from where I live

Grows louder as I walk
Towards it, past the park.
The light this afternoon

Filters through crimson rain
Of walnut leaves to chips
Of bark beneath the slide,

Merry-go-round and swing.
A sheepdog with my Thai
Neighbor passes by, and he

Scoots his dog’s white rump
To mulch beside the curb
So I can pass. In DC

The protests have begun
And a cold front moves
If not through autumn sky,

Quite yet, then through the hearts
That thump within the half
Of us like a blade. I think

Of the writing prompt,
Abandoned for a walk,
That asked us poets to devise

A proper response to one
The history books will call
Winner. But here I pause

To watch a team of girls
At the softball pitch,
A group of dads, who coach

The way to swing a bat.
I contemplate the courage,
Dignity, and grace,

The beauty, human, flawed,
Of course, as all beauty is,
Thrown towards us like a ball

We couldn’t catch.

Katherine Smith’s previous publications include appearances in Poetry, Cincinnati Review, Missouri Review, Ploughshares, Southern Review and many other journals. Her first book Argument by Design (Washington Writers’ Publishing House) appeared in 2003. Her second book Woman Alone on the Mountain (Iris Press) appeared in 2014.