A DAY IN PANDEMIA

by Richard Fox

I.

Suit up like an astronaut exploring a poison planet.

Fasten a fabric mask over my mouth and nose.

Mount a helmet with face shield on my head.

Slip harness on Bailey, snap leash into clip.

Slide on latex gloves. Turn the key, open door. 

Step into the airlock disguised as porch.

Morning walk. few wear protective gear.

Neighbors stroll elbow-to-elbow, whisper in ears. 

Bailey receives greetings. For me—smiles, smirks.

My steps set a meter. Words dance into lines.

Bailey stops to sniff. I memorize a stanza.

Laughter shatters my reverie.

A teen girl yells, No way anybody’s quarantining me.

Three families surround her, lips uncovered.

Kids play tag, mark IT by rolling on the lawn.

II.

March into the hospital, obey taped lines, six feet apart.

Nurse takes my temperature. Asks screening questions.

Disinfects my hands. Double-checks my mask.

The long lobby—chairs, tables barren.

One person to an elevator.

Approaching patients hug opposite walls.

Podiatrist’s waiting room. Three out of four chairs blocked.

We may sit, satisfactorily spaced, sucking air through masks.

The coatrack, verboten. No magazines or solitary games.

Exam room surfaces shine, sealed sterile packets covered. 

Nurse removes my protective sandals, socks.

Puts a spacer next to my right big toe.

The doctor rolls near, picks at a cuticle.

Pus leaking out from under nail. Infected. Must remove. 

He disinfects, injects, waits for lidocaine to numb.

Hey doc, thanks for seeing me. This is my big day out.

He grins. You’re keeping me in business. The wards are empty.

Even the COVID-19 unit has fewer beds filled.

He begins cutting, yanking the nail. Patients refuse to come 

to the hospital for critical tests. Friend of mine, cardiologist, lost 

a patient yesterday. Guy kept postponing appointments. 

My friend begged him to come in. Safe here. It’s all statistics. 

What will kill you first. Patient died at home. Massive MI.

Podiatrist bandages my wound. 

III.

Home, my couch. Prop foot up on pillows. Read the Post: 

people—me—with malignancies  in lungs, three times 

more likely to die from Coronavirus.  Time for supper.

When not writing about rock ’n roll or youthful transgressions, Richard Fox focuses on cancer from the patient’s point of view drawing on hope, humor, and unforeseen gifts. He is the author of four poetry collections and the winner of the 2017 Frank O’Hara Prize.

THE SAME RULES APPLY

by Sam Barbee





Ruddy scar protracts the kept
thatch. Rusty shovels propped
as the backhoe heaves beside
the Common Grave: so many
paupers, so many people.

Pine box as caress, no time
for a tight-lipped benediction.
Spray of silt for mantles of boroughs,
and heights and neighborhoods.
No time for individual petitions.

No last kiss, or cross. Veterans
without flags or rifles on this
drab afternoon of a drab dawn.
Trees along the river, quiet field
where pigeons do not bother.

Death’s centrifugal angst plotted
within the City’s adaptable aura.
Time to seal today’s thawing dead.
The diesel throttles up. PPE-clad
laborers, leather palms tight.

Topsoil chokes off creeds, and
rings and rosaries, worry beads.
Distant tugboats sail the Hudson.
Gulls spiral behind their churning
murk, below pinwheels of gray clouds.

Sam Barbee’s poems have appeared Poetry South, The NC Literary Review, Crucible, Asheville Poetry Review, The Southern Poetry Anthology VII: North Carolina.  His second poetry collection That Rain We Needed (2016, Press 53) was a nominee for the Roanoke-Chowan Award as one of North Carolina’s best poetry collections of 2016.

DID YOU SEE GROUNDHOG DAY THE OTHER NIGHT?

by DeWitt Clinton

Too many days identical to identical days though
Identical days are far better than having no identical
Days left, as in that was the last identical day we spent
But then, you’ll be coming along soon I suspect, just
As the rest of us don’t really have a lifetime left though
Everyone is saying we’ll get over this, through this, we’ll
Make it, just take big deep breaths, eat Brussel sprouts,
Ease up on the whites and reds or for our friend up the
Road, the foreign sounding frothy drink he ends each day
With but really, it’s only not so bad if someone you know
Doesn’t call or send a text or drop in on a video check
As the bad boy virus is going to take way too many of us
Even if we keep a positive glow about all that’s happened
So far, and the reports of available masks made across
The oceans, the make-shift ventilators, the gloves that
Seem to tear even as we put them on, perhaps it’ll just
Be that unmasked ungloved shopper eager to stock up
On a basket of groceries, Charmin, Bounty, Clorox wipes,
Or just about anything that might convince us we’re clean,
We’re not sick, we don’t have a dry cough just a cough
Now and then, and our temp is about the same as it’s
Always been, and the chest occasionally feels all wound
Up but it’s probably just something we ate that gives
Us such a burn that would put any of us into a panic
Over is this it, is this what we’re trying to dodge, is this
Tasty tiny bat going to take us all out, like this, right now?
Well, yes, as the bad bug seems to constantly evolve
Into something we can’t even begin to imagine, though
Whatever it is, we’re just never going to know exactly
How to take the bugger out, just like granny did years
Ago when she twirled that chicken around and around
Then placed the goofy neck out nice and straight so
No one would have to wonder, ever again, what some
Of us, but not all of us, might be salivating again as
By sundown, the table is set, parts are frying, and
We just hope everybody we knew yesterday will
Be knocking on the door, hoping there’s still a chance
That tomorrow will be another chance for another
Identical day that will help us to get through what
Some of us actually look forward to, something identical.

DeWitt Clinton is Professor Emeritus at the University of Wisconsin—Whitewater, and lives in Shorewood. Recent poems of his have appeared in Lowestoft Chronicle, The New Reader Review, The Bezine, The Poet by Day, Verse-Virtual, Poetry Hall, Muddy River Poetry Review, Across the Margin, and Art + Literature Lab. He has two poetry collections from New Rivers Press, a recent collection of poems At the End of the War from Kelsay Books, and a collection of poetic adaptations of Kenneth Rexroth’s 100 Poems from the Chinese in production from Is A Rose Press.

FORGOTTEN

by Tricia Knoll

I forget the name of the first boy who kissed me,
which books I read by Jane Austen during that summer
the l7-year locusts made their outbreak, the names
of most of the horses I’ve ridden except for Daisy—
the bay mare who galloped me to a win in a quarter-mile
race against a field of adolescents on dude ranch mounts.
I remember ear infections as a child with no medicines
because my parents believed in faith healing.
I remember my first polio shot at the age of 18, more
than a decade after everyone I knew had theirs.

Forgotten? The word, sir, blasphemes the dead
and those denied funerals and family mourning.
Those struggling to recover and keep family safe.
The worn out first responders and medical teams.
I fear for a grandson born in this year, a wee boy
for whom immunity is uncertain. I have staged
my will where my family can find it. I have
family who sit home from their jobs. We know
those risks for people of color from old,
old inequities, wonder why those who jobs
are critical to our survival as a people
work for minimum wage, without masks.

You may forget. At your peril and ours.
Are you counting your investments
in the medicine you hawk? Open
will not mean the way the world was.
Open will mean masks, tests, shots,
sanitizers, worry, strategies, research,
and consequences. New normal
will not forget what we have endured
and what we learn about the way
the world’s fate is tied up as one.
We have seen our Enemy.

Tricia Knoll is a Vermont poet hunkered in the deep woods. Her recent collection How I Learned To Be White received the 2018 Indie Book Award for Motivational Poetry.

THE DOCTOR WHO DIES OF THE CORONAVIRUS AFTER THE HOSPITAL RUNS OUT OF GLOVES

by Terri Kirby Erickson

Alameda Health System nurses, doctors, and workers protest the lack of personal protective equipment available in Oakland, California, on March 26, 2020. Justin Sullivan/Getty Images via Vox

A doctor in Italy who described his concerns in a recent television interview about how the shortages of medical supplies meant he had to treat patients with coronavirus without wearing gloves, has died from the illness. Marcello Natali, 57, from Codogno, in the northern province of Lombardy, had also sounded the alarm over the number of doctors who were getting infected, during an interview with Euronews before he tested positive. He told the channel bluntly that he was not able to work with gloves because "they have run out." —Newsweek, March 19, 2020


There is no linear time in the hereafter. Angels do every-
thing at once. They see the last pair of latex gloves drop
to a hospital floor in slow motion, the look of fear on the
face of the gloveless doctor who, in the blink of a human
eye, goes on caring for patients. They can watch people
being brave (since fear is the birthplace of bravery) and
the people who are sick, some of them dying. But those
who pass away during the doctor’s glove-free hours feel
the touch of warm skin on his or her forehead when they
take their final breaths. This is the unselfish mercy that
humans are capable of, which makes the angels marvel.
Divine creatures respect mortality and all that it entails.
And from every angel’s non-linear, eternal perspective,
a doctor can do his job and at the exact same time, enter
the great mystery of his own dying. Angels may ooh and
ahh over this lone human being’s merciful acts as well as
mercy shown around the world, and still catch his soul the
instant it leaves his body. One whispers words of solace.
Yet another sings the doctor’s favorite aria, Puccini’s “O
Mio Babbino Caro,” as they carry him to the place where
there is no grief or sorrow—and no need for gloves at all.

Terri Kirby Erickson is the author of five full-length collections of poetry, including Becoming the Blue Heron (Press 53). Her work has appeared in “American Life in Poetry,” Asheville Poetry Review, Atlanta Review, Poet’s Market, The Sun, The Writer’s Almanac, Valparaiso Poetry Review, Verse Daily, and many more. Her awards include the Joy Harjo Poetry Prize and a Nautilus Silver Book Award. She lives in North Carolina.