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Showing posts with label hospital. Show all posts
Showing posts with label hospital. Show all posts

Tuesday, July 22, 2025

ABOVE A GRAY FIELD

by Fadel Kishko


Internet photo provided by the poet of the aftermath of the school bombing.


My dear, this is not a fictional story,
But one filled with gory.
It was the bleak November,
When death couldn’t be any nearer.
To stay away from bombing’s wrath,
We sheltered in a UNRWA school’s path.
A rocket, for us, caused damnation.
From this horror, there’s no salvation.
The sky turned into red—
From the blood of the dead.
Bodies from head to toe,
Torn, with nowhere to go.
Above a gray field, all is shattered,
And people’s faces deeply battered.
With blood mixed with dust,
They lie on the ground, unjust.
A brain on the wall is fastened,
Arms with legs on the tent dispersed.
In a prone, a little girl sat,
Prostrated is her father in her sight.
A head without a body—
That was what remained of her daddy.
With fixed, white, open eyes she’s gazing.
The true shape of humanity—fading.
From his head, blood is torrential.
“Nadal!” was bleeding from his skull.
Thrown aside, with his eye bulged,
With no one to treat him—he is another victim slaughtered.
A boy leaping to survive without a hinge,
Nowhere to hide, nowhere to dodge.
A shell hit Jihad’s belly, shredded his liver,
And no one is their savior.
 
“Oh God, my mother!” Abdullah screamed.
Among the bodies, we searched.
Amid them, my grandmother—with a shell in her knee.
I knew then there was nowhere to flee.
Holding her hand, I cried, “Thank God! Let’s run!
For here, we can’t anymore endure, or carry on.”
Faint was her voice: “I can’t. I am injured.”
“People are torn. Stand with me! Let’s flee!” Abdullah cried.
With her hands, she unveiled her garment.
Bloodied are her pants—we’re incapacitated.
On his shoulder, he held her.
A cart I found to move her.
In the middle, she was put.
With injured and martyrs, the cart is filled.
We tried to get her to the hospital’s gate,
But the tank rolled in—we couldn’t risk our fate.
The tank was approaching with a killing intent.
Its aim is to destroy wherever it went.
We withdrew, entered a house as a guest.
“A water, for you I plead,” that was my request.
Kind people they were—gave us what we need,
Touched us with their solicitude indeed.
Told us with fear, “In the school there is a succorer.”
Went to the school and stayed in the slaughter.
That night,
We slept in blood’s red light.
“Ow! Anyone! Come and rescue us!”
For they are amputated,
And on the ground devastated.
Above us, F-16s were roaring,
Quadcopters hovered, death adoring.
A tank appeared in the night’s pale glow,
An airstrike loomed below.
Jihad, from the shell, is screaming.
Nadal is bleeding and dying.
My grandmother is crippled.
Were you in my shoes—
What would you do?
 
Al-Fajr prayer we established.
“Martyr,” we wrote on Nadal’s chest.
Wrapped my grandmother’s knee,
In order to the south to flee.
To Nit-Salim we reached.
On the way, the dead are wrapped with red.
Burnt-out cars lined the street,
With blood’s scent rising from the driver’s seat.
Here are they.
Sitting over there.
He’s sitting over there—human like me.
The red blood that runs in his vein runs in mine.
Why does he have a weapon made to kill,
And my only right is to yell?
Armed with every weapon ever made,
Used against me—to fade.
Shrieking at a line of nearly a million,
To stop, and for the tank to move on.
Shouting while pouring his bullets,
Screaming, “Don’t worry!” after he kills.
Kidnapped—behind the tank, they are taken.
Shooting while jeeps inside are moving.
After I almost routed,
“All of you, move!” he shouted.
We reached “the safe zone.”
Again, the story was replicated.
This is not a story just ended,
But our daily life that is being repeated.


Author’s note: “Above a Gray Field” is a harrowing recollection of a fatal incident that forced me to flee south during this genocidal war—an experience I barely survived. I sought safety for myself and my family, only to realize that safety, like humanity, morality, and justice, can be illusions.
     The South of Gaza was labeled a “Safe Zone,” but the horrors I witnessed there—human organs scattered on the ground, relentless violence—continue to haunt me, even in sleep.
     This visceral poem rises from the ashes of the dead and bears witness to the injustice endured by Palestinian civilians. It reflects the daily reality where human life is undervalued, and death is treated as commonplace.
     More than a literary work, this poem is a cry, a memory, and a fragment of a violently torn life. It confronts the reader with urgent emotion and a desperate plea for humanity, exposing death as the cruel rhythm of an endless war—where victims are not only forgotten but neglected.
.

I am Fadel Kishko, a 22-year-old writer from Gaza.

Tuesday, December 24, 2024

BLESS

an abecedarian
by Susan Vespoli


Photo source: DeMilked


Holiday depression feels a lot like regular depression, but it’s triggered by the onset of holidays, holiday get-togethers, large family gatherings, and attending or hosting social events. Holiday depression is similar to “winter blues,” but it may come and go in quick bursts as one event ends and another begins, or it can linger for the days or weeks leading up to and beyond the holiday season. —Cleveland Clinic, December 13, 2023


all the shiny
baubles and brouhaha of
Christmas. Seasonal
depression. Air-filled
enormous plastic Santas bobbing 
front yards. Fairy lights
glittering rooftops. Guy in tight 
holiday pants, knit like a sweater,
in Safeway.
Jubilant crimson poinsettias. My daughter
Kate hospitalized again. Oh,
let it work this time, I hear
myself beseech the sky.

“No,” the
omnipotent ozone replies,
“power.” Oh yeah. Powerlessness. 

Quiet morning sun
rises, turns navy gray into orange
sherbet. I
tilt my head back and there
undulates a 
vibration of grackles 
waving and wafting like winged
eXclamation points, black dots
yodeling squawks, pepper grinder of
zest that, in unison, settle on an electrical wire like musical notes.


Susan Vespoli writes from Phoenix, AZ and believes in the power of writing to stay sane. Her work has been published in The New Verse News, Anti-Heroin Chic, ONE ART, Gyroscope Review, Rattle, and other cool spots.

Friday, December 29, 2023

WHAT GROWS

by D. Dina Friedman


“Rising Cairn” by Celeste Roberge


from grief, the prickled ball in my heart

The tank imprinting the sands in Gaza.

The baby on the kibbutz, snatched from its mother’s arms.

Grief as breath and breath as grief

pictures of the dead, the missing

slapped on our bland screens. We might know

this child, his laugh. This teen. She worked for peace.

Grief for the plume of smoke outside the window

of the hospital, for the doctor, searching her pockets

as if she might have stashed a pill she’d forgotten,

that could save the life of a patient, writhing, dying. 

Grief, the crevice in the land split by the river

where you think you might walk down and disappear. 

Grief, a drained lake, a parched throat, a bombed city, 

a soldier singing O Sole Mio in the desert at night

because, sometimes, there’s nothing else to do 

but raise your head to the moon 

and sing as if your life depended on it.



D. Dina Friedman has published in over a hundred literary journals and anthologies (including Rattle, The Sun, Calyx, Lilith, Negative Capability, Chautauqua Literary JournalThe Ekphrastic Review, and Rhino) and received four Pushcart Prize nominationsShe is the author of two young adult novels: Escaping Into the Night (Simon and Schuster) and Playing Dad’s Song (Farrar, Straus, Giroux), a short-story collection: Immigrants(Creators Press), and two  chapbooks: Wolf in the Suitcase (Finishing Line Press) and Here in Sanctuary—Whirling (Querencia Press). 

Wednesday, December 27, 2023

THE DEATH OF A POET

by Roxanne Doty


These are the poets and writers who have been killed in Gaza. —Literary Hub, December 21, 2023


Before they were bombed from the sky 

warheads raining on their crucified city

littered with the bones of winter

and blood of children

they were a poet and a teacher

a mother and father who understood 

the hope of words, the way they slipped 

through walls and checkpoints

couldn’t be stopped by soldiers 

or guns, how they empowered

defied the laws of physics

and occupation and oppression

 

To the secretaries of war who murdered the poet

words were sterile instruments, tools

like wrenches and screwdrivers, hammers

from the hardware store, like bunker buster bombs 

and hellfire missiles from a rich country

with democracy and security on its lips

and complicity on its hands, to these priests

of destruction, the poet was a calculation

the result of collateral damage equations

estimates of death rankings of acceptable levels 

of slaughter

 

The poet was killed in their home 

and in a school and a hospital and a UN shelter

and a refugee camp and on a war-torn street

and waving a white flag

before they died the poet had asked

When shall this pass?

 

The poet understood that words are fragile

even with their power could crumble and die

they need an audience to listen

to absorb to act and the poet knew 

that all the children of Gaza 

are poets too



Roxanne Doty lives in Tempe, Arizona. Her debut novel Out Stealing Water was published by Regal House Press, August 30. 2022.  Her first poetry collection will be published by Kelsay Books in the spring of 2024. Her short story “Turbulence” (Ocotillo Review) was nominated for the 2019 Pushcart prize for short fiction. Other stories and poems have appeared in Third Wednesday, Quibble LitSuperstition Review, Forge, I70 Review, Soundings Review, Four Chambers Literary Magazine, Lascaux Review, Lunaris Review, Journal of Microliterature, The New Verse News, Saranac Review,Gateway Review and Reunion-The Dallas Review.

Saturday, December 23, 2023

THE US VETOED A CEASEFIRE IN GAZA

by Bonnie Naradzay


Around noon today, December 16, 2023 a sniper of the IDF murdered two Christian women inside the Holy Family Parish in Gaza, where the majority of Christian families has taken refuge since the start of the war…. Seven more people were shot and wounded as they tried to protect others inside the church compound. No warning was given, no notification was provided. They were shot in cold blood inside the premises of the Parish, where there are no belligerents. Earlier in the morning, a rocket fired from an IDF tank targeted the Convent of the Sisters of Mother Theresa (Missionaries of Charity). The Convent is home to over 54 disabled persons and is part of the church compound, which was signaled as a place of worship since the beginning of the war. The building’s generator (the only source of electricity) and the fuel resources were destroyed. The house was damaged by the resulting explosion and massive fire. Two more rockets, fired by an IDF tank, targeted the same Convent and rendered the home uninhabitable. The 54 disabled persons are currently displaced and without access to the respirators that some of them need to survive. —Latin Patriarchate of Jerusalem, December 16, 2023


The US vetoed a ceasefire in Gaza.  

                        Rushed more weapons.  

We are not allowed to use the word “genocide.”  

            In Bethlehem the nativity scene is piled 

with rocks and debris. More than 20,000 killed.  Biden is angry

about poll numbers.  Paul asked me to bring poems next time that rhyme.  

The newspaper yesterday said, “More Americans own stocks.” 

Homeowners are installing heat pumps this winter.

The US advised Israel to be more surgical.   Hospitals and schools

were targeted with precision.  Two churches, damaged.  Doctors were arrested.

An Israeli official said “There are no churches, no Christians in Gaza.”

People were sheltering in the church.  Hospitals and schools,  targeted. 

Anything that moves.  The US vetoed.  In Bethlehem. 

poems that rhyme.    not allowed.     Poll numbers.  demolished

more surgical next time.   Rocks and debris. 

The US vetoed a ceasefire in Gaza


 

Bonnie Naradzay's manuscript will be published by Slant Books next year.  She leads weekly poetry sessions at day shelters for homeless people and at a retirement center, all in Washington DC.  Three times nominated for a Pushcart, her poems have appeared in AGNI, New Letters, RHINO, Kenyon Review, Tampa Review, EPOCH, Split This Rock, Dappled Things, and other sites. In 2010 she won the University of New Orleans Poetry Prize—a month’s stay in the South Tyrol castle of Ezra Pound’s daughter, Mary; there, she had tea with Mary, hiked the Dolomites, and read Pound’s early poems.

Monday, December 18, 2023

HAVOC

by William Aarnes


A Palestinian child stands among the rubble of buildings destroyed in Israeli attacks in Nuseirat refugee camp, Gaza. [Photo: Ashraf Amra/Anadolu] —AlJazeera, December 4, 2023


                        rubble, rubble
                                    rubble, rubble, rubble
 
children exist, children exist,
cheery children exist,
chasing each other
at a wedding chosen 
as the target for the missile
that’s seconds away
 
                        rubble, rubble
                                    rubble, rubble, rubble
 
children exist, infants
napping in the daycare
in the building the terrorist
chooses to bomb
 
                        rubble, rubble
                                    rubble, rubble, rubble
 
                                          children
exist, orphaned and maimed
but maybe recovering
in a children’s ward when men
with grandchildren choose
not to worry if the hospital
might be shelled
 
                        rubble, rubble
                                    rubble, rubble, rubble


William Aarnes lives in New York. The refrain of "Havoc" might be a spell uttered by the gods  of havoc, though you might also hear an echo of "Nothing" by The Fugs.

Tuesday, November 14, 2023

A TOMATO FOR JOSEPH

by Liz Rose Shulman


Haidar Eid’s book available for pre-order today; shipping tomorrow from LeftWord Books.



Note: The following poem adapts language from Haidar Eid’s Facebook page, with his permission. He is currently trapped in Gaza. Haidar Eid is an Associate Professor of Postcolonial and Postmodern Literature at Gaza’s al-Aqsa University. As of this writing, he is alive. 
 
 
I am standing over the ruins of a house in Gaza City 
peering at the horizon
 
Please don’t let our posts go unnoticed 
This is the only alternative we have 
 
Where is Abu Muhammad
under the rubble
Where is Muhammad’s mother
under the rubble
Where is Muhammad
under the rubble
 
I’ve just received the long awaited news of my book while I am trying to stay alive
LeftWord Books is publishing my latest work 
Decolonising the Palestinian Mind
 
My former student Samah Eid has risen
“My heart is ripped out of my ribs.”
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
They need Palestinian fig leaves 
Sorry, I don’t feel like doing that 
There are others who are more equipped to deal with that.
 
I am a South African Palestinian literature professor in Gaza right now, 
with a wife 
and two small daughters
 
My kind dentist, artist Oraib Rayyes has risen
My colleague and co-founder
of the Department of English
at Al-Aqsa University, 
Abdul Rahman Elhour, has risen 
with 14 members of his family.
 
Some are still under the rubble
 
My friend, ex-student Khalil Abu Yahya, has risen
with his wife, Tasnim 
and two daughters
 
This was my home
 
Where is Salwa
under the rubble
Where is Magda
under the rubble
Where is Mahmoud
under the rubble
 
Where is the rest of the family at
 
Nine members of my family were killed today
One man 
three women 
and five children
 
Progressive activist friend, mother of Prince Samira Rafiqah, 
Our friend Em ElAmeer Samira has risen
Haidar Eid updated his profile picture
 
On the hospital floor
wounded children sit next to their injured mother
one aids her as she receives treatment after a bombing
of a family’s home in the Gaza Strip
 
Why would any country vote,
even veto, 
against a humanitarian ceasefire
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
The home is a lover
A woman who has feelings for you 
and for whom you have feelings.
She is you and you are her. 
There are no boundaries 
No separation
When the home is demolished 
something within you dies.
The sweet story of Youssef Al-Baydani as narrated by his mother: 
“Mom, I’m hungry, I want to eat.
Don’t be afraid, my love, 
I will make you a pan of tomato
I went out to the house of Um Mahmoud, my neighbor, 
in search of a tomato 
to quench Joseph’s hunger,
hoping to find a tomato for Joseph. 
I waited at the door for Joseph to come back from school every day 
I waited for him 
in front of the door every day 
welcomed him with my arms
and a tomato grill that he loves.
How can I wait anymore when Joseph is no longer here
How can a mother protect her son in war?”
 
In this house, a woman lived with her husband 
three sons 
and three daughters. 
They had also provided refuge to relatives from northern Gaza 
who had been displaced
 
Besan was a third-year medical student 
she loved her cat 
Besan was killed with all her family and her cat
 
The young columnist of We Are Not Numbers, Yousef Dawas, has risen
along with his entire family.
He attended my lecture on Postcolonial literature last month.
A few months ago he wrote the article 
“Who will pay for the 20 years we lost?”
 
“I wish my eyes were a sea
where my eyelids could dwell.”
 
In 2014, I performed “Love in the Time of Genocide” 
adapted from a poem 
by the late Egyptian poet Abdul Rahim Mansour. 
 
What we need for literature 
and literary criticism 
is a critique of institutional thought
by offering an alternative
 
A will written by a little girl from Gaza via Anat Matar:
“My name is Haya and I will write my will now.
My money: 45 for my mother, 5 for Zeina, 5 for Hashem,
5 for my grandma, 5 for Aunt Heba and five for Aunt Mariam, 5 for Uncle Abdo and Aunt Sarah
My toys and all my stuff: for my friends Deema, Menna, and Amal, and Zeina (my sister)
My clothes: to my uncle’s daughters and if there’s anything left, donate them
My shoes: donate them to the poor and vulnerable
after washing them, of course.”
 
To white, mainstream media
As per my cardiologist’s instructions, plz do not call me
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
Haidar Eid updated his profile picture
 
They need Palestinian fig leaves 
Sorry, I don't feel like doing that 
There are others who are more equipped to deal with that.


Liz Rose Shulman’s work has appeared in The Boston Globe, The Chicago TribuneLos Angeles Review, Mondoweiss, The Smart Set, and Tablet Magazine, among others. She teaches English at Evanston Township High School and in the School of Education and Social Policy at Northwestern University. She lives in Chicago. 

Thursday, October 26, 2023

PRAYER FOR THE NON-BELIEVER

by Alan Walowitz


Romano-British iron ploughshare. Flat bar with rounded edges tapering to an asymmetrical point at one end, with a flanged socket at the other. —The British Museum


C’mon, we can pray as well as anyone
If we only suspend our disbelief and try. 
The bombs are dropping on a hospital
So we pray, at least, it wasn’t us. 
Is that too much?  Not enough?  If so,
Then let’s go all the way
And pray that the bombs will stop,
Let them be bursting in air, 
The way we’ve always sung 
About them since the time we were young.
 
Or better yet,
Beaten into ploughshares. 
Though we’ve never known what ploughshares are,
Oh, God, if you’re out there, I swear,
I’m gonna call Amazon and order some.


Alan Walowitz is a Contributing Editor at Verse-Virtual, an Online Community Journal of Poetry.  His chapbook Exactly Like Love comes from Osedax Press. The full-length The Story of the Milkman and Other Poems is available from Truth Serum Press. Most recently, from Arroyo Seco Press, is the chapbook In the Muddle of the Night written with poet Betsy Mars. Now available for free download is the collection The Poems of the Air from Red Wolf Editions.