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Showing posts with label casualties. Show all posts
Showing posts with label casualties. Show all posts

Tuesday, July 22, 2025

ABOVE A GRAY FIELD

by Fadel Kishko


Internet photo provided by the poet of the aftermath of the school bombing.


My dear, this is not a fictional story,
But one filled with gory.
It was the bleak November,
When death couldn’t be any nearer.
To stay away from bombing’s wrath,
We sheltered in a UNRWA school’s path.
A rocket, for us, caused damnation.
From this horror, there’s no salvation.
The sky turned into red—
From the blood of the dead.
Bodies from head to toe,
Torn, with nowhere to go.
Above a gray field, all is shattered,
And people’s faces deeply battered.
With blood mixed with dust,
They lie on the ground, unjust.
A brain on the wall is fastened,
Arms with legs on the tent dispersed.
In a prone, a little girl sat,
Prostrated is her father in her sight.
A head without a body—
That was what remained of her daddy.
With fixed, white, open eyes she’s gazing.
The true shape of humanity—fading.
From his head, blood is torrential.
“Nadal!” was bleeding from his skull.
Thrown aside, with his eye bulged,
With no one to treat him—he is another victim slaughtered.
A boy leaping to survive without a hinge,
Nowhere to hide, nowhere to dodge.
A shell hit Jihad’s belly, shredded his liver,
And no one is their savior.
 
“Oh God, my mother!” Abdullah screamed.
Among the bodies, we searched.
Amid them, my grandmother—with a shell in her knee.
I knew then there was nowhere to flee.
Holding her hand, I cried, “Thank God! Let’s run!
For here, we can’t anymore endure, or carry on.”
Faint was her voice: “I can’t. I am injured.”
“People are torn. Stand with me! Let’s flee!” Abdullah cried.
With her hands, she unveiled her garment.
Bloodied are her pants—we’re incapacitated.
On his shoulder, he held her.
A cart I found to move her.
In the middle, she was put.
With injured and martyrs, the cart is filled.
We tried to get her to the hospital’s gate,
But the tank rolled in—we couldn’t risk our fate.
The tank was approaching with a killing intent.
Its aim is to destroy wherever it went.
We withdrew, entered a house as a guest.
“A water, for you I plead,” that was my request.
Kind people they were—gave us what we need,
Touched us with their solicitude indeed.
Told us with fear, “In the school there is a succorer.”
Went to the school and stayed in the slaughter.
That night,
We slept in blood’s red light.
“Ow! Anyone! Come and rescue us!”
For they are amputated,
And on the ground devastated.
Above us, F-16s were roaring,
Quadcopters hovered, death adoring.
A tank appeared in the night’s pale glow,
An airstrike loomed below.
Jihad, from the shell, is screaming.
Nadal is bleeding and dying.
My grandmother is crippled.
Were you in my shoes—
What would you do?
 
Al-Fajr prayer we established.
“Martyr,” we wrote on Nadal’s chest.
Wrapped my grandmother’s knee,
In order to the south to flee.
To Nit-Salim we reached.
On the way, the dead are wrapped with red.
Burnt-out cars lined the street,
With blood’s scent rising from the driver’s seat.
Here are they.
Sitting over there.
He’s sitting over there—human like me.
The red blood that runs in his vein runs in mine.
Why does he have a weapon made to kill,
And my only right is to yell?
Armed with every weapon ever made,
Used against me—to fade.
Shrieking at a line of nearly a million,
To stop, and for the tank to move on.
Shouting while pouring his bullets,
Screaming, “Don’t worry!” after he kills.
Kidnapped—behind the tank, they are taken.
Shooting while jeeps inside are moving.
After I almost routed,
“All of you, move!” he shouted.
We reached “the safe zone.”
Again, the story was replicated.
This is not a story just ended,
But our daily life that is being repeated.


Author’s note: “Above a Gray Field” is a harrowing recollection of a fatal incident that forced me to flee south during this genocidal war—an experience I barely survived. I sought safety for myself and my family, only to realize that safety, like humanity, morality, and justice, can be illusions.
     The South of Gaza was labeled a “Safe Zone,” but the horrors I witnessed there—human organs scattered on the ground, relentless violence—continue to haunt me, even in sleep.
     This visceral poem rises from the ashes of the dead and bears witness to the injustice endured by Palestinian civilians. It reflects the daily reality where human life is undervalued, and death is treated as commonplace.
     More than a literary work, this poem is a cry, a memory, and a fragment of a violently torn life. It confronts the reader with urgent emotion and a desperate plea for humanity, exposing death as the cruel rhythm of an endless war—where victims are not only forgotten but neglected.
.

I am Fadel Kishko, a 22-year-old writer from Gaza.

Monday, July 10, 2023

THINKING ABOUT THE NEWS, I PICK WILD RASPBERRIES

by Bonnie Naradzay


Israeli forces have concluded their largest-scale military operation in the occupied West Bank city of Jenin in decades, killing at least 12 Palestinians and leaving widespread destruction across the city’s refugee camp. —CNN, July 5, 2023. The Israeli military says all of the at least 12 Palestinians killed in its near 48-hour operation were combatants, and that its operation aimed to break the mindset that Jenin is a “safe haven” for militants. But the Palestinian fighters parading through the streets in broad daylight, with weapons strapped to their chests, showed that they remain unbroken and defiant. The Jenin Brigade, a faction affiliated with the wider Islamic Jihad group, said eight of the dead, ranging in age from 16- to 21-years-old, came from among their ranks. Meanwhile, United Nations experts have stated that five children were among the dead. Muhammad Darwish Photo: The back wall of Hanaa al-Shalaby's daughters' room was blown out, leaving chunks of rubble on a small bed. CNN, July 7, 2023


Walking along the road to the metro,

I have read that of 12 killed so far, 

5 were children. The IDF claimed

they were all terrorists. The clusters

of raspberries are red and I eat them.

Over 1,000 soldiers supported 

by missile-carrying drones

invaded dense neighborhoods.

IDF means Israel Defense Force;

it withdrew with its armored cars 

from the Jenin refugee camp only 

after depriving families of electricity, 

water; after smashing roads to rubble;

after blocking ambulances trying to reach

the wounded, after invading hospitals

and detonating canisters of tear gas there.

The raspberries are still safe to eat.

The news says Israel is buying 25 

more F-35 stealth fighter jets from 

the U.S. for free; the deal is financed 

through U.S. military aid: nearly 

$4 billion given outright to Israel 

every year no matter what; 

not as loans to be paid back.

I turn back to the raspberries, 

remembering that time I ate ripe

mulberries from a tree in the park. 

The UN observer on tv said Jenin, 

in the Occupied West Bank,

is in Area A, which is supposedly 

under the sole control of Palestine.  

Meanwhile Israel launched airstrikes 

attacking Gaza again. I pay my fare 

at the metro, go downtown 

to the homeless shelter, and share 

poems by Tu Fu and Langston Hughes.



Bonnie Naradzay’s recent poems are in AGNINew Letters, Kenyon Review, Tampa Review,  Birmingham Poetry Review, Crab Creek Review, and many other sites. She was awarded the New Orleans MFA’s poetry prize:  a month’s stay in the South Tyrol castle (in the Dolomites) of Ezra Pound’s daughter Mary. For many years, she has led regular poetry sessions at shelters for the homeless and at a retirement center, all in Washington, DC. 

Friday, May 13, 2022

COLOSSAL LOSSES

by Timothy Kercher


The Soviet monument symbolising historic ties between ex-Soviet Ukraine and Russia being dismantled in Kyiv on April 26, 2022.


Today I read that Russian
casualties are colossal, Latin
for larger than life,
the Romans using the word
to describe the statue of Helios
in the harbor at Rhodes,
a term now used to describe
abounding death, the day before
a colossal eight meter-tall Soviet
-era statue of two men
representing Russia and Ukraine
holding a banner of friendship
was taken down, the heads
rolling right off in the middle 
of Kyiv, where, in the surrounding
towns, colossal losses
were suffered, larger than life
numbers of dead civilians
strewn in the streets, add 
to this the soldiers on
both sides, the mass 
casualties on the eastern 
front in the cities, apartments, 
theaters, schools, hospitals eclipsed 
by heavy artillery, the war's
collective losses larger
than a toppled statue depicting
friendship, larger still
than a statue of the sun god.


Timothy Kercher lives in southwestern Colorado with his family and teaches on the Navajo Nation. He has lived much of his adult life overseas, including time in Ukraine, Republic of Georgia, Bosnia, Mongolia and Mexico. His essays, poetry, and translations have appeared in many literary journals including Crazyhorse, Plume, Ruminate, Guernica, and Quiddity.

Saturday, August 11, 2018

A BRIEF HISTORY OF SORROW IN YEMEN

by John Guzlowski


Dozens of children, many younger than 15, were killed in a Saudi-led coalition airstrike that hit a school bus in northern Yemen on Thursday, according to the Houthi-controlled Health Ministry. The children were on a field trip when their bus was struck at a market, the first stop of the day; 50 were killed and 77 injured, according to the ministry. Most of the children were inside the bus when the airstrike hit, according to a local medic, Yahya al-Hadi. The International Committee for the Red Cross said a hospital it supports in Saada had received 29 bodies of "mainly children" younger than 15, and 40 injured, including 30 children. —CNN, August 10, 2018


Sorrow is the gift
God gives to teach us
what won’t last,
what will fall and be left
on the side of the road
by the mother lost
among refugees.

Sorrow teaches her
the value of screaming.

It will last longer
than bronze shoes,
longer than her baby’s
photograph.

Nothing else she loved
is left. The home in Yemen
God bestowed? The husband
whose love was worth so much?
The baby?

The gift of everything is lost,
the way a penny is lost
In the dirt around her.

All that’s left
is the road she stands on—
that and the sorrow
He bestowed, the scream
that ends in screaming.


John Guzlowski's writing appears in Garrison Keillor’s Writer’s Almanac, Rattle, Ontario Review, North American Review, and other journals.  His poems and personal essays about his Polish parents’ experiences as slave laborers in Nazi Germany and refugees in Chicago appear in his memoir Echoes of Tattered Tongues. Echoes received the 2017 Benjamin Franklin Poetry Award and the Eric Hoffer Foundation's Montaigne Award for most thought-provoking book of the year.  He is also the author of two Hank Purcell mysteries and the war novel Road of Bones.

Tuesday, June 14, 2016

AFTER ORLANDO

by Jim Gustafson

Khartoon! by KhalidAlbaih #Orlando Shooter is A Muslim #Trump #ISIS


Is it too soon to comment?
This morning I read 20 killed, now 49.
I feel no different. I have grown numb
to numbers. One or 49, too many,
and always the guns. I prayed
let the shooters name be Smith or Jones,
thinking that might slow the swelling
hate that now will surely come.
This world is no different than the world
of The Book, the one we share.
How dare anyone make a fool a norm,
and the misguided an example.
But they will come now shouting,
“I told you so.” They will use the spent shell
casings to build their case.
How strange I was to think it could be
other than what it is.


Jim Gustafson holds a M. Div. from Garrett Theological Seminary in his home town of Evanston, Illinois and an MFA from the University of Tampa. He is the author of two previous books, a chapbook Driving Home, (Aldrich Press, 2013), and a collection of essays Take Fun Seriously (Limitless Press, 2008). His collection Drains and Other Depressions will be available from Big Table Publishing in early 2017.

Sunday, October 13, 2013

IN THE HANGAR ON LAMPEDUSA

by Lois Elaine Heckman


“The Italian authorities have so far retrieved 301 bodies from the smugglers’ boat, which caught fire and sank just a quarter-mile off the island. Of the estimated 500 people on board, only 155 survived.” --Gaia Pianigiani, New York Times, October 9, 2013


No, they are not
the undertaker’s casket samples
laid out in rows for choosing.
They are all filled with loss:
a mother and child
still connected by their cord,
a boy proudly wearing
the Italian soccer team’s t-shirt.
They hold people
who desired, searched, struggled
for a better life in another world
and found it in a different place
than they imagined.
There are more stories still
in the cemetery below,
covered by salt water,
like our faces.


Lois Elaine Heckman is from Los Angeles and now lives in Milan, Italy. She has had works published in Tilt-a-Whirl, Lighten Up Online, Prole, Yale Journal for Humanities in Medicine, Persimmon Tree, and others. She won the 2010 New England Shakespeare Festival Rubber Ducky Sonnet Contest and placed in the Poetry on the Lake Competition in 2012 and 2013, and the Hungry Hill Poetry Prize in 2012. Her chapbook, Out of Nowhere (White Violet Press), was published by Kelsay Books in 2013.

Friday, October 11, 2013

DAMASCUS GLASS

by Peleg Held



Photo: Twitter/@MajdArar

On Thursday Majd Arar, a Syrian Engineer, tweeted this photo taken by a group of activists in the neighborhood of Jobar in Damascus. Jobar, a strategically significant area that leads into the very center of the capital, is a rebel stronghold of sorts and one of the first places hit by chemical weapons on August 21. Heavy shelling and fighting followed. As you can see, Jobar is in the dark while regime-held neighborhoods closer to Syrian President Bashar al-Assad's seat of power are lit up. --Michael Kelley, Business Insider, Oct. 10, 2013


An October sea,
curled lip and foam,
teeth born and bared
to the watering gaze
of the afternoon.

The tide slurs its words
and sands grow cold
in the valley of so many footprints.

Something feeds
bodied, dark, too far away
to distinguish.
We gather our own
and taste the coming
winter in the back of our throats.

Through dregs of sky
where haze clots
to horizon, arm or eye
afloat upon lashed bulk
glints a mirror
but we look down, enthralled
by shadow's greatness
stretching across the emptying shore.

Tomorrow, we will wake,
East in expectation.
What there will shine?


Peleg Held lives in Portland, Maine with his partner and his dog Emitt. There is also the semi-feral cat, Smudge. And a kid or two. He writes poetry, does woodworking and lately, dreams of the summer.

Sunday, October 06, 2013

WARRIOR WORRIERS

by The Bangkok Bards 
Saknarin Chinayote & Charles Frederickson




If the horrendous losses sustained
During World Wars are not enough
What must be the price
Of arousing our ultimate awakening

Ten million killed twenty million
Wounded emotionally maimed for life
Poisonous gas epidemic creating bacteria
Uncivil secret courts unmanned drones

Pre-war normality means post-war depression
In wholesale murder bullyrag gamesmanship
What if huge wasted expenditures
Aimed for productivity not destruction

Crooked gerrymandering pandering partisan advantage
Scoring F in zigzagging Freakonomics
Disarmament on humane grounds focuses
Attention on rebuked No Nukes

Saving hungry noble caring gesture
Viewed economically it’s first-aid nursing
If enabled destitute produce wealth
There’s no reason for starvation

Changing smug attitudes requires re-envisioning
Relentlessly battling elements through science
Lightning wind air wave energy
While the Sun still shines


No Holds Bard Dr. Charles Frederickson and Mr. Saknarin Chinayote proudly present YouTube mini-movies @ YouTube – CharlesThai1 .

Monday, May 20, 2013

TORNADO ALLEY

by B.Z. Niditch




A funnel cloud
of warning
in the eye of a storm
presages high winds
over towns and villages
a mile over
these monster twisters
breaking us up
as a string of souls
become casualties
uncounted
trapped as in a war
under their homes
from a massive path
reported from the ground
in a few live pictures
wrapped in rain
from roofs
under cars
near now barren trees
of shelters
children salvaging
a few belongings
dolls, toys, firetrucks
from a leveled land
emerge as survivors.


B.Z. Niditch is a poet, playwright, fiction writer and teacher. His work is widely published in journals and magazines throughout the world, including Columbia: A Magazine of Poetry and Art, The Literary Review, Denver Quarterly, Hawaii Review, Le Guepard (France), Kadmos (France), Prism International, Jejune (Czech Republic), Leopold Bloom (Budapest), Antioch Review, and Prairie Schooner.  He lives in Brookline, Massachusetts.