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Showing posts with label tank. Show all posts
Showing posts with label tank. Show all posts

Tuesday, July 22, 2025

ABOVE A GRAY FIELD

by Fadel Kishko


Internet photo provided by the poet of the aftermath of the school bombing.


My dear, this is not a fictional story,
But one filled with gory.
It was the bleak November,
When death couldn’t be any nearer.
To stay away from bombing’s wrath,
We sheltered in a UNRWA school’s path.
A rocket, for us, caused damnation.
From this horror, there’s no salvation.
The sky turned into red—
From the blood of the dead.
Bodies from head to toe,
Torn, with nowhere to go.
Above a gray field, all is shattered,
And people’s faces deeply battered.
With blood mixed with dust,
They lie on the ground, unjust.
A brain on the wall is fastened,
Arms with legs on the tent dispersed.
In a prone, a little girl sat,
Prostrated is her father in her sight.
A head without a body—
That was what remained of her daddy.
With fixed, white, open eyes she’s gazing.
The true shape of humanity—fading.
From his head, blood is torrential.
“Nadal!” was bleeding from his skull.
Thrown aside, with his eye bulged,
With no one to treat him—he is another victim slaughtered.
A boy leaping to survive without a hinge,
Nowhere to hide, nowhere to dodge.
A shell hit Jihad’s belly, shredded his liver,
And no one is their savior.
 
“Oh God, my mother!” Abdullah screamed.
Among the bodies, we searched.
Amid them, my grandmother—with a shell in her knee.
I knew then there was nowhere to flee.
Holding her hand, I cried, “Thank God! Let’s run!
For here, we can’t anymore endure, or carry on.”
Faint was her voice: “I can’t. I am injured.”
“People are torn. Stand with me! Let’s flee!” Abdullah cried.
With her hands, she unveiled her garment.
Bloodied are her pants—we’re incapacitated.
On his shoulder, he held her.
A cart I found to move her.
In the middle, she was put.
With injured and martyrs, the cart is filled.
We tried to get her to the hospital’s gate,
But the tank rolled in—we couldn’t risk our fate.
The tank was approaching with a killing intent.
Its aim is to destroy wherever it went.
We withdrew, entered a house as a guest.
“A water, for you I plead,” that was my request.
Kind people they were—gave us what we need,
Touched us with their solicitude indeed.
Told us with fear, “In the school there is a succorer.”
Went to the school and stayed in the slaughter.
That night,
We slept in blood’s red light.
“Ow! Anyone! Come and rescue us!”
For they are amputated,
And on the ground devastated.
Above us, F-16s were roaring,
Quadcopters hovered, death adoring.
A tank appeared in the night’s pale glow,
An airstrike loomed below.
Jihad, from the shell, is screaming.
Nadal is bleeding and dying.
My grandmother is crippled.
Were you in my shoes—
What would you do?
 
Al-Fajr prayer we established.
“Martyr,” we wrote on Nadal’s chest.
Wrapped my grandmother’s knee,
In order to the south to flee.
To Nit-Salim we reached.
On the way, the dead are wrapped with red.
Burnt-out cars lined the street,
With blood’s scent rising from the driver’s seat.
Here are they.
Sitting over there.
He’s sitting over there—human like me.
The red blood that runs in his vein runs in mine.
Why does he have a weapon made to kill,
And my only right is to yell?
Armed with every weapon ever made,
Used against me—to fade.
Shrieking at a line of nearly a million,
To stop, and for the tank to move on.
Shouting while pouring his bullets,
Screaming, “Don’t worry!” after he kills.
Kidnapped—behind the tank, they are taken.
Shooting while jeeps inside are moving.
After I almost routed,
“All of you, move!” he shouted.
We reached “the safe zone.”
Again, the story was replicated.
This is not a story just ended,
But our daily life that is being repeated.


Author’s note: “Above a Gray Field” is a harrowing recollection of a fatal incident that forced me to flee south during this genocidal war—an experience I barely survived. I sought safety for myself and my family, only to realize that safety, like humanity, morality, and justice, can be illusions.
     The South of Gaza was labeled a “Safe Zone,” but the horrors I witnessed there—human organs scattered on the ground, relentless violence—continue to haunt me, even in sleep.
     This visceral poem rises from the ashes of the dead and bears witness to the injustice endured by Palestinian civilians. It reflects the daily reality where human life is undervalued, and death is treated as commonplace.
     More than a literary work, this poem is a cry, a memory, and a fragment of a violently torn life. It confronts the reader with urgent emotion and a desperate plea for humanity, exposing death as the cruel rhythm of an endless war—where victims are not only forgotten but neglected.
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I am Fadel Kishko, a 22-year-old writer from Gaza.

Monday, October 13, 2014

MURSITPINAR, NEAR SURUC, TURKEY

by Jude Cowan Montague



MURSITPINAR, TURKEY — Kurdish fighters have been able to halt the advance of the Islamic State extremist group in the Syrian border town of Kobani, where the U.S.-led coalition has been carrying out airstrikes for more than two weeks, activists said Sunday. In this Sunday, Oct. 12, 2014 file photo, a Turkish Kurd, standing in Mursitpinar, Turkey, on the Turkey-Syria border, watches smoke from fires caused by strikes during fighting between militants of the Islamic State group and Kurdish forces in Kobani, Syria. The predominantly Kurdish town of Kobani has been transformed from a dusty backwater into a symbol of resistance for Kurds around the world. The battle is now playing out in Kobani’s streets and alleyways - a fight being watched by scores of Syrian and Turkish Kurds, as well as dozens of journalists, through binoculars from hilltops and farms just across the border in Turkey. The international media spotlight, has helped turn the defense of Kobani into a very public test for the American-led international effort to roll back and ultimately destroy the Islamic State group. --Lefteris Pitarakis, AP, October 12, 2014



The tanks have left marks
where they crawled up the hill
to sit on the Kobani border.
No shadow.
Tank one wishes he was in the shade.
Tank two is trying to remember his name.
Tank three's mother is worried about him.
Tank four has lost his will to move.
They sit, smoke rising from the city in the valley.
Trees between the boxes are so tall and thin,
squeezing through, they point to the clouds.
White smoke like white hair
wafts up the concrete hillside.
What is happening in that house?
No one wants to go and see
this mysterious city.


Jude Cowan Montague is a writer, artist and composer who lives in London. She works as an archivist for Reuters Television. Her first collection of poetry, For the Messengers, was published by Donut Press in 2011. Her second, The Groodoyals of Terre Rouge, was published by Dark Windows Press in 2012. She makes musical improvisations on Reuters stories and these are available on the Parisian-based netlabel Three Legs Duck and other experimental works are available on the London-based netlabel Linear Obsessional.

Friday, May 30, 2014

DONETSK IN EASTERN UKRAINE

by Phyllis Wax



Ukraine's rebel movement was plunged into crisis on Thursday, when pro-Russian fighters backed by armoured personnel carriers seized the movement's headquarters in Donetsk and destroyed the barricades protecting it. The surprise move by a group called the Vostok Battalion, a heavily armed rebel unit that has been involved in fighting against the Ukrainian army, sparked speculation about an internal coup within the fractious rebel movement. There was also speculation that the move could have been an attempt by the leadership to purge undesirable elements with the Donetsk Peoples' Republic. Key rebel leaders, who were not in the building when the fighters arrived, insisted they were still in control and that they had even ordered the operation. "This is a police action directed against looters," a rebel source close to Alexander Borodai, the prime minister of the self-declared republic, said on Thursday afternoon. "There is no coup. Everything is under control." --Roland Oliphant in Donetsk, The Telegraph, May 29 2014


Not a tractor on this farm field
but a turreted tank,
a lumpy blue blanket and
close by a khaki tarp
sprouting a clenched hand
at one end.  All around
a new spring crop
is pushing through.


Phyllis Wax muses on the news and politics from a bluff overlooking Lake Michigan in Milwaukee, WI.  She's been widely published, recently in The Widows' Handbook:  Poetic Reflections on Grief and Survival from Kent State University Press.  When she's not writing you might find her escorting at a local women's clinic.