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Showing posts with label ISIS. Show all posts
Showing posts with label ISIS. Show all posts

Wednesday, October 16, 2019

SHAME

by George Held

Trump Provides Cover For the Kurds by Pia Guerra at The Nib
Full story by Jennifer Griffin and Melissa Leon at Fox News.


The last vestige of shame
our Special Forces feel
for abandoning the Kurds,
our ablest warrior allies,

is pure attar in the rose
of battle grown in the garden
of the temporary victory
over ISIS and their allies.

That rose has faded and died
on orders from our supreme leader
to betray and abandon
our loyal Kurdish brothers.

In future where can shame
bloom? Who now will share
the arid earth where Kurd
and Special Forces bled

Out their lives in hard-earned
mutual trust? The old words
—trust and shame and loyalty—
have wilted and died.


George Held, a longtime contributor to TheNewVerse.News, has a new poetry chapbook out, Second Sight (Poets Wear Prada, 2019).

Wednesday, January 31, 2018

SELF-REVELATION

found poetry by Diane Elayne Dees




I have the right temperament,
I try to learn from the past.
I thought being president
would be easier than my old life.
I'm an honest person, I thought
it would be easier. Bing bing,
bong bong, bing bing bing.

I have embraced crying mothers
who have lost their children
because our politicians put their personal
agendas before the national good.
I have a great relationship with the blacks;
I wouldn't mind a little bow.

Despite the constant negative press
covfefe, they don't know how to write good.
I know more about ISIS than the generals do;
why can't we use nuclear weapons?
I'm their worst nightmare, my fingers are long
and beautiful. Even if the world is going to hell
in a hand-basket, I won't lose a penny.
Who’s doing the raping?
Who's doing the raping?


Diane Elayne Dees’s poems have been published in many journals and anthologies. Diane, who lives in Louisiana, also publishes Women Who Serve, a blog that covers women’s professional tennis throughout the world.

Monday, July 31, 2017

FOR SOUHAYLA

by Vera Ignatowitsch 


Souhayla, one of the many Yazidi woman who were kidnapped by the Islamic State, outside the home of an uncle who wants her story to be told. Credit Alex Potter for The New York Times. You can listen to her story on “The Daily” podcast of The New York Times: After Mosul, Iraq, was liberated, two New York Times reporters encountered a group of women who had been enslaved by the Islamic State for years. Days after the city’s fall, they still believed that the militant group had taken over the world. Guests: Rukmini Callimachi, who covers terrorism and the Islamic State for The Times, and Andy Mills, a producer for “The Daily” who is in Iraq with her.


Hush child, it’s not time to tell
of the horrors you endured,
of the seven shades of hell
drowned in while your bones matured.
Do not ask. It took too long,
endless years to bring you back.
Flesh survived repeated wrong.
Lurking in the cul-de-sac
of your thighs a childhood waits
to be mourned with healing dirge.
Searing sorrow contemplates
crucial years lived on a verge,
stifling screams as each one mounts,
riding you in crude abuse.
Sleep now. One day we may count
wounds that do not bear excuse.

          You do not know. You were not there.
          It never stopped. They didn’t care.



Vera Ignatowitsch is addicted to poetry, raspberries, and occasionally good scotch. Her poems have appeared in 2 anthologies and a number of publications including The Lyric. She is editor of Formal & Rhyming poetry for Better Than Starbucks Poetry Magazine.

Friday, April 07, 2017

ISIL OR ISIS OR ISLAMIC STATE

by Patsy Asuncion


Image source: Aljazeera


One can be a brother only in something.
Where there is no tie that binds men,
men are not united but merely lined up.
-Antoine de Saint-Exupery 


no matter the tag, they’re Sunnis who hate  
Shiites who dominate the Iraqi state
since Hussein departed in ‘03
"helped" by US-defined democracy.

Concerns from Mid-East neighbors,
resistance a flop since US departure –
weapons seized from fleeing soldiers,
relics smashed in the promised land
oil fields reclaimed in beat-up Iran.

ISIS eyes Syria since Assad is Alawite,
a heretic because of his ties to Shiites.
Syrian Sunnis fight to oust him
with money from Saudi Arabia, Jordan,
Emirates, Egypt, even Bahrain.

Assad fights back with his mob of brothers,
Hezbollah – holy Shiite terrorists and others.
Yes, Lebanon’s faithful kill one Sunni, another.
Then Shiite Iran’s top weapons are given
for Iraq is seen as birthplace of religion.

Are you getting this straight? Do I need to conjugate?
And what’s official position of the United States?
Obama, now Trump, decries weapons of mass destruction
(seems we’ve heard this in yet another’s election).
He wants no nukes and stable oil production,

no threats to Jews or Christians with destruction
despite Republicans heating Israeli relations.
Netanyahu came to curse nuke negotiations
with Iran, much to Obama’s aggravation.
Is fight in our nation like Islamic coalitions?

Weighing terrorist bloodshed of innocents,
what can be done to prevent more incidents?
Seeing more inter-Muslim murders a day,
should we let Allah sort it out his way
as Palin retorted, and stay out of the fray?


Patsy Asuncion’s 2016 debut poetry collection Cut on the Bias depicts her world from the slant of a bi-racial child raised by an immigrant father and WWII vet. Indiana University’s Spirit this spring, The New York Times, Prevention Magazine, vox poetica, Cutthroat Journal, Snapdragon, Loyola’s The Truth About the Fact, Reckless Writing and others feature Patsy’s writings. The only local female emcee, Patsy promotes diversity through her open mic (6900+ YouTube views) and local initiatives, e.g., Women of Color, International Mother Language Day and International Women’s Day events.

Saturday, March 11, 2017

EXAMPLE

by Salvador Díaz Mirón 
from his 1901 collection Lascas [Stone Chippings]; 
translation by Julie Steiner


Iraqi children giggle at the body of a half-buried Islamic State militant while talking to an Iraqi soldier in the al-Barid district in Mosul, Iraq. Photo: AP via Metro, December 19, 2016.



The flyblown corpses of Islamic State militants have been rotting along a main street in north Mosul for two weeks, a health risk for passersby.  . . . Islamic State has executed thousands of Iraqi soldiers and policemen, and their comrades are eager for revenge. "We leave them in the street like that so the dogs eat them," said soldier Asaad Hussein. "We also want the citizens to know there is a price for supporting terrorists.". . . A few streets away, a group of young boys walked towards three more Islamic State corpses. "The bodies should stay. Daesh killed lots of people so why should they be buried," said Salem Jamil, 13, . . . but a man who approached said the bodies should be buried because that is everyone's right. —“Iraqi forces wage psychological war with jihadist corpses” Reuters, February 6, 2017


Brandished from a tree-branch, the cadaver was decaying
as if it were a gruesome fruit still dangling from its stalk:
a testament to judgment whose absurdity would shock;
a pendulum intruding on the roadway with its swaying.

The nudity’s indecency, the stuck-out tongue displaying,
and hair that formed a jester’s coxcomb, lock by upright lock,
gave him a buffoonish look; and where my horse should walk,
a group of ragged children mocked, derisive laughter braying.

And the melancholy carcass, with its head inclined to yaw—
abominable, bloated, on a gibbet leafy-green—
spread odors on the breeze (which was a wind, in fact, and raw)

as it rocked with swings like censer-passes, solemn and serene.
And the sun went on ascending through a blue without a flaw,
and the landscape was idyllic, a Tibullus-lyric scene.


EJEMPLO
por Salvador Díaz Mirón (de su colección Lascas, 1901).


En la rama el expuesto cadáver se pudría,
como un horrible fruto colgante junto al tallo,
rindiendo testimonio de inverosímil fallo
y con ritmo de péndola oscilando en la vía.

La desnudez impúdica, la lengua que salía
y alto mechón en forma de una cresta de gallo,
dábanle aspecto bufo; y al pie de mi caballo
un grupo de arrapiezos holgábase y reía.

Y el fúnebre despojo, con la cabeza gacha,
escandaloso y tumido en el verde patíbulo
desparramaba hedores en brisa como racha,

mecido con solemnes compases de Turíbulo.
Y el sol iba en ascenso por un azul sin tacha,
y el campo era figura de una canción de Tíbulo.


Salvador Díaz Mirón (1853-1928) was a Mexican poet from Veracruz. Julie Steiner (1968- ) is a translator in San Diego, California.

Friday, January 20, 2017

POEM FOR THE INAUGURATION

by Jon Wesick




I hope I’m wrong,
so wrong my name becomes slang
for a tragic blunder
as in, “Custer sure pulled a Wesick
at the Little Bighorn!”

I hope jobs return to the rust belt
and displaced workers
will now buy gold-plated mansions
and endow professorships at Harvard.
I hope the new president’s tweets
scare the beards off ISIS
and that from now on all terrorists
will come with big letter T’s
tattooed on their foreheads.

I hope greenhouse gasses
bring back the black rhino
and mountain gorilla.
I hope the free market
lowers the cost of heart transplants
and cancer treatment to $1.95.

I hope doctors determine cake and ice cream
make the most nutritious breakfast
and that playing video games
burns more calories than running.
I hope high school students don’t need algebra
for high-tech careers and that cheerleaders
want to sleep with guys who can’t dance.
I hope I really can earn $100,000
by working 3 hours a week from home.
I hope our new president
rekindles the American dream.


Jon Wesick hosts Southern California’s best ice cream parlor poetry reading and is a regional editor of the San Diego Poetry Annual. He’s published hundreds of poems and stories in journals such as the Atlanta Review, Berkeley Fiction Review, Metal Scratches, Pearl, Slipstream, Space and Time, Tales of the Talisman, and Zahir. The editors of Knot Magazine nominated his story “The Visitor” for a Pushcart Prize. His poem “Meditation Instruction” won the Editor’s Choice Award in the 2016 Spirit First Contest. Another poem “Bread and Circuses” won second place in the 2007 African American Writers and Artists Contest. Jon is the author of the poetry collection Words of Power, Dances of Freedom as well as several novels.

Monday, December 19, 2016

FLEEING MOSUL

by Seree Zohar


Between 700 and 1,000 people arrive daily from the embattled city of Mosul to the stretch of UN-run refugee camps just 20 kilometers east of the city's outskirts. —CNN, December 18, 2016. Photo: Iraqi IDPs (internally displaced people ) from fighting in the village of Shora, south of Mosul, reach an Iraqi army checkpoint on the northern outskirts of Qayyarah, which was liberated from ISIS but is still engulfed in thick black smoke from oil wells set ablaze by the retreating militants. IDP’s who reach Qayyarah are then taken to the Ja’dah IDP camp, October 2016. Ivor Prickett—UNHCR via Time.


Homing pigeon launched through dawn, your rhythm alights on me,
fingers, gloats, dehisces: prayer, your cadence chooses me.

White flag?  We hadn't time to buy one.  And nothing here stays white.
Brethren!  We are light!  Scourges thunder news to me.

Amorphous tented Mama,  my weary footsteps echo yours.
Did I once beg for makeup?  To age so young no more amuses me.

On red-moist stone the thrashing dove’s heart seeks its startled head
as the moon shatters her mirror.  A hone-edged screeching nooses me.

In gasps accursed by memory, sounds palpitate, untongued.
Sheared of speech, my youngster throat: its grunted coo accuses me.

They thrill to this: to snatch and strip, recast their prophet’s land
where, slim as a rising blade, a martyr grooms, then bruises, me.

Mama, snatch up your hem and run, for torpor now diffuses me.
My spilling psyche frays.  My throwaway martyr loses me.


Seree Zohar has work published or forthcoming in various print and online venues.

Thursday, October 20, 2016

MOSUL




John Guzlowski's writing has appeared in Rattle, North American Review, Ontario Review, Nimrod, Salon.com, and many other journals and reviews.  Garrison Keillor read his poem "What My Father Believed" on The Writers Almanac. Guzlowski's 5th book of poems Echoes of Tattered Tongues was a highlighted book in this year's Publishers Weekly Poetry Month issue. 

Tuesday, July 19, 2016

CONSPIRACY THEORETICAL WITCH HUNTS

by Richard Hacken 


Image source: Unload and Unwind


            Hillary, it has been shown, created ISIS.
            Everything we know shows how that terror crisis
            Came from Clinton’s wicked wish to sacrifice us.
                        It’s not a conspiracy theory
                        If it happened (really)!

            In Libya she only made things worse, because she
            Purposefully waited to send in the posse
            At the embassy when needed in Benghazi.
                        It’s not a conspiracy theory
                        If it happened (really)!

            Email servers were her tools of choice for treason
            As she lured and let the spies of the Chinese in,
            Laughing as she lied about her sordid reason.
                        It’s not a conspiracy theory
                        If it happened (really)!
         
            Shocking to our sensibilities as humans,
            Hillary dropped bombs less ethical than Truman’s,
            Pimping out her husband to young female students.
                        It’s not a conspiracy theory
                        If it happened (really)!

            Hillary remains untouched by House committees
            Searching hard to bring her down by her Achilles,
            While bribes she paid stack up in banks in offshore cities.
                        It’s not a conspiracy theory
                        If it happened (really)!


Richard Hacken enjoys trochaic political satire.  While slightly amused by conspiracy theories and witch hunts, he hates to see them linked to each other. 

Friday, May 13, 2016

TO EAT AND LEAVE THE NIGHT AN EMPTY PLATE

by Alejandro Escudé


A Donald Trump mural painted by street artist Hanksy on Orchard St. between Canal and Division Sts. on the Lower East Side. —NY Daily News Photo by SHAWN INGLIMA


In the blonde hair-skunk, in the barbershop of the mind
where the scissors raise hairs and pat them down
to demand what one wants not needs, the patience of a lion,
ingenuity of a roach, America with a Trump at its head,
the roach motel of the world, on his knees, a nice picture…
what he said to the young woman on t.v.,
a working class woman, it’s a nice picture, you
on your knees. Walled off in the mind, the soul
a mountain range of rage and nowhere to go but
to the streets where a young man bears the likeness
of North America on his bloodied face.
Do we recall the ISIS terrorist in his jeep
happy to drag five corpses? Five corpses
hanging from the moon, five corpses loaded like bullets
into the chamber of a gun, you fire-walker, you brandist,
you woman-basher, you human torture chamber,
you radioactive toad, you lacquered manipulator,
you burnt toast anachronism, you oversexed missile,
you Roman fop, you Towers burning, one man leaps
from a window of the World Trade, martyr man,
L-man, J-woman, moon feces in the shape of Trump,
in the shape of Mar-a-Lago, in the shape of Chris Christie,
piles in the cemetery where Lorca’s body lies forever
falling, never forgetting the artists’ Golgotha
in the rainstorm of human history where Trump’s foot soldiers
come to take Federico away at dawn as the rooster crows
as the apostle drowns his only son as George Washington
steps on the muddy bank as Hamilton takes aim at Burr
as Burr is borne again as the harrowing present grows wings
as the Star-Spangled Banner itself sings as the baseball field
turns to boner flowers or red licorice for wealthy trophy wives
as the hives of the rich enlarge as the states pronounce
themselves more significant than the next. Who comes
in the name of business rats? Who’s driven in Picasso
limousines? Who comes in chariots of designer
water bottles? Who comes in light-clouds Wall Street?
Who comes wagging an Arizona finger? Who comes
riding a marble horse? To eat and leave the night
an empty plate for children to weep, for the landlord
to tie our wrists down in the apex of our city streets
where the thief is arrested, shouting in stressed vowels,
as the helicopter shakes our house out of its safe slumber
and into another broken eight years of politicos and bankers,
eight years of sourceless regrets, eight years of teachers
blamed like communists, eight years of flogging
middlemen, eight years of clown-hog campaigns,
eight years of pornographic magazine covers, eight years
of cigars and neon caviar, eight years of swimming in pools
full of sheep semen. We, it began, we, it finishes, we.


Alejandro Escudé published his first full-length collection of poems, My Earthbound Eye, in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Friday, April 08, 2016

IN THE LAND OF THE STUCK

by James M. Croteau


Poke London's website Global Rich List allows individuals to compare their wealth with the rest of world. Their hope is that seeing privilege will inspire those with wealth to share more of it.


I glance up to the fifty-inch screen, Brussels, the bombings,
pictures of three men with carts in the airport. While CNN
ticks ISIS #2 killed in U.S. operation, then Cruz blames Trump

for tabloid story. I can't tell what that’s about, Cruz's head is now
talking but the TV's muted for the theme to Dawson’s Creek. How American
this song, Dunkin' Donuts, me, my laptop screen split between Word and

Facebook, my table with coffee and muffin. There's a new post on
my home feed with a word too frequent among friends as I age:
metastasized, before I can think I click like. That's not right. No bombs

are bursting in my middle class air, and my news ticker's streaming that
my yard needs a mow, my dog's shots are now due, and in Track Changes
21 comments still need my attention. My life's full of small needs--this

I can see. The music seems mocking: I don’t want to wait for our lives
to be over. Am I waiting? I can see what I've got, there's a website
for that-- entered $60,000 a year, didn't add benefits or assets, and still

only one tenth of a percent of the world is wealthier than me. Then I pretend
my life as I know it will last, but twilight's last gleaming's becoming hard
to ignore. O'er my ramparts, I see folks missing-- mom, dad, a whole generation,

a cousin, three friends. My fingers password Caring Bridge faster than
Facebook. I sigh and glance down to my edits, my muffin, my coffee.


James M. Croteau lives in Kalamazoo, Michigan with his partner of 31 years, Darryl, and their two Labrador retrievers. Jim grew up gay and Catholic in the U.S. south in the 60’s and 70’s and his writing often reflects that experience. His poems have appeared in TheNewVerse.News, Right Hand Pointing, Queer South: LGBTQ Writers on the American South and Assaracus: A Journal of Gay Poetry among others. His first chapbook will be published by Redbird Chapbooks in 2016.

Thursday, March 31, 2016

A VIEW OF ISIS’S EVOLUTION IN NEW DETAILS OF PARIS ATTACKS

by Mary Leonard


A VIEW OF ISIS’S EVOLUTION IN NEW DETAILS OF PARIS ATTACKS. A wounded man was evacuated at the Bataclan concert hall during the Paris attacks in November. Investigators hope the arrest of Salah Abdeslam will shed new light on the assaults. Photo credit: Yoan Valat/European Pressphoto Agency via NY Times, March 19, 2016

                         While reading the Sunday Times on my daughter's birthday


"He turned and looked at the people,  and with a
 smirk, apologized and blew himself up."

It matters that you notice the bulky layers,
the anorak with fur collar on a warm night.

It matters that you go through security, open
your backpack, the trunk of your car, be

Frisked, attention, TATP, bombs, answer personal questions.
I'll tell you this: notice him, her, everyone

Alone. Do you understand? That one.
Attention must be paid. This one.

"TATP bombs require real training,
a skilled bomb maker," A Start Up

Bomb Factory? something for your
Silicon Valley entrepreneurs?

It matters that you notice, the absence
No phone, the blank stare, nothing

"Forget small scale attacks," a senior
ISIS said, "hit everyone and everything."

You must pay attention. Your life matters.
Your child matters. Her school matters.

Be wary of men in tracksuits with logos
of nearby teams. Be wary what their

Hats say.  Notice if they look so calm
they'd accept ball bearings inside their flesh

Listen to me, this is your mother
speaking. The world is not

safe. The world is not
an oyster here for the taking.

Forget the sound of waves,
the smell of salt, all the sweet flowers

Where? Long time asking . . . 
And I will ask, Where have they gone.


Mary Leonard has published chapbooks at 2River, Pudding House, Antrim House Press, and RedOchreLit. Her poetry has appeared in The Naugatuck Review, Hubbub, Cloudbank, The Chronogram, Blotterature and most recently in Red River, Ilya's Honey, and A Rat's Ass. She lives in an old school house overlooking the Rondout Creek in Kingston, NY.  Away from her own personal blackboard, she teaches writing workshops for all ages through the Institute for Writing and Thinking at Bard College

Saturday, March 26, 2016

SYRIAN LANDSCAPE

by Michael Shorb



Image source: Raqqa Is Being Slaughtered Silently, a campaign launched by a group of non-violent activists in Raqqa to expose the atrocities committed by the regime of Bashar Al-Assad and by the terrorist extremist group ISIS toward the civilian populations if the city.


The dictator’s weak chin
juts from a billboard as
the beady eyes dare
anyone to smirk or throw
rocks and a town
bakes under a silent sun

a tank rumbles on noisy metal treads
past a solitary leaning palm,
scattered bodies thrown
down on desert sand,
washed to the side of city
sidewalks

when the father
punishing his children
goes insane
the sounds
can be heard
for miles.


Michael Shorb was a poet, fiction writer, editor, and children's book author. As an international poet, his poetry has been published in more than 100 magazines and anthologies, including TheNewVerse.News, Michigan Quarterly, The Nation, The Sun, Salzburg Poetry Review, and Kyoto Journal. He was the recipient of a PEN AWARD, won a Merit Award for the Franklin-Christoph Poetry Contest, and was nominated for a Pushcart Prize. He lived in and loved San Francisco. Michael succumbed to GIST, a rare form of cancer in 2012.

TELESCOPE AND NIGHT ORNAMENTS

by Debasis Mukhopadhyay


Image from “Museum of War Syria” by Tammam Azzam at Foreign Policy, April 29, 1913.


      Through the trap door of the night sky the telescope brings you the debris of million suns shimmering on a canvas you liked all along
      The bright night of Van Gogh crawling into your eyes makes you forget that the bone color priming can also be grown into a moonlit canvas
      Like History
      Everything in the underpainting is meant to be painted over
      The manna of bombs that astound the bodies with brightness
      And the bodies that gather in the pit waiting to grow wings of no consequence
      Yes but everything in the dead coloring is intended to be painted over
      To swallow such brightness in your canvas you can paint the clouds that glint ringing my brother's skull
      Into an hourglass that swells lolling on my mother's chest
      There is no blood between her breasts doves just coo and sugar ants lick all witness
      She pauses to dream
      The dreams that look into the muddy darkness beneath your feet for ornaments of tomorrows or yesterdays


Debasis Mukhopadhyay lives & writes in Montreal. Recent poems have appeared in The Curly Mind, Yellow Chair Review, Thirteen Myna Birds, Of/With, I am not a silent poet, The New Verse News, With Painted Words, Silver Birch Press, Foliate Oak, The Bitchin’ Kitsch, Snapping Twig, Eunoia Review, Revolution John, and Down in the Dirt.

Wednesday, December 02, 2015

I AM FROM A TURBULENT WORLD

by Elizabeth S. Wolf




I am from Paris.
I am drinking café,
watching football, screaming
along with the band.
I am from Beirut, being
bombed for what I am not.
I am from Jerusalem, being
stabbed for who I am
and who I love.
I am from Abu Ghraib
and some callow American youth
has me down on all fours, wearing
a leash for a dog.
I am back from Iraq
home in Colorado Springs
gunned down at
Planned Parenthood.
I am from Bangladesh, being
hacked by an axe for blogging a story.
I am a young man from New Hampshire
beheaded for trying to understand
the story to tell.
I am from San Bernadino and I go to
a special school where today
we were having a party when
the bad men burst in.
I am from Sandy Hook Elementary School.
I am from kindergarten, learning
the belly of a ‘b’ goes this way
and the belly of a ‘d’ goes that way
and bullets go everywhere.
I am from Syria but I am
running for my life and if I
do not die along the way,
I don’t know where I will arrive.
I am the truth, fractured into
thousands of brilliant faceted carats.
I am the glare so bright that one
sliver of truth is blind to
all of the others.

I am from Paris. I am
the unnamed young man towing
a piano, by bicycle, so that I can play
John Lennon’s “Imagine”
in front of the Bataclan Theater.
I am the hope that someday you will join us
and the world will live as one.


Elizabeth S. Wolf has previously published poems in local anthologies (Merrimac Mic: Gleanings from the First Year; 30 Poems in November 2014; Amherst Storybook Project). She lives in MA and maintains a day job as a Technical Metadata Librarian.

DESIGN

by Gil Hoy



Climate change demonstrations are expected to take place worldwide in the lead up to the Paris summit [File: AP via ALJAZEERA]



In third grade, I often trekked to my best friend's home
up the street, a backpack of books
strapped to my small back.

We flipped through pages and pages then,
in a quiet little study in a corner of his red brick house.
The glow from the fireplace flames
illuminated the russet wood on cold winter days---
like a solemn Friends meeting house.

My friend’s mother sometimes would set out
milk and cookies for us to eat.

They looked like planets of dirt and black rocks
circling two white stars.  She was always so kind
and so warm. The earth is a sky blue marble
with white swirls from the vantage point

of the sterile rock of the white moon,
so pretty and elegant.

The better the book, the more you didn’t
want it to end.  You start with chapter one.

If there were twenty, by the time you got to ten or so,
you were tormented by the prospect of finishing.
And the pages went by so fast then, like a speeding bus
you run after but miss, and you knew that the end
was coming, like the last bite of a favorite meal.

It occurred to me on one of those quiet
unspeaking afternoons that my death
was much like my book, and that I was on chapter four.

I wasn’t deeply troubled because there was still
so far to go. But the words and the pages
seemed different then, each page a whole day nearer,
as what remained of the unread pages
grew thinner and thinner.

Today, I am sixty years old. My angst is different now.
I read about ISIS and Paris murders, Trump’s fantasies,
Ben Carson's portrayal of his younger years, and Rubio’s
foreign policy. I listen to a grayer noble black President
talk about protecting the homeland, gun control, climate change
and medical care for the poor.

I hear grievous political candidates say
what they think you want to hear because
it’s politically expedient, rather than do the country’s business.

You grow tired of hearing grown men lie,
and you come to doubt our institutions and the law---
no polish will remove that stain.

I wonder now if the world can survive its woes
and whether the grandchildren of my grandchildren
will even get here. Perhaps nuclear war

with just too many missiles and countries involved
for the world ever to recover, or a pretty colorful solar storm
much more powerful than the one in 1859.

Maybe global warming, disobedient armies
of self-preserving computers, or runaway asteroids
exploding oceans, like ruinous bombs raining down
on villages of the weak. I worry that the world

is like my old third grade book, now more worn
but still true, and I have no idea what chapter
the world may be on.

What does it mean that the Milky Way
is just one of billions of galaxies?  What immortal blacksmith
or powerful imagination created infinite space?

Is the universe dying? Can we read its obituary in the stars?
Given the big bang, like an explosion of planets
from the head of a ruderal species,
futures of finite and infinite duration are both possible
depending upon physical properties and the expansion rate.

Some scientists say that the universe is flat like a silver dollar
and will expand forever, contingent on its shape
and the role dark energy plays as the universe ages.

Otherwise, the big rip tears the earth away,
like a murderous albino spider on a white flower carrying away a dead moth,
or a lion’s fearsome symmetry in a death spiral with a spent zebra.

The ephemeral perfection of goldilocks planet has always been
that it is not too hot and not too cold, with just
the right amount of water.

When I got to my friend’s home on that rainy afternoon,
I learned that his mother had died that morning.

The house was so cold and so dark. I didn’t know what to do.
But I knew there was no time to waste.

Had she played a part in stopping her heart from beating at such
an early age?  How many oceans and mountains had she never seen?
And in what directions? What had I to do with being at her red brick house,
at that time and on that day? I didn’t know.

But I filled up my backpack and started the long trudge
back home.  For I knew there was no time to waste.


Gil Hoy is a Boston trial lawyer, writer and poet. He studied poetry at Boston University, while receiving a BA in Philosophy and Political Science. Gil received an MA in Government from Georgetown University and a JD from the University of Virginia School of Law. He served as a Brookline, Massachusetts Selectman for four terms. His poetry has appeared most recently in Third Wednesday, The Write Room, The Eclectic Muse, Clark Street Review and TheNewVerse.News.

Sunday, November 15, 2015

RECOMBINATION

Editor's Note: We are pleased to repost this poem, originally published in TheNewVerse.News on Saturday, August 15, 2015. It is one of our 2015 Pushcart Prize nominees.


RECOMBINATION
by Jim Bartruff



Image source: Collateral Damage



1.

Spurred by the aroma of wheat and lamb,
we had been starving the last hundred miles,
we lathered the horses over steppe and stone,
and before the body of our force had forded
the clearest rivulet we had crossed in a year,
a bustle of water circuiting their gate,
we dammed it with the limbs of the boys
they pushed out to be sacrificed, and delay.
Only the backward ship their decrepitude
into the hills to hide, let strong men die,
and leave their women to hold back the horde.
The white, the broken hairs black shawls tear
from their heads in a show of grieving and pain,
their village merely a smudge of charnel and ruin,
would never amount to half a hand of cordage,
not nearly enough to stake a calf to the grass.
We are feared but we are not amoral.
We killed the idiots as weak for refusing
to rape the children of the unbelievers,
and also the one who stormed the palisade
to get at the girl the king had set aside.
Tomorrow, when we mount and are gone,
the ancients skulking back will have a shame
to eat and little else, though once they awaken,
they'll see we have diluted their waste away,
have given them a purpose to pierce their ache.
By spring next year the rivulet will clear,
and if their golden roof thatch is erased,
there will be babies with other eyes than blue,
eyes with folds across their lids, and slants
of mind the likes of which they've never abided.
They'll know, just as we ascertained the mothers knew,
prying their tears apart to watch our teeth.

2.

If I wasn't so young I wouldn't have fought;
because I fought them I was easy to find.
They smell as rank as elk must smeared on fur.
Only the first of them hurt, and their things were shriveled
compared to what I have seen attached to my brothers,
little vicious men with little things.
Eventually lazy and less insistent, they have let
me to the well on guard to wash them out.
I thought to jump but even drunk they held me
to have me later. Aunt they killed for complaining
but they needn't have, and mother's somewhere.
It is sister they have strapped in the cage.
If she fights, the king will call it a sign.
If she screams, she'll be eliminated.
Kings use any excuse they can to keep
their weakling and their swords within their sway,
and brothers long ago taught what works best.
I hope my sister can intuit His need.
I hope she chooses to survive and escapes,
and one day straggles through the wilderness
to what was home. The men are half-asleep.
Once their wine digests, we'll have a night,
and they will force me to watch their shudders and shakes.
But there are others who'll remember this.
From the lintel, like a hollyhock,
Father's head swivels on a silken knot.


Jim Bartruff's work has appeared in Canto, Westwind, Barney, Marilyn, Drastic Measures.  He is a past winner of the William Carlos Williams and Academy of American Poets prizes.  A third-generation native of Los Angeles, he was previously a print journalist and screenwriter, now living in Portland, Oregon.

Friday, August 21, 2015

KHALED AL-ASSAD

by W.F. Lantry



Photo: Khaled al-Asaad in 2002. Marc DEVILLE / Gamma-Rapho via Getty Images via NBC News



Small birds, protected, flutter ceaselessly
in trees behind our house. Even the deer
serenely ravage gardens as they feed,
browsing their peaceful way from yard to yard.
Kingdom of thunderstorm and thistleseed,
each day leads to another without fear:
no rifle shots resound from our far shore.

But somewhere in a desert there were more
unjustified mortalities today.
Each life’s worth every other, but one man,
devoted, spent his days among the scarred
Palmyran ruins. He opposed a plan
to steal every relic, would not say
where what he’d found was hidden. After prayer

they hung his body in the central square.
As warning? Advertisement? To recruit
new followers? I hesitate to guess.
That mountainside is littered with the charred
relics of warfare: columns, motionless,
have seen such things for centuries, the fruit
of ruthless battles pursued endlessly.


W.F. Lantry’s poetry collections are The Structure of Desire (Little Red Tree 2012), winner of a 2013 Nautilus Award in Poetry, The Language of Birds (Finishing Line 2011), and a forthcoming collection The Book of Maps. Honors include the National Hackney Literary Award in Poetry, CutBank Patricia Goedicke Prize, Crucible Editors' Poetry Prize, Lindberg Foundation International Poetry for Peace Prize (Israel), and the Potomac Review and LaNelle Daniel Prizes. His work has appeared in Asian Cha, Gulf Coast and Valparaiso Poetry Review. He currently works in Washington, DC and is an associate fiction editor at JMWW.

Saturday, August 15, 2015

RECOMBINATION

by Jim Bartruff



Image source: Collateral Damage



1.

Spurred by the aroma of wheat and lamb,
we had been starving the last hundred miles,
we lathered the horses over steppe and stone,
and before the body of our force had forded
the clearest rivulet we had crossed in a year,
a bustle of water circuiting their gate,
we dammed it with the limbs of the boys
they pushed out to be sacrificed, and delay.
Only the backward ship their decrepitude
into the hills to hide, let strong men die,
and leave their women to hold back the horde.
The white, the broken hairs black shawls tear
from their heads in a show of grieving and pain,
their village merely a smudge of charnel and ruin,
would never amount to half a hand of cordage,
not nearly enough to stake a calf to the grass.
We are feared but we are not amoral.
We killed the idiots as weak for refusing
to rape the children of the unbelievers,
and also the one who stormed the palisade
to get at the girl the king had set aside.
Tomorrow, when we mount and are gone,
the ancients skulking back will have a shame
to eat and little else, though once they awaken,
they'll see we have diluted their waste away,
have given them a purpose to pierce their ache.
By spring next year the rivulet will clear,
and if their golden roof thatch is erased,
there will be babies with other eyes than blue,
eyes with folds across their lids, and slants
of mind the likes of which they've never abided.
They'll know, just as we ascertained the mothers knew,
prying their tears apart to watch our teeth.

2.

If I wasn't so young I wouldn't have fought;
because I fought them I was easy to find.
They smell as rank as elk must smeared on fur.
Only the first of them hurt, and their things were shriveled
compared to what I have seen attached to my brothers,
little vicious men with little things.
Eventually lazy and less insistent, they have let
me to the well on guard to wash them out.
I thought to jump but even drunk they held me
to have me later. Aunt they killed for complaining
but they needn't have, and mother's somewhere.
It is sister they have strapped in the cage.
If she fights, the king will call it a sign.
If she screams, she'll be eliminated.
Kings use any excuse they can to keep
their weakling and their swords within their sway,
and brothers long ago taught what works best.
I hope my sister can intuit His need.
I hope she chooses to survive and escapes,
and one day straggles through the wilderness
to what was home. The men are half-asleep.
Once their wine digests, we'll have a night,
and they will force me to watch their shudders and shakes.
But there are others who'll remember this.
From the lintel, like a hollyhock,
Father's head swivels on a silken knot.


Jim Bartruff's work has appeared in Canto, Westwind, Barney, Marilyn, Drastic Measures.  He is a past winner of the William Carlos Williams and Academy of American Poets prizes.  A third-generation native of Los Angeles, he was previously a print journalist and screenwriter, now living in Portland, Oregon.

Wednesday, June 17, 2015

NO BOOTS

by Marilyn Peretti


Source: Danziger Cartoons


No boots on the ground—
peacetime nomenclature.
Now 450 more troops
will take their vacation
in Iraq—
just training the natives.

You Sunnis and Shias,
hundreds of years
is a long time to hate,
to hide behind your battling
perceptions of the Caliphate.

Now the ISIS crisis
threatens you all!
Well armed and clever
this monster will decide
if you let it, the reigning
Cyber Caliphate to beat
all Caliphates.

But who needs
more friendly fire,
collateral damage, drones
playing in the sky,
spying to target the enemy,
the single leader of a group
in the headquarters,
the family home, where
children dreamily count
their fingers and toes,
and sing.


Marilyn Peretti lives in Glen Ellyn, Illinois. She has been published on The New Verse News, Christian Science Monitor, Journal of Modern Poetry, Talking River, and others. She has published several books on blurb.com . She takes interest in international politics, the conflict, the violence, losses and sadness.