THE POPE IS WEAK ON RHYME

by Michele Worthington

Phonics 1 for Young Catholics

maybe not when he writes in Italian

but when he says to Chicago and New York

“I have no fear I will continue to speak out loudly

 promoting dialogue ​and ⁠multilateral relationships

 among the states to look for just solutions to problems"

even line breaks do not help.

 

There is no meter, no music, 

no molecules of pleasure

just temptation to take

bread and wine

from churches 

cake and champagne

from tiny yachts.

 

Jesus rhymes with GPS,

but Christ,

that is hard

to slide into a rebuke.

 

Still, when on the papal plane

to Istanbul and Beirut

flying above stolen paradise

above lake shores sacrificed      

Leo says

Too many people are suffering

Too many people are suffering

I do believe he

sees us.

Michele Worthington lives enclosed in urban sprawl in Tucson but escapes to hike the Sonoran desert often and the Adirondacks every summer. Her photography and words have appeared in several online journals and in print in Sandcutters, Anomaly Poetry, and Nature of our Times anthology. She has been a finalist for Arizona Matsuri, Tucson Haiku Hike and Tucson Festival of Books literary awards.

THE 7TH DAY

by Adam J. Scarborough

The day

misplaces the sun.
Somewhere
a sky still burns blue
but not here.
Here—
a black noon.

The maps keep shedding people.
Five hundred thousand
coats and shoes—missing from their hallways;
names folded into cars, trucks, 
onto motorcycles and buses,
heading north from Lebanon.
 
A child carries a key
to a pile of ash.
—
Missiles write their brief alphabets
over Abu Dhabi—
two hundred thirty-eight
steel sentences
falling through prayer. 
Most of them
erased mid-air.
Even the sky now
has editors.
—
Control of the air,
they say.
The sky is a throat
they have learned
to close.
Jets move there
like indifferent saints.
—
Smoke remembers the night.
Tehran wakes
with black in its mouth.
Balconies gather soot
like winter birds.
Cars wear the same dark coat.
The street
a long finger,
dragged through ash.
—
Oil depots
burn through the hours
when sleep should hold the city.
Ten million lungs
turn quietly
in their beds.
Above them
the sky writes in smoke—
language without vowels.
—
Morning arrives
as rain.
Not mercy.
A rain that stings the eyes,
touches the throat
with a thin metal hand.
Acid falling softly
on bread
on figs left in bowls
on the open skin
of the city.
—
The doctors speak
from distant rooms.
Particles,
they say.
Invisible dust
entering the small, naked doors of the body.
Asthma remembers.
The heart
tightens its fist.
Even the air
now carries
a slow instruction.
—
Do not open the window.
Do not turn the fan.
Cover the food.
Wait.
As if waiting
could rinse the sky.
—
A special relationship
spits across red neckties 
tied like telephone wires,
fizzing with foreign cries.
 
Night keeps arriving early.
Lebanon counts its dead
in the hundreds—
three hundred ninety-four
and still the number
breathes.  
 
Dust enters the lungs
of the city.
Beirut
a broken bell.
—
Elsewhere the world practices
this same dark grammar:
Sudan
South Sudan
Ukraine—
where the ground
remembers fire
longer than people do.
—
And somewhere a man
with a borrowed crown
waits in a golden room
for the door
to open.
 
Another country
dragged forward
by the nose of a name.
—
Still
someone lights a stove.
Someone boils water.
 
Someone somewhere
opens a window
to see
 
if the sun
has been returned.

Adam J. Scarborough is a Scottish writer and social practice artist based in Minnesota. His work has been presented across Europe and New York. His poetry has appeared in Gutter Magazine.

ANGELS OF DEATH

a previously unpublished poem written in 1982

by Mitchel Cohen

Veterans warn of echoes from 1982 Lebanon war as new conflict looms on Israel’s northern borders —The Observer, July 14, 2024

Israel, baby, you're doing it again!
How many times have I told you
You can't use me as your trench coat
Flashing your Mezuzah in the subways?!
Look, there are three things in this life
that carry us through in one piece
and one of them is Love!
This isn't love, it's murder.

Israel, sweetheart, listen to me.
Take your planes and go home.
Take your tanks and turn the guns around.
You point them at the wrong people.
Your enemies are at home.
They are in bed, living fat
Off their profits, traif pigs
in plush corporate boardrooms

Israel, the desert
is rising up around you. Refugees
are thrashing the sands with thatched straws
peeled from the rubble of huts
and phosphorous bombs. It rises up
from the desert floor of Galilee, from the West Bank,
and over Beirut, little separate clouds of sand,
Smoky clouds, bloody clouds
Of Palestine's Indians.

Israel, even in America,
in the apartments of Jews
along Ocean Parkway, in Co-op City,
In Miami, and Cleveland,
and St. Louis, a panic
jangles in the teeth, a shudder
shivers through the shawls
worn on Shabboth, an unspoken nightmare
kicks open the jaws, a tear
a scream. No, Israel, no!
We will not be your gestapo!
We cannot shield you from the genocide you commit.
  Israel, O Israel,
  Get the hell out of Lebanon now!

Mitchel Cohen was a founder of the infamous Red Balloon Poetry Conspiracy and Red Balloon Collective at SUNY Stony Brook (1969 and on). He co-founded the No Spray Coalition against pesticides, chaired the WBAI radio Local Board (2008-12), co-edited G, the newspaper of the NY State Greens/Green Party as well as the national Green Politix, and hosted a weekly internet radio show, Steal This Radio. He has published two books of poems—The Permanent Carnival and One-Eyed Cat Takes Flight—with a third in the works. He has also authored radical pamphlets and books including The Fight Against Mosanto's Roundup: The Politics of Pesticides (Skyhorse). Mitchel's currently mourning the death of Willie Mays—the greatest baseball player of all time—and his dear friend and poet Connie Norgren. Mitchel lives in “The People's Republic of Brooklyn.”

SUBURBAN SMOKE

by Alejandro Escudé

Sometimes I visit the suburb of LA
I grew up in. There was a park
a block away from the house we rented.
I played little league baseball there.
It was a park, like a park with swings
and a pool. Now it’s a homeless encampment
and the little leagues are gone.
Maybe baseball is gone too—I can’t tell.
I mean I watch it. I root for the Mets
because that’s the team I was on
when I was a scrawny lefty outfielder
because there was no way
the coach was playing me on first base
or shortstop. I was lucky if I got to bat.
The coach was a winner; if you’re American,
you know what I mean by that.
I was lucky if I got to bat.
I remember hearing the LA riots looming
in the east; a hornets nest of helicopters,
the smell of smoke, a cacophony of sirens.
My father talked of Reginald Denny
he said: “I just crossed that intersection.”
His face pale. “I had so many tools
in my truck too.” Maybe that’s what
a suburb is, a place where one just
barely avoids the tragedy of America.
Oh there were lawns, basketball hoops
above garage doors. On Sundays,
it was very quiet, and I don’t remember
talking about the President.
He wasn’t a big fat face in the sky.
There weren’t goose-stepping posters
lining every citizen’s mind, a fear-bomb
exploding each half hour. In every suburb,
there’s a Beirut, a Moscow, a Jerusalem,
a Kenosha, a T***p bent over in his driveway,
cutting up a freshly caught rattlesnake.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

THE RELEVANCE OF ALLEN GINSBERG

by Indran Amirthanayagam

I have one more story to share about Allen Ginsberg. I was at Columbia
studying journalism, stressed utterly, with no time for poetry, trying
to get the nut graph right and learning to control my bladder to last
through the news conference and the follow-up interview. Then

I learned that Allen was to feature at a club downtown. Memories
of Honolulu, of our first meeting when he sang Sweet Oahu in the car
playing the harmonium. He told me then to cut half the first draft out.
I could not resist seeing him again so despite the heavy reporting load,

I took the subway down the West Side and walked East. He asked me
if I would read in the Open. I could not refuse. And I read my poem
about the 241 marines bombed in Beirut. And he told me he liked
the tat-a-tat rhymes and story but did not care for the doubting end.

He said you have to take a stance then say it. I am saying it now.
Get rid of the dissembler, hoodlum and pussy-grabber. Get rid of
the thou shalt not enter and the latrine supervisor. Get rid of
the one who would be king. Get rid of the golden tamarind toupee.

Get him out of the people's house. Then speak to me
about the humming birds and next year's cherry blossoms. .

Indran Amirthanayagam writes in English, Spanish, French, Portuguese and Haitian Creole. He has 19 poetry books, including The Migrant States (Hanging Loose Press, 2020) and Sur l'île nostalgique (L'Harmattan, 2020). In music, he recorded Rankont Dout. He edits The Beltway Poetry Quarterly, is a columnist for Haiti en Marche, won the Paterson Prize, and is a 2020 Foundation for the Contemporary Arts fellow.

TRAGEDY IN [...]

by Devon Balwit

Lebanese security forces confronted protesters during clashes in downtown Beirut on Saturday, following a demonstration against political leaders blamed for a deadly explosion in the city. Credit: Agence France-Presse—Getty Images via The New York Times, August 9, 2020

The United States is becoming like Lebanon and other Middle East countries in two respects. First, our political differences are becoming so deep that our two parties now resemble religious sects in a zero-sum contest for power. They call theirs “Shiites and Sunnis and Maronites” or “Israelis and Palestinians.” We call ours “Democrats and Republicans,” but ours now behave just like rival tribes who believe they must rule or die. And second, as in the Middle East, so increasingly in America: Everything is now politics—even the climate, even energy, even face masks in a pandemic. 

—Thomas Friedman, The New York Times, August 9, 2020

How does a city fall, how does a nation?
A raft of catastrophe floats in & is lashed
to a bollard & then forgotten, pleas for attention
ignored or handed on, fears quashed

beneath derision. Those at the helm creep
away in the dark after pocketing what they can.
Those who cannot leave tremble at the seep
of decay & instability, hoping to withstand

the blast that finally comes. Many won’t.
Their names will be added to a list, misspelled,
the list lost, their ashes scattered amidst
a hundred thousand livelihoods propelled

into calamity. Then, blistering recrimination
& grim survivors doing what must be done.


Devon Balwit's most recent collection is titled A Brief Way to Identify a Body (Ursus Americanus Press). Her individual poems can be found in here as well as in Jet Fuel, The Worcester Review, The Cincinnati Review, Tampa Review, Apt (long-form issue), Tule Review, Grist, and Rattle among others.

I AM FROM A TURBULENT WORLD

by Elizabeth S. Wolf




I am from Paris.
I am drinking café,
watching football, screaming
along with the band.
I am from Beirut, being
bombed for what I am not.
I am from Jerusalem, being
stabbed for who I am
and who I love.
I am from Abu Ghraib
and some callow American youth
has me down on all fours, wearing
a leash for a dog.
I am back from Iraq
home in Colorado Springs
gunned down at
Planned Parenthood.
I am from Bangladesh, being
hacked by an axe for blogging a story.
I am a young man from New Hampshire
beheaded for trying to understand
the story to tell.
I am from San Bernadino and I go to
a special school where today
we were having a party when
the bad men burst in.
I am from Sandy Hook Elementary School.
I am from kindergarten, learning
the belly of a ‘b’ goes this way
and the belly of a ‘d’ goes that way
and bullets go everywhere.
I am from Syria but I am
running for my life and if I
do not die along the way,
I don’t know where I will arrive.
I am the truth, fractured into
thousands of brilliant faceted carats.
I am the glare so bright that one
sliver of truth is blind to
all of the others.

I am from Paris. I am
the unnamed young man towing
a piano, by bicycle, so that I can play
John Lennon’s “Imagine”
in front of the Bataclan Theater.
I am the hope that someday you will join us
and the world will live as one.


Elizabeth S. Wolf has previously published poems in local anthologies (Merrimac Mic: Gleanings from the First Year; 30 Poems in November 2014; Amherst Storybook Project). She lives in MA and maintains a day job as a Technical Metadata Librarian.

SHARED GRIEVING

by F.I. Goldhaber

Haidar Mustafa, who was wounded in Thursday's twin suicide bombings, sleeps on a bed at the Rasoul Aazam Hospital in Burj al-Barajneh, southern Beirut, Lebanon, Friday, Nov. 13, 2015. Haidar's parents Hussein and Leila were killed in the blast as they were parking their car when one of two suicide attackers blew himself up in a southern Beirut suburb near their vehicle. —BILAL HUSSEIN/ASSOCIATED PRESS, The WorldPost, Nov. 16, 2015

Every day people of color die.
Bombs in Yemen, shootings in Lebanon
Suicide explosions in Syria.
No one shouts out on Twitter, changes their
photo on Facebook, creates a hashtag.

But when terrorists kill white people in
European countries, you rally round
their flag, change your profile picture, add
a ribbon to show how you much care. But,
only if the victims look/believe like you.


As a reporter, editor, business writer, and marketing communications consultant, F.I. Goldhaber produced news stories, feature articles, essays, editorial columns, and reviews for newspapers, corporations, governments, and non-profits in five states. Now, her poems, short stories, novelettes, essays, and reviews appear in paper, electronic, and audio magazines, ezines, newspapers, calendars, and anthologies.  Her newest book of poetry Subversive Verse collects poems about corporate cruelty, gender grievances, supreme shambles, political perversion, and race relations. 

PARIS/BEIRUT

by Leslie Prosterman

A relative of Samer Huhu, who was killed in a twin bombing attack that rocked a busy shopping street in the area of Burj al-Barajneh, waves his portrait as she mourns during his funeral in the southern suburb of the capital Beirut on November 13, 2015. Lebanon mourned 44 people killed in south Beirut in a twin bombing claimed by the Islamic State group, the bloodiest such attack in years, the Red Cross also said at least 239 people were also wounded, several in critical condition. —JOSEPH EID/GETTY IMAGES via TheWorldPost, Nov. 16, 2015

all afternoon I defined massacre shambles abbatoir
then resorted to the binary
the   they did we did       the done to will do
the right the wrong    the dark the light    the lash the gun the bomb
contracted to one straight line:  
fear to rage to hate to kill to make a them that isn't me.

but by the night I was reminded
of the spaciousness
of the unclosed curve
of the infinite horizon

May we live with uncovered hearts
May that which binds our hearts be dissolved

into the widest possible compass of us


Author’s note: Thanks to John Travis for the lovingkindness meditation.


Leslie Prosterman, author of the book Snapshots and Dances (Garden District Press, 2011) and other poems in various journals and collections, recently collaborated with composer Charley Gerard to set her poem FluteBone Song to music, now out on CD (Songs of Love and Passion).  A former academic, she is also a sometime student of trapeze.

OBLIVIOUS

by Sarah Edwards

The relatives of one of the victims of the twin suicide attacks in Beirut mourned during a funeral procession in the city's Burj al-Barajneh neighborhood. Credit Wael Hamzeh/European Pressphoto Agency via “Beirut, Also the Site of Deadly Attacks, Feels Forgotten” by ANNE BARNARD, NY Times, Nov. 13, 2015.

oblivious

to the smoke
of a thousand towers
babel to trade

oblivious

to blood-stained
family legacies
adam to al qaeda

oblivious

to tears
mothers searching
golgotha to nicaragua

oblivious

to sacrifice
of martyrs
joan to martin

we play our games
repeat the poem
change the names

oblivion


Sarah Edwards is a retired clergyperson with poetry replacing the pulpit.  She has a newly released chapbook,  Pandora, Let's Talk, published by Finishing Line Press, and other poems have appeared in Conclave, Minerva Rising, Slim, and TheNewVerse.News.  

CNN UNIVERSE

by Don Kingfisher Campbell

Beirut car bomb kills 8
Charred buildings, smoke in air
Chaos in the streets
Photos: aftermath of the blast
Rover spots shiny objects on Mars
Meteor lights up sky in California
Taliban threaten reporters
Beheaded for refusing to be prostitute
Dad in disbelief over son's terror arrest
U.S. contractors drunk on tape
Four women shot at Florida hair salon
Parents: man mocked disabled kid
Will Cain: Room for GOP at colleges?
Court: Fort hood suspect can be shaved
Elephant crushes Australian zookeeper
Man dumped, wins $30.5M lottery
Two-time rape victim fights for justice
Justin Bieber's mom on raising the star
McJordan BBQ sauce sells for $10K
Youth coach hits ref in face
Coroner: Heroin killed son of NFL coach
Duck lives with arrow in head
Cheerleaders OK'd to cheer God


Don Kingfisher Campbell has recently been published in Crack The Spine,
Lummox, Poetic Diversity, The Sun Runner, Poetry Breakfast, Pink Litter and
the Inner Child Press’ Hot Summer Nights anthology.  He is currently working
on an MFA in Creative Writing at Antioch University, Los Angeles.