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Monday, November 20, 2017


by Alan Catlin

He was the self-proclaimed
president of the United States
of the Stupid.  Alt-Right Fight
Club pioneer made famous/
gone viral, for punching out
a 95 pound woman with a
Love Trumps Hate sign.
Directed the dragging of a black
man to a parking garage to be
beaten by cowards with face masks.
All the better not to see you.
Not to provide that all important
positive ID.
Has tattooed 88 on the backs of
both hands, numbers that represent
the letter H as in the phrase
Heil Hitler.
Exhorts others to Join or Die at
rallies in places like Charlottesville.
Buys a brace of tiki lights for hate
parades around statues of traitors
and riot shields for get-togethers
after rallies where things often are
wet and wild and totally out of
Is Extreme everything: right wing,
radicalized, white hood wearing
and proud of it.
Brings guns to a peace rally in case
Grannies Against the War go rogue
and attack: “The only good gray panther
is a dead one.”
Thinks the Four Horsemen of
the Apocalypse are: Robert Lee, Jeff Davis,
Stonewall Jackson and Bedford Forrest.
Says the Civil War has just begun.
May even have been the guy who
fired the first shot.

Alan Catlin is poetry editor of online journal His latest book of poetry is American Odyssey from Future Cycle Press.

Sunday, November 19, 2017


by Marsha Owens

Volunteers Mary Akemon (left) and Alexandra Marcus and, with Let America Vote, talked with Farrukh Kahn as they canvassed a neighborhood on Friday, October 27, 2017 in Woodbridge, Virginia. Let America Vote, formed by former Democratic Missouri Senate candidate Jason Kander debuted its electoral field operations in Virginia with a field office in Manassas that drew 114 interns from across the country to help knock on doors for 10 Democratic delegate candidates. (Pete Marovich/For The Washington Post)

Lo, in the year two thousand and seventeen,
I walked among Democrats and knocked
and the young woman, wearing a friendly
smile, opened the door to me and said,
yes, we will vote tomorrow
for the one who is good to all people,
to my black family and to my Muslim
neighbors, the one who does not hurt
women, does not steal from the poor,
and I said, that is good, and my gaze
fell on the old woman on the couch,
her hand patting the tiny baby,
and she asked me to name names
of the others who care about others
and I showed her the list, and she
rejoiced and was grateful
and I saw, too, the man seated on a stool,
the old woman’s foot on his knee,
and I watched this young man wash
the feet of his mother-in-law who was lame,
saw him file her splintered toenails,
and my eyes did not deceive,
and his child—an old soul—waved her
baby hands, and his young wife spoke
again—do you see what my husband is doing?
and I saw, then turned away, walked through
golden leaves and the sun reached down, and I
heard nearby loud voices praising Sunday
football and seemed to hear heavenly voices
sing blessings for this holy shit, and within
the loudness, a small voice, maybe my own,
whispered, This is good stuff, damn good stuff.

Marsha Owens lives and writes in Richmond, VA and celebrates her roots in the Chesapeake Bay area. She is pleased to say that she survived 18 years of teaching English to middle schoolers. Her poems and essays have been published at The Wild Word, Feminine Collective, Rat’s Ass Review, TheNewVerse.News,The Literary Nest, and the Dead Mule School of Literature.

Saturday, November 18, 2017


by Carolyn Martin

"World Scientists’ Warning to Humanity: A Second Notice" by William J. Ropple et al and 15,364 scientist signatories from 184 countries  in BioScience, 13 November 2017 via the Alliance of World Scientists.

We did all we could.
This came later—
after miscues, closed eyes,
full-throated ignorance
singing through church pews,
school rooms,
chamber halls,                                            
families at supper time.

We did all we could.
This came later—
after sold-out masks,
cracked water lines,
the silence of bees,
monkeys, elephants,
eucalyptus, maples,
and nature poetry.

We did all we could.
Someone would
have scoffed
at this arrogance
if there were, that is,
someone left to hear
and later hadn’t disappeared.

Carolyn Martin is blissfully retired in Clackamas, OR, where she gardens, writes, and plays. Her poems have appeared in publications throughout North America and the UK, and her third poetry collection Thin Places was released by Kelsay Books in 2017. She hopes the Earth won't go extinct before her next book is published.

Friday, November 17, 2017


by Kathleen A. Lawrence

Acting badly,
boorish comics
coax deranged egos.
False good-guys
going Hollywood,
icons indecently
jones and jerk,
kindling lascivious
meager manhoods.
Nihilistic ogres, odd
paunchy producers,
quibble ruthlessly.
Ransacking solicitors,
sleazy thieves
undressing virtue,
these villains wither,
when exposed,
yanking zippers
ad nauseam.

Kathleen A. Lawrence continues to write poetry in upstate New York. Recently she received word that two of her poems have been nominated for 2017 Best of the Net awards, and another was nominated for the 2017 Rhysling Award of the international Science Fiction and Fantasy Poetry Association (SFPA). She has also  had poems published in Rattle (Poets Respond), Eye to the Telescope, haikuniverse, Silver Blade Magazine, The Wild Word magazine (Germany), Altered Reality Magazine, Undertow Tanka Review, and Proud to Be: Writing by American Warriors, among others.

Thursday, November 16, 2017


by Tricia Knoll

You’d pull off the road for that,
wouldn’t you? Beside Pigeon River?
A flight of forty landing.

Thin and sleek, running.
Watch their heads bob
and thin legs pedal.

You’d forget news
of feathered nests
and overstuffed breasts.

Tweeted by Bill Kristol.

Tricia Knoll is an Oregon poet who has only seen one wild turkey in Oregon but many, many more in Vermont.

Wednesday, November 15, 2017


by Sharon Olson

School had not started and students at Rancho Tehama Elementary were still in the playground when staffers first heard gunshots in the neighborhood Tuesday morning, said Richard Fitzpatrick, superintendent of the Corning Union Elementary School District. “The bell had not rang, roll had not been taken, when the shots were heard,” he said. Staffers immediately began to lock down the campus, rushing students into classrooms and under desks when the gunman came around the corner toward the school, Fitzpatrick said at a press conference Tuesday. The gunman crashed through the front gates of the school in a white pickup truck traveling at high speed, he said. Authorities say this was part of a larger rampage through the rural community in Northern California that left five dead and 10 wounded. The man came out of the truck with a semiautomatic rifle and ran into the center of the school’s quad and began firing at windows and walls as staffers, including the school’s custodian, rushed students into classrooms under gunfire. One student was shot in a classroom while under a desk, Fitzpatrick said. That student was said to be stable. —LA Times, November 14, 2017

The gaze from Sant’Eustachio Il Caffe
reveals a stag atop the nearby church,
a crucifix sprouting between its antlers.
Stirring my cappuccino I think of Hubertus,
as Eustace is called in Belgium,
the hunter who saw his vision of the crucifix
in the forest of the Ardennes,
and asked his would-be victim
what he might do.

The stag counseled good hunting,
trimming the ranks of the herd.
I think of the X’s spray-painted
onto the carcasses of “fallen” deer
in my neighborhood,
marked for hauling away.

Fallen perhaps over-used as a euphemism
for dead soldiers, as if they had merely
stumbled, breaking rank in procession
towards the enemy at Waterloo,
Khe Sanh, Kanduz.

In my America gun cases beckon,
designer bags hold personal revolvers,
video games tally the number killed
for the game player with his joy stick,
the one who flunked anger management
and blamed the schoolmates who mocked
and bullied him, who now focuses his aim
on the heads of children in the crosshairs.

Inside the church lie the bones of Sant’Eustachio.
Painted onto the dome above, the wings
of the Holy Spirit, flung wide.

Sharon Olson is a retired librarian, a graduate of Stanford, with an MLS from U.C. Berkeley and an M.A. in Comparative Literature from the University of Oregon. Her book The Long Night of Flying was published by Sixteen Rivers Press in 2006. Her poems have appeared in such journals as Off the Coast, String Poet, Arroyo Literary Review, The Curator, Adanna, Organs of Vision and Speech Magazine, The Midwest Quarterly, Edison Literary Review, California Quarterly, The Sand Hill Review, and Cider Press Review. Two of her poems have been nominated for a Pushcart Prize. She currently lives in Lawrenceville, New Jersey where she is a member of the U.S. 1 Poets’ Cooperative, and since 2015 has been part of the Cool Women Poets critique and performance group, which gives readings in venues throughout New Jersey.

Tuesday, November 14, 2017


by  Jon Taylor

Image source: Newspaper Rock

Ask a Native American
declared a “merciless Indian savage”
in the country’s founding document
taught with reverence to schoolchildren.

Ask a descendant
of slaves from Africa
who isn’t behind bars with two million
others of his inheritance.

Ask a Mexican
who had the temerity
to resettle in the land Anglos stole
from his ancestors.

Ask an Arab immigrant
who was removed from an airplane
because his fellow passengers
felt uncomfortable in his presence.

Ask a six-year-old
taken from school in handcuffs
because he pulled the pigtails
of the girl in front of him.

Ask the parents
who lost custody of their children
because they let them walk home
from school by themselves.

Ask the old boy
shot dead in his armchair
when the law broke down his front door
looking for someone else.

Ask yourself
while being cavity searched
at the side of the road
for rolling through a stop sign.

Jon Taylor is the author of Berry Picker’s Blues, a book of Michigan/Northwoods/Upper Peninsula poems. He can be reached at taylor.jon440[at] .

Monday, November 13, 2017


by Judith Terzi

The Trump administration announced tight new restrictions Wednesday on American travel and trade with Cuba, implementing policy changes President Trump announced five months ago to reverse Obama administration normalization with the communist-ruled island. Under the new rules, most individual visits to Cuba will no longer be allowed, and U.S. citizens will again have to travel as part of groups licensed by the Treasury Department for specific purposes, accompanied by a group representative. Americans also will be barred from staying at a long list of hotels and from patronizing restaurants, stores and other enterprises that the State Department has determined are owned by or benefit members of the Cuban government, specifically its security services. —The Washington Post, November 8, 2017. Havana photo by Judith Terzi.

To Barack Obama

Like the Roman deity Janus, you looked
to the past & the future. Janus––god of time.
God of gates & passages. God of trade.

Yes, trade. Shadowy jumble of words &
punishment emerges today from the WH.
No golf resorts, no ties, no towers, no art

of the deal. The future is opaque, grieves
the loss of your imagination, your
luminosity, your esperanza. No sunrise

today over restoration in Old Havana,
over skyscrapers along Avenida de los
Presidentes, over Hemingway's weary

Corona, over John Lennon's statue in
Lennon Park. No sunset watch from Fort
Morro, from Lucky Luciano's sunlit rooms

at the Hotel Nacional where John Kerry's
photo hangs over a bar, where Nat King Cole
hangs out in bronze, & a sculpture

of Isadora Duncan surprises in the lobby
of this hotel now blacklisted for Americans.
Can we still use their bathrooms? Can we

still drink their mojitos, smoke Cohibas
on the terrace after La Parisienne show?
Can we still speak to the two Parisian

couples fêting their marriages, or tourists
from Jamaica, Shanghai, Czech Republic,
Germany, Barcelona, Chile, & México?

These travelers on their own, alone. Can we
still walk through the bunker, stark reminder
of the verge of war––the Missile Crisis. Can

we still climb to the top of this blacklisted
hotel & view our Embassy & the cruise
ships beyond & wish you were here?

EDITOR’S NOTE: TRAVEL TO CUBA WITH THE AUTHORS GUILD FOUNDATION: "New Cuba Trip Added by Popular Demand February 10-17, 2018 (December and November trips are SOLD OUT) Please note that recent sanctions on travel to Cuba prohibit individual travel; however, it is legal to visit Cuba with a group led by a licensed educational organization. The Authors Guild Foundation trip qualifies under the new restrictions."

Judith Terzi's poems appear or are forthcoming in journals and anthologies including Caesura, Columbia Journal, Good Works Review (FutureCycle Press), Myrrh, Mothwing, Smoke: Erotic Poems (Tupelo), Raintown Review, Unsplendid, and Wide Awake: The Poets of Los Angeles and Beyond. Her poetry has been nominated for Best of the Web and Net and included in Keynotes, a study guide for the artist-in-residence program for State Theater New Jersey. Casbah and If You Spot Your Brother Floating By are recent chapbooks from Kattywompus Press.

Sunday, November 12, 2017


by Kristin Berger

Image source: Kim's Cravings

That tonight will be the quiet, easy Sunday when all cars obey
the lights and the moon escorts clouds to the other side
of the overpass, under which homeless families are thankful
for no rain and church tips—
That tonight you reduce the odds and leave the children home,
the one fuming that you won't let him get the Nerf gun
that handles & loads like a semi-automatic;
Because you are the mother, and tonight will be the random night
you return with a trunk full of groceries, nothing
but a split nail and no sirens in the distance.

Kristin Berger is the author of the poetry collection How Light Reaches Us (Aldrich Press, 2016), and a poetry chapbook For the Willing (Finishing Line Press, 2008), and co-edited VoiceCatcher 6: Portland/Vancouver Area Women Writers and Artists (2011). Her long prose-poem, Changing Woman & Changing Man: A High Desert Myth, was a finalist for the 2016 Newfound Prose Prize. Her most recent work has been published in Contrary Magazine, Half-Mystic Journal, The Inflectionist Review, Timberline Review and Wildness. She lives in Portland, Oregon, where she hosts a summer poetry reading series at her neighborhood farmers market. 

Saturday, November 11, 2017


by Devon Balwit 

Sheree Rumph of San Antonio prays over two of the 26 crosses erected in memory of the 26 people killed in a shooting in Sutherland Springs, Texas on Monday, Nov. 6, 2017. The shooting took place during a Sunday service at the Sutherland Springs First Baptist Church. (Jay Janner/Austin American-Statesman via AP via The Times-Picayune, November 7, 2017)

Each day I take my little target and go out.
I cling to my petiole—call it life
I hope for no storm, no rending gust,
no one with a gun, a grudge, a common truck.

I cling to my petiole—call it life
I shield its flicker with my hand, invite in
no one with a gun, a grudge, a common truck.
I wring the last green from my short day.

I shield my flicker with my hand, inviting in
only beauty, only the heroism of the ordinary.
I wring the last green from my short day.
I close the door on threat. I turn inward.

Only beauty, only the heroism of the ordinary,
please, people—not invective, not hate—
Close the door on threat, turn inward.
Listen to the breath and find the vital.

Please, people—not invective, not hate—
the human world is so late. It’s dusk.
Listen to the breath and find the vital.
I try. Every day, I’m a beginner.

The human world is so late. It’s dusk.
Each day, I take my little target and go out,
I try. Every day, I’m a beginner.
I hope for no storm, no rending gust.

Devon Balwit is a writer/teacher from Portland, OR. Her poems have appeared in TheNewVerse.News, Poets Reading the News, Rattle, Redbird Weekly Reads, Rise-Up Review, Rat's Ass Review, The Rising Phoenix Review, Mobius, What Rough Beast, and more. The author thanks Bruce Cockburn for the title of this poem.

Friday, November 10, 2017


by John Beaton

Eagle with One Wing by Christopher Hall.
I saw a bird with just one wing.
The poor thing could not fly;
it fluttered in a clockwise ring.
Another squawked nearby,

similarly handicapped,
but anticlockwise in
the one-winged way it feebly flapped.
They filled me with chagrin

and then a bright idea brewed—
what if I was to tie
the two together? Then they could
Siamesely fly.

And so they did, the left wing and
the right, united, flew.
It happened in cloud cuckoo land—
one wing was red, one blue.

John Beaton, a retired actuary who was born in Scotland, is a widely published poet and spoken word performer from Vancouver Island, Canada.

Thursday, November 09, 2017


by John Kotula

Detail of a mural in Santa Maria de los Angeles Church, Riguero, Managua, Nicaragua. Image source: Alliance for Global Justice.

Thousands of immigrants from Nicaragua who came to the United States illegally, many of them decades ago, will lose special permission allowing them to stay in the country, the Trump administration said on Monday. —The New York Times, November 6, 2017

T***p says
2,500 Nicaraguans
Must go,
I go to the mall
In Managua
For 2 X 2 color photos
No glasses,
Neutral expression,
Natural smile
To renew my passport.
Like Superman
Leaping buildings
I cross fronteras
In a single bound.
My passport
Sports an eagle and
Stars and stripes.
One look at the old,
Well fed, white guy
In the photo
And nobody claims
I’ll take their job,
Rob their house
Or rape their granny.
But back in the
US of A
No “bad hombres”
Are allowed,
Even if
They work,
Pay taxes,
Own a home,
Have kids,
Coach little league,
Dress up for Halloween,
Bake apple pies, and
Deck their lawns
With inflatable
Snow men.
On the same day
T***p says
2,500 Nicaraguans
Must go,
I feel welcomed in

John Kotula is a writer and artist from Peace Dale, Rhode Island who is currently living in Managua, Nicaragua.

Wednesday, November 08, 2017


by S.O.Fasrus

Cayman as in Cayman (Islands)—often confused with the homophonous Caiman: A large aquatic reptile found in swamps and closely related to crocodiles and aligators.

To the Queen from her accountant:
'About Your Majesty's money?'
'The poor are always with one -
send it somewhere sunny!'
The Duke of York reminds her
the lion's share is hid,
'but we always have the Caymans Ma'am
to park ten million quid.'

The maid is in the garden
by the potting sheds
the Counting House is near
she hears everything he says.
'I'm on a bloody pittance -
the royals are in a bubble,
so I'm off to call the Daily Mail.
I'll cause a lot of trouble.'

The Monarchists are furious
they say 'Oh what's the point'
the latest royal palaver
puts their noses out of joint:
'Our taxes pay for parasites
like Charles and Parker Bowles
yet they're hiding all their private wealth
in tax exemption holes.'

The maid's in the Bahamas
enjoying a nice rest
the papers bought her story
'she's feathering her nest,'
the Monarchists go turncoat
agree The Crown's despotic
the headline on the front page:

S.O.Fasrus has verses at LUPO and is currently writing a YA novel.

Tuesday, November 07, 2017


by Howard Winn

The doorbell rang once politely
and he was already smiling
when I opened the front door
while his hand reached out
in welcome as he said my name
and we agreed that I was
in fact that person enrolled
in his political party and ready
to vote when the time came
for we must throw the rascals
out not having voted to put them
in at the last election day when
we with the best intentions lost
out and in fact we were right
for fraud and personal gain has
been revealed although we
wonder if the voters read or
care as we stand in the doorway
agreeing how right we were
the last time even if the majority
did not know or pay attention
so having concurred we shook hands
once again and he turned into
the rain to try the next registered
door and I went back to lunch
wondering if our conversation
had mattered since the opposition
was not there to hear our wisdom
exchanged since they were our
beliefs and not their convictions
as it seems always the case
and once again we talk to ourselves

Howard Winn's work, both short fiction and poetry has been published in Dalhousie Review, The Long Story, Galway Review, Antigonish Review, Chaffin Review, Evansville Review, 3288 Review, Straylight Literary Magazine, and Blueline.  His B. A. is from Vassar College. His M.A. is from the Stanford University Writing Program. His doctoral work was done at N.Y.U. He is Professor of English at SUNY.

Monday, November 06, 2017


by Diane Elayne Dees

Carrie Matula hugs a woman who lost her father in a mass shooting at the First Baptist Church in Sutherland Springs, Texas, on Sunday, Nov. 5, 2017. Matula said she saw and heard everything as it happened from the gas station where she works just a block away. (Nick Wagner / American-Statesman via AP via Yahoo!)

Some were on the sidewalk,
some were at a concert,
some were in a needless war,
some were in a laboratory cage,
some were living in a house of rage and sadism,
some were in a church,
some were in a car when the police showed up,
some spent their lives in tiny, cramped pens,
some were at school,
some were in a house with monster parents,
some were raised only to be on your plate
at the prayer breakfast, where you begged for peace.
All longed for freedom.
None wanted pain.
All wanted to live.

Diane Elayne Dees’s poems have been published in many journals and anthologies. Diane, who lives in Louisiana, also publishes Women Who Serve, a blog that covers women’s professional tennis throughout the world.

Sunday, November 05, 2017


by Mark Tarren

Kulsuma Begum, 40, a Rohingya refu­gee, cries while recounting her story at Kutupalong refugee camp in Cox’s Bazar, Bangladesh. She said that her daughter was missing and that her husband and son-in-law were killed by Burmese soldiers. Photo source: Hannah Mckay/Reuters via The Washington Post, October 29, 2017.

We are the sea
of people

that flows from Rohingya
to Bangladesh.

We are the sea
of colour

red veils
shirts of saffron
violet dresses
that flows through green
banked rivers.

We are water.
There is mud and hunger
in our footprints

they call us insects
they call us

The Floating People.

We live in our

shared Book of Stories
so that our children will know
where they came from

our shared drawings
our songs
our taranas.

Where we remember home.

We are life. We are sky.
We are air.

When they burnt our babies alive
we looked to the east
towards Arakan
to the mountains of Arakan Yoma
and remembered many things

the colour of rooftops
where we had dried food

the colour of fields
where we once loved

the colour of turmeric and chilis

it is the colour of fire.

Mark Tarren is a poet and writer based in Queensland, Australia. His poems have appeared or are forthcoming in various literary journals including The Blue Nib, Poets Reading The News, and Street Light Press.

Saturday, November 04, 2017


by David Hanlon

A leading Russian human rights group has expressed “serious fears” that a gay pop star may have been killed in Chechnya’s crackdown on gay people. Zelimkhan Bakayev, 26, went missing in August when he left his home in Moscow to visit the capital, Grozny, for his sister’s wedding. “When a person disappears and the police force refuse to investigate his disappearance, we have serious fears for the life of that person,” Oleg Orlov, from Memorial, Russia’s oldest civil rights group, told AFP on Friday. Russian NGOs and media outlets have raised concerns about the fate of Bakayev and speculated that Chechen police may have abducted him due to his sexual orientation. —The Guardian, October 27, 2017. Photo: Some time before his disappearance,  Zelimkhan Bakaev (right) posed with Chechnya's leader Ramzan Kadyrov. —Facebook

Even when they squeeze
them shut,

they’ll bulge
like fat camera reels

turning, projecting
the images on the backs

of their eyelids –
flesh screens

a silent,

horror movie

on repeat.

David Hanlon is from Cardiff, Wales. He is sickened by these atrocities that are still ongoing. With a leader who claims 'no gay men exist in Chechnya,' how can gay men ever feel safe within the republic again? Outside authorities need to intervene & put a stop to this inhumanity now!

Friday, November 03, 2017

LAIKA (1954 - NOVEMBER 3, 1957)

by Martin Elster

Laika statue outside a research facility in Moscow
(AP Photo/RIA-Novosti, Alexei Nikolsky)
via Universe Today.
The more time passes, the more I’m sorry about it. We did not learn enough from the mission to justify the death of the dog. —Oleg Gazenko

We pulled you off the windy streets,
crammed you in a windless room,
stuck electrodes to your skin,
then hurled you to your doom.

Black ears alert, brown eyes alarmed,
you fought against the fearsome thrust,
heart overheating, wildly beating,
hanging on to trust.

What was this floating-feather-lightness?
Where was the man whose gentle hand
had stroked you after every test?
When will this bubble land?

Our plan was, after a week in orbit
you’d polish off the poisoned kibble.
(Your air was running out, dear friend,
but you weren’t one to quibble.)

Because of you, men gained the moon,
touched a comet, launched the Hubble.
Yet building a craft that could have brought
you back was too much trouble.

There stands a statue of a rocket,
you atop it, proud and regal.
Small Moscow stray, could you have dreamed
you’d die a wingless eagle?

Martin Elster is a composer and serves as percussionist with the Hartford Symphony Orchestra. His poetry has appeared in Astropoetica, Autumn Sky Poetry Daily, The Chimaera, and The Road Not Taken, among others, and in anthologies such as Taking Turns: Sonnets from Eratosphere, The 2012 and 2015 Rhysling Anthologies, New Sun Rising: Stories for Japan, and Poems for a Liminal Age.

Thursday, November 02, 2017


by Alan Walowitz

FBI to release all of its JFK assassination files. In this file photo, President John F. Kennedy's hand reaches toward his head within seconds of being fatally shot as first lady Jacqueline Kennedy holds his forearm as the motorcade proceeds along Elm Street past the Texas School Book Depository in Dallas on Nov. 22, 1963. | James W. "Ike" Altgens, File/AP Photo via Politico, October 30, 2017

I was in homeroom when JFK got shot
and we weren’t told much
about what’d happened—
or about much else—
this was high school, late shift,
and the afternoon wore
so damn slowly into night.
But that day I learned
from the very purposeful
and well-dressed Mr. Wulf
that life must go on
and a greater angle of a triangle
is opposite a greater side,
and though I never had the need
to read the Warren Report,
I hear those august guys
absolutely nailed Theorem #6
with their fine discussion and diagrams
of angles and distance from the Book Depository
to the limo riding by in Dealey Plaza
carrying a human god, the man we most admired,
though we later found out
he had feet of clay and was just a guy.
I also learned that
if a teacher remains in the back of the room
and tamps down weeping to a quiet, plaintive sob,
a tough old bird like Mrs. Hirsch in English
can wring a pink handkerchief dry
then drown it again with her tears
and no one will think less of her.
Though the president we’ve got now
makes me sick with his lies,
his ugliness, and everything else he hides,
there’s nothing left in the vault,
unrevealed from 1963 or ‘64
that could have taught me any better
what kind of grownup
I ought to hope I’d grow up to be.

Alan Walowitz has been published in various places on the web and off. He’s a Contributing Editor at Verse-Virtual, an Online Community Journal of Poetry, and teaches at Manhattanville College in Purchase, NY and St. John’s University in his native borough of Queens, NY. Alan’s chapbook Exactly Like Love was published by Osedax Press in 2016 and is now in its second printing.

Wednesday, November 01, 2017


by Jean L. Kreiling

Justice may not work the way
you wish.  They’d fall like dominoes
if truth prevailed, but sad to say,
justice may not work that way.
What gleeful hopes rise on this day:
first Manafort, and soon T***p goes?
Though justice may not work that way,
you wish they’d fall like dominoes.

Jean L. Kreiling’s first collection of poems The Truth in Dissonance (Kelsay Books) was published in 2014; her second collection will appear in spring 2018.