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Showing posts with label Jean L. Kreiling. Show all posts
Showing posts with label Jean L. Kreiling. Show all posts

Monday, January 18, 2021

THE FLAG OUTSIDE A NEIGHBOR'S DOOR

by Jean L. Kreiling




Just down the street, outside a neighbor’s door, 
it reaches up and out, as if for hope 
or heaven, in an effort to restore 
its honor and resist the downward slope 
traversed by those who lied, who followed liars, 
who beat a man with those same stripes and stars, 
who lit and fanned and spread murderous fires 
that left some dead, the rest of us with scars. 
I see Old Glory fluttering in the breeze— 
but elsewhere, desecrated by a gang 
of thugs, it symbolized not liberties 
and laws, but rage, and justice by flash-bang. 
I miss the days when I was confident 
about what flags by neighbors’ front doors meant. 
 

Jean L. Kreiling is the author of two collections of poetry: Arts & Letters & Love (2018) and The Truth in Dissonance (2014).  Her work has been honored with the Able Muse Write Prize, the Great Lakes Commonwealth of Letters Sonnet Prize, the Kelsay Books Metrical Poetry Prize, a Laureates’ Prize in the Maria W. Faust Sonnet Contest, three New England Poetry Club prizes, the Plymouth Poetry Contest prize, and the String Poet Prize. 

Wednesday, November 01, 2017

FIRST MANAFORT . . .

by Jean L. Kreiling




Justice may not work the way
you wish.  They’d fall like dominoes
if truth prevailed, but sad to say,
justice may not work that way.
What gleeful hopes rise on this day:
first Manafort, and soon T***p goes?
Though justice may not work that way,
you wish they’d fall like dominoes.


Jean L. Kreiling’s first collection of poems The Truth in Dissonance (Kelsay Books) was published in 2014; her second collection will appear in spring 2018.

Friday, December 16, 2016

I'VE STOPPED COUNTING THE DEAD

by Jean L. Kreiling




She's not sure that she should suspend
her vigilance, but keeping track
has done no good, has brought no end
to savagery.  As she looks back,
it seems that nothing else has made
a difference either:  votes or signs
or marches or laws disobeyed
or protests sung.  So she resigns
herself to silent grief and guilt,
her anger now an exercise
in mute restraint.  The tomb she's built
from watchful tears and numbered sighs
commemorates too many shames.
Let someone else keep counting names.


Author’s Note: The title of the poem is a remark overheard from an elderly activist.


Jean L. Kreiling’s first collection of poems, The Truth in Dissonance (Kelsay Books), was published in 2014.  Her work has appeared widely in print and online journals, and she is a past winner of a New England Poetry Club Award, the Great Lakes Commonwealth of Letters Sonnet Contest, the String Poet Prize, and the Able Muse Write Prize.

Saturday, July 04, 2015

BOMBS BURSTING IN AIR

by Jean L. Kreiling






You gasp and smile at bright chrysanthemums
that bloom for just a moment in the sky,
and hardly give a thought to what becomes
of them, the black ash falling as they die.
But sometimes, buffeted by mighty booms
that follow flares of patriotic pride,
you think of patriots who met their dooms
amid such noise—red-white-and-blue’s dark side.
Why do we want to watch bombs burst in air?
Did Mr. Key imagine that we would?
That we’d perpetuate the din and glare
of combat?  Maybe we’ve misunderstood.
His anthem hailed a hard-won victory;
we’ve prettified the fires of tragedy.


Jean L. Kreiling is the author of the recently published collection, The Truth in Dissonance (Kelsay Books, 2014). Her work has appeared widely in print and online journals, including American Arts Quarterly, Angle, The Evansville Review, Measure, and Mezzo Cammin, and in several anthologies.  Kreiling is a past winner of the String Poet Prize and the Able Muse Write Prize, and she has been a finalist for the Frost Farm Prize, the Howard Nemerov Sonnet Award, and the Richard Wilbur Poetry Award.

Wednesday, October 24, 2012

INFESTATION

by Jean L. Kreiling


Our town’s been stricken by an infestation
more visible than gypsy moths or bees.
These pests won’t sting or cause deforestation;
in fact, they look a little bit like trees,

but short, malformed, and ugly. They sprout words
instead of leaves—red, white, and blue, all caps;
no green-clad limbs support alighting birds
or shelter chipmunks for their morning naps.

Instead, the stunted, manufactured trunks
support annoying pleas for our support
of earnest men and women—and some skunks
and swindlers—who pursue an autumn sport.

Theirs is, in fact, a most important game;
the outcome could affect our lives and work.
But while the roadside vermin swarm, each name
propped on a pole looks like that of a jerk.

This plague will end; we must try to remember
that time always exterminates these lines
of lurid boldface blight.  By late November,
we’ll cheer the landslide loss of campaign signs.


Image source: Duane Burnett.com

Jean L. Kreiling's work appears widely in print and online journals and in anthologies.  She was the winner of the 2011 Able Muse Write Prize for Poetry, and she has been a finalist for the Dogwood Poetry Prize, the Frost Farm Prize, and the Howard Nemerov Sonnet Award.