UPON LEARNING THAT THE UNITED STATES VOTED AGAINST

the United Nations resolution designating the trafficking
of enslaved Africans “the gravest crime against humanity.”

 

by Cecil Morris

 

 

 

UNITED NATIONS (AP) March 25, 2026 — The U.N. General Assembly on Wednesday adopted a resolution declaring the trafficking of enslaved Africans "the gravest crime against humanity" and calling for reparations as "a concrete step towards remedying historical wrongs." The resolution also urges "the prompt and unhindered restitution" of cultural items—including artworks, monuments, museum pieces, documents and national archives—to their countries of origin without charge. The vote in the 193-member world body was 123-3, with 52 abstentions. Argentina, Israel and the United States were the three members voting against the resolution. The United Kingdom and all 27 members of the European Union were among those that abstained.

 

 

I think of Macbeth fresh from murdering his king,
his hands still badged with royal blood
and Macbeth asking why he could not say Amen,
could not call God’s blessing to himself.
Of course, even my least interested student knew
that answer: guilt. Guilt for what he’d done.
I think of my teenage daughter denying evidence
of some minor transgression, thinking, I guess,
that if she herself did not say it then it could not
be true. I think of her at 2 when we played peek-a-boo
or at 3 when we played hide-and-seek
and she thought she became invisible behind
a curtain even though it didn’t cover her shoes.
Even now, a 160 years after the 13th,
are we still Macbeth, tongue-tied by an inherited,
collective guilt? Or are we the teen who thinks
well, we didn’t know, it wasn’t even illegal then,
and what about the Holocaust or the genocide
in Armenia or litany of other horrific things?
Why can’t we just say Amen, just say yes
it was a grave crime? Oh, there’s the statement
about reparations, how they’d be right,
a remedy, if you will, for historic wrongs.
There’s the rub. Who’d volunteer to pay a fine
for great-great-great-great-grand-country’s mistake?
Wipe the evidence from your face and books,
and never admit what can be denied.

 

 

Cecil Morris, a retired high school English teacher, has poems appearing in The 2River View, the Common Ground Review, The New Verse News, Rust + Moth, and elsewhere. His debut poetry collection At Work in the Garden of Possibilities (Main Street Rag) came out in 2025. He and his wife, mother of their children, divide their year between the cool coast of Oregon and the relatively hot Central Valley of California. 

A POET'S SELF-PORTRAIT AS A HOSPITAL BED

by Gil Hoy

More particularly, one of many hospital beds 

in a hospital where my son is being treated

 

for the bone sticking out of his leg 

from a soccer game

 

using my insurance that I bought for him 

because he is too young, only twelve

 

to have bought any insurance of his own. 

Nor has he any right to vote in a country 

 

where his elected representatives 

are about to take away his health insurance 

 

by making mine too expensive to afford.  

This morning, the news shows how easily 

 

this President and this Congress can take away 

a person’s health insurance, my child's, mine

 

or yours, for example, this President 

and this Congress a bit like a hospital bed 

 

in a country as ill as ours is now. 

Whatever hope we now have lies in a hospital bed 

 

and the medicines we can use to remove 

this pestilence, if we can just take them off 

 

the shelf—for there they sit—and use them 

before it’s too late. My son is still young enough 

 

to love me unconditionally, as much as he 

loves soccer, even though I wasn’t strong enough, 

 

nor my countrymen strong enough, to rise up 

and stop this thing from happening. But there is still 

 

time to act if we are strong enough, 

if we are determined enough, to find a cure. 

 

But judging by how things have gone so far, 

who can foresee with what success 

and with what result?

Gil Hoy is a Master’s Class student in fiction and poetry at The Writers Studio in Tucson, Arizona and previously studied at Boston University. Gil's been nominated for a Best of the Net award in poetry. His work has previously appeared in Third Wednesday, Flash Fiction Journal, Tipton Poetry Journal, Unlikely Stories Mark V, Chiron Review, The Penmen Review, Bewildering Stories, Literally Stories, The New Verse News, and elsewhere.

SAME WEIRD SH*T

by Cody Walker

via Rolling Stone, January 20, 2025

In 2020 we got HBO so we could watch The Plot Against America. Now it’s almost five years later, and we still have HBO (now called Max). And we still have a plot against America! Except it’s not a plot; it’s an open invitation. You can even vote for it. We did vote for it.

Cody Walker is the author of three poetry collections, all from the Waywiser Press. He lives and teaches in Ann Arbor.

I AM NOT ALONE: THE DAY AFTER THE 2024 ELECTION

by Guillermo Filice Castro

José     our delivery man

drops off a package

José who of late 

has begun calling me 

by my given name

not the shortened version I usually offer 

to those who cannot roll their R’s

Oh what are you bringing me today? 

I ask José in a way befitting our 

developing chumminess 

jovial (I suppose)

workplace banter

José responds with a feisty What’s up Papi!

“I’m bringing the vote that made us win,” he adds.

Takes me a second or two to process that.

“Us?” I say as I sign for the soft pack. “Win?”

The reality I was keeping at bay 

swoops right back down

claws extended open beak 

letting out a hellish screech

the reality that filtered into my sleep

last night 

as if water through strata and monsters

as votes were being counted:

The sweaty

bald man  a cross 

between a comic book villain

and a Bond baddie

in whose servitude I seemed to be

genuflecting and smiling as I fanned

the villain’s ego with nodding approval

as he pulled me into his chest

squeezing out my breath

José     who the other day told me 

he had a daughter 

(I’m thinking of his daughter)

and once tried to serve 

in the military 

smiles and pops back 

into the freight elevator

Us? Who’s “us”? 

All I do is smile back, 

parcel in hand, 

doors closing.

Guillermo Filice Castro is the author of Mixtape for a War and Agua, Fuego. His work appears in many journals, and has been nominated for the Pushcart Prize and Best of the Net, and featured in The Best American Poetry 2023. Born and raised in Argentina, he lives with his husband in New Jersey.

READING, WRITING, ARITHMETIC

by Ron Drummond

Sign up at Vote Forward

“The library is open.”

– RuPaul Charles

 

 

“Turn the page,” my candidate says,

and we are even more delighted 

with this ambassador of sanity 

than five-year-olds at story time.

 

I turn the page of a roll of voters

registered to the same party as me

and continue personalizing notes and

envelopes to possible “for” votes,

 

my handwriting in each letter

paired with a QR code spelling 

how, where and when to cast

their vote. I band stacks of stuffed,

 

stamped envelopes – this batch

of over three hundred going to

a state where all zips begin with

two, the numeral that allows for 

 

my finest work: a slight, lovely curve 

that swoops to a taut, crisp horizontal.

At some point, I will put on some music,

but for now, I am flying solo.

 

I picture the recipient’s odd experience 

of holding a hand-addressed envelope to be

like Sondheim’s Joanne pausing her song

to ask, “Does anyone still wear a hat?”

 

I relive the tedium of my factory job

working with extruded plastic, and those

night-shift endings at Denny’s “marrying”

the ketchups” – wedding the contents

 

of the bottles so that none are partly full, 

leaving each with the sediment of ancient 

condiment at their bottoms – when all 

I want is dawn, and to go home to bed.

 

Within reach of where I stamp and seal

is a cigar box of campaign buttons, mostly 

from lost crusades. I’m not a snob about them.  

I don’t take pride in backing failed runs. 

 

Most of the buttons promote anti-war pols,

and half are red, white and blue discs 

with the much-later-to-be-assassinated 

Allard Lowenstein’s name on them. 

 

But when this current election is over 

and I add a shiny new navy-blue one 

to my collection, I envision this old 

El Cid Corona Minors box – it once held

 

25 seven-inch (54 ring-gauge) cigars 

with open feet & capped heads – being 

transformed. It will no longer be a flat, 

hinged urn. It will no longer be a grief box.

 

“Turn the page,” my candidate repeats,

using a gesture even the non-literate

can understand.

Ron Drummond is the author of Why I Kick At Night (Portlandia). A founding editor of Barrow Street, his poetry and translations have appeared in over forty journals, as well as in anthologies and textbooks. He has received fellowships from Ragdale, VCCA, Blue Mountain Center, and the Macondo Foundation. He lives in NYC with his husband Terry Cook.

FLIGHT PATHS

by Angie Minkin

AI-Generated graphic from Shutterstock for The New Verse News

I write postcards every day in bright blue ink,

the color of the sea, the color of hope.

Do these missives even matter?

Fingers cramped, I stretch, breathe,

step outside, rest in shade, pause,

think of the future, our families, this earth.

These women I write to—

Brittany, Natalie, Peng,

in Arizona, Nevada, Nebraska,

moms who love their kids,

wash the clothes, sweep the floors,

dry the tears, pump the gas.

Shirley, Andrea, Mattie, and Nicole—

we’re all in this together, dear women,

and I see your kids outside playing tag,

sipping water, running free.

My postcards fly to your mailboxes,

homing pigeons with stars and hearts.

 

Homing pigeons with stars and hearts,

my postcards fly to your mailboxes,

as kids sip water, run free

and I see our kids outside playing tag. 

We’re all in this together, dear women,

Shirley, Andrea, Mattie, and Nicole—

dry your tears. Pump the gas,

sweep the floors, wash the clothes.

We’re moms who love our kids

in California, Arizona, Nevada, Nebraska. 

Brittany, Natalie, Peng,

I write to you as friends,

so think of our kids, our futures, this earth.

Step outside, sit down in shade, pause.

Stretch cramped hands, breathe.

Do these missives even matter?

I imagine hope the color of the sea. Please

read my bright blue ink, my postcards. Vote.

 

Postcards to Voters Program

Angie Minkin is an award-winning Pushcart Prize-nominated San Francisco poet who reads the news and tries not to despair. She stands on her head for inspiration when gazing out the window doesn’t work. Her work has been published in Birdy, Loch Raven Review, The MacGuffin, New Verse News, Rattle, Stirring, Westchester Review, and elsewhere. Her chapbook, Balm for the Living, was published in 2023.

A FAIR WITNESS

by Gina A. Turner

 

A Fair Witness [a profession invented in Stranger in a Strange Land by Robert Heinlein] is an individual trained to observe events and report exactly what is seen and heard, making no extrapolations or assumptions. – Wikipedia

I hear that people who shouldn’t be in this country are eating pets

I see state troopers at schools in Springfield, Ohio

I hear a candidate say “I have to create stories so that the media pays attention”

I see Springfield’s CultureFest cancelled over safety concerns

I hear what the 45th president said: people from Haiti “all have AIDS”

I see colleges in Ohio holding classes remotely

I hear lawful residents in Ohio called “illegal aliens”

I see elementary schools evacuated due to dozens of bomb threats

I hear what our country’s former leader said: Haiti is one of the “shithole countries” 

I see my Haitian friend promote her book on achieving a just economy

I hear a member of the Haitian community say

“We’ve been receiving a lot of threats, physically and verbally”

I hear parents say that their children are terrified

 

I hear people say that they are still undecided about their vote

Gina A. Turner is a Professor of Psychology at a community college in Pennsylvania. Her work has appeared in Poets Online, The New Verse News, and her school’s literary magazine The Laconic. She lives with her husband and dog in Lambertville, New Jersey. 

MORAL CLARITY

by Julie Steiner

Photograph: Guglielmo Mangiapane/Reuters via The Guardian

    Asked by CBS News [on Friday] what he would advise a Catholic voter forced to choose between a candidate who backs abortion rights and one who has said he would have 11 million migrants deported, the pope said: “They are both against life—the one who throws away migrants and the one who kills children.” 

     ...Asked whether there were any circumstances under which it would be morally permissible for a Catholic to vote for a candidate who does support abortion rights, Francis said when considering political morality, “one must vote.”

    "One must choose the lesser of two evils," he said. "Who is the lesser of two evils, that lady or that gentleman, I do not know." 

 

One has to vote,
declared Pope Francis with a sigh.
One has to vote.
Dilemma’s horns are at one’s throat.
Abstention’s not an option. Try.
Although both options cast a “Die,”
one has two. Vote.

Choose the lesser
evil. (Both are bad, in short.)
Choose the lesser,
quoth the pontiff at his presser:
Pick either A (Deport! Deport!)
or B (Let those who could abort
choose.) “The lesser

of two evils”
assumes they’re not equatable.
Of two evils,
which brings fewer lives upheavals?
Choose the not-as-hateable —
“And which is that?” “Debatable.” —
of two evils.

Julie Steiner is a pseudonym in San Diego, California. Besides The New Verse News, the venues in which Julie's poetry has appeared in the past year include Literary Matters, Light, and The Asses of Parnassus.

MISSIVE FROM THE SISTERS FOR THE RECENTLY TRANSITIONED

by Morrow Dowdle

The Advocate, August 1, 2024

And we’ll be so happy to welcome you, dudes—

that is, ladies. See, we’ll all have something to get used to.  

It won’t be easy. That’s why we’ll be here waiting 

with warm towels, massages, restorative yoga. We get it—

I mean, we’ve been women forever.  

 

Try not to get right on Tinder. You’ve just lost a penis,

and that’s a big adjustment. But can you believe it—

you could have a baby—and it would be your choice only.

Legislation’s gonna change by a landslide

any minute, so strap on your helmets.

 

The right industries will boom—Planned Parenthood, 

subsidized childcare, gun restriction.  More lesbian bars 

will thrive across the nation. Policewomen will run 

at least half the stations, military will get right-sized 

by command of female generals. 

 

Lean on us, your human instruction manual. Some of you 

will arrive on your period. We’ve got goody bags full 

of organic, eco-friendly maxi pads. Cramps?  

Our medicine cabinet’s full of Motrin. Hot flashes?  

We’ve got a closet of portable fans. We won’t mind

 

if you obsess over your new breasts for a hot minute, 

but maybe do it in private. Don’t stare at the women

breastfeeding all over public. Who knows, maybe 

next summer, we can all go topless. Imagine 

all the softball leagues we’re going to create, 

 

the roller derby teams spinning in rented arenas. 

Consciousness-raising circles will ripple out, endless.

You’ll find a goddess beneath each revival tent. 

Oh, the tenderness you’re going to inherit, 

the spaces you’re going to inhabit.  

 

Don’t cry if the men leftover question you.  

Or cry, if you need to. You have no obligation 

to respond, but if you do, tell them 

that you did it for The People.  

Tell them you took one for the team.

Morrow Dowdle has poetry published in or forthcoming from New York Quarterly, Pedestal Magazine, Fatal Flaw, and Poetry South, among others. They have been nominated for the Pushcart and Best of the Net. They edit poetry for Sunspot Literary Journal and host “Weave & Spin,” a performance series featuring marginalized voices. They live in Durham, NC.

THE WAY WE WERE

by Steven Kent

Martin Rowson’s cartoon on the differing fortunes of Donald Trump and Rishi Sunak —The Guardian, July 3, 2024

"Rishi Sunak resigns as Tory leader as well as PM after election defeat" —The Guardian, 5 July 2024

A leader says, "The vote was clear;
It's time for me to disappear.
To my successor, luck and cheer."
Remember when we had that here?

Steven Kent is the poetic alter ego of writer and musician Kent Burnside. His work appears in 251, Asses of Parnassus, Light, Lighten Up Online, The New Verse News, Philosophy Now, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, and Snakeskin. His collection I Tried (And Other Poems, Too) was published in 2023 by Kelsay Books.