DO NOT

by Devon Balwit

after Timothy Snyder’s On Tyranny: Twenty Lessons from the Twentieth Century

Cartoon by Custodio.

Do not
 
check the box saying I agree when you haven’t
read the terms, nor put an I believe sign in the front
yard while the yardless are being hauled out the back,
nor assume threat ugly rather than urbane and slick,
nor think one must sloganize to fight (for a lone wag
can be sufficiently ironical to shake the dog),
wor forget the power of art to move unfettered
by a common style, nor worry you must do it better
even to begin, nor avert from sure embarrassment—
for nothing embarrasses more than the human predicament—
our minds in compostable bodies, seeking the light
in the brief blip between birth and night.
Do not obey evil in advance, die
before you’re dead, or—worst of all—refuse to try.

 

Devon Balwit walks in all weather and edits for Asimov Press, Asterisk Magazine, and Works in Progress.

TERRITORIAL DISPUTES

by Karen Olshansky

Marin spotted owl population under threat from newcomers. Proposed government strategy seeks to eliminate invasive barred owls. —Marin Independent Journal,  October 10, 2023.

The Barred Owl with its stoic demeanor chest puffed feathers
perched in wooded river bottoms or swamps poked with trees
sit staunchly like the dead wood where they perch
guarding, watching with still eyes, baritone song filling the forest

who cooks for you who cooks for you who cooks for you

sometimes silent in search for food and prey 
the Spotted Owl an innocent target
brother eating sister attacks, the cruelty of nature
birds mirror the disregard for one of their species

uncaring, mean, violent,
nature wins over evolution
that calls for reason, kindness, compassion
instead of the entrapments of violence 

a world driven by base instincts
of brains riven with ripping out each other’s
identity, that fear replacement,
smoke obscuring humanity.

Karen Olshansky lives in Marin County, California with her husband and a well fed Koi named Pickle Face. Dismayed by our world gone mad, she writes poetry in order to maintain her sanity. Her work has appeared in The Literary Nest, Tuck magazine, The News Verse News, and the anthologies: Lingering in the Margins, Unsealing Our Secrets, and Unspoken.

THINGS I DIDN’T DO WITH THESE EYES & THINGS I DID

by Gil Hoy

The Witness by Matt Paw

1.

I didn’t witness the iceberg-flanked passageways of Antarctica, didn’t spot a kangaroo giving birth to a joey, didn’t see the Beatles live, didn’t descry a proton or an electron, didn’t read all the best books, didn’t see my best friend’s wedding, didn’t read the physics texts that my father taught, didn’t see the world explode in a thermo-nuclear war, didn’t witness democracy crash and burn as of yet, didn’t watch the last polar bear step off the last piece of melting arctic sea ice and drown, didn’t spot God, and didn’t see any sign of Jesus. Instead, I squinted and stared, focused and buckled down, and managed to

                                                                                                              
2.

See a hummingbird at my feeder fly close to my face, spilled tears with them, closed them in rooms filled with smoke, closed them in rooms filled with bigotry, opened them when instructed to do so, opened them when I couldn’t see the forest for the trees, saw too many 100 plus degree days, saw a police officer put his knee on a man’s neck, saw a criminal become President, saw sycophants flatter him, saw the brainwashed follow him, saw Republican challengers afraid to challenge him, saw his fingerprints taken, saw a mugshot taken, and generally witnessed the greatest threat to American democracy since the founding of the Republic with no way yet to see with what effect and what result.

Gil Hoy is a Best of the Net nominated Tucson, Arizona poet and writer who studied fiction and poetry at Boston University through its Evergreen program and The Writers Studio in Tucson, Arizona. Hoy previously received a B.A. in Philosophy from Boston University, an M.A. in Government from Georgetown University, and a J.D. from the University of Virginia School of Law. Hoy is a semi-retired trial lawyer. His poetry and fiction have previously appeared in Bewildering Stories, Literally Stories, Tipton Poetry Journal, Unlikely Stories Mark V, Chiron Review, The Galway Review, Right Hand Pointing, Rusty Truck, Mobius: The Journal of Social Change, The Penmen Review,  Third Wednesday, Last Stanza Poetry Journal, The New Verse News, and elsewhere.

WARNING SIGN

by Diane Elayne Dees

The sign is hard to miss,

as shoppers cross 

the parking lot to buy

t-shirts, groceries, toys,

bath towels, cosmetics.

The sign next to it 

is even bigger, and 

just as serious, warning

patrons that abuse of any kind

toward staff will not be tolerated,

and that law enforcement

will be notified. Maybe someday,

those signs will appear normal—

the new normal, that assumes

that we are all under threat of attack

at every moment in any place.

Or maybe someday, 

in a parallel universe, 

it will be normal not to carry

shotguns and knives on errands,

or—in a different galaxy—

normal to treat people with respect.

In the meantime, every time I pass,

I wonder about the little girls and boys

—already anxious, already frightened,

clinging to their teddy bears—

I wonder what must have happened

inside that glass-enclosed pediatric clinic,

and I wonder what will happen next.

Diane Elayne Dees is the author of the chapbooks Coronary Truth (Kelsay Books) The Last Time I Saw You (Finishing Line Press), and The Wild Parrots of Marigny (Querencia Press). Diane, who lives in Covington, Louisiana, also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world.

MULCHING LEAVES

by John Minczeski 

It’s an asterisk in the middle of the day; 

it’s the dust filtering through the mower’s bag, 
the shimmer I wade through that collects 
on my jeans, in my lungs; it’s me piling 
the partially digested leaves on raised beds, 
next July’s harvest a universe away.  
I want to say grass storm and 
rain delay over red maple leaves 
like a priest giving benedictions.  
Every day it’s the coming elections.  
Ads warn of the worst. I’ve come to  
expect the worst. It’s the mower  
spitting leaves into the bag, 
leaving a widening strip of green.  
Such a solemn inhalation, this dust.  
Incense, and a threat of silence.  

John Minczeski is the author of "A Letter to Serafin" and other collections. Poems have appeared in The New Verse News, One Art, Tampa Review, Harvard Review, and The Saint Paul Almanac. Minczeski, who lives in St. Paul, has taught in poets in the schools, at The Loft Literary Center, and at various colleges around the Twin Cities.

THINKING OF MIGRANT DETENTION CENTERS WHILE ON LINE FOR THE SIMPSONS RIDE AT UNIVERSAL STUDIO

by Alejandro Escudé

A Wednesday, early July, and the line is over an hour long
for the ride at the kitschy, Hollywood theme park
based on Bart, the lovable, ironic, cigarette-shaped prig
whose story lines challenge the very economy that swindled
the crowd to pay hundreds of dollars to sit in a shaky vehicle
while images of a roller coaster create a roller coaster.
On a wall, a sign reads: max capacity 1023, and right behind me
a Mexican family speaks Spanish while they’re seven-year-old
stares up at me with big, luminous, and questioning eyes.
He could be one of those confined to cages at the border, his mother too,
and his aged father with the cracked, bemused smile. Hundreds
are gathered here. It could be the detention center itself; the heat,
standing-room only, the fussed-with chains meant to hold us in place.
There’s a strained happiness, but as the line meanders that happiness
fades into boredom and even to the hint of dicey mob anxiety;
we wind around one room then wind in another. I comprehend
the Mexican family, yet the lilting accent begins to grind in my ears.
I don’t like what they sound like. I don’t want them behind me,
and the father has thrice bumped into my backpack in which I carry
a water bottle and my daughter’s cap, a gaudy thing displaying
a bling-ed-out American flag. It’s a mass of snaking families, many
are foreigners actually, come to see and taste and touch
the America America sells abroad. But it’s now late in the day,
and I’ve grown tired of the French, with their self-assured le français,
the Chinese groups who jolt into you moving to and fro in the line,
the out-of-state whites, fathers with blurry, meaningless tattoos,
the stone-faced, beefy mothers with sunburned, thick, freckled arms
and their giant sons, who are always trying too hard to be funny,
the triads of pretty teenaged girls, maybe local, wearing
denim shorts so small they barely veil their immaculate vaginas,
firm buttocks bulging out from below the frayed threads.
I think back to the mothers, fathers, and kids in detention centers,
the lawyers and senators gawking at them, inhaling the human stench
of days on end without proper hygiene care: piss, shit, and sweat.
Here, in the line, it smells of sweat too, sweat and ratty impatience.
Homer helps himself to a frothy beer mug, Bart whips out a snarky comeback,
and Marge floats into the scene, deeply flawed yet motherly,
a cartoon version of Mother Mary—the three of them holy in their hilarity.
Krusty the Clown—the greedy villain, the threat that threatens us all.
We board a claustrophobic vehicle, lower the snug safety bar,
and below appears a field of fluorescent, Springfield palette hellscapes
we fall breathlessly toward then rise (we believe) abruptly from.


Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

IN THE FALLING DARK

by Devon Balwit 

Sheree Rumph of San Antonio prays over two of the 26 crosses erected in memory of the 26 people killed in a shooting in Sutherland Springs, Texas on Monday, Nov. 6, 2017. The shooting took place during a Sunday service at the Sutherland Springs First Baptist Church. (Jay Janner/Austin American-Statesman via AP via The Times-Picayune, November 7, 2017)

Each day I take my little target and go out.
I cling to my petiole—call it life—
I hope for no storm, no rending gust,
no one with a gun, a grudge, a common truck.

I cling to my petiole—call it life—
I shield its flicker with my hand, invite in
no one with a gun, a grudge, a common truck.
I wring the last green from my short day.

I shield my flicker with my hand, inviting in
only beauty, only the heroism of the ordinary.
I wring the last green from my short day.
I close the door on threat. I turn inward.

Only beauty, only the heroism of the ordinary,
please, people—not invective, not hate—
Close the door on threat, turn inward.
Listen to the breath and find the vital.

Please, people—not invective, not hate—
the human world is so late. It’s dusk.
Listen to the breath and find the vital.
I try. Every day, I’m a beginner.

The human world is so late. It’s dusk.
Each day, I take my little target and go out,
I try. Every day, I’m a beginner.
I hope for no storm, no rending gust.

Devon Balwit is a writer/teacher from Portland, OR. Her poems have appeared in TheNewVerse.News, Poets Reading the News, Rattle, Redbird Weekly Reads, Rise-Up Review, Rat's Ass Review, The Rising Phoenix Review, Mobius, What Rough Beast, and more. The author thanks Bruce Cockburn for the title of this poem.

THE PROBLEM OF WHITENESS

by Darrell Petska

Snow-covered Abraham Lincoln
statue in front of Bascom Hall
 Photo by Jeff Miller, University
of Wisconsin-Madison Photo Library.

Republican legislators in Wisconsin are threatening to reject the University of Wisconsin-Madison's requests for additional state funding unless an elective course they find offensive is cancelled and its professor is fired. Rep. Dave Murphy, chairman of the Wisconsin Assembly’s Committee on Colleges and Universities, told the Milwaukee Journal Sentinel he believes the course “The Problem of Whiteness” contributes to “the polarization of races in our state.” —Slate, December 22, 2016 

Some rubes in America's Dairy Stand
say U'd better teach just what they command
or they'll wave their Nazi luger
i.e. hold back on their lucre—
curdling Dairy into the New Reich Land.

Darrell Petska's writing appears in The Missing Slate, Whirlwind, Verse-Virtual, Mobius: The Journal of Social Change, previously in TheNewVerse.News, and numerous other publications. Darrell cut short his career as a university editor to be the arbiter of his own words. He lives in Madison, Wisconsin.

BUT HE'S WHITE

by Catherine McGuire

He had a fake federal air marshal ID in one pocket, a Ruger .380-caliber pistol in the other and was driving around Long Island with ballistic body armor and a loaded AR-15 assault rifle. He also had an arsenal of weapons at his gated home. But don’t worry folks, Mark Vicars wasn’t a threat to anyone, Nassau County officials insisted Friday. The amount of firepower is comparable to what terror couple Syed Farook and Tashfeen Malik had during the massacre they committed Wednesday in San Bernardino, Calif. “At this time we don’t see any immediate threat to the public,” Nassau County Police Department spokesman Det. Lt. Richard LeBrun told reporters. —NY Daily News, Dec. 4, 2015

Forget the guns – he’s not a dusky
son of some other soil.
Homegrown is American –
every blond mother’s son
likes to have a little fun.
The badge? Maybe leftover
from Halloween – no sweat.
We know what we’re looking for –
the profile is clear, and we’re not swerved
by accidental discoveries.
Give ‘em a break.
Everyone needs a hobby.

Catherine McGuire is a writer/artist with a deep interest in philosophy. Using nature as a mirror, she explores the way humans perceive themselves and their world. She has poems published in the US and abroad and has four chapbooks: Palimpsests, (Uttered Chaos, 2011) Glimpses of a Garden, Poetry and Chickens, and Joy Holding Stillness.

FLIGHT CHECK

by Lee Nash

A British Airways pilot has reportedly been left with significant damage to his eyesight after a “military-strength” laser was shone into the cockpit of his plane landing at Heathrow, in what appears to be the most serious laser attack to date in the UK. The pilot suffered a burned retina in his right eye and has not worked since, according to the head of the British Airline Pilots’ Association (Balpa). The incident has escalated concerns over the problem of laser attacks. Balpa claims that one in two pilots has been in a plane targeted with lasers in the last 12 months. . . . In the US, the Federal Aviation Administration said the number of incidents had grown steadily since it started collating information on laser attacks in 2005. More than 3,700 incidents have been reported in the US this year. —The Guardian, Nov. 23, 2015. Photograph: Steve Parsons/PA via The Guardian: A plane lands at Heathrow. 

You may think that the most important
piece of equipment on this passenger jet
is the undercarriage,
or the recently serviced turbofan engine,
or the locking mechanism on the cockpit door.
Or the enhanced GPWS,
or the pitot-static system.
You may be afraid that the flight director
will freeze,
that the rear pressure bulkhead is not airtight.
You may be concerned that human error will occur
over at control tower,
or you may be anxious
that the security check you just passed
to ensure no incendiary device is on board,
in some innocuous soda can, for instance,
has failed.
If there’s enough fuel.
If autopilot somehow flipped to descent.
When you’ve run through the list in your mind,
don’t forget to fret
about one more thing,
the two things that are actually flying
this crate,
two precise, acutely sensitive optical instruments,
and the left one just got fried
when someone in the rundown high-rise opposite
(bypassing every operational sensor
and every moral censor)
shone a military-strength laser
(through the cockpit, into the orbit of the eye,
though pupil, lens and vitreous body)
onto the pilot’s retina.


Lee Nash lives in France and freelances as an editorial designer for a UK publisher. Her poems have appeared or are forthcoming in print and online journals in the UK, the US and France including The French Literary Review, The Dawntreader, The Lake, Ink, Sweat and Tears, Orbis, Sentinel Literary Quarterly, The Interpreter's House, The Journal (UK), Brittle Star, The World Haiku Review, Black Poppy Review and Silver Birch Press.

AT A CONCERT BEFORE THANKSGIVING

by David Chorlton

Security forces stood guard on Rue des Bouchers, a street famous for its restaurants, on Monday in Brussels. Credit Stephanie Lecocq/European Pressphoto Agency via NY Times, Nov. 23, 2015

What happens far away
is audible in the pause
between movements:
                  the silence
of a transit system stilled, the rustling
curtains when somebody looks out
at troops in the street, asking
       does anyone appear suspicious?
              does anyone not?
The world stretched taut as a wire
ready to snap,
            ready to snap,
with cities shut down
and the news ticker telling us
to stay calm,
           stay calm,
the bomb is in our minds,
and it is,
      where nobody knows
               how to defuse it.


David Chorlton is a transplanted European, who has lived in Phoenix since 1978. His poems have appeared in many publications on- and off-line, and reflect his affection for the natural world, as well as occasional bewilderment at aspects of human behavior. His most recent book, A Field Guide to Fire, is his contribution to the 2015 Fires of Change exhibition in Flagstaff, Arizona.

COULD BE MORE TRAMPLED BY THE FEET

by Jim Gustafson

Schools and subways remain closed in Belgium today, with the nation’s threat level at the highest possible. —NY Times, Nov. 23, 2015; Reuters photo via BBC.

Could more be trampled by the feet
of beasts who walk the garden?
Could there be other nights that mourn
the passing of the graves?
It is not new dusk that wraps the world
It is the same rolled paper of the past,
pulled and torn and rolled tight again.
The pendulum digs a rut in time,
from open hand to fist. Duck the swing,
wait for knuckles to grow tired of bruises,
then you may grip, shake, and exchange
names. Until that time, let the unknown
push you deep within the cave
where only shadows of yourself dance.


Jim Gustafson teaches at Florida Gulf Coast University and Florida Southwestern State College. His first book of poems Driving Home was published by Aldrich Press in 2013. He live in Fort Myers, Florida, where he reads, writes and pulls weeds.

JE SUIS CHARLIE

by Mary R. Finnegan

Cartoon by Tom Tomorrow at The Daily Kos

I stand outside Notre Dame

quietly, for a moment of silence,

after a lifetime of silence.

Je suis Charlie

I write my rebuke in 140 characters

for the hashtag 

is mightier than the sword.

Je suis Charlie

I unite with all mankind

to strongly condemn

this horrific shooting

or whatever the masses are saying.

Je suis Charlie

I do all these things from over here,

and not too loudly, and only

among friends and infidels 

on the internet and possibly

with the saucy courage of alcohol

in a dark bar 

on a flag draped street somewhere 

in an undisclosed location

because I am only 

looking at blurred cartoons

and pixelated slaughter.

I am only in my pajamas

complaining of the cold

and the price of oil,

keeping my head 

below the parapet.

I am only 

wearing these boots

to wade through

the frigid streets because

Je ne suis pas Charlie.

For when the liar speaks

I do not wish to agree

so I say nothing

Je ne parle pas

when the threat is made

I do not wish to disagree

so I remain silent

Je me tais

for when prayer is called

I do not wish to offend

so I believe nothing

Je ne crois rien

because when the scimitar is raised

above my slender white neck

I do not wish to lose the head

that has done nothing

said nothing

believed nothing.

Non, Je ne suis pas Charlie.

I do not agree 

or disagree.

I do not offend.

I do not blaspheme.

Can you not see

I am on my knees?

Je ne suis pas Charlie.

Je ne suis personne.

Ça va.

Ça va, oui, ça va?

Mary R. Finnegan is an operating room nurse in the Philadelphia area who also writes poetry and short stories.