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Showing posts with label abuse. Show all posts
Showing posts with label abuse. Show all posts

Friday, June 05, 2026

MASS SHOOTING #14

  

VFW, 5200 block of Airline Road, Muskegon, MI, May 9, 2026 

 

“‘They’re shooting at the VFW!’ 911 calls detail chaotic scene at after-prom party.” —MLive, May 27, 2026

 

 

by Ron Riekki

 

 

 

“If I can reach at least one, then I’m doing my part.”

Ebony Davis (Gemini DaPoet)

 

They that have the power to hurt”

—William Shakespeare, sonnet XCIV

 

 
            i: Prescription

 
We need to cure this
goddamn gun disease.

 
            ii: Script
 
It’s the day after Memorial Day.  I’m so rural
the GPS seems confused, isn’t even sure what its three letters stand for.  I finally find
the mass shooting site—sad, hid, and all x’ed; it’s an old
building that reminds me of a bar in my hometown
 
when I was a boy, a bar my Grandpa buried himself inside, weekly;
it’s a VFW, has an axe-colored roof/awn, and its bin that’s a 
Boy Scout of America Troop 1023 U.S. Flag
Retirement Box
.  Across the street, a bed of
 
thick green, a feel like Eve and Adam, of no one
at all in this world, just a bug, a bee, a fly.  Not a dog, not a cow,
not a doe, not an elk, not a car
all day but mine.  Instead, as far as I can see, an eon of elm, fir, oak, ash.  Views I remember from my youth doing XC (cross-country).  It’s May.  The cry of sky, this place cut
 
by violence, the 911 call, an after-prom party,
police arriving just after midnight, on Mothers’ Day.  4 shot, 2 hit by the car, found by a cop lying in the street, “unresponsive” per police scanner, “multiple people down,” “patient in the road,” “30 to 40 shots” fired per audio, a 17-year-old girl “run over,” now in rehabilitation and “can’t walk” per FOX 17, and—fat chaos like grawlix—
a college football player named “Piggee” hit, now on crutches, “severed tendons” per WOODTV news, hit by the vehicle, tried to hop to the side to get away, but hit mid-air.
The calls of “GSW,” “GSW.”  Gunshot wounds.  “All vehicles” called.  Four shots.  E.R.
 
IV fluid resuscitation, x-ray, keep the patient warm.  Direct pressure.  The only way to stop the bleeding.
Just like politics.  How you have to put on direct pressure.
Sometimes, maybe often, too often, it feels we don’t even try to improve this world.
Crush injuries.  A vacuum effect at the point of entry, where debris
 
like bacteria, clothing, anything can enter the body, along with the bullet.
Bullets.  On parade.
Then the bullet ricocheting around inside the body, off bones, or,
if high-powered,
 
through bones,
if not, going in any direction, hitting lung, bone, vein, pons, nose, foot, guts.  Skin.  Hair.
And exit wounds larger than the entrance, spurting blood, arteries
that can spurt a foot-and-a-half, blood gushing in rhythm with the heartbeat,
 
children’s heartbeat, here, teens’ heartbeats,
there, at the prom after-party.
Red.
Kid.
 
Blood on dresses, on walls, on hands, on the floor, on the parking lot.
This mix of arterial bright red, venous dark red, capillary darker red.
Children’s blood.  We’re talking about children’s goddamn rushing blood.
I remember a paramedic telling me that when you see blood on the ground,
 
you’re seeing oxygen.  A pool of oxygen.  Hemoglobin transports oxygen.
Blood transports oxygen.  That’s oxygen all over the dress, wall, hand, floor, lot.
A lot.  They transport the children to the hospital.  Teens.  Tens.  Hundreds.  Thousands.
More than 17,000 children are shot in the U.S. every year.  Every year.  Every.  000!
 
This is America, guns
Childish Gambino.
go, go away
I stand there.  At the VFW.
 
In the sky, the dot of sun like a fire-
arm pointed at my eye.  I think
of the 1,000 people shot in Michigan in the last year
and where they were shot—in the hip, the ear,
 
the jaw, arm, toe.
R.I.P. posts.  Mom and
Dad sob, not a dry eye.
To die.
 
Thinking I need to eat, get something to drink.  Gin.
You know, I remember this loop I got into when I was
trying to learn the Hamlet to-be-or-not-to-be speech when I was
young:
 
To be, or not to be, that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep
No more; and by a sleep to say we end

 
And it is a loop—violence.  And I didn’t
have the text, wondered what I was doing
wrong, or if those words did, in fact, keep
going for infinity.  Imagine the actor on-
 
stage, trapped in that soliloquy, for hours,
for years, forever, talking about suicide
ideation.  To be or not to be or to be or not to be or to be or not to be or to be or . . .
All of this because of the four-letter word: guns.
 
There’s no one here to talk to.  Too rural.
Even the wind is absent.  I stare at the VFW.
When I go into buildings for the first time,
I honestly look for first-aid kit, the AED,
 
I once asked a stewardess where the AEDs were on the plane
and she treated me like a terrorist, asked why I’d want to know.
I couldn’t get the EMT out of my system.  She told me they’re
located both front and back, but, still, the whole time she acted
 
like I was Isis.  People are suspicious.  I went to a series of offices
at U of M to talk about the ten sexual assaults that happen
per month on campus, and the lack of mental health care
for students.  It was the same treatment, like I was vile,
 
as if the goal is no ally.  I keep asking why there’s so much
gun violence, and the solutions, everywhere I’ve gone, all of
these mass shootings in the last eleven months in Michigan
in order: in Flint, in Detroit, in Saginaw, in Kalamazoo,
 
in Grand Blanc, in Highland Park, in Saginaw again, in
Muskegon, in Flint again, in Detroit again, and in Detroit
again, in Jackson, in Grand Rapids, now in Muskegon again,
innocent children, innocent women, innocent men, talking
 
with me intensely in stores, in tents, in the streets, in early-night
dusk.  But what stands out is walking, then talking in Detroit,
taking my time talking to a group of black men where when
I asked about the root of the problem stunned me by saying
 
it’s childhood sexual trauma.  I couldn’t even believe
the honesty.  I kept that conversation going after leaving.  Searched.
Researched.  Found that one of three men have experienced sexual violence.
Why was this never mentioned once in my life before?
 
And worse, I talked to guy after guy after guy who couldn’t
get into therapy.  Especially veterans.  The wait list.  They’d
call and it would be wait list.  They’d try the V.A.: wait list.
They’ll call out in town: wait list.  How long would the wait
 
list be?  “We don’t know.”  I tried myself.  I called, literally,
more than thirty phone numbers listed online.  Easily more.
The answer: wait list.  Or “we don’t work with vets.”  And
one therapist who said that veterans are “too dangerous,”
 
that she has no problem “calling the police” on them, if she
“has to.”  I asked what she meant.  She said that they can get out
of line.  Except she doesn’t work with them.  ?  I asked if she does.
No, she said, but she’d work with the “level one veterans.”
 
I asked what that was.  She said level two and level three
veterans have too much trauma, so she only works with
level one vets.  The ones who are asymptomatic.
She’s really good, apparently, at working with
 
asymptomatic patients.  If you have absolutely no
mental health problems, she’s a phenomenal therapist.
Others pushed telehealth on me.  The majority did.
The therapists want to do therapy in their slippers.
 
The problem: telehealth is shit for complex PTSD.
It’s wonderful for minimal trauma, or no trauma,
but someone with childhood sexual trauma or
military sexual trauma or any sexual trauma
 
isn’t going to feel the most comfortable talking
on a computer, which can easily be hacked.
A friend of mine told me he can hack into any
email.  “Any.”  I asked how.  He said, “It’s easy.”
 
Easy.  Ease.  When I started to get into the thirties
for the calls, therapist office after therapist office
telling me that they had no availability, I realized
how brutal it is to get mental health care, and
 
that’s even when you have the money.  How
impossible it is to get in.  But how incredibly
easy it is to get cannabis in this town, to get
alcohol, all the people I talked to in Muskegon,
 
Flint, Detroit, telling me how simple it is to get
a gun, but how BRUTAL it is to get mental health
care.  The people on the other end of the phone
would actually laugh when I asked if they had
 
any availability.  One therapist told me she could
get me in, but I had to agree that she could video-
tape record all of my sessions.  Again, wonderful
if you have no trauma, if you want therapy due
 
to getting a D on your last report card, but if you
wanted to talk about the insane trauma that’s
so frequent in this world, especially trauma
that is hard to talk about at all, let alone with
 
a camera pointed at your face . . . When I refused,
therapist told me, “The camera on my laptop
won’t kill you.”  I felt this rage of adrenaline
through my body at how little she could under-
 
stand.  I started to tell her that computers can
be part of the trauma, told her that there are
things like cyberbullying and online human
trafficking and veterans who were forced to do
 
drone strikes, that computers in the military
can kill, that it’s—but she talked over me,
told me it was her rule, that it’s an absolute.
Of course, it’s a rule she’s making up.  Of
 
course, she doesn’t have to videotape us.
Of course not.  She hung up.  I think of the 22
veterans per day that kill themselves, hang
themselves, shoot themselves.  And then I thought
 
of the veterans who shoot others.  I wonder how
many of them were denied care.  I wonder how
many times they tried.  I wonder if people laughed
at them when they called and were told about
 
the wait list.  The wait list is just a wait list.
The wait list doesn’t factor in the level of trauma
of the person.  The wait list doesn’t look for
the factors of having parents with substance abuse
 
or your own history of substance abuse or if
you are a survivor of abuse or anything about
abuse.  It’s just a wait list.  They told me I could
always get emergency crisis help, that you can go
 
to the hospital, check yourself in.  They didn’t mention
what others have mentioned to me, which is that
the E.R. puts you on hold in an empty treatment bay,
a bay meant to drown you in waiting.  I did this once.
 
The wait was like ten hours before the EMTs ever came.
Then, once they came, they tied me to the gurney.
Did they need to?  No.  Was I compliant?  Yes.
I was depressed.  I wanted help.  Tied to the gurney,
 
there was nothing I could do on the ride to the psych ward
with the EMTs on the way making fun of me, complaining
about me, saying to me that the “suicidal” “waste” their “time,”
giving me a sick nickname I won’t repeat here, but one where
 
I wish my hands had been free, the total lack of ethics on their part,
the wish to wash my hands of that memory that got worse: when I arrived
to the ward where they gave me a bed, lying down on mattress in the dark
to find that it was covered in piss.  Piss on my face, chest,
 
arms, legs.  I could smell it, felt it, got up, turned the light on
fast, saw it, went to the front desk worker and told him
and he didn’t believe me, went to the bed, realized it was true,
told me he’d give me another bed.  I said I needed to shower.
 
He said I couldn’t.  It was after hours.  Said I could in the morning.
I was covered in someone’s piss.  I begged him.  He said
there were rules, that he didn’t make the rules.  I’d just been
mocked for the entire ride there, and I remember that smell
 
all over my face, my body, standing in a hallway, begging
this man to let me shower, begging him, pleading.  Please.
I’d went to them for help.
No, I told the woman on the phone, no, I’d rather die
 
than go back there.  I worry there is an underestimation
of the violence done to men.  I remember talking with
some women, fellow writers, at a sports bar after workshop
and the conversation got to violence against women, so I thought
 
I’d shut up, lean back, listen, and when I removed myself,
observed, I realize this passionate conversation, their disgust
at violence directed at women, but, leaning back, I saw
all of these TV sets on the walls, dozens, all over the bar,
 
and on the screen, these two men, two boxers, just beating
the hell out of each other, blood, blood, and the bar exploding
into applause at this, and the absence of recognition of this,
as it was sport, fun, ignored, or, no, not ignored, but explored,
 
applauded, worshiped.  I wonder, sometimes, if the way
we reduce violence against women is to reduce violence
against men.  The link.  I know I’m not allowed to say that.
But I don’t care.  Meaning I care deeply.  I think it’s helpful
 
to say it.  If a woman ever says she was abused, believe her.
A hundred percent.  But the system is set up where men
can’t bring it up.  Men have told me of finally opening up,
talking about their sexual abuse in therapy and the therapist
 
silent, listening, the man bawling, getting the story out,
and as soon as he’s done, being asked, “Did you do that
to anyone?”  Where men can only be seen as abusers.
Never as victims (even when they are).  I’ve heard stories
 
of men bringing up sexual trauma and the therapist ignoring it
or him hinting at it and the therapist missing the hint.
Or of calling the RAINN hotline (the Rape, Abuse, &
Incest National Network) and being hung up on, being
 
told it’s not for men, being told they should call a different
number (then given that number to only find out it doesn’t
exist or there’s no answer).  T. Charles Brantley on
the Men Need Love Too podcast with Kat Anna
 
talks about how “3/4 of all suicides are men, and I think
sexual abuse is the reason.”  I worry that abused men
who can’t get mental health care turn to drugs, alcohol,
cannabis, porn, gambling, turn to trauma repetition where
 
they don’t heal, can’t heal.  Instead they drown.  Where
the incarceration system is thirsty for their bodies.
The estimate is that one million men have been sexually
abused in the prison system in the last decade.
 
And that’s the system where we send people with trauma.
To create more trauma.  And the estimate is that one million
men have been sexually abused in the military in the last
decade.  There’s more than 100,000 veterans in prison.
 
I’m worried we’ve created a silent system of sexual violence
against men and that silent system, because of its silence,
is the catalyst, the center for violence against women.
When I worked with survivors of torture, I found that
 
there are four global torture systems: police brutality,
incarceration, gangs, and the military.  Those are the four
systems that practice torture globally.  And more than 150
countries practice torture.  The wealthier countries, in
 
particular.  Police, prison, gangs, wars—that’s the torture
system.  And more than 90% of police brutality happens
to men.  More than 90% of those incarcerated are men.
More than 90% of gang members are men.  More than 90%
 
of veterans are men.  And I never hear about sexual violence
against men.  It’s silenced in the way that torture silences.
It’s silenced in the way that death silences.  Therapy
offices need to start having more accountability.
 
I know therapists who can’t get referrals, who can’t
survive financially, the therapy offices understaffed,
under-paying, and under-trained for trauma, author Mic
Hunter in Abused Boys stating that 95% of therapists
 
say they do not have enough training in sexual trauma,
and for male clients, it can be no training.  At all.  But, yet,
we have astounding ease of access to porn, to drugs, to alcohol,
to guns.                                                                       #$%&!
 
 
            iii: Postscript: they can’t kill words

 
To repeat: We need to cure this goddamn gun disease.
I’m not holding back, because I have nothing to lose.
I have no kids, no significant other.  I have this body.
I have a voice.  Like Alex Honnold, my amygdala gone
from being in two branches of the U.S. military,
from working on ambulances, working in the prison
system.  It’s impossible to get a creative writing gig.
I’d rather give my life to writing, rather than quit.
I challenge the poets out there: go to the events in
your city and cover them like journalists.  Don’t hide.
Write.  But don’t just observe the news; get deep inside
the news.  Write from that perspective.  Force your way in.
 I respect poets.  I respect you.  Now, Jesus Christ,
 get deep into this madness and give us your voice.
 
 
Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice

Wednesday, November 26, 2025

THE BOOK OF QUIET GIRLS WHO BURN

by Linda K. Sienkiewicz



To the pediatrician who insisted on taking a rectal temperature with me across his knees,
To the pediatrician who tweaked my nipples during a physical,
To the neighbor’s grandfather who worked his fingers into my shorts,
To the stranger in Woolworth’s who grabbed my hand to rub against his crotch and ran,
To the boy who called me into the pool for one last swim and tried to drown me,
To the mechanical drawing teacher who rubbed his elbow against my breasts while checking my work,
To the employer who told his female, high-school-aged staff that whoever got the most sales would win an overnight date with him,
To the guy who raced his car through town while I screamed for life from the passenger seat after I said I was breaking up with him,
To the recruiter who told me to wear a short skirt to the job interview,
To the hiring manager who instructed waitress applicants to go heavy on makeup,
To the neurologist who sat on the arm of my chair, pinning me there in nothing but a hospital gown, while discussing my options,
To the employer who gave me a gold necklace but told me never to wear it at work,
To the guy who date raped me in a warehouse loft,
To the guy who parked in the woods and shoved my head into his crotch,
To the guy who said he should rape me after I broke up with him,
I remember every one of you.
Quiet. Quiet piggy.


Linda K. Sienkiewicz is the author of the multi-finalist award-winning novel Love and Other Incurable Ailments, forthcoming novel In the Context of Love, five poetry chapbooks and a children’s picture book. Among her awards are a poetry chapbook and a Pushcart Prize Nomination in poetry. She holds an M.F.A. in Creative Writing, and serves as Honorary Director of Detroit Working Writers.

Friday, September 05, 2025

BEATRICE'S TURN

by Michelle DeRose



Beatrice (a Portrait of Jane Morris) by Dante Gabriel Rossetti (1828-1882)



If poets are the unacknowledged 

legislators of our world, then may

their list come out as a sonnet,

an epic, an elegy for their lost

childhoods. They have more cause

than Dante to assign names

to descending rings. Only in dreams

and nightmares have sinners paid,

limbs frozen in impotent angles

like bent wisps of straw, forced

to face forever through lids locked

on open how their flesh partook in fraud.



Michelle DeRose lives and writes in Grand Rapids, Michigan. She is Professor Emerita of English at Aquinas College, where she sometimes used her specialty in epic poetry in her teaching. Every new nation/kingdom/regime established in an epic is built upon or requires the destruction of another.

Tuesday, November 12, 2024

WELBY

by Mike Mesterton-Gibbons


The archbishop of Canterbury, the Most Rev. Justin Welby, on Tuesday announced his resignation, days after a report concluded that he had failed to ensure a proper investigation into claims that more than 100 boys and young men were abused decades ago at Christian summer camps. —The New York Times, November 12, 2024



Welby may have seen faith as the key 
English Church teaching: faith means to be-
Lieve what cannot be seen—
But does not also mean
You can then not believe what you see!


Mike Mesterton-Gibbons is a Professor Emeritus at Florida State University who has returned to live in his native England. His acrostic poems have appeared in Autumn Sky Poetry Daily, Better Than Starbucks, the Creativity Webzine, Current Conservation, the Daily Mail, the Ekphrastic Review, Grand Little Things, Light, Lighten Up Online, The New Verse News, Oddball Magazine, Rat’s Ass Review, The Satirist, The Washington Post, and WestWard Quarterly.

Friday, July 19, 2024

EPITAPH FOR ALICE MUNRO

by Gifford Savage


My stepfather sexually abused me when I was a child. My mother, Alice Munro, chose to stay with him. In the shadow of my mother, a literary icon, my family and I have hidden a secret for decades. It’s time to tell my story. —Andrea Robin Skinner, Toronto Star, updated July 15, 2024. Photo by Steve Russell.


We mourned her passing,
those of us eclipsed by her shadow,
who place words on pages
in vain attempt to come close 
to her masterful levels of wit,
humour and care.
Amongst the greats of short-story fiction,
she was honoured and celebrated,
commemorated in glowing eulogies.
Lifted to the heights of genius
in obituaries dwelling on achievement.
Perhaps we can understand
why they didn’t mention the unmentionable,
those writers who loved her words so much,
for whom Her stories are life itself.
A month later it all fell crashing down to earth. 
What the tributes had carefully left unsaid,
what they had known since the verdict in 2005.
This mother who wrote so powerfully
about the complications of everyday life,
who wrote from a feminine perspective
of girls and boys, of men and women—
while all along, beyond the pen and page was
the guilty abuser she protected,
the dirty secret held close,
the terrible reality denied,
the Nobel prize gathering dust,
the little girl she had betrayed,
no longer a child, bravely breaking her silence—
along with our delusions of greatness.

Gifford Savage is from Bangor, Northern Ireland. His poetry has been published in various journals, including The Storms, The Bangor Literary Journal, Lothlorien Poetry Journal, Agape Review, and previously in The New Verse News. He was included in the Community Arts Partnership anthology "Across the Threshold," has performed his poetry on local television station "Northern Visions TV," and was winner of the Aspects Festival Poetry Slam 2022.

Wednesday, May 22, 2024

SOME OF THEM ARE BRAVE

by Lynn White




Medical workers in Israel have told the BBC that Palestinian detainees from Gaza are routinely kept shackled to hospital beds, blindfolded, sometimes naked, and forced to wear nappies – a practice one medic said amounted to “torture”. —BBC, May 21, 2024


Everyone knew it was happening
the unheard story
the tens of thousands dead,
the millions displaced,
the decades of rubble,
the destroyed schools.
hospitals, universities
everyone knew.

Everyone knew it was happening
the unheard story
even though the journalists were dead
or expelled and banned
everyone knew.

Everyone knew it was happening
the unheard story
of the hundreds
or thousands,
or tens of thousands
who had disappeared
uncharged with any crime
or misdemeanour
everyone knew.

Then three Israeli workers
blew their whistles loud
and everyone heard
what everyone knew.

Now the trick is to listen.


Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality and writes hoping to find an audience for her musings. She was shortlisted in the Theatre Cloud 'War Poetry for Today' competition and has been nominated for a Pushcart Prize, Best of the Net and a Rhysling Award. Her poetry has appeared in many publications including: Apogee, Firewords, Peach Velvet, Light Journal, and So It Goes.

Monday, July 24, 2023

AN OPEN LETTER EXPLAINING ELEMENTS OF OUR NEW, IMPROVED, AND DECIDEDLY UNWOKE CURRICULUM

by Dick Westheimer




Dear Parent,
 
We believe in children. We believe 
in padded playgrounds and unscuffed knees 
and helmets and a bubble wrapped curriculum 
lined with velvet and free from troubled ideas.
 
We believe our teachers should teach
like painting and planting for their personal benefit,
that residents of Auschwitz knew the trick of how 
to lose weight and look so fit, that members 
of the Five Tribes, removed for their own good, 
 
We believe those seeking refuge (whose boats 
overturn) might learn to swim, that those 
with black-lung get to sit in front of their TVs
in their BarcaLoungers with their very own 
government issued oxygen tanks, that Catholic 
boys get personal tutoring in anatomy from 
respected men in their white collared shirts, 
that trafficked girls get to travel the world 
and meet new friends.
 
We believe children should learn nothing
about those pre-teens head-bent in sweatshops
sewing their shoes, or two-year-olds toddling 
in electronics junk yards recycling their PCs
or tweens armed and taught to harm their kin. 
 
We do this for you, dear parent 
because, we are committed to protect 
you from Judgement Day when 
Johnny or Susie asks what 
you could have done and why, 
dear parent, you didn’t. 


Dick Westheimer lives in rural southwest Ohio. He is a Rattle Poetry Prize finalist. His poems have recently appeared in Whale Road Review, Innisfree Journal, Gyroscope Review, Banyan Review, Rattle, Ritual Well, One Art, and Cutthroat. His chapbook A Sword in Both Hands: Poems Responding to Russia’s War on Ukraine is published by SheilaNaGig.

Tuesday, June 20, 2023

THE SAGA OF AN ABANDONED PUNJABI BRIDE

by Vivek Sharma



They Married for a Life Abroad. But They Never Saw Their Husbands Again. —The New York TimesJune 14, 2023.

 

Thousands of brides in India are being abandoned by their British Indian husbands after they are married. Despite this, there is evidence to suggest that Indian women are continuing to fall for British suitors. —BBC NewsNovember 23, 2009.



In Candana, England, called Vilayat,
      My husband abides alone,
                   or with another,
he visits me sometimes in winter,
       some years, not at all,
                   and I live with his mother.

I am a middle-aged Punjabi dreamer,
      I practice English at home,
                tears smudge my notebook.
He promised me a visa and visits,
      but what if they were gambits
                 to freehire a family cook?

Jede Chadd ke chal gaye ne,                                       
         Mawan, dhiyan, khetran, gawan nu,                     
Undi raah kyun takdi aye,                                              
kyun aaun ge o tainu le jawan nu?                              

 

Those who have abandoned mothers,
         fields, daughters, villages, and gone,
Why do you wait for their return?
        Why would they take you along?


Occasionally, he calls from Vilayat,
       sweet-talker, whiskey breath,
                  I crave his love and sweat,
I rage, and he lends me an ear,
      tells me he hates it there,
                but says he hasn't made it yet,
I feel fallow, tell tales to my buffalo,
     she moos at my discontent
              and the choleric of my kith and kin,
prevents me from calling him a rogue,
     though he has left me to wither here,
             though he has left me alone.

Jede Chadd ke chal gaye ne…                                       
        Those who have abandoned us and gone…

Throughout Punjab, we are scattered,
        throughout Punjab, we are alone,
        why did you wed us?
        Why did you leave our home?
What good is the foreign penny,
       slavery of foreign tarts and pimps?
       Come back, o black-hearted,
       Come back to our sweet home.

Jede Chadd ke chal gaye ne,                                       
         Mawan, dhiyan, khetran, gawan nu,                     
Undi raah kyun takdi aye,                                              
kyun aaun ge o tainu le jawan nu?                               

Those who have abandoned mothers,
         fields, daughters, villages, and gone,
Why do you wait for them?
        Why would they return to take you along?

Your forefathers fought invaders,
       never quit, never let their land go,
kept heads high in proud turbans,
       never balked or gave their women woe.
“O Ranjheya, your banter: how do you translate it?
      Your Punjabi heart-to-heart: how do you communicate it?
Are you legally there? Are you really there?
      We are aging. We'll die. When will you ever make it?”

Jede Chadd ke chal gaye ne…        

                             Those who have abandoned us and gone…

But what can I say, had you stayed back,
       I would have urged you to leave,
when destiny calls with dollar bills,
       staying back for mud-dung is grief.
But I was wrong, marjaaniyan
      
how I wish he were never gone,
I know he must be more miserable,
      at least I am in my home,

What pagli is this 'lady',
      lives in a world of make-belief,
if the bride was ever worthy,
     why would the groom ever leave,
But tell me what I must do,
     but tell me where I can go,
In this dust, I must live and die,
    maybe after death, reunite in a Canadian home.

Jede Chadd ke chal gaye ne...                                       

Those who have abandoned us and gone…



Vivek Sharma's first book of verse, Saga of a Crumpled Piece of Paper (Writers Workshop, Calcutta, 2009), was shortlisted for Muse India Young Writer Award 2011. His work in English appears in Atlanta Review, Bateau, Poetry, The Cortland Reviewand Muse India, among others while his Hindi articles and verses appear in Divya Himachal (Hindi newspaper, India), Himachal Mitra, and Argala. Vivek grew up in Himachal Pradesh (Himalayas, India), and moved to the United States in 2001. Vivek is a Pushcart-nominated poet, is published as a scientist, and he lives and teaches chemical engineering in Chicago.

Monday, May 01, 2023

WARNING SIGN

by Diane Elayne Dees




The sign is hard to miss,
as shoppers cross 
the parking lot to buy
t-shirts, groceries, toys,
bath towels, cosmetics.
The sign next to it 
is even bigger, and 
just as serious, warning
patrons that abuse of any kind
toward staff will not be tolerated,
and that law enforcement
will be notified. Maybe someday,
those signs will appear normal—
the new normal, that assumes
that we are all under threat of attack
at every moment in any place.
Or maybe someday, 
in a parallel universe, 
it will be normal not to carry
shotguns and knives on errands,
or—in a different galaxy—
normal to treat people with respect.
In the meantime, every time I pass,
I wonder about the little girls and boys
—already anxious, already frightened,
clinging to their teddy bears—
I wonder what must have happened
inside that glass-enclosed pediatric clinic,
and I wonder what will happen next.


Diane Elayne Dees is the author of the chapbooks Coronary Truth (Kelsay Books) The Last Time I Saw You (Finishing Line Press), and The Wild Parrots of Marigny (Querencia Press). Diane, who lives in Covington, Louisiana, also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world.

Monday, March 20, 2023

THE TALE OF THE HORSE'S ASS

by Samantha Pious




In times of old (but not so old

as Greece or Rome, nor yet, I’m told,

so recent as the Renaissance)

disaster struck the realm of France:

war with England, war with Flanders,

the king’s own family prone to scandals,

mounting deficits, inflation,

civil strife, unjust taxation,

the summary burning at the stake

of enemies of church and state,

the persecution of the Jews... 

in short, the usual abuse.

But, worst of all, the royal court

was currying favor with—a horse!

This horse’s coat, it’s strange to say,

was neither chestnut, brown, nor bay,

sorrel, black, white, brindled, gray,

nor any color known today

in France or the U. S. of A.

From head to hoof, this horse was orange.

Most people viewed it with abhorrence

but some decided (whether they

grew foolish or were born that way)

to fatten it on oats and hay,

to pander to its every neigh, 

to stroke its coat with brush and comb,

to let it make itself at home 

behind the lofty palace walls,

to clean its hooves, muck out its stall... 

all in the hopes that it would give

its friends a handout. Which it did!

Sporadically, it would provide

good luck in spades. It also lied.
It lied about the coming plague.

It promised it would never raise

our taxes. It would drain the swamp.

With utmost circumstance and pomp,

it would transform mice into men.

The nation would be great again.

Ah, what a gallant, noble steed!

And it was lying through its teeth.

This orange horse (of yellow mane)—

tell us, Muse, what was its name?

Was it Fauvel, the word for “fable”?

Was there a placard for the stable

genius? Come Judgment Day,

when every horse is called to pay

its debts, say, when they sound the trump,

who will be driven by the rump

down to the fiery pits of Hell?

Say, who but Tr——I mean, Fauvel?



Samantha Pious is a poet, translator, editor, and medievalist with a PhD in Comparative Literature from the University of Pennsylvania. "The Tale of the Horse's Ass" is inspired by a  14th-century French and Latin satire, the Roman de Fauvel, which really does feature an orange horse as its anti-hero.