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Showing posts with label misogyny. Show all posts
Showing posts with label misogyny. Show all posts

Wednesday, July 31, 2024

THE FEARED GENERATION

by Colin Dardis


Plans to tackle misogyny in schools could take up to 20 years to have an impact on society, the safeguarding minister, Jess Phillips, has said as she outlined measures to protect women and girls. Phillips spoke the day after the National Police Chiefs’ Council (NPCC) estimated that 2 million women were victims of violence perpetrated by men each year in an epidemic so serious it amounts to a “national emergency.” —The Guardian, July 25, 2024


Fear for a lost generation,
already losing itself
inside a national emergency,

the beartrap of masculinity 
lying in wait
on every fresh field.

But who needs teeth
or blade or object
when a fist is enough?

Hands closed by culture,
clenched by mistruth,
the lie of servitude.

Pray we can reform
the expectations
of millions:

divorce boy from incel,
girl from object,
violence from sex.


Colin Dardis is the author of ten poetry collections, most recently with the lakes (above/ground press, 2023) and What We Look Like in the Future (Red Wolf Editions, 2023). A neurodivergent poet, editor, and sound artist, his work has been published widely throughout Ireland, the UK and USA.

Tuesday, October 05, 2021

CIRCUS

by Imogen Arate


Met Police officer Wayne Couzens has been sentenced to a whole-life term for the murder of Sarah Everard (above), in a case that sparked national outrage and calls for more action to tackle violence against women. Couzens admitted the kidnap, rape, and murder of the 33-year-old marketing executive when he appeared in court several months ago. But it was only during his sentencing that the full details of his crimes emerged. —BBC News, October 1, 2021


Don’t ask me to write a poem about her death
because there’ll be another before I can find
the perfect synonym that excites murders to titillate

Though I think we’ll be just fine with our hot
breath fogging up whichever screen that
protects our voyeurism as a news craze

Don’t look for nuance as there won’t be
hues apart from those that sell well
Misogyny has a target market like any

I mean do we really care about the loss
of peoples whose value we’ve decided 
to debase long ago except during

their assigned celebratory terms
How else can we virtual signal without
Ah sorry #Timesup For your month

I mean Not your demise Amphitheaters
must be filled Come come we’ve broken
through the boundaries of brick-and-mortar 

decades ago but bloodlust is evergreen 
And since we’ve dispensed with shame
only thumbs ups are allowed 

though we’ll deliver all the same 😉


Imogen Arate is an award-winning Asian-American poet and writer and the Executive Producer and Host of Poets and Muses (https://poetsandmuses.com), a weekly poetry podcast that won second place at National Federation of Press Women's 2020 Communications Contest. She has written in four languages and published in two. Her works were most recently published in Rigorous and The Opiate and on the Global Vaccine Poem project. You can find her @PoetsandMuses on Twitter and Instagram.

Wednesday, October 14, 2020

THIS IS NOT NORMAL

by Jeremy Nathan Marks 




I will not forget what happened earlier today/last night/yesterday/
last week/last month/last year/this past decade 

I will not un-hear “I can’t breathe” I will not un-see “I can’t breathe”
Now I can hardly mouth “take a knee” 

I will not overlook the seizing of children from the arms 
of their mothers and their fathers at the border
met with a jacket that said, I really don’t care do u?

I will not pretend there was no Merrick Garland 
Birtherism, “Lock Her Up,” “Commie,” “Monster” 
and “Nasty Woman” 

I won’t overlook Access Hollywood and Charlottesville 
Muslim Bans and “Stand Back/Stand By”

I do recall Russia, Ukraine, Roger Stone, Michael Flynn
William Barr, the emoluments clause, impeachment and tax returns

I won’t forget “Send Her Back” or ignore all those phoney words of outrage 
by Senators and Representatives who now walk in complete lockstep 
playing the country for fools with Judge Barrett and how “he’s learned his lesson” 

I will not un-see the Second Lady of the Commonwealth of Pennsylvania
accosted buying groceries, called the n-word because she’s of color 

I cannot reconcile how Covid became a “blessing from God” 
because the right man contracted it at a hugging party for a judicial coup d’état 

This is not normal
none of this is normal 
there is more to democracy
than just the news cycle
There is the world 
and our place in it 
there is a country, burning
This is not normal 


Jeremy Nathan Marks lives in London, Ontario. New work appears this fall in So It Goes, Boog City, Unlikely Stories, The Journal of Expressive Writing, The Last Leaves, Chiron Review, Dissident Voice, Ginosko, and Bewildering Stories

Friday, June 23, 2017

PARSING A BATTLE CRY

by Scot Ehrhardt


She was warned. She was given an explanation. 
Nevertheless, she persisted. Senator Mitch McConnell
Image source: Sharrock’s Blog


Virginia Woolf may have
momentarily occupied
your mouth,
Senator McConnell:
succinct declaratives
abuting an ornate
curleque of
nevertheless
—even the word alone,
a wild breath,
a skip step in an otherwise
ordinary gait—but it was more
than a whimsical lilt,
Miss Woolf layered in you
tricolon and parataxis,
asyndeton and omission
of the auxiliary verb
on the third of the triple.
You are a cautionary tale
of the danger
in cadence,
and when the granular
whisper of persisted
dissipated in the
velvet and mahogany,
the women knew,
the tattoo artists and
journalists knew, and Miss Woolf
did something so extraordinarily
unlike her
that elbow-patched
professors everywhere
had to google
what she looked like
when she smiled.


Scot Ehrhardt is a teacher and writer in Baltimore, MD. He writes poetry at an alarmingly slow rate, so it rarely appears in TheNewVerse.News. His first book One of Us Is Real is available through Smashwords, Inc.

Friday, January 20, 2017

A NATIONAL DAY OF MOURNING

by Mary Saracino



Poster by JessicaSabogal for We the People which will flood Washington, DC with NEW symbols of hope on January 20. You can download the set of posters for free at http://bit.ly/wtpdownloads.


I will wear black on January 20
a national day of mourning
while the collective soul of America
lets loose a dirge as an illegitimate president
takes the oath of office
his place secured in history
by fake news, voter suppression
the deception of a foreign dictator
and his own brand of white supremacy
spewed from his bully pulpit of
racism, misogyny, xenophobia, homophobia
and every other kind of –ism the world has ever witnessed

On the next day the women of the world will don
pink pussy hats, take to the streets in cities far and wide
to march in protest, defying the fake king, the tyrant
in the Oval Office
reclaiming their vulva power,  the power to
procreate truth, to name evil, to smash
the glass ceiling of lies that tries to silence us


Mary Saracino is a novelist, poet, and memoir writer who lives in Albuquerque, New Mexico. Her most recent novel is Heretics: A Love Story (Pearlsong Press 2014). Her novel, The Singing of Swans (Pearlsong Press 2006) was a 2007 Lambda Literary Awards Finalist. Mary’s short story, "Vicky's Secret," earned the 2007 Glass Woman Prize.

Wednesday, November 16, 2016

NOSTALGIA

by Gil Hoy


Caricature of Steve Bannon for The New Statesman


Their homes, cone-shaped wooden
poles covered with buffalo hides.

Set up to break down quickly
in order to move to a safer place.

A reddish brown squaw sits inside of
one of them, adorning her dresses

her family's shirts with beads and quills.
She watches over her children, skins

cuts and cooks the buffalo meat, pounds
clothes clean with smooth wet river rocks.

But then she sees the blue cavalry
coming, she starts to run again.

Is that what made America great,
back then?

Negro families working hard on hot cotton
farms, sunrise to sunset, six days a week.

Monotony broken only by their daily beatings
by their singing of sad soulful songs.

Like factories in fields, dependent upon
the demands of cotton and cloth.

You could buy a man for a song,
back then.

Is that what made America great,
once again?

They say the full moon today is bigger
and brighter than it’s been in 69 years--

since Jackie Robinson played his first
big league baseball game.

But there are swastikas in our schools
today, gay pride flags being burned.

Whitelash. While those in government spew
anti-Muslim venom and rant of white power.

Just as the old new man at the top
gets set to solemnly swear, he'll
make America great again.


Gil Hoy is a Boston trial lawyer currently studying poetry at Boston University through its Evergreen program where he had received a BA in Philosophy and Political Science. Hoy received an MA in Government from Georgetown University and a JD from the University of Virginia School of Law. He served as Brookline MA Selectman for 4 terms. Hoy's poetry appears or is upcoming in Right Hand Pointing-One Sentence Poems, The Potomac, Clark Street Review, TheNewVerse.News and The Penmen Review.

Saturday, October 22, 2016

IMAGINE

by Janet E. Aalfs

Throw pillow cover by society6.


She, as you.
She, as I.
Even the one

who stands behind
cheering him on.
Will not, does not, cannot.

All the leaves, every color
and shape, every size,
old ones, young ones, sun-washed,

rain-lashed, turn in the wind.
We see them.
As she as you as I

fluttering, lifting, fall.
Light hidden on the undersides
silver-soft, then gone.

Even the one
who swears he'll fight for her.
Even she.

Would not, did not, could not.
Hear them, so close.
Though the wind in every wave

remembered it, told it, wept.
Tides calm to raging
turned and turned and yet.

The one who smooths his brow
and kisses him to sleep.
Even she.


Janet E. Aalfs, poet laureate emeritus of Northampton, MA, 7th degree black belt, Jian Mei Internal Arts branch chief instructor, and founder/ director of Lotus Peace Arts at Valley Women's Martial Arts, has been teaching and performing weavings of poetry and movement arts locally, nationally, and internationally for 40 years. Her writing has been widely published, and her most recent book of poems is Bird of a Thousand Eyes, Levellers Press.