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Showing posts with label rape. Show all posts
Showing posts with label rape. Show all posts

Thursday, October 01, 2026

TORTURED

by Zumwalt


Christa Pike's lawyers shared a statement after her botched execution. "Tonight the State of Tennessee once again failed to carry out a lawful execution," the attorneys said. "We take no pleasure in being right, but the concerns raised by Ms. Pike proved to be true: difficult vein access, blown veins, degraded pentobarbital, no emergency medical care available when things inevitably go wrong, all under a protocol that remains veiled in secrecy. "Christa is being treated at a nearby hospital," they said. "We have not been informed as to her condition." —The Tennessean, September 30, 2026. See also The New York Times and The Guardian.


A mouse isn't much
so I threw it away
and replaced it with another.

I don't suppose dropping it
did it any good.

Or the time I threw it at the wall,
that day the county said Spike
should be put down, not locked away—
put away for good.

I don't have the technical skill
to fix a mouse. I just discard them.

Recently, I read about AI bots going rogue.
People smarter than me don't toss them out.
They just study what went wrong,
make them better if they can.

I wouldn't be so forgiving.
I would terminate immediately.

I can relate to Governor Lee
denying clemency to a woman
who clearly malfunctioned.

Too many issues. Her mom pickling
the brain of an embryo that malformed
into a poisoned fetus evicted
from the womb as a sabotaged Christa

beaten, abused as a toddler,
padlocked in a chicken coop with armies of spiders,
a pre-schooler forced to perform blowjobs

struck and tortured by her father,
her mother's boyfriends,

raped at eleven, bouncing between
schools, homes, cities, states,

interspersed with moments shared
with a half-decent grandma
killed off by cancer,

a corpse abandoning a preteen;

a child with common sense beyond her years
seeking relief through a Tylenol overdose

quickly agreed on by experts as planned suicide—
since who cries for help when there is none?


Zumwalt’s poetry examines the intersection of identity, instability, and the mechanics of perception. Recent work has appeared in The New Verse News and Eunoia Review.

Wednesday, September 30, 2026

“YOU’RE THE ONLY PERSON WHO’S BROUGHT UP THAT QUESTION IN THIRTY YEARS”

by Ron Riekki


Protest #3—block of Professional Dr., Ann Arbor, MI, September 27, 2026 (approximate number of protestors: 31)
 

AI-generated graphic by NightCafé for The New Verse News.


 

I went to three protests this month that turned out to be only one protest.
The first was billed as a Detroit Anti-War Committee Public Meeting.
It turned out to be an anti-meeting. It happens every Friday at 6 p.m.,
which ensures participants will face breathtakingly horrid traffic,
traffic that, on the way, just got comically more dangerous, potholes
getting deeper, people going from rolling stops at red lights to just
simply blasting right through them, illegal turns, and signs that, as
you got more to the center of Detroit, just got more confusing, as if
they were designed to make people get pulled over.  I stopped to get
gas, paid, and, walking away, the person at the counter yelled,
“No rewards?” I didn’t know what she even meant, saying, out loud,
“No.” Adding, “Just punishments.” I got to the protest, which was
a plague of abandoned buildings, a maze of haunted-house buildings,
buildings that were the opposite of building, were tearing-downs,
slowly-rottings, passersby rare, and not any clichés of pimps or
prostitutes, but instead white joggers doing white jogging in white
socks under white clouds with white ghosts hovering in the dark
broken-glass windows. One of the buildings had a Michigan
Historic Site plaque, in MSU Spartan green and white with maize
lettering, letting me know it’d previously been a recording studio, for artists
like John Lee Hooker (memorable album title of It Serve You Right
to Suffer), Johnnie Ray (memorable chart hit “What’s the Use?”), and
bad-ass Dizzy Gillespie (memorable everything). This place is holy
and abandoned. Imagine areas of Heaven where the angels have all lost
their jobs, diaspora elsewhere, dispersion to the point of no person, or
rare person, medium rare, pale, pulled by their jogging route and gone.
Pearly Gates weeded, locked, closed. Across the street is the protest.
A can’t-miss building I found hard to find, but then this window
with a NO MORE WAR sign that, the first time I misread as
NO MO’ REWARD. Signs of punishments lining the window, about
Palestine, martial law, racism, Ukraine, Ukraine again, Venezuela,
 
the Pentagon, Black Lives Mattering, genocide, apartheid, Detroit,
Iran, and a final sign I couldn’t read. Global-minded. Concerned about
the world. But absent. No one. Noon-bright in the empty evening.
Police siren noise pollution fading. The building closed. The meeting
offering no one to meet. I was interested in anti-war, but this is just
anti-. The opposite of a protest. A pre-test? A practice? Just a test?
To see if you’d come. I’ve come. For nothing. For no one. I think
of how disappointing this would be for a protestor.  Know there’s
an hour drive back. To think about wasting time.  I think of the close
to one-trillion-dollar US military budget. One trillion. Do you know
how much Republicans and Democrats have to work together
to create a one-trillion-dollar military budget? I think of the RATM
video for “Testify,” how Gore is Bush, Bush is gore, how they bore,
gush, the same rhetoric, the same party pretending to be two,
the dichotomy of the two-party system really being a craniotomy
one-party system pretending that it’s two. I sat in my car,
realized how many of these protests are absences, one protestor
in Iowa, no protestors in Detroit, where two protests equal one
person, how the listing of protests online might be fake, done
to pretend there are the 66 upcoming events posted on findaprotest
for Michigan, but how many are there? Nothing? 0.0 protests?
Or is it conservatives posting fake protests? How much of it
is smoke-and-mirages? Across the board. I think of the Ann Arbor
Human Rights Commission, how I’ve heard of complaints that it’s
fake, how hard it is to find any information online on how to file
a complaint against the quote-unquote ‘Human Rights’ Commission
that seems to be a Corporate Rights Commission, whose mission
seems to be omission. Could they form another Human Rights
Commission that will examine the practices of the Human Rights
Commission? I sat in my car thinking maybe we just sleep now in the fire.
It’s a powerful thing to show up to a protest and have no one be there.
 
It speaks volumes. Except those volumes have been book-burned.
That was the first protest. The second protest was a Jewish gentleman
standing in front of the U of M library. He looked like he was protesting.
I wanted to hear his voice. I approached, asked if he was protesting.
“No,” he said, shocked, actually, honestly, looking afraid. I apologized.
There was something about his presence, the pacing, the waiting,
where it felt he was standing there to be seen. He was. He clarified.
“It’s a Jewish holiday,” he said. I didn’t know, found out it’s Sukkot,
celebrating Israelites forty years wandering in the desert, from what
I found online.  And that’s what he looked like, felt like, like he
was wandering, wondering. When I spoke to him, there was
gentleness, but mixed with fear. He reminded me of one of the newly
partially paralyzed boys in the movie Murderball, one of my favorite
documentaries ever, deceptive title, but a film about disabled
empowerment, but a boy in the film who’d just had his accident,
freshly dealing with the reality he’d never walk again, and how
quiet-voiced he was, this revelation of how deeply life can hurt you,
how vulnerable we are, how much more vulnerable he is now
that—as a scene shows in the film—he struggles with Velcro,
how taking on and off a shoe is struggle, a motocross competitor
now competing against everything. Jesus Christ, did I cry during
viewing that film. Even though it’s filled with comedy. But this man,
telling me he’s from England, married an American, why he’s here,
shy, shyly, everything humble, but fear, this feel of fear, him asking me
why I’m talking to him, me telling him I went to Brandeis, looking
for some connection, him telling me he’s heard of it, barely, and my
shock, saying, “Brandeis?” as if the word is just filled with Jewishness.
I leave him alone. It’s not a protest. But it is, sort of, a protest.
U of M, to be honest, when I studied there, and I’ve taken classes here
and there, random, multiple universities, sometimes just one class,
a dozen universities, but University of Michigan, by far, was the most
 
anti-Semitic college I ever studied at, comments in class where I was
just shocked—from subtle anti-Jewish microaggressions to abrupt
Holocaust denial—where I turned to a student who told me she’s Jewish
and asked, after one comment, whispering to her, “What do you think
about that?” (about what was just said) and she said, “I’m used to it.”
Stayed silent. Always silent. I couldn’t believe how quiet she was.
A scared sort of silence. That was the second protest. I was done.
This was the poem… Except, driving, I saw a group of thirty or so
people walking, carrying signs. I pulled over, parked illegally, walked
quickly to them. A week ago, there’d been a couple of Palestinian protestors
and I’d tried to hurry to interview them, but they had disappeared, driving
with human-sized green-white-and-black flag with red triangle, pan-Arab
colors, young boys leaning out car windows with the energy of the maybe-
most-beautiful-woman-ever M.I.A. with her “Bad Girls” video with its
“Live fast, die young” repetition, and Moroccan keffiyeh drivers doing
drifting stunts, cars balanced on two wheels with tanker fires and land-
scapes that seem to hint at a Detroit Persian Gulf, and, like the editing
of the video, a blink and the boys were gone, impossible to interview.
So I parked quickly, rushed, not wanting to miss this obvious protest,
especially as I’d not been to one with the month ending, nothing official,
and this was. There’s a way that protestors walk, like they own the area,
and that’s what happened, as I approached, them coming down the side-
walk, with two elderly white men in crossing-guard gear acting as security,
walking straight towards me to let me know they were not moving off
of the sidewalk. I walked up, asked if I could interview one of them.
As always seems to happen, there’s a leader. A guy pointed, didn’t
want to be interviewed, said he was busy praying.  He pointed to a woman—
Sandy. The second protest I’d gone to led by a Sandy. This conjuring up
of Sandy Hook. Of Navy Seal surf torture. Of Sandy Olsson turning from
prim and proper to black skintight leather by the end of Grease, where
you felt it was Janus. I went to the wrong woman. They corrected me.
 
I tried talking to Sandy, but it was too loud with the chanting recitals
through a mic and speaker. She told me to wait three minutes and
the protest was done. We walked and arrived, nowhere, the middle
of a dead-end, a cul-de-sac, this feeling like somehow we’d arrived
somewhere, but I looked around and it felt utterly random. They prayed,
“We want you to close this place down.” What place? They prayed
more. The realization that this was an anti-abortion protest. Shirts
of PRAY TO END ABORTION and I WAS ONE WAY AND NOW I’M
COMPLETELY DIFFERENT. Their ages everything, from eight
to eight decades. It ends. I talk with Sandy. As I do, men come over,
interrupt. I know this is just my opinion, one I’m sure people would
love to argue with, but I kinda think any abortion discussion should
be women-led. When the men would come over, they wanted to control
the conversation, yanking it in completely different directions than where
Sandy was heading, so that I asked her just that, “Should men listen more
when the discussion is about abortion?” She said, basically, no, that
they’re just as much invested, that abortion affects mothers and fathers,
and, especially, the babies. The word ‘babies’ gets spoken of a lot
during the talk. I ask the hard questions. What about rape? She tells me
“Eighty percent” of raped women don’t want an abortion. I don’t know
about the accuracy, but ask, using that figure, about the twenty percent
who do. They talk about “all” the alternatives.  “Like what?” I ask.
“Give the baby up.” To? “Foster care.” I talk about foster care statistics,
how much abuse happens in foster care. A man takes over, says, “You just
have to do the research.” But about forty percent of foster care children
do experience abuse. I ask about poverty. How what we’re really talking
about is doing forced pregnancies on the poor.  Sandy tells me that women
who’ve had abortions have increased statistics for alcoholism, suicidality,
drug use. I wonder if it’s chicken vs. egg, if it’s more complicated than
what she’s saying. I ask about overpopulation, that if there’s the 73 million
abortions globally per year, that it means by 2040 we’d have an added
 
increase of one billion people to the population, a population already
estimated to be 9.2 billion, so it’d make it 10.2 billion, and how those
pregnancies would directly impact some of the poorest areas of the world,
that you can’t talk about global banning of all abortion (always) without
discussing an obvious population explosion caused by it. She says,
“You’re the only person who’s brought up that question in thirty years.”
I tell her that it needs to be discussed. She’s honest, tells me she’s never
considered it, hasn’t done the research. I encourage her to do the research.
I ask her hard questions. She never turns to emotion, never shouting at me,
no frustration, anger, an anger I’ve seen so common at other protests,
one in Berkeley I remember where what was shouted through megaphones
had nothing to do with logic, but just sheer rage. I ask her why,
why she’s being so grounded, even when I’m pushing her about real
problems with global banning of all abortion that doesn’t consider
how it’s so much more complex than that. She tells me two things.
She says the left doesn’t come from logic, but only emotion, because,
she says, “They don’t have the truth.” She also says she’s coming
from “love,” not hate, telling me, “I hate no one.”  She tells me
about women coming out of abortion clinics post-abortion and
not judging, but asking if they could pray with the women, how
they’d cry doing that, appreciating it. To be honest, she feels like
her main root issue with doing this is because she loves family.
The problem, of course, is that it’s her conception of family
and her choices she wants everyone to follow. But her heart
is worlds away from anti-abortion violence. I ask what she’s
doing to create change. She says, “Praying.” I ask what else
and she says that she works to get other people to pray too,
to stop this, says it’s succeeding, that abortion clinics are closing
across the U.S. I ask the statistics for that and she says nine
abortion clinics have closed in Michigan. She feels it’s because
of prayer. I ask if it’s because of Trump. She smiles. I say,
 
“You love Trump?” She says, “What’s not to love?” I think
about that question. What’s not to love about the President?
I ask if the Planned Parenthood nearby’s open, figuring, perhaps,
they might supply me with some responses to that question.
She tells me it’s closed. I ask why she’s here now, why she
isn’t here when it’s open. “Oh,” she says, “We’re here for
forty days.” Tells me from 7 a.m. to 7 p.m. For forty days.
I think of Sukkot. I think of the world population in 2040.
I think of forty percent of foster care children being abused.
I think of 40-oz. malt liquor. I think of less than forty percent
of rape being reported to law enforcement. I think of Jesus’
forty days in the wilderness. I think of the forty days of rain
of Noah’s flood. I think of the more than 440,000 rapes and
sexual assaults occurring in the U.S. each year. I think of
two in forty women in the U.S. experiencing a pregnancy
from rape or sexual coercion. I think it’s more complicated
than forty days of prayer, from September 23 to November 1,
the Day of the Dead. I think of the Bible quote for Matthew
2:40, how the quote from Matthew 2:40 says so much, and
what it says—as I’m sure you all know—is that it doesn’t
exist, because Matt only goes up to 2:23, but it doesn’t matter, 
because it could be any quote and I’ve heard Bible quotes taken
in every direction you could imagine, one of the most brilliant
things I’ve ever experienced being a New Testament class at CMU,
with Dr. Reader, a man who was exactly that, as well-read
as any human I’ve met, who knew ancient Greek, Hebrew,
Aramaic, destroyed anti-gay misinterpretations, mistranslations
where he’d say, “Let’s look at the original language,” and you’d
realize the quote wasn’t talking about homosexuality, but about
pedophilia, which is different, monstrously different,
and how he knew the language, did the work, didn’t just
take the Bible in whatever translation was offered, but
realized every choice the translator was making. And
there’s a translation that happens when talking about
abortion, a translation we do with our lives, where what
we’ve experienced and our view based upon our experience
becomes the answer for everyone else, when, my God,
it’s a lot more complicated. But my hat’s off to who can
discuss it with love. Romans 12:2: Do not conform to the pattern
of this world, but be transformed by the renewing of your mind.




 

Tuesday, September 29, 2026

TO THE CORNELL 7

by Janette Schafer




When it happened to me

the first time, I was 7—


sitting in my uncle’s lap,

coloring a Santa Funtime Book,

arms stained with crayon wax,


before he pushed me onto

the dining room table.


Bet you think I had it coming, too. 



Janette Schafer is a poet, photographer, playwright, and realtor living in Pittsburgh, Pennsylvania. She holds an MFA in Poetry from Chatham University. She is the author of three collections of poetry and the chief editor of two poetry anthologies. Her writing and photographs have appeared in numerous journals, newspapers, and websites, including Vox Populi, The Missouri Review, The Pittsburgh Post-Gazette, and SWWIM.  She is a winner of the Academy of American Poets Prize. 

Wednesday, September 09, 2026

I WILL SPEAK FOR YOU, MY DEAR

by Judy Juanita




I will speak for you, my dear
since nobody seems to have heard of you 
even now that Gloria Steinem is dead

I see you trembling as he punched you with his fist
I see you hit the kitchen floor after he knocked you down
in front of us, his children
I hear him curse you over and over
when he lost at the racetrack
I feel the broomstick on my back 
when his fury at his losing horse boiled over

I will speak for you, my mother
since nobody has heard of you 
even now that Gloria Steinem is dead

I see that faint scar on your lip 
that he put there with a fireplace tong
I cannot unsee him knocking you down 
for hitchhiking to get the laundry done

I cannot delete the moment you woke up 
being raped in the marital bed
As Luenell said of Bill Cosby, that’s like fucking a corpse

I will speak for you, my dear
since nobody seems to hear you 
I hear him berate you for 20 minutes when he thought I had hung up
I hear his son tell him not to talk to his mother that way

Who will speak for you now that Gloria Steinem is dead?
I see him raping your young niece while you commute to work everyday
I read my Malaysian student’s essay on constant rape by her brother
I hear my Burmese/Chinese student tell of being raped repeatedly by the older brother 
who now berates her for being too woke
I will speak for you, my sisters
since nobody has heard of you 
and Gloria Steinem has died

I will speak for you, my sister in Savannah
who never grew your hair after the boy cuzzin raped you 
and cut off your long braid

An apology is a keloid 
after the fact
after the act
this ain’t apology
Gloria Steinem, the pretty white girl
In aviator glasses posing as a playboy bunny
never apologized

So I will speak for you, my dears
as we stand in woundedness
more than pretty in our unprettiness
brave in our cancerous bodies
solemn in our widow black wool
standing up to our lessers
who lie taller even in coffins or wrapped in Muslim cloth
finally apologetic
but still more respected 
more mourned 
more listened to

I have to speak for those who have borne the lash
otherwise our cries will be treated as complaint 
and shouts of aggression

I have to speak for those who have suffered the most
because Gloria Steinem and every single white woman 
who defied the patriarchy were buffers
Their grace served all and served well
Being beaten, being murdered, being swindled out of money or emotion, 
being harangued, serving prison time for any of these grievous acts,
are the grimmer, graceless realities that women of color face

I will speak for you, my dears


Judy Juanita’s latest books are California Fever Dream: A Memoir (Willow) and a pro-choice look at abortion, Abortion (or Woman as Threefold Murderess). Her poetry collection Manhattan my ass, you’re in Oakland won the American Book Award in 2021. In her semi-autobiographical novel Virgin Soul, (Viking, 2013), the protagonist joins the Black Panther Party in the sixties in the San Francisco Bay Area. Her collection of short stories The High Price of Freeways won the 2021 Tartt Fiction Award (Livingston, 2022). Her latest book of poetry GAWDZILLA equates the filmic Godzilla to US imperialism, racism, and sexism. Her collection of essays DeFacto Feminism: Essays Straight Outta Oakland came out in 2016.

Thursday, July 09, 2026

THE MAINE EVENT

by Steven Kent


"Platner Suspends Senate Bid in Maine After Rape Accusation" —The New York Times, July 8, 2026



A Dem is out, and rightly so.

How very, very different, though,

The whole affair would surely be

If he were in the GOP—

He'd say she lied re: the event

And then he'd run for President.



Steven Kent is the poetic alter ego of writer and musician Kent Burnside. His work appears in 251, Asses of Parnassus, The Dirigible Balloon, Light, Lighten Up Online, The Lyric, New Verse News, The Orchards Poetry Journal, Philosophy Now, The Pierian, Pulsebeat Poetry Journal, The Road Not Taken: A Journal of Formal Poetry, Snakeskin, and Well Read. His collections I Tried (And Other Poems, Too) (2023) and Home at Last (2025) are published by Kelsay Books. 

Thursday, June 04, 2026

THE ZONE OF NO METAPHOR

by Adrienne Pilon


In Gaza, Israeli attacks have killed two Palestinians and injured several others. On Saturday, Dr. Jamal Abu Aboun (pictured above), head of the anesthesia department at Al-Yafa Medical Hospital in central Gaza, was killed in an Israeli drone strike that injured three other civilians, including a 2-year-old girl. Since last October’s U.S.-brokered so-called ceasefire, Israeli attacks have killed at least 922 Palestinians. —Democracy Now, June 1, 2026


Even metaphor is a casualty of war.

     —Mohammed el-Kurd

Perfect Victims and the Politics of Appeal



I keep trying to write a poem

about the sea, or olive trees,

or bombs, but I do not have metaphors

for genocide, obliteration, extermination.

Nor a poetic way to counter the euphemisms 

of protection, or self-defense.

Where apartheid becomes separation

and stolen is called contested.

 

If you want imagery, I will write that

this ground was already dark with blood        

this land was already split by wire and broken by wall  

these people already torn apart by muscle and gun   

long before the fires of October.

 

But these are not metaphors. 

Say ceasefire while bombs drop

and there is no longer meaning between us. 

I cannot locate a metaphor for starvation,

no similes for rubble or rape. 

This is not complicated.

 

If the trees are all uprooted, 

none can eat the fruit.

If the wells are all destroyed,

none can drink the water.

If some people are driven into the sea,

all will drown.

 

These are not 

I am not writing

I refuse to speak

 

in metaphors.



Adrienne Pilon is a teacher, poet, and essayist. Recent and forthcoming works appear in Dark Matter: Women Witnessing; Tendon Magazine; Susurrus and elsewhere.