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Showing posts with label domestic violence. Show all posts
Showing posts with label domestic violence. Show all posts

Tuesday, July 07, 2026

THE FINAL F%^#ING MASS SHOOTING (THAT WON’T BE BECAUSE THIS IS AMERICA)

Court Street and Clemens Street, Mount Clemens, Michigan, July 4, 2026, for Freedom 250

5 hospitalized, including 2 juveniles, after shooting during block party in Mount Clemens —CBS Detroit, July 5, 2026


by Ron Riekki




“If you’re not connected emotionally to a story,

then you’re dead.”

—Paul Feig

 

“Help is what he’s most short on tonight.”

—Raymond Carver,

Stupid


Driving to the Iowa Writers Workshop summer program,

 

I’m listening to the Rattle podcast; Tim Green asks a poet,

“How do you know when a poem is dumb?” or, at least,

that’s what it sounded like to me, so I leaned in, listening,

wanting to know when a poem is stupid, which, honestly,

is a good thing to know, when you have written some-

 

thing idiotic, and being able to recognize it, so I loved

the question, then realized, from the answer by the guest

that he’d asked, in fact, “How do you know when a poem

is done?”  And I know I’m done.  Listen, Michigan, I know

you’re one of the top places in the world for gun violence,

 

but I’m done.  I know we’ve had two $%^&ing mass shootings

in the last two days—5 shot on July 4, and 4 shot on July 5—

5 injured in Mount Clemens, at, yup, another block party, a 10-

-year-old girl shot, at 11:11 p.m., the final @#$%ing hour, because

the mass shooters won’t quit, are insane with rage, endlessly,

 

and I chatted with a waitress today and she’s dedicating her life

to reducing violence, works with domestic violence, but, also,

she’s a waitress, because of the pay, but she’s dedicated, and

I’m exhausted, and we exchange numbers, talking about how

men who want to reduce violence need to partner with women

 

who want to reduce violence, and I find out about another mass

shooting on July 5 at Madison Church in Grand Rapids, at

a goddamn church, because Michigan is a hydrogen jukebox,

and a deafening silence, and old news, and a good grief, and

a living oxymoron without the oxy-, low oxygen levels in

 

the brain.  And there’s a scene in Apocalypse Now, a movie

I watched for the first time when I was in the military,

staring at the screen, alone, my bunkmate’s piece-of-crap

TV, VHS, in horror, realizing I volunteered for this world

of hell, watching the film pre-Desert Storm, unknown future,

 

with a scene in the film where I stopped the tape, the only

scene where I rewound, the scene of the actor screaming,

“I’m not going, I’m not going, I’m not going!” because

it was me.  And then he gets pulled off the helicopter.

You’re going.  You’re going to die.  Fate.  Except, Michigan,

 

I’m done.  I’m dumb.  I’m not going.  I’m smart.  I’m done

with your dumb mass shootings, Michigan.  40% of Michigan

households own guns.  And I’m done with the suicides of

your children, Michigan.  I’m done with your husbands

killing your wives, Michigan.  I’m done with the story

 

of a dog accidentally setting off a shotgun and shooting

its owner, the multiple stories of that happening, more and more

knowing gun = dumb, because gun owners’ houses are filled with

suicides and homicides and are Far Side comic strip

madness that they choose.  Gun owners, Death awaits you.

 

Enjoy your guns.  I’m done.  I’m not going.  This is stupid.

 

The End.



Editor’s note: Ron Riekki covered all seventeen mass shootings in Michigan from July 4, 2025 through July 3, 2026 for The New Verse News.



Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice

Monday, June 01, 2026

MASS SHOOTING #13

900 block of Worden Street, Grand Rapids, MI, January 27, 2026.

 

The man charged in the killings of a Grand Rapids mom and her two teenage sons was found competent to stand trial on Tuesday." WZZMMarch 24, 2026

  

by Ron Riekki

 

Photos: Victims Michael Kilpatrick, 13 (right), Jacqueline Neill (middle) and Cameron Kilpatrick, 15 (left).

 

 

“Since the only thing we can be sure of is the abyss”

Christine Stephens-Krieger,

“What’s Important”

 

“—Only the monstrous anger”

Wilfred Owen,

“Anthem for Doomed Youth”

 

 

A golf course pulls my attention, the perfection

of the day, golfers growing around every hole.

I drive to another mass shooting, transported

 

with each block slowly getting lower and lower

on the socioeconomic scale, as if it was designed

that way.  It was designed that way.  I park in

 

front of the home where—according to online—

a “family annihilation” occurred.  That phrase.

My God.  The news reports the mass shooter

 

moved into his fiancée’s home; less than a week

later, after he was texted that she wanted him

to leave, he killed her, then went into her sons’

 

bedroom and killed them in their beds.  Because

she wanted him to leave.  ‘Family annihilation.’

The nausea of that term.  I think of John Donne’s

 

holy sonnets: Death, be not proud.  These are

unholy moments, unholy poems.  A Mom, killed,

because she asked him to leave.  They met on

 

Tinder.  What a bizarre name for a dating site?

A combustible, flammable, funeral-pyre word.

One son, 13.  The other son, 15.  The man who

 

killed her called her “Bunny.”  He went by

the nickname “Charlie Brown.”  Killed in cold

blood.  Could you imagine witnessing that?

 

And next door to the house where it happened

is another house.  And on the screened porch,

a woman sits: “Tiffany.”  I ask if she’d be OK

 

with talking about what happened.  She’s not

OK, but will talk.  Looks troubled.  “Sad,” she

says, “Sad.”  She adds, “It’s sad and disturbing.”

 

Says, “This street has a label.”  Kids play

across the street.  The house that the murders

happened looks grey, old, tired.  Tiffany says

 

she didn’t cry when she found out.  “I was in

the bathroom, getting ready for work when

I heard the gunshots.”  She says she thought

 

it was ICE, didn’t report it, saying she thought

it was police, can’t report the police to the police.

She says she found out what happened when she

 

got to work.  She’s dressed in purple scrubs,

says she’s a “caregiver.”  She’s kinder maybe

than any person I’ve spoken to yet.  A softness.

 

This caregiver next to a house with multiple

murders.  She says she feels safe, even now.

“I feel safe wherever I go.”  She adds, “You

 

just never know.”  I ask for solutions.  A one-

word answer: “Education.”  I ask for more

info.  “There’s nothing here,” she says, says

 

“You have to go far to get to anything.”

I talk to her through a screen.  I’ve talked

to so many people at these mass shootings

 

through screens, so many gas-station clerks

behind bulletproof glass and screens, telling

me they don’t want to talk.  Tiffany is talkative,

 

open, hope-filled, where you can feel it, but,

also, stoic-calm.  Her appearance reminds me

of Tiffany Haddish, a similar smile.  On

 

the door, a sign: PLEASE DELIVER

PACKAGES INSIDE THE PORCH.

“The kids need mentors that look like them.”

 

I talk about incarceration and how mentors

can be absent with almost 400,000 black men

incarcerated.  That’s more than the entire

 

population of Cleveland.  Off to the side,

I hear a voice.  It’s her daughter “Stephanie”

who I didn’t even notice, so still.  She says

 

we need to talk about prisons.  I ask what

about them.  It’s quiet.  There’s so much

to say.  I ask what we do.  “I pray about it,”

 

Tiffany says.  She says, “It’s sad to look

at the house.”  The house is right there.

Not yards, not feet.  Inches.  Right there.

 

“She had a rose garden,” Tiffany says.

That sinks in.  The humanity of it.  How

this woman was gentle with the earth.

 

I think of going in back to see it, but

never do.  We talk about being sick and

tired.  The disease of exhaustion that is

 

the gun problem in the U.S.  I say that,

really, it’s impressive, how much we’ve

mastered creating a violent world.  There

 

are so many things that have to be in place

to have this many shootings, like America

is manufacturing this problem, which it is,

 

with its ten million firearms made per year.

Gun sales go up after mass shootings.  I

want to throw up when I think about it.

 

I mention how many of these mass shootings

are poor young black men killing poor young

black men and Tiffany says, “I want to argue

 

that.”  She says the shooters aren’t black.

I ask her if the shooter next door was black.

He was.  The fiancée, white.  Her children,

 

white.  The shooter, 44.  I say it’s not typical,

but it’s also Grand Rapids, explain that when

I go to inner-city mass shootings, it tends to

 

be blacks killing blacks.  “Gangs,” she says.

“Yes,” I say.  I ask if the issue is gangs,

but she talks about domestic violence,

 

which, truth be told, is what this is.  It’s

as if the city itself is distinctive.  The gang-

related mass shootings of Flint, Saginaw,

 

Detroit, Muskegon.  And the white male

mass shooter in Grand Blanc.  And this

interpersonal violence of Grand Rapids.

 

The cities themselves part of the narrative.

Tiffany talks about “the violent system”

of America.  Her daughter adds that it’s

 

a “mental health” problem.  It’s true.

It’s a secret of the mental health field,

but there are retention-based programs

 

where therapists are rewarded for having

high retention rates.  Who has low retention?

Patients who are people of color, poor,

 

men, the disabled, those with deep trauma.

Who has high retention?  Wealthier white

female abled patients.  So therapist who see

 

disabled poor black males can have their

hours reduced, punished for seeing those

clients.  And those who serve wealthy white

 

female abled clients can get rewarded with

more clients.  Loop.  I spoke with a therapist

at University of Michigan where I asked

 

about the lack of training with therapists

in terms of healing childhood sexual trauma

(CST), a complaint I heard talking to a circle of

 

black men in Detroit, and the U of M

therapist told me the problem isn’t that

therapists aren’t trained in CST, he said

 

it’s that therapists aren’t trained in trauma

at all, that they avoid it.  It helps with your

retention.  What’s the cost?  Everything.

 

“We need to talk about it more,” Stephanie

says.  “Why are we cutting funding?”

Tiffany says the problem is “weak men”

 

who “can’t accept rejection,” says, “You

just destroyed three lives and numerous

other family members.”  She says this

 

to the house next door, as if the house

next door is anthropomorphized.  They

talk about how they’re both single, don’t

 

have interest in dating.  “They were driving

me crazy,” she says, “so I left.”  She talks

about loneliness.  Her daughter does too.

 

I’m lonely as well.  I don’t say this.

Perhaps it’s safer to be lonely.  Tiffany

says she’s too busy with her own goals.

 

Her daughter talks about her dreams

of becoming an engineer.  I talk to her

about Michigan Reconnect, how you can

 

get a free Associate’s in Michigan.  She

looks excited.  I tell her about the Go Blue

Guarantee, how you can also get a free

 

Bachelor’s in Michigan.  Then I tell her

it gets better, that you can also get a free

PhD at multiple universities in Michigan

 

if you have the grades.  She tells me she

didn’t know this.  Their cat comes up

and looks at me, a dirty look, a look of

 

You better not mess with us.  I say this

to Tiffany and Stephanie.  They say

it’s their “guard cat,” that his name is

 

“Jason.”  “Named after Jason Voorhees,

from Friday the 13th.  We laugh.  The cat

doesn’t, slowly strolls away from me.

 

There’s a crash inside the home, like a dish

falling.  Tiffany goes inside.  I hear this

little young voice yell, “She hit me!”

 


Tuesday, April 21, 2026

A TRUE EPIDEMIC

by Diane Elayne Dees
 

"In the City of Shreveport, we have a true epidemic of domestic violence….”
—Shreveport City Council Member Grayson Boucher


 
When I was a little girl, my parents took me
on a rare outing downtown; my mother’s
face and neck were free of bruises,
so we could roam freely among other families.
As we crossed a busy Shreveport street,
a man shoved a woman against a car
and began hitting her with his fists.
No one intervened. Finally, a policeman arrived,
and pulled the man off the woman. “Listen,”
he advised: “Take her home and do that.”

At that moment, I thought I understood
everything about my mother’s bruises.
It would be years before I understood
that—even if a  policeman had taken
my father to jail—he would not have stayed
there. And even if he had, there was nowhere
for my mother to go. And even if there were,
the slow-dripping acid of trauma had already
eaten away her soul, and left burn marks
where there had once been beauty and creativity.

The killer in Shreveport had “dark thoughts,”
and now, eight children are dead. His wife
thought that she had escaped, but now she lies
in a hospital, with critical wounds. How do you
end an epidemic that courses through decades,
neighborhoods, churches, and income brackets,
and whose victims—if they live—become carriers
of trauma, fear, rage, and assorted deadly germs
that damage brains and flatten the souls of the unborn?


Diane Elayne Dees is the author of the chapbooks, Coronary Truth (Kelsay Books), The Last Time I Saw You (Finishing Line Press), The Wild Parrots of Marigny (Querencia Press), and I Can't Recall Exactly When I Died (Kelsay Books). Diane, who lives in Covington, Louisiana, also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world. Her author blog is Diane Elayne Dees: Poet and Writer-at-Large.