The New Verse News presents politically progressive poetry on current events and topical issues.
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The chief executive of Anthropic, the company behind the Claude chatbot, called for a global slowdown of artificial intelligence development in a 3,800-word essay on Saturday, just days after one of the company’s employees quit over concerns about the safety of the technology. —The New York Times, September 12, 2026Sunday dinner in Billings, Montana— Mr. Smith set fire to four generations just one day after a quintuple homicide bonfire in Forest Grove, Oregon incinerated three generations and a few terrified pets.
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In Lebanon, under de-escalation, 27 dead, 69 wounded in 70 hours. In Iran, an errant missile crashed a wedding, wiping out two children, destroying and injuring many more.
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Iranians compiled open-source data to create effective targeting handbooks against American naval positions while Yemen-based Houthi cells developed software for ballistic missiles and guided rockets.
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We do our best to teach little Lucas right and wrong, and how to cross the street. We put in the hours at jobs that fray our nerves, and when we feel like arguing, one of us takes a walk outside to ensure Lucas never hears us fight.
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I read that Jacob Coxon (previously employed by competitor OpenAI) left Anthropic and upcoming IPO riches to tell us that he and colleagues believe that AI could kill us all by the end of the decade.
I asked Grok, this Saturday morning, to fill me in: it tried to reassure me, telling me such rumors have circulated for years. "No AI system has wiped out (or is currently wiping out) humanity." My shoulders and neck tensed and shuddered.
I scrolled the news on my smartphone. Anthropic's CEO published 3800 words, one paragraph about AI curing disease, the next several dozen paragraphs detailing some of AI's destructive skills and the CEO's proposals— steps to slow down AI and apply theoretical safeguards.
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I prayed and remembered my grandmother's words
that God always answers prayers: "yes" or "no" or "maybe."
Sounded like this was a maybe.
Zumwalt’s poetry examines the intersection of identity, instability, and the mechanics of perception. Recent work has appeared or will appear in The New Verse News, Heavy Feather, San Diego Poetry Annual, Ink Sweat & Tears, The Society of Classical Poets, Light, and additional journals.