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Showing posts with label #GunControlNow. Show all posts
Showing posts with label #GunControlNow. Show all posts

Monday, June 15, 2026

MASS SHOOTING #16

19300 block of Rensellor Street, Livonia, MI, 

June 10, 2026





by Ron Riekki



Ron Riekki has covered every mass shooting in Michigan since July 2025 for The New Verse News.


The Detroit Wayne Integrated Health Network offers a 24-hour helpline at 1-800-241-4949.


And those in a mental health crisis can call 988 instead of 911.



“With my ear to the door

of my cell.  And my want

like a comb in my hair.”

—Jane Huffman,

“Failed Sestina”

 

“I’m sure as heat,

as surety.

The bleed”

—Jane Huffman,

“Surety”

 


“Police say there is no ongoing threat to the public.”

Are you kidding me?  Michigan has had more than

100 mass shootings since 2020.  You don’t think it’s

an ongoing threat?!  I can’t imagine a more ongoing

 

threat to the public.  It’s another family annihilation.

Yes, another family annihilation.  Another.  Another

family.  Another family annihilated.  Anti-Christed,

hated, non-mothered, to not, knotted, no other Tues-

 

days, shooter unsteady.  When you search “Livonia”

on the Poetry Foundation website, it says “0 results.”

When you search “Livonia” on the Gun Violence

Archive website, you get 31 results since 2014—

 

31 shootings here since 2014.  Only one of them a mass

shooting.  I’m at the mass shooting.  The house, small.

The houses nearby, small.  A small man sits on a small

porch, a tiny porch, broken wooden rails, his skin also

 

broken so that I ask what’s wrong, bandages on both

arms, the look like previous bleeding, bruises, purpura,

petechiae.  The feel of peripeteia, bathos, pathos, cath-

arsis, anagnorisis, a chorus of country music cranked

 

in some a--holes truck parked mid-street, blocking traffic,

the guy getting out, going to the memorial in front of

the house, standing there, staring at it, has enough, goes

back to his truck and then squeals the tires loooong with

 

the truck in park, attention-seeking, angry, this hyper-mask,

this loudness, this performativity, and then he floors it,

truck swerving, almost hitting cars on the side of the road,

and he’s gone.  I talk to Doug, a neighbor two doors down

 

from the mass shooting.  So many of these guys who live

near the mass shootings I go to look like pirates—sea-salt

skin, Blackbeard-types with white beards, beer-belly skinny.

Doug tells me his last name and, swear to God, he actually

 

has the same last name as a famous pirate, a 1600s buccaneer.

He smokes, looking like a survivor, tells me that on Tuesday,

the day of the mass murders, he was in the backyard with

the family that was killed, helping them set up a pool.  I say,

 

“A pool.  And then it becomes a pool of blood.”  Doug says

in a voice that combines hip-hop’s Drake and outlaw pirate

Sir Francis Drake, “I should kick you in the shins.”  He’s not

joking.  He tells me of seeing the corpse of the mother killed

 

by the shooter, tells me the shooting happened at 5 p.m.-some-

thing, but the bodies weren’t taken out until 11:30 p.m.-ish.

Why would they leave the bodies there for that long?

Fingerprints, detectives, a cop telling him, “This is a crime

 

scene,” Doug staying on his property.  And the cop cars.

Cop car after cop car.  No place to park.  He points to a car

on the street, says, “That’s Sterling’s car.”  58-year-old.

The father.  Shot and killed by his son who shot his mother,

 

his brother, and his brother’s girlfriend.  Doug tells me that

they’re slowly towing their cars away.  I never thought of

the cars.  How the owners are all dead.  Something I’d never

even think of.  He tells me how long it took them to take

 

the bodies away, how long it’s taking them to tow the cars.

Doug wears an ALICE’S RESTAURANT WOODSIDE

CALIFORNIA T-shirt, black-and-white.  It’s a black-and-

white neighborhood.  The shooter, white.  Family, white.

 

All dead.  The killer looking dead in news video footage of

him in front of the judge who denied him bail.  A face that,

honestly, the first time I saw it, I thought of severe substance

abuse disorder.  A face that made me think of abuse, and of

 

disorder.  Doug pulls his shirt out like pro basketball players

do after scoring a critical basket, says, “Guthrie,” proud,

a song about cops, about crime, the longest song I’ve ever

heard.  Doug tells me of his wife calling him, telling him

 

she heard gunshots.  Doug telling her to hide in the bath-

tub if it continues.  The song has the lyrics of kill kill kill

kill.  Such strange lyrics.  Such a strange life.  Telling your

wife to hide in a bathtub if the gunshots continue.  Doug

 

tells me the mass shooter “didn’t talk much,” was “quiet,”

but “I’d joke with him every once in a while,” like yelling

at him to “buy me a Slurpee!”  Doug tells me the mother

planted flowers.  It’s the exact same talk as the last family

 

annihilation I went to, the neighbor in Grand Rapids telling

me about the woman’s love of gardening.  These mass

shooters are killing women who love to garden.  I can’t

imagine anything more peaceful, more grounded, paired

 

with such horror.  This life makes no sense, because of all

the death.  That pairing.  Doug says, it “seemed like a normal

day,” the day of the mass murders.  He tells me no bullets

came towards his home.  The killer used a semiautomatic

 

rifle, shoots five to thirty rounds with up to five bullets per

second.  You can kill five people in one second with a semi-

automatic rifle.  Who would own that?  Online, it says semi-

automatic rifles are for “hunting, sport shooting, self-defense,”

 

and, apparently, for mass shootings.  They forget to mention it.

I’m going to be honest: Fuck the NRA.  That’s my one

curse word I’ll allow.  The three-letter curse word: NRA.

The nonrandomness of these shootings, how repetitive

 

they are, automatic, unraveling daily, nonrational, enraging,

the pain they cause unratable.  Sunrays hit the house, punch

our skin.  Doug tells me he’s on blood-thinners, the reason

for his contusions, his arms covered in red, blue, purple,

 

green, yellow discolorations.  Semiautomatic rifles were

invented by a German, were used by the Nazis in WWII.

The killer’s last name is Pierce: to make a hole or opening

in.  Perforate.  Penetrate.  The penitentiary awaits.

 

I remember when I worked in the prison system, an inmate

in there who was doing back-to-back-to-back life sentences—

he would have to die, get resurrected, die again, resurrect,

and then die again, and then he could get out on his fourth

 

life.  I think of the 1.7 million men in prison in the U.S.

The prison system is hungry for angry men.  Its stomach

aches for angry men.  It’s “nearly impossible” for men

to get into therapy—the cost, the therapists who work

 

Monday through Friday from 9 a.m. to 5 p.m. and don’t

realize that’s when people work, that they can’t go to

therapy if you schedule your hours for when they work,

the therapists who “refuse to see men,” the stigma, markets

 

of anger, the MMA marketing, the UFC marketing, WWE,

the road-rage retaliation that’s stuffed into men’s brains, how

boring it is, how polluted.  Doug tells me the shooter killed

his brother in his bedroom, his brother’s girlfriend the same

 

bedroom, killed his parents in their backyard, Doug realizing

the mother was dead because she’d “been there for an hour

and a half,” lying there, motionless, when he saw her, the body

in the sun, the body “on the patio.”  Doug tells me “Tuesday

 

night, I prayed and cried and cried and prayed,” that he “did

not sleep well.”  He tells me it took “two days” for their “cat

to come out of the basement.”  The shooter even shot one

of the dogs in the leg.  Doug says, “I didn’t know he got

 

any guns in the house.”  I ask Doug if he has a gun.  “No,

my wife won’t let me.”  I ask him if his wife won’t let him

because so many guns, I find, are used to kill the partner.

It seems there’s nothing safer than ensuring there are no

 

guns at all in a home.  I talked to a therapist who told me

that gun ownership is a sign of mental health disorder,

another therapist who told me how often you find that

those with substance use disorders are gun owners, as if

 

they go hand-in-hand.  If I was married to someone, I think

the first thing I’d do is throw out any guns in the home,

because I’d prefer not to be shot.  But that’s just me.

I want to tell Doug that his wife is smart, brilliant.

 

I ask Doug what needs to happen to improve things.  He says,

“The yahoo in the White House, he doesn’t do anything

about gun control,” adds, “I don’t even like saying his name.”

Doug tells me he’d own a gun though, if it wasn’t for his wife.

 

Why?  “Protection.”  He says the problem is “alpha males,

macho males,” says the answer is if we “cut the trigger finger

off” of these mass shooters, takes his free hand and acts like

he’s holding a saw, his finger sticking out, pretending he’s

 

invisibly sawing off his finger, adds, “background checks”

would help.  I tell him the mass shooter had no criminal

background, no reported mental health issues.  At least

that’s what the news reports.  I see a neighbor pull up,

 

lives in the house right next to the mass shooting.  I go

over.  The guy reminds me of Ichabod Crane, how I

imagined him when I read the story.  He’s nervous,

visibly, very.  We talk.  He’s guarded.  A full family

 

was murdered feet from where we’re standing.  Even

his dog in the window looks scared.  I say this to him.

I asked if he talked to the shooter.  Yes.  I ask what

he was like.  He starts to tell me, then backtracks.

 

He’s jittery.  He tells me not to put that, tells me

to put he was “nice,” that the mass shooter was

always “nice.”  He repeats the word “nice.”  He

doesn’t want me to put what he was originally

 

going to say, except I don’t know what he was

going to originally say, just that now he wants me

to put that the killer was “nice,” and I have this

revelation—all these times I’ve seen the news

 

where neighbors, friends, family of the mass

murderer gets asked to describe the killer, they

always say something like that, that he was “nice”

and I realize now, for the first time, that it’s B.S.

 

He’s saying the killer was nice, because he’s nervous,

noticeably, almost exaggeratedly, a definite PTSD, eyes

darting, restless.  He doesn’t want me putting anything

down that might make the killer pissed off, a killer who,

 

I remind him, will most likely be doing life in prison

with no parole.  He tells me his name, but I tell him

I can use a nickname, but he says, no, I can use his

name, but I won’t, simply because of all sixteen mass

 

shootings I’ve gone to, I can tell he’s really honestly

fearing for his life from this guy who’ll probably be

incarcerated forever, but I understand.  It’s right next

to his home, his dog in the window, anxious for him

 

to go inside, his dog having heard the gunshots.  Can

dogs have PTSD?  Hell yes.  My parents owned a rescue

dog and that thing was more hypervigilant than an ex-

Marine.  I walk over to the memorial in front of the house.

 

I notice the neighbor watching me.  He mentioned that

he’s in therapy.  I think, Good.  I wish more men would

get into therapy.  I wish more men weren’t seduced by

the small-penis pseudo-cure of gun ownership.  I wish

 

more men were actually like Ichabod Crane and less

Headless Horseman—brainless, violent, ghoulish; I think

of the Hell that awaits the mass murderer, what happens

in prison, the sons in there, the poison of prison, the way

 

you pay and pay and pay and pay, an inmate one time

telling me that he taped books to his chest when he slept

at night, worried about being stabbed in his sleep, another

inmate telling me he didn’t go to the chapel because so

 

many men were raped in there, and I remember this row

of toilets, toilet after toilet after toilet that you’d see

through the glass, on the way with the walk to the chapel

and how all these men would be sitting, shitting, in full

 

sight, no privacy, and the chapel in back, a guard taking me,

and this intricate Jesus Christ depiction, incredible, detailed,

even expensive looking, carved, careful, Jesus with so much

blood on his wrists.  So much.  I kept staring at all the blood.



Ron Riekki co-edited Undocumented: Great Lakes Poets Laureate on Social Justice

Tuesday, December 17, 2019

SEARCHING FOR A PRAYER

by Jacqueline Jules


400 Rounds of Ammunition Found at Pawnshop Connected to N.J. Killings: The police arrested the owner of the store in Keyport, N.J., on criminal weapons charges. [Their search] on Friday night … yielded six rifles, three handguns and one shotgun, in addition to the ammunition rounds, including hollow point bullets, which expand when they hit a target, according to officials. Three of the weapons were AR-15 style assault rifles, the same type of firearm used in the Sandy Hook, Las Vegas and Parkland mass shootings. —The New York Times, December 15, 2019


When the news buzzed on my phone:
6 Dead in Jersey City. Jewish Kosher Deli,
I was googling, searching for a prayer
to read Friday night at our yearly service
to remember the dead at Sandy Hook
with an invited speaker
who would tell our congregation
how little progress has been made
since those babies were gunned down
with the same kind of rifles
carried inside a kosher market
at the very moment I was searching
for a prayer, not too political
to read from the pulpit
at a service organized to keep
the memory of innocents alive.


Jacqueline Jules is the author of the poetry chapbooks Field Trip to the Museum, Stronger Than Cleopatra, and Itzhak Perlman’s Broken String, winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press. Her work has appeared in over 100 publications including TheNewVerse.News, The Rising Phoenix Review, What Rough Beast, Public Pool, Rise Up Review and Gargoyle. She lives in Arlington, Virginia. 

Thursday, December 05, 2019

THE BRING OF DISASTER

by Mark Williams




O Heavenly Father,

It’s me again Austin Baggerly. I cant talk long tonight.
Mom says to say my prayers and get to sleep pronto
cause Dad got me home late. Home to my house
where he used to live but now is just Mom and me
and my box turtle Bradley. But you know that.
Pastor Crandall says you know everything there is.
He says You are Omniportant. Everyother Sunday Dad
takes me to praise You at Sudden Glory Fellowship.
Pastor Crandall says You made our President President.
Pastor Crandall says our President is The Chosen One.
Mom says that The Chosen One destroyed her marriage
and that if you chose him then you must want
to take everyone to the bring of disaster.
Why do You want to bring us there? For instants why
did You choose someone who does not care
if the world gets too hot for us to live? Where will we go?
And why did You pick someone who lets fires
burn up all the trees and forest animals
that You made in the Beginning? Plus why
is it OK to let people buy guns to shoot me in school?
Mom says the President wants to build a wall
to keep out poor people so they can stay poor
in there poor countrys? Why would You God
want to keep people poor in poor countrys
when You cared for the birds in the air
before the President let them burn up in the forests?
Maybe You chose someone to bring us to disaster
so that next time when it is our turn to choose
we will choose someone who stops us
before going all the way in to it. But in my pinion
You are cutting it awful close. Dear God,
when I turn ten will all this make sense? I hope so.
Sometimes I wish I could pull in my head like Bradley.

                                                            Amen


Mark Williams lives in Evansville, Indiana. His poems have appeared in The Hudson Review, The Southern Review, Rattle, Nimrod, New Ohio Review, and The American Journal of Poetry. His poems in response to the current administration have appeared in Poets Reading the News, Writers Resist, and Tuck Magazine. This is his fourth appearance in TheNewVerse.News.

Monday, November 25, 2019

SCHOOL SHOOTING IN CALIFORNIA

by Rachel Mallalieu




School Shooting in California
briefly topped my computer screen last Thursday.
The numbers didn’t add up—
     only two children died.
The headline quickly fell below more pressing news.

I didn’t argue with my dad.
The carnage wasn’t grand enough
to warrant our familiar discussion.
I usually recount the horrors I’ve seen in the ER.
He quips that more gun laws
won’t change outcomes.
I remind him that I’m out of school;
he’ll never know what it feels like
to pray every day
     that your child comes home.
I rarely finish this last sentence
because my throat seizes and I
stop before I cry.

On Thursday, my children had
     active shooter training.
The  school sent the email weeks ago.
Don’t worry, there will be no pretend
active shooter, no “gun,”
no simulated injury scenes.

My second grader cried
before bed. He says he can’t go to
college because someone might shoot
him there. He intends to live
with me forever.
The fourth grader was unbothered. He
learned to stay quiet, put paper
over the windows and barricade the door.
He is certain rules will save him.
The sixth grader was quiet.
He only wondered which classmate might
bring a gun to school.
The ninth grader, an old hand, did not
mention the training.
He scanned the news on his phone.
Hey Mom, did you see there was another
school shooting?
     Only two students died.


Editor’s note: Rachel’s poem recalls the Saugus High School shooting that happened on November 14. As we go to press, there is news from Union City about a shooting on Saturday, November 23: Two boys, 11 and 14, killed in shooting in elementary school parking lot in California.


Rachel Mallalieu is an Emergency Physician and mother of five. She writes poetry in her spare time. Her work has been featured in TheNewVerse.News, Blood and Thunder and is upcoming in Haunted Waters Press.

Saturday, August 24, 2019

WAYNE LAPIERRE

by Mark Danowsky


Illustration by Tony Calabro


The world is on fire
so fire back

Fire before fire can be declared

Fire before anyone can shout fire

whether the building is crowded
or otherwise

Shout fire, fire, fire
in the hole
Fore!

Man down
Woman down
Child down

down child down

Who else is left down?

You know who
is cowering in the bathtub
fearful of a stray
bullet in the brain
Wayne saw John
Wayne or The Baptist

Showed him The Way

Fear, Love

the world becomes
a scary place

Wayne at night

his family in harm’s way

he prays for them

prays for us

pray we understand why

why guns save
not shatter
lives of a feather


collapse us with shards

a million little pieces of shrapnel

 Wayne, god
can’t you see

the rest of us shot thru

bleeding out


Mark Danowsky is a poet / writer from Philadelphia and author of the poetry collection As Falls Trees (NightBallet Press, 2018). He’s Managing Editor for the Schuylkill Valley Journal.

Tuesday, August 13, 2019

THE FORESEEABLE FUTURE

by Pepper Trail


Photo Illustration by Lyne Lucien/The Daily Beast


"The new [Endangered Species Act] rules also give the government significant discretion in deciding what is meant by the term “foreseeable future." 
The New York Times, August 12, 2019


The Administration has announced that the following are no longer to be considered part of the “foreseeable future:”

Ice for polar bears to stand on
Safe and legal abortions
The concept of objective facts
Efforts to reduce the burning of fossil fuels
An act of political independence by any Republican member of Congress
Revulsion against separating immigrant children from their mothers and imprisoning them
Glaciers in Glacier National Park
Condemnation of white nationalism by the President of the United States
Any evidence of compassion or empathy from the President of the United States
Elephants
Nuclear arms control
The languid flight of monarch butterflies over a summer meadow
The survival of human civilization

However, the White House assures anxious Americans that the following can still be relied upon:

Inaction on gun control
Unrestricted influence of money on politics
Uncontrolled corporate power

Be sure to visit this site for regular updates


Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry.

Monday, August 12, 2019

JUST A NORMAL HIGH SCHOOL LOCKDOWN

by Ed Gold




In the fifties, in first grade,
I learned that crouching under my desk
would protect me from the blast
of an atomic bomb,
dropped on the playground.

In the sixties, in seventh grade,
I learned that when a knife is pulled
anywhere near me to run
and not look back.
But I never saw a gun.

Today, in twelfth grade,
my niece has learned the protocol
for when the shooter enters,
texting her parents every five minutes
so they know she is still alive.

She wears a bullet-blocking backpack
her mother ordered on the internet
pricier than the bullet-resistant model.
It won't protect her from an assault rifle,
but every little bit helps.


Ed Gold is originally from Baltimore, got an M.A. from the writing seminars at Hopkins, taught poetry at U of Md for years, and is now down in Charleston, SC, writing happily and madly. He has one chapbook, Owl, and about 80 poems published in TheNewVerse.News, Kakalak, Ekphrastic Review, Window Cat Press, Rat’s Ass Review, Cyclamens and Swords, and elsewhere. Active in the Poetry Society of South Carolina, he runs the Skylark Contest for high-school poets and co-chairs its two-week poetry series at the Dock Street Theater for Piccolo Spoleto in Charleston

Saturday, August 10, 2019

HIJACKED

by Karen Neuberg


Demonstrators assemble outside the office of Senate Majority Leader Mitch McConnell (R-Ky.) in Louisville. (Luke Sharrett/Getty Images via The Washington Post, August 7, 2019)


A breakdown, as in
corruption,

mind-feed, firearm soul.
We can’t get

the automatic
weapons

out of our hands.
The ability

to think
taken over

and with it
ourselves. What’s

it called
when democracy dies.

It’s called
my country.


Karen Neuberg is a Brooklyn-based poet. Her full length collection Pursuit is forthcoming from Kelsay Books. Her latest chapbook is the elephants are asking (Glass Lyre Press, 2018). Her poems have previously appeared in TheNewVerse.News. She is associate editor of the online poetry journal First Literary Review-East.

THIS IS NOT A GUN

by Mary K O'Melveny




                        …El Paso (this time)


This is a video game gone quite wrong.
This is a prayer turned to a theme song.
This is a mental health problem.  A strong
response will allow us to move along.

This is a city where migrants have long
been welcome, in serape or sarong,
where border crossers shop for daylong
Walmart bargains—our US torch song.

They sell weapons there too that stoke real fears—
bumpstocks and bullets and bandoliers.
But apparently all is not as it appears,
even as these are checked out by cashiers.

The enabler-in-chief and all his peers
report that we must cover up our ears.
The silencing of rifles would set back years
of cold cash from NRA financiers.

Republicans, whose loyalty is owed
to makers of shiny things that explode,
hide from the press as the mark is towed
while innocents reap what their greed has sowed.

Where bones have shattered and blood has flowed,
these folks blather past each grim episode.
Their words are camouflaged in secret code
while still more angry white men lock and load.


Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses will be published by Finishing Line Press in January, 2020.

Wednesday, August 07, 2019

YES, THEY SOW GUNS INTO THE BELLY OF THIS WORLD

by Ariana D. Den Bleyker





You cannot sow leaves back to a tree,
unpluck the plume of an eagle.
When words begin to rot the tongue,
those words cannot be swallowed back.

There is a dish to hold the sea,
a brassiere to hold the sun,
a compass for the galaxy,
a voice to wake the dead.

But this is the silence between us.
And this is why there will be no nest.
Because this is a relationship
between a bird & a gun.

Shots burst out into a crowd;
and, we saw the red-hot glint,
watching & crying & asking
that question over again.

Talons fall from the sky,
settle, & turn to rust. I hate you,
I think, as you shoot me
to death with a rifle in my face:

Born to pull the trigger.
Born to light the match.
Born to see the blood.
Born to steal the hope.

You feel rage & there are bodies
on the floor, me, dying,
almost dead, knees stuck
together with feathers & blood.

One gun to hold the bullets;
one finger to pull the trigger.
Truth wears everyday clothes.
Tufts crimson as sunset pass us by.


Ariana D. Den Bleyker is a Pittsburgh native currently residing in New York’s Hudson Valley where she is a wife and mother of two. When she’s not writing, she’s spending time with her family and every once in a while sleeps. She is the author of three collections, including Wayward Lines (RawArt Press, 2015), the chapbooks Forgetting Aesop (Bandini Books, 2011), Naked Animal (Flutter Press, 2012), My Father Had a Daughter (Alabaster Leaves Publishing, 2013), Hatched from Bone (Flutter Press, 2014), On Coming of Age and Stitches(Origami Poems Project, 2014), On This and That (Bitterzoet Press, 2015), Strangest Sea (Porkbelly Press, 2015), Beautiful Wreckage (Flutter Press, 2015), Unsent (Origami Poems Project, 2015), The Peace of Wild Things (Porkbelly Press, 2015), Knee Deep in Bone (Hermeneutic Chaos Press, 2015), Birds Never Sing in Caves (Dancing Girl Press, 2016), Cutting Eyes from Ghosts (Blood Pudding Press, 2017), Scars are Memories Bleeding Through (Yavanika Press, 2018), A Bridge of You (Origami Poems Project, 2019), Even the Statue Weeps (Dancing Girl Press, forthcoming 2019), and Confessions of a Mother Hovering in the Space Between Where Birds Collide with Windows (Ghost City Press, forthcoming 2019). She is also the author of three crime novellas, a novelette, and an experimental memoir. She hopes you'll fall in love with her words.