The New Verse News presents politically progressive poetry on current events and topical issues.
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'Black lives don't matter,' lawyer says after jury awards $4 in police killing. —CNN, June 1, 2018. According to Lawyer John M. Phillips, Greg Hill “opened and closed his garage door deescalating the situation. Police shot through his closed garage door.” —CBS, June 1, 2018. Photo at the gofundme designed to provide for Greg Hill’s children.
Let me be the curator on the day
In the long hot summer
When all hell breaks loose.
Someone needs to be in charge.
Ferguson! Hands up or I’ll shoot.
Don’t think I won’t do it, either.
Charleston! Stop crying.
You put that thing down right now
Or I’ll give you something to cry about.
San Bernardino, you’re in time out.
Go to your mat. Baton Rouge!
Redstick—go get me your switch.
Orlando, I told you you’d get burned
If you touched that. I told you
A burned child dreads the fire.
All of you! Back up. Get down.
Show of hands. Show me your hands.
Keep everything where I can see it.
Dallas—Dallas, now what did I tell you
About parade routes and snipers?
Pay attention. Listen. Settle down,
All of you. Use your indoor voice
But use your words. You have to
Use your words. Meantime, what
We need—are you listening to me?
is a little
order
here . . .
Pamela L. Sumners is a civil rights and constitutional lawyer who writes poems. She lives in St. Louis with her wife, teenage kid, several dogs, and unwanted mice.
O Crying Nazi, cry all night long
because you’re a goddamn human being,
Crying Nazi, you weep like a mourning
mother at her son’s closed casket.
You weep like a goddamn lynching victim on his nickering horse.
You weep like a maniac suffering a nervous breakdown.
Crying Nazi, I don’t feel sorry for you.
Crying Nazi, are your parents proud of you?
Does your sister call you a creep?
Do you hate yourself, deep down in the coal mine shaft of your soul?
You’re embarrassing yourself, Crying Nazi.
Will you forgive yourself for your crybaby tears, Crying Nazi?
O Crying Nazi, will you ever cry again?
It can’t go well if you do.
Have you cried many times as an adult?
Did women think you’re too sensitive to straddle you?
I don’t understand you, Crying Nazi.
Does the sun ever shine on your glossy pate when you sin?
O Crying Nazi, how many people have you stabbed,
how many Mexicans have you tarred and feathered?
Have you ever prayed in a mosque or synagogue?
I saw you blubber on tv, Crying Nazi, and I’m not empathetic.
You’re a sissy.
Were you a good little boy playing Cowboys & Indians,
always the cowboy?
O Crying Nazi, are you a misogynist, too?
Or do you love all women as long
as they’re not black, brown, yellow, red, or Semites?
Will you ever fall in love with someone?
When you cry, Nazi, do your fellow Nazis
bristle that you’re such a pussy?
Crying Nazi, is acid in your tears?
Do you chew your bile at breakfast or supper?
Do you hate yourself, Crying Nazi?
Crying Nazi, did you study a lot of Hitler books?
Did you read them in lotus position on your easy chair?
Do you idolize Sheriff Joe and David Duke?
Could you ever be your own hero, Crying Nazi?
What shade of red is your blood, Crying Nazi?
Do you bathe yourself with your tears?
Has life been easy or hard for you?
Can you look into the eclipse and see the blackness
in your fellow Nazis?
Will you immolate yourself until your skin
barbecues into blackness?
When did you learn to hate, Crying Nazi?
Did a black boxer beat the hell out of you in the ring
and then brag about it?
Do you cry yourself to sleep in your cell at night?
I wonder if you regret your twenty minutes of infamy.
I wonder if God loves you, Crying Nazi.
Do you hang out with your Nazi buddies in chow hall?
O Crying Nazi, cry for the Charleston Nine.
Cry for Trayvon Martin.
Cry for Ferguson.
Cry for Buchenwald.
Cry for the martyred saints.
Most of all, cry for your fellow Nazis.
Stop crying for yourself, Crying Nazi.
Maybe you’ll meet a girl who loves you
because you’re bald.
Maybe she’ll love you because you’re cute.
Or maybe she’ll love you because you’re a Crying Nazi.
Then you can father crying Nazi babies.
Crying Nazi, you’re an oxymoron.
Do you get high, Crying Nazi?
Do you eat a lot of beef or are you a vegan?
I know you don’t eat nails, Crying Nazi.
They’d make you bawl, Crying Nazi.
Do you jack off in your cell at night, Crying Nazi?
O Crying Nazi, I feel your hateful pain.
How many guns do you own?
I saw you wearing your zebra outfit in jail the other day, Crying Nazi.
You looked sad as a fallen cake.
You looked sadder than a Syrian orphan.
Sadder than a basset hound who’s lost his best friend.
Sadder than a starving cat.
Sadder than a melting snowman.
You didn’t look proud, Crying Nazi.
Where was your Sieg Heil! when you needed it, Crying Nazi?
Will your hate buddies protect you against the Mexican Mafia?
The Black Brotherhood?
High prices in the commissary?
I’m sorry I judge you, Crying Nazi.
So, when you get out of jail, I’ll buy you a Heineken
and a one-way ticket to Death Valley,
throw in a Bible to read on your bus trip
and leave a two-dollar bill in it, Crying Nazi,
along with a little note reading Prove you’re a goddamn human being, Crying Nazi: Love yourself a little more, and maybe, just maybe you can love the rest of us, too, because we’re all goddamn human beings, Crying Nazi.
David Spicer has had poems in Chiron Review, Alcatraz, Gargoyle, Easy Street, Third Wednesday, Reed Magazine, TheNewVerse.News, Santa Clara Review, Rat’s Ass Review, Midnight Lane Boutique, Ploughshares, The American Poetry Review, and elsewhere. The author of Everybody Has a Story and five chapbooks, he’s the former editor of raccoon, Outlaw, and Ion Books. His latest chapbook is From the Limbs of a Pear Tree available from Flutter Press.
from Moby Dick or, The Whale. Illustrated by Rockwell Kent published by The Modern Library, New York, 1930
“I have no objection to any person’s religion, be that as it may, so long as that person does not kill or insult any other person, because that other person doesn’t believe it also. But when a man’s religion becomes really frantic; and makes this earth of ours an uncomfortable inn to lodge in; then I think it high time to take that individual aside and argue the point with him. “ —Herman Melville
1
Attending Eastport Methodist’s annual Interfaith
New Years Eve service, I hear an Imam’s lovely voice;
it hearkens me to myriad wondrous childhood hours
in the synagogue we called Shul, where I loved to hear
my Hebrew cantor in prayer. A number was tattooed
on his forearm; his fierce eyes had witnessed the camps,
unspeakable things. Blessed be Reb Hammer, who taught
me to sing: Boruch Atah Adonai.
This Imam was singing in the same heartfelt, earnest
and strict way as Rev. Hammer. That made me love
the Imam, as he called upon Allah, as a cousin. As family.
He disappeared before I could shake his hand,
look him in the eye and say: Salaam, you and I
both spermed down from one ancestor, Abraham,
upon whom God called, demanding sacrifice;
the same son I call Isaac and you call Ishmael,
a name which now narrates Moby Dick.
The image of Ishmael looking to knock someone’s
hat off in New Bedford, summons the mythology
of my father’s stories of being a tough
young street fighter, ready and rough.
Sound his name, Isaac, as a sudden laugh aloud.
In 1927, Izzy clenched his fists in Far Rockaway,
and felt just as punchy as brother Ishmael had
100 years before, opting to up with Ahab, aside
a devout cannibal, the harpooner Queequeeg;
Ahab the white-whale-chasing monomaniac.
1927, in Queens, a politically dangerous time
and place to out as Hebrew, around rival gangs.
Don’t Jewish (you were white). Don’t signify.
Not only Medical schools, even city sidewalks
had Jewish quotas; the system was biased then,
we heard, in favor of [LOL] waspy men. Don’t you wish you were not? All that singing,
with a crying voice, like gypsies! Opt for the above
and kiss shiksas under the Brooklyn boardwalk.
Let them play tennis, where nothing means love.
Neither today is it fun to be statistically sucked in
to prison by society’s vacuum for being like Queequeeg
or Huck’s Jim, a brown male. My friends, already tired
of Ferguson, can’t identify; Ebola hemorrhaging in Africa,
eyesore ISIS spreading down Levant its blue videos of death
by beheading. My friends still watch TV, but any more
news and they’ll get depressed. I start to spout
war-warn rhetoric, my sermon about our future.
Our weary globe’s a-warming; no peace for Arab, Jew;
holy elephants poached for tusk, rhinoceros for horn;
Chestnut trees, honey bees, cod fisheries disappear.
Old species gone, sperm whales sure as you’re born.
Queequeeg’s Black Yojo Doll, Ishmael accepts;
The entire world’s other brands of religion too.
As long as it doesn’t insult or try to kill him.
Okay, for once, irony: darkness escapes light.
Ain’t no fluke, an enemy compels us to war.
Again. Honey, I know, but this time, even if
this be our fathers again, looking for a fight:
Maybe we’ve got just cause, and we ought.
And Jim shall have a song in scary cells of jail.
One sermon sold “inherent dignity”; I bought.
Avast, thou! Ye haven’t seen the white whale?
When the Imam calls the population to prayer,
so all may pray together to the all-powerful creator,
remember Ishmael’s example: tolerate anybody’s
faith if they will, in turn, tolerate yours. Don’t
you wish you were free? Then pray on your knees
in the hospital with Ahab and the other amputees.
For decades, Annapolis poet Max Ochs used “stolen moments” to scribble poems at night while working by day for his county’s anti-poverty agency and the local conflict resolution center. Like his famous cousin, songwriter Phil Ochs, Max has maintained a faith in what organizers can do for just causes. Many poems reflect on his career as mediator, activist and teacher; others chronicle an ongoing dialogue between a “failed atheist” and the gods. Archived podcasts of his poetry and music can found on Grace Cavalieri’s “The Poet and the Poem” (Library of Congress website). A “primitive American” musician, Ochs learned his licks from some blues greats: Mississippi John Hurt, Skip James and Son House, all of whom stayed with him in New York City. Tompkins Square records, which depicted Ochs as an “Obscure Giant of Acoustic Guitar," featured four of Ochs’s poems on the 2005 CD, Hooray for Another Day. Ochs lives with his wife, Suzanne, on the picturesque Severn River, just north of Annapolis, Maryland.
For a few months now
Six of us have stood on a busy corner
Once a week
Holding signs that read Black Lives Matter
In solidarity with the movement of that name
Protesting police murders
Of unarmed African Americans
And endemic racism in our country
We are in our ‘60s, 70s, 80s
And doing what we can
As our time grows short
To stand for the possible world
And not surrender to the despair
We increasingly feel
Not only about the tenacious cancer of racism
But also about the savaging of the poor and disempowered
And the plunder of Earth’s bounty
By the felonious elite
When we were young we thought
That revolutions were about to occur that
The tumult and turmoil we were part of
Would lead to a new more peaceful
And more just world
Any minute now
But over the decades we have watched our dreams
For that the new world
Go tumbling backwards down the stairs
And we find it increasingly difficult
To remain positive
Today as we stood with our signs
A man walked up to us and said Fuck niggers fuck Jews
And the driver of a passing truck shouted
That we were nothing but a bunch of aging hippies
With meaningless lives
If he’d stuck around for a chat
We would have explained that
Standing on a street corner
Witnessing for justice and human decency
While enduring the blast and blare of traffic
The stinking miasma of exhaust fumes
And the scorn of foolish folks like him
Was meaning enough for us thank you
Whether on any particular day
We can muster up hope for the future
Or not
Just a few days ago
A nineteen-year-old unarmed black teenager
In Madison, Wisconsin
Was shot and killed in his own home by a white police officer
And yesterday
A twenty-seven-year-old black man in Georgia
Behaving erratically
Parading naked in public
Was also gunned down by a white cop
Maybe the long moral arc of the universe
Bends toward justice
And maybe it doesn’t
Maybe it isn’t optimism we need in order to persist
Maybe just the stubborn old notion
That to do nothing and remain silent
Is to give our consent
Which we cannot do
Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.
“We reserve the right not to serve
anyone and I’m not serving you.”
The burly restaurant owner
points his finger at Aaron.
Three of us get belligerent,
stand up but Aaron quickly
steps in between us and the owner:
“Hey guys, let’s go; he’s just ignorant.”
In early 1963 I’m on a two-day military
pass in Mobile---a night-on-the-town---
with a group of cadet buddies.
We need a bathroom call
and find one in a public building.
“Hey Kelly, not that one, it’s Colored.”
I glance up: Men, Women and Colored
marked boldly over the bathrooms.
In the mid-Sixties, while off duty
on flight patrol, a crew member
lends me To Kill A Mockingbird.
Reading it, I can’t help but recall
what Aaron endured a few years before.
Over fifty years have passed.
I’ve lost contact with Aaron.
I wonder what he’s thinking now?
I turn the TV on to a split screen.
On one President Obama pleads
for calm and peaceful demonstrations.
On the other, Ferguson is burning.
Erle Kelly lives in Long Beach California and graduated from CSU Long Beach. He has been published in The New Verse News, Chiron Review and Silver Birch Press. For several years he has been in a local poetry workshop conducted by Donna Hilbert, noted writer and poet in the Southern California area.
Jenna Le is the author of Six Rivers (NYQ Books, 2011), which was a Small Press Poetry Bestseller. Her poems have appeared in AGNI Online, Bellevue Literary Review, Massachusetts Review, The Southampton Review.
A protester after being treated for tear gas exposure in Ferguson. Image source: ADREES LATIF / REUTERS / LANDOV via People.com
A young unarmed
African-American man
Was shot to death
By a white police officer
Stop me
If you’ve heard this one . . .
Buff Whitman-Bradley is the author of four books of poetry, b. eagle, poet; The Honey Philosophies; Realpolitik; and When Compasses Grow Old; and the chapbook, Everything Wakes Up! His poetry has appeared in many print and online journals. He is also co-editor, with Cynthia Whitman-Bradley and Sarah Lazare, of the book About Face: Military Resisters Turn Against War. He has co-produced/directed two documentary films, the award-winning Outside In (with Cynthia Whitman-Bradley) and Por Que Venimos (with the MIRC Film Collective). He lives in northern California.
A woman raped,
hanged, her eyes opened. A priest nods.
On the pond beyond green bank
oaks reflect; fish
pass through shade.
Isis annihilates homes,
beheads an American journalist.
Before baling, the hayfield’s
crumpled waves break
against light.
Forgiveness bleeds out.
Dawn clenches clouds like fists.
Susan Roney-O'Brien lives in Princeton, MA, has won the William and Kingman Page Poetry Book Award, been nominated for 5 Pushcart Prizes, been selected NEATE's Poet-of-the-Year, works with young writers to publish their books, and has published widely in literary magazines.
evicted the widow and roasted her children his giant proboscis gleeful his lips smacking as lovers parted as he slithered into the marshlands of stories taradiddles flowing from his cup whetting tongues of hopeful ears and disappeared in darkness and memories of cultural gray matter dumping grounds Cry for our villains the Joker had an abusive father Lex Luthor was unloved Dracula was only defending his home the cop who murders innocent Black boys on empty streets cares for his sick father the boy stole cigars you know the terrorist is disaffected the racists had his cattle confiscated by jackbooted government agents wearing black designer Hollywood costumes hear the sirens City of Compton nine bullets the investigation was closed before it opened our poisoned food employs fracking geo-techs belching coal soot to keep Kentucky happy while polar ice caps burn in the San Gabriel Mountains above jungles of Starbucks and trees of In and Outs but we must understand why the father beat his daughter to forgive the priest who raped his son why the cop shot that unarmed boy and the 19 bodies in the backyard Because our hero is a serial killer or meth dealer or convict or Drax the Destroyer because Hitler made the trains run on time and Mussolini did it for the glory of Italy and Franco did it for himself and the Glenda mistreated the Wicked Witch
vigilantes walked through Roman streets with fasces beating Black boys in hoodies with candy in their pockets and Batman is a vigilante and TV cops shoot but cut to commercial before Castle sees the body and the Badoon invade the panel shows collapsed buildings but the streets are clean as the Towers fell I saw no bodies General Zod wiped out half of Metropolis but no bodies were seen a blood-free massacre as all our massacres are because Marcellus Wallace is cool and Coke is the real thing (never mind the diabetes) I want my
archetypes
sympathy is for the devil and forgiveness is mine sayeth the Lord.
Man plants evil.
Waters it weeds the garden and hoes the row stories myths teach us the night and day of morality so we can see it in the diminishing sun of twilight the hero understands the hero is compassionate and God-like in his forgiveness but knows that evil is not marginalized or homogenized or realized Evil is not ambiguous.
Malus malo est
Pantalone
Image: Pantalone costume design by Serge Sudeikin (1925) for Stravinsky’s Petrushka at the Metropolitan Opera, NY. Image source: WikiArt Scott Jessop lives in the 135-year old, haunted Midland Railroad station in Manitou Springs, Colorado with his daughter, Kathleen and his cat, Jack Kerouac. He is a corporate video and TV commercial producer, poet, spoken word performer, and Pushcart Prize nominee for Penduline Press for his short story "Mephisto".
Image: “In the USA” (2014) by St. Louis artist Mary Engelbreit. You can purchase a print of the illustration for $49.99 at Mary Engelbreit’s Web site, with all proceeds going to the Michael Brown Jr. Memorial Fund, which supports the family of Michael Brown. Engelbreit writes on her FB page, “When situations turn horrible and I find it hard to move on, I usually draw my way through it. These drawing hardly ever see the light of day, since they're really just a form of therapy for me. But these events unfolding now in my hometown and across the country, shining a light on the ugly racism that still runs rampant in our country, made me think that maybe this drawing could help in some small way. While it's not a cheerful little picture you'd want to hang over the sofa, you might know of a school or an office or a police station that could use it”.
Every day, I do not tell my son to keep
his gaze down, cap on straight. I do not
tell him to come home before a curtain
of darkness falls on our town. I do not
tell him to bear the right reason, speak
the right tone, make the right movement.
And, when my blue-eyed son tells me
another young, black man lies dead, shot
on the street, a sad, silent weight settles
once more in our parallel universe.
Keli Osborn is a poet and teacher living in Eugene, Oregon, with family, friends and garden. She's a member of Red Sofa Poets, Thursday Poets and the Lane Literary Guild, with poems previously published in Denali, multiple group chapbooks, and the 2006 collection, Dona Nobis Pacem. Her sons are in their 20s; the conversations continue.
Dangerous, wanted
Endangered, hunted
Majestic
Beauty protected
Enraged
You, young
Black man
Stand in courage
In love
In honor
Resurrected
In glory
Forget put upon shame
Young man stand
In beauty
In strength
In dignity
Stripped and threatened
Generations down
Hands down
Young black man
Brother, father, husband, son
Stand in your weariness
Stand in your strength
In your courage
In your truth
In your faith
Stand knee high in the depths of your passion
Take your crown, young black man
Wear your crown
Young black man
Jacinta V. White is a NC Arts Council Teaching Artist and the recipient of numerous awards and scholarships for creative endeavors. She was the first to receive the Press 53 Open Award in Poetry, in 2008; and Finishing Line Press published her first chapbook of poetry broken ritual in 2012. Most recently, Jacinta has been published in Prime Number Magazine and the What Matters anthology published by Jacar Press. You can follow her on Twitter: @JacintaVWhite.
