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Showing posts with label Buchenwald. Show all posts
Showing posts with label Buchenwald. Show all posts

Tuesday, March 22, 2022

PRAY

by Jean Varda


This video contains black and white footage after the liberation of Buchenwald.


I light a candle for peace and everywhere I go I pray
in my room on my bed on the street in my car,
when I breathe each inhalation is an image of hope
that the bombs will stop falling, the tanks will turn around no nukes will rain down, and those who are fleeing will reach safety and not die on their way.
How can one bear the thought of the little girl in blood
stained pajamas her mother running with her for help
then dying when she reached the hospital.
Even before I was born my mother protested war,
after the horrors of serving as a nurse in WWII
“How could they have kept from us Buchenwald,
Auschwitz, Treblinka?” She would repeat as she showed
me black and white footage of the camps and told me
how lucky I was to be born where I was with my Jewish
blood. She took me on my first peace march to protest
Vietnam, we stayed up all night on an old school bus,
I had never seen so many people at one time
as we marched on Washington.
My father taught me the Russians weren’t our enemies
that they wanted peace just like we did.
It didn’t match what I learned in school. He went to Cuba and Nicaragua, he loved the countries and the people. He was accused of being a Communist before I was born. I took my daughters to protests when they were small and showed them what I believed in, 
still we pray for peace.

          
Jean Varda's poetry has appeared in: The California Quarterly, The Berkeley Poetry Review, Third Wednesday, Speckled Trout, The New Verse News, and The Boston Literary Magazine. She has led poetry writing workshops and Open Mics around the country. She presently resides in Chico, California where she is working on an anthology of her poetry.

Saturday, September 02, 2017

CRYING NAZI

by David Spicer




O Crying Nazi, cry all night long
because you’re a goddamn human being,
Crying Nazi, you weep like a mourning
mother at her son’s closed casket.
You weep like a goddamn lynching victim on his nickering horse.
You weep like a maniac suffering a nervous breakdown.
Crying Nazi, I don’t feel sorry for you.
Crying Nazi, are your parents proud of you?
Does your sister call you a creep?
Do you hate yourself, deep down in the coal mine shaft of your soul?
You’re embarrassing yourself, Crying Nazi.
Will you forgive yourself for your crybaby tears, Crying Nazi?
O Crying Nazi, will you ever cry again?
It can’t go well if you do.
Have you cried many times as an adult?
Did women think you’re too sensitive to straddle you?
I don’t understand you, Crying Nazi.
Does the sun ever shine on your glossy pate when you sin?
O Crying Nazi, how many people have you stabbed,
how many Mexicans have you tarred and feathered?
Have you ever prayed in a mosque or synagogue?
I saw you blubber on tv, Crying Nazi, and I’m not empathetic.
You’re a sissy.
Were you a good little boy playing Cowboys & Indians,
always the cowboy?
O Crying Nazi, are you a misogynist, too?
Or do you love all women as long
as they’re not black, brown, yellow, red, or Semites?
Will you ever fall in love with someone?
When you cry, Nazi, do your fellow Nazis
bristle that you’re such a pussy?
Crying Nazi, is acid in your tears?
Do you chew your bile at breakfast or supper?
Do you hate yourself, Crying Nazi?
Crying Nazi, did you study a lot of Hitler books?
Did you read them in lotus position on your easy chair?
Do you idolize Sheriff Joe and David Duke?
Could you ever be your own hero, Crying Nazi?
What shade of red is your blood, Crying Nazi?
Do you bathe yourself with your tears?
Has life been easy or hard for you?
Can you look into the eclipse and see the blackness
in your fellow Nazis?
Will you immolate yourself until your skin
barbecues into blackness?
When did you learn to hate, Crying Nazi?
Did a black boxer beat the hell out of you in the ring
and then brag about it?
Do you cry yourself to sleep in your cell at night?
I wonder if you regret your twenty minutes of infamy.
I wonder if God loves you, Crying Nazi.
Do you hang out with your Nazi buddies in chow hall?
O Crying Nazi, cry for the Charleston Nine.
Cry for Trayvon Martin.
Cry for Ferguson.
Cry for Buchenwald.
Cry for the martyred saints.
Most of all, cry for your fellow Nazis.
Stop crying for yourself, Crying Nazi.
Maybe you’ll meet a girl who loves you
because you’re bald.
Maybe she’ll love you because you’re cute.
Or maybe she’ll love you because you’re a Crying Nazi.
Then you can father crying Nazi babies.
Crying Nazi, you’re an oxymoron.
Do you get high, Crying Nazi?
Do you eat a lot of beef or are you a vegan?
I know you don’t eat nails, Crying Nazi.
They’d make you bawl, Crying Nazi.
Do you jack off in your cell at night, Crying Nazi?
O Crying Nazi, I feel your hateful pain.
How many guns do you own?
I saw you wearing your zebra outfit in jail the other day, Crying Nazi.
You looked sad as a fallen cake.
You looked sadder than a Syrian orphan.
Sadder than a basset hound who’s lost his best friend.
Sadder than a starving cat.
Sadder than a melting snowman.
You didn’t look proud, Crying Nazi.
Where was your Sieg Heil! when you needed it, Crying Nazi?
Will your hate buddies protect you against the Mexican Mafia?
The Black Brotherhood?
High prices in the commissary?
I’m sorry I judge you, Crying Nazi.
So, when you get out of jail, I’ll buy you a Heineken
and a one-way ticket to Death Valley,
throw in a Bible to read on your bus trip
and leave a two-dollar bill in it, Crying Nazi,
along with a little note reading
Prove you’re a goddamn human being, Crying Nazi:
Love yourself a little more, and maybe, just maybe
you can love the rest of us, too,
because we’re all goddamn human beings,
Crying Nazi.


David Spicer has had poems in Chiron Review, Alcatraz, Gargoyle, Easy Street, Third Wednesday, Reed Magazine, TheNewVerse.News, Santa Clara Review, Rat’s Ass Review, Midnight Lane Boutique, Ploughshares, The American Poetry Review, and elsewhere. The author of Everybody Has a Story and five chapbooks, he’s the former editor of raccoon, Outlaw, and Ion Books. His latest chapbook is From the Limbs of a Pear Tree available from Flutter Press.

Friday, March 01, 2013

SONNET 71

by David Chorlton


Stéphane Hessel, writer and inspiration behind Occupy movement, dies at 95.
Hessel, resistance fighter, diplomat, writer of Time for Outrage! and co-author of Universal Declaration of Human Rights, dies. --TheGuardian headline, February 27, 2013

Image source: citizenside

 
The interviewer opens with a reference to the title
of a book in French, in which the word
for dignity is kept safe for distribution
to a world more interested in the cost of what can be bought
than in the value of anything.
The interviewee makes his claim for nonviolence,
citing Vaclav Havel, Gandhi, Mikhail Gorbachev,
and his view that you can’t shoot hedge fund managers,
only convince them of a fairer way. His vocabulary
includes the words conscience and justice,
learned during his time with the Resistance.
What kind of a world shall we leave behind?
the interviewer, a man fifty-seven years old, but still
just a boy to the older man, asks, and we’re tuned
to a vision of trust returning, of living with nature
rather than in conflict, of refusing the ideology
that markets will solve any problem, and (here
the audience applauds) of welcoming immigrants.
The conversation turns back to Buchenwald.
We were Europeans there. The interviewee
escaped by taking a dead man’s name and being helped
by a German. We must become good Europeans again.
He was one of three survivors. We have to think about the others.
He says improving the world is a pleasure,
not a moral duty. The next question is to find out
what makes him lose his temper.
When I’m accused of being anti-Semitic for supporting Palestinians
(applause). He says we must be as patient
as we are passionate, that we don’t need another
revolution like the ones that let us down,
but radical reform. Nineteen forty-four, arrested
by the Gestapo, believed to be important as a spy,
he thought his life was over, his body
already giving up, but the spirit had a mission
and he recited Shakespeare, noting the line
to keep inside his coat:
No longer mourn for me when I am dead
 
 
David Chorlton has lived in Phoenix since 1978, and still sees his surroundings with an outsider's eye. This helps his writing projects, which include a new poetry collection, "The Devil's Sonata," from FutureCycle Press.