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Showing posts with label black man. Show all posts
Showing posts with label black man. Show all posts

Tuesday, April 19, 2022

BLACK TRAFFIC, STOP

by Rémy Dambron


The police in Grand Rapids, Mich., released videos on Wednesday showing a white officer fatally shooting Patrick Lyoya (pictured above), a 26-year-old Black man, after a struggle during a traffic stop last week. The officer, who has not been named, was lying on the back of Mr. Lyoya before he appeared to shoot him in the head. In the seconds before the shooting, Mr. Lyoya and the officer wrestled on the ground and seemed to be fighting for control of the officer’s Taser. —The New York Times, April 13, 2022


at first 
an ordinary traffic 
stop, routine
suspect 

you
stay in the car 
get back in the car
do you have a license 
your plates don’t match
do you speak english 
show me your license 
i said your plates don’t match
stay in the car
no stop
you can’t stand there
hey you can’t stand there
stand here no 
wait STOP

grabbing him 
restraining him
throwing him to the ground
with the force of the law
immunity qualified
we’ve seen this before 
too many times before
released body cam footage shows
cop shoots black man
don’t watch it
hurts 

(body camera shuts off)

he shoots 
he shot him
the cop shot the black man

(body camera turns on)

paramedics can’t revive him
because the cop 
he shot him
he shot him dead 
for what 
why
forgive me 
for being repetitive 
but another man with a badge 
shows his bad intentions and 
oh, did I mention?

*he shot him in the head

they called it a struggle
a fight for control over the taser
cop drawing the weapon first
ready to electrocute 
the man he would instead 
just shoot 
but no charges filed
the investigation is ongoing
ongoing, yes
forgive me 
for being repetitive but 
another man with a badge shows his bad intentions 
and oh, did I mention?

*he shot him in the head

his community going on 
carrying his cry for help
to the city steps in protest
to say to their reps 
please 
enough 
stop letting them shoot us
for gods sake 
jesus 
forgive me 
for being repetitive 
but another man 
with a badge 
shows his bad 
intentions and 
oh, did I mention?

*he shot him in the fucking head


Rémy Dambron is a former English teacher now Portland-based poet whose writing focuses on denouncing political corruption and advocating for social/environmental justice. With the help of his chief editor and loving wife, his works have appeared in What Rough Beast, Poets Reading the News, Writers Resist, Words & Whispers, Spillwords, Robot Butt, and The New Verse News

Thursday, February 17, 2022

BLACK MAN RUNNING

by L. Smith





"At the end of the day, the evidence in this case will prove that if Ahmaud Arbery had been White, he would have gone for a jog, checked out a cool house under construction, and been home in time for Sunday supper," Assistant US Attorney Barbara Bernstein told the jury [in an opening statement of the federal hate crimes trial of Arbery’s killers]. "Instead, he went out for a jog and ended up running for his life.” —CNN, February 14, 2022


“A White father and son in Mississippi were charged this week after they were accused of chasing and shooting at a Black FedEx driver in an incident that the driver’s attorney says was a “copycat crime” of the murder of Ahmaud Arbery. FedEx driver D’Monterrio Gibson said he was delivering packages on his route in Brookhaven, Miss., on Jan. 24 when two White men with whom he had not interacted chased him in a pickup truck for about seven minutes and fired at least five shots at the van he was driving.” —The Washington Post, February 12, 2022


Inhale, exhale. Red blood pumping.
He was a black man running.
Running for what? For leisure?
For health? For fun? For fit? In pursuit of dreams?
He was a Black man running, running until the gun, the threat, the them,
the father and the son—they both pointed that gun and
Black man running now running from that gun
from the threat
of the ones
in pursuit
of him.
 
Black man running, for what? For leisure?
For health? For fun? For fit? In pursuit of dreams?
(Nah, they don’t do that. Not the black man, huh?)
Black man running run from himself, from his shadow,
run from his responsibilities, from his family, from his integrity,
at least that’s the lie they try and try again to tell me. Black man running from
something that he did, that he ain’t supposed to do, ain’t supposed to have done, and
Black man running with something he stole, like their wealth, like their women’s innocence,
running with something he ain’t supposed to have like self-pride and self-confidence,
that’s what they wanna feed my conscience, but nah—
Black man running running b’cause he gots to run.
He gots to run to keep from crying, from screaming, from loosing.
He gots to run to keep from coming loose.
He gots to run to keep from the noose.
He gots to run to keep the noose loose.
 
(That uppity nigga there got the audacity to run with entitlement.)
 
Hell yeah, that black man running. He running from that gun.
Black man running always been running from the gun,
from the one with the perceived power, from the wretched one with the will to
kill his potential, stifle his legacy, ruin his reputation, claim his coins and his creations.
Black man running, he run from the pain, from the fear,
from the frustration, and he can feel all those running who
ran before him, running with him now, running inside of his chest—
making his heart beat harder and his lungs fill faster and legs run rapid.
Inhale, exhale. Red blood pumping.
 
Black man running been running a long time. Black man running is
tired of running—not of feeling tired, not the bottom of his feet feeling tired, not the soles aching,
but the bottom of his soul, tired and aching, from all those souls running inside his chest keeping his
blood pumping red.
He is so tired; he is soul-tired of blacks running.
Tired of being a black man running.
Tired of them chasing him while he’s chasing his dreams.
Tied of them chasing him while he’s slowing down.
Tired of them chasing him while he’s doing no thing. At all.
Inhale exhale, inhale exhale. Red blood pumping.
 
(This nigga here got the audacity to be running and funning.)
 
But what happened to black man running?
Black man running with his red blood pumping? Well,
they forced him to stop running. Inhale, inhale.
 
But what if black man running was running toward somethin’?
Well, black man running was forced to fight those in pursuit
of his portion, in pursuit of his promise. Inhale, inhale, inhale.
 
Black man running had to stop his run, to stop his fun, his fit, his leisure,
had to quit his pursuit of his kingdom, of his dreamdom
to fight those in pursuit of his freedom,
those in lust of his life, jealous of his journey, envious of his evolution,
not that one, but of the magnanimous way he was created
by the Creator, and how their pursuit to stifle him never seems to really win,
they—them other theys—literally shackled his ankles a time or twelve million,
amputated his manhood for sport cloaked as social order, for hate hooded as justice,
and black man—well, he just keeps running, keeps evolving,
so they—these theys—saw this black man running
and decided for him that he would run no more.
 
Inhale, inhale, inhale. Red blood pumping.
 
Black man running would have run on, would have won on, had he kept on running.
He would have been winning, had he kept on running, but they—the jealous, the fearful, the hateful—
they jolted his journey.
Inhale, inhale. inhale. Red blood pumping.
 
The father and the son—they both had that gun.
The wicked and the wretched—they both wrestled his run, and when it seems like
black man running wins with his wrestle, with his hustle, with his bustle, and
when it seems like black man running is making gains with his grind and with his grit, and
just when it seems like black man running might get the glory,
what they know
is that black man running
can’t win ‘gainst no gun.
(This nigga here ain’t gone outrun this gun.)
 
Inhale, inhale, inhale. Red blood pumping.
 
The gun wants no fun, no fit for the black man running.
                No gaining, no glory for the black man running.
                No playing, no pleasure for the black man running.
                No leisure, no living for the black man running.
(Black man running, you gets this gun.)
                The kingdom not coming for the black man running.
(Black man running, this gun got your gallows.)
                No dreaming, just drumming for the black man running.
 
Exhale. Red blood spilled.
 
He was a working black man running
running at work.
He was a running black man running
who went for a run.


L. Smith, a New Orleans native, is a writer, an English teacher, and a Johns Hopkins University graduate who has freelanced for local newspapers. She has an anthology of poems and prose set to publish spring 2022 that her mother and daughter created space for her to write. She also has begun the blog Writer Teacher for writers teaching writers.

Friday, June 05, 2020

TAMIR

by Diane Vogel Ferri




Every time an unarmed black man
falls to our videoed fears and white failures

I see Tamir’s face, so many times, too many times,
the face that I saw in my classroom one year.

Yes he was tall, yes he liked attention,
neither are reasons to be given two seconds

to respond to an adult, neither are reasons
to be on a list of martyrs to America’s shame,

neither are reasons for his twelve year-old
face to be frozen in time on tv, the news,

on the never-ending list of lost black men,
not a reason to be famous or dead.


Author’s Note: Tamir Rice was my student in 2012.


Diane Vogel Ferri is a teacher, poet, and writer living in Solon, Ohio. Her essays have been published in Scene Magazine, Cleveland Stories, Cleveland Christmas Memories, and Good Works Review among others. Her poems can be found in numerous journals such as Plainsongs, Rubbertop Review, and Poet Lore. Her previous publications include Liquid Rubies (poetry), The Volume of Our Incongruity (poetry), and The Desire Path (novel). A former special education teacher, she holds an M.Ed from Cleveland State University and is a founding member of Literary Cleveland.

Thursday, May 07, 2020

MEN IN BLACK

by Michael L. Ruffin


BREAKING NEWS: Georgia police on Thursday arrested a white father and son and charged them with murder in the killing of Ahmaud Arbery, a 25-year-old black man whose death in February has recently attracted widespread outrage. Much of that anger has been focused on the fact that no charges had been brought against the father and son, Gregory and Travis McMichael, ages 64 and 34. The Georgia Bureau of Investigation said that both men had been taken into custody and charged with aggravated assault in addition to murder. Travis fired the shots that killed Mr. Arbery, the state police agency said in a statement. —The New York Times, May 7, 2020, 8:26 p.m. ET


MIB 1997
Running black man
gets to be
a secret agent
who fights aliens
and protects Earth.

MIB 2020
Running black man
becomes
a victim of
lawless and
senseless violence
before he lives
long enough
to become
who he could
and should
have been.

MIB 2053 (Proposed Sequel)
Anyone can run
down any street
anywhere
anytime
without being afraid of
anybody
and remain
alive and free
to become and do
anything.


AUTHOR'S NOTE: For Ahmaud Arbery, killed in my state on February 23, 2020.


Michael L. Ruffin is a writer, editor, preacher, and teacher living and working in Georgia. He posts poems on Instagram (@michaell.ruffin) and prose opinions at On the Jericho Road. He is author of Fifty-Seven: A Memoir of Death and Life and  of the forthcoming Praying with Matthew. His poetry has appeared at TheNewVerse.News and is forthcoming in 3 Moon Magazine and Rat's Ass Review.

Thursday, April 30, 2015

FUGITIVES

by Philip C. Kolin



Drawing of fugitives running from the Eastern Shore of Maryland. Image source:  A Guide to the History of Slavery in Maryland (The Maryland State Archives, Annapolis MD and the University of Maryland College Park, MD)



Black blood rushes from city
after city; running is now a crime,
guilty or not, the verdict is the same
and so is the punishment; backs
broken, heads smashed,
necks choked, chests exploded,
organs silenced; hope ended.
There is no escape, no plea, no trial.

Every black man is now afraid he wears an invisible
target only dashboard cameras can capture.
Hanging-noose ropes are strung around
the killing scene; black sons set in  buckled asphalt.
The community  fears that American history has
reversed itself, the  Fugitive Slave Acts
reenacted.


Philip C. Kolin, University Distinguished Professor in the College of Arts and Letters at the University of Southern Mississippi, is the editor of The Southern Quarterly and has published more than 30 scholarly books on African American playwrights, Shakespeare, Tennessee Williams, and Edward Albee. Also a poet, Kolin has published five books of poems, the most recent being Reading God's Handwriting: Poems (Kaufmann, 2012), as well as hundreds of poems in such journals as the Michigan Quarterly Review, Louisiana Literature, South Carolina Review, Christian Century, Spiritus, Seminary Ridge Review, America, and has co-edited Hurricane Blues: Poems about Katrina and Rita (Southwest Missouri UP, 2006) with Susan Swartwout.

Thursday, March 05, 2015

COURTING

by Gil Hoy






Should a black man
in America

love his country?

She should be
lovely to be loved,

not my country
right or wrong.

Only White Men
wrote the constitution with
their rich quill pens

from imperial England,
and white fruits flourished

atop Broken Black Backs,
Flagellation and snapped
roped necks.

America elected a President
of all colors, perhaps Her
finest hour,

But the slave's legacy
in America is still
one of subjugation---

So an NAACP office
is bombed, white
cops kill black boys

NYC mayor warns son
"be wary", whips

speak to supremacists,
and a homeless black man

named Africa
should be careful
where he reaches.


Gil Hoy is a regular contributor to The New Verse News.  He is a Boston trial lawyer and studied poetry at Boston University, majoring in philosophy. Gil started writing his own poetry and fiction in February of last year.  Since then, his poems and fiction have been published in multiple journals, most recently in The Potomac, The Zodiac Review, Harbinger Asylum and Earl of Plaid Literary Journal.

Monday, August 18, 2014

STANDING IN COURAGE

by Jacinta V. White


Image source: KSDK


      for Ferguson, MO and Everywhere Else, USA


Dangerous, wanted
Endangered, hunted        
            Majestic
Beauty protected
Enraged      
            You, young
                        Black man
Stand in courage
            In love
            In honor
                        Resurrected
            In glory
Forget put upon shame
Young man stand
            In beauty
            In strength
            In dignity
Stripped and threatened
Generations down
                                    Hands down
Young black man
            Brother, father, husband, son
Stand in your weariness
Stand in your strength
            In your courage
            In your truth
            In your faith
Stand knee high in the depths of your passion
                        Take your crown, young black man
            Wear your crown
Young black man


Jacinta V. White is a NC Arts Council Teaching Artist and the recipient of numerous awards and scholarships for creative endeavors. She was the first to receive the Press 53 Open Award in Poetry, in 2008; and Finishing Line Press published her first chapbook of poetry broken ritual in 2012. Most recently, Jacinta has been published in Prime Number Magazine and the What Matters anthology published by Jacar Press. You can follow her on Twitter: @JacintaVWhite.