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Showing posts with label fugitives. Show all posts
Showing posts with label fugitives. Show all posts

Friday, August 26, 2016

THE RED MAN WITH CLOSED EYES

by Tanmoy Das Lala




You call them rapists, murderers, criminals, mock
            The silence of a grieving mother, yet
The people in the room break into a riot of applause;
            Many more, behind the protection of a television screen
Do the same –bow their heads in silent nods, in case
            Motion spills into the roving eyes of ideological avenge.
It makes me cringe, makes me afraid, feel
Oddly defeated – at this vicious name-calling
Of the ‘un-Americans’; toxic, this culture of exclusion.

I am an immigrant of color, and gay,
            Who came to this hip of land for a better life, to pursue
A world of dreams; ousted by the jurisdiction
            Of divisive laws upheld by my home country –reinstated
To chain same-sex lovers, like myself. It is this narrative
            Of dislocation that is my common history with your forefathers,
Who did the same, who wobbled
            On the nape of cultural dichotomies, to build for you
A better life. Our uprooting, the confusion of fleet,
            Reconstructions of life’s jagged shards, is not
Your lived experience – and I would never wish it upon you,
            Having known the shame behind the name-calling,
Feeling, often, like an engorged specimen under a microscope.

Your pathological view of the illegals, the aliens, I have come to realize,
Is only a small twig of a much bigger tree,
Rooted deeply in your heart, this phobia of the other; this issue
            Of legality, a timid straw behind your slanted vision
Of a White America.

Do you forget, Red Man, how many fingers of aliens
            Have built the legs of your empire?

Do you realize, Red Man, that law is expensive and
            Entire villages of fugitives would’ve bled
Under the hack of death, had they not made the breathless escape
            To the hopeful shores of this country?

Look beyond this universe of fear you have constructed,
            And notice –that many of us are here to help, to settle
In peace, and love the pillars of a fresh vista of freedom.
            Many of us would fight and fight and fight
For a Nation that isn’t ours, because this Nation gives us hope,
            Much more than our own. If you lift the veil
Of constant suspicion, undo the latches barring our dreams, remove
            The talons biting into our collective strength, you will
See, a majority of us, united before the same flag,
Committed to the cause, not different from yours,
Of together, building an even greater Nation. I wish you would see,
            For once, this alternate reality, beyond
The hollow of your eyes, shuttered so closely tight –
            That anything in the living darkness, to you,
Is an all-consuming threat, a wrench, a narrative of greed.


Tanmoy Das Lala lives in New York City, and writes poetry whenever time permits. His works have appeared in Thought Catalog and Chelsea Station Magazine.

Thursday, April 30, 2015

FUGITIVES

by Philip C. Kolin



Drawing of fugitives running from the Eastern Shore of Maryland. Image source:  A Guide to the History of Slavery in Maryland (The Maryland State Archives, Annapolis MD and the University of Maryland College Park, MD)



Black blood rushes from city
after city; running is now a crime,
guilty or not, the verdict is the same
and so is the punishment; backs
broken, heads smashed,
necks choked, chests exploded,
organs silenced; hope ended.
There is no escape, no plea, no trial.

Every black man is now afraid he wears an invisible
target only dashboard cameras can capture.
Hanging-noose ropes are strung around
the killing scene; black sons set in  buckled asphalt.
The community  fears that American history has
reversed itself, the  Fugitive Slave Acts
reenacted.


Philip C. Kolin, University Distinguished Professor in the College of Arts and Letters at the University of Southern Mississippi, is the editor of The Southern Quarterly and has published more than 30 scholarly books on African American playwrights, Shakespeare, Tennessee Williams, and Edward Albee. Also a poet, Kolin has published five books of poems, the most recent being Reading God's Handwriting: Poems (Kaufmann, 2012), as well as hundreds of poems in such journals as the Michigan Quarterly Review, Louisiana Literature, South Carolina Review, Christian Century, Spiritus, Seminary Ridge Review, America, and has co-edited Hurricane Blues: Poems about Katrina and Rita (Southwest Missouri UP, 2006) with Susan Swartwout.