Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label #NotOneMore. Show all posts
Showing posts with label #NotOneMore. Show all posts

Thursday, April 12, 2018

ZOMBIES

by A. Miller 





We do not recognize the mangled faces of the bodies we take as trophies
We do not hear the sounds of their tortured wailing as they flee for their lives
We are complicit in their deaths because we do nothing to stop it
No matter how much we want to believe we are/aren’t the servants
     of a less violent world
Our children die the same and what can we offer but more guns and
     more bullets in their backs
And more bombs and more heroin and more opioids and more lies
     and more false hope
That’s it we’ll gaslight them all until corruption looks like truth and truth
     looks like lies
We are mass murderers we are tools of destruction we are killing ourselves
     and we don’t care


A. Miller has poetry and essays featured in Aois21 publishing, Making Queer History, TheNewVerse.News, Anti Heroin Chic, and SubverSions: a journal of feminist queries.

Saturday, March 24, 2018

I FLAUNT MY "F" GRADE

by Tricia Knoll






Fumed.
Fussed at folly.
Feeling firebrand-ish.
Flabbergasted and furious.
Formidable at finger-pointing.
Fixed, firm and fretted.
Fault-finder.
Fireproof and flinty.
Family-oriented.
Friendly to school kids.
Unflinching
Finally,
NRA: keep my F rating
in your book. I know it’s in
the big book at end of days,
the one that counts.
Finis.


Tricia Knoll is an Oregon writer whose poetry book How I Learned to Be White (an investigation of how white privilege has impacted her life and how she has come to understand it) is now available from Antrim House. 

Thursday, March 15, 2018

7000 PAIRS OF SHOES

by David Spicer





You rest on the Capitol lawn

silent as the senators and congressmen

who ignore you and your former owners
you’re there protesting inaction and corruption

your owners’ names on placards near you
stay on that ground as long as you can

call for your owners to resurrect from the dead
to inhabit you to haunt the bought and paid for politicians

who blame mental illness local cops
unarmed teachers anything but the weapons

yes let their invisible feet wear you again
fly into the sky an invisible insurrection of gentle avengers

every time you see one of the lawmakers strolling down
Pennsylvania Avenue or the steps of the granite

gun church tell the ghosts to slap one of them
on his head knock some compassion into his apathy

perform aerial demonstrations guided by the ghosts
of the 7000 children and of teachers concertgoers,

dancers housewives grandmothers bus drivers
7000 pairs of you all colors and kinds red sneakers brown

slippers blue high heels yellow loafers white crocs
remain together escape from the hired sanitation workers

paid to collect you gather by the Potomac don’t let them
find you and diminish your power no transform your cloth

skin your rubber soles your canvas faces your leather toes
into new life defy science defy reality band together perform miracles

speak for the dead speak for their ghosts speak for future ghosts
oh shoes what will become of you don’t let them take you away

don’t let anybody dump you in the latest landfill and forget about you
whisper shout mutter sing yell into enough ears of enough saviors

who will pick you up and save you for another demonstration
on another lawn at the capitol of a state until you convince

the crooked men with their crooked souls and their crooked suits
to do something to do anything to stop stop stop their crooked silence

until you find more and more shoes thousands of more shoes hundreds
of thousands of more shoes who will join you and join an army

that cannot be stopped an army of 7000000 ghosts of 70000000
ghosts of victims who cannot speak anymore cannot laugh anymore

cannot run anymore cannot enjoy a day with cousins at a picnic on a lawn
much like the capitol lawn cannot return the smile of an infant

because two of the shoes are hers cannot think of a time
when guns didn’t exist cannot live in a land of guns any longer


David Spicer has poems in Chiron Review, Alcatraz, Gargoyle, Reed Magazine, Raw, The Ginger Collect, Yellow Mama, Ploughshares, The New Verse News, The American Poetry Review, and elsewhere. He is the author of Everybody Has a Story and five chapbooks; his latest chapbook is From the Limbs of a Pear Tree, available from Flutter Press.

Tuesday, March 06, 2018

ONE QUESTION FOR SOMEONE WHO OWNS GUNS

by Sister Lou Ella Hickman


Image from The Trace.


                what        and       who
                would you be
                if tomorrow
                all   guns      vanished
                like     children   who   died    in schools


Sister Lou Ella Hickman is a poet, writer, and a certified spiritual director.  Her poems have appeared in numerous magazines such as First Things, Emmanuel, Third Wednesday, and TheNewVerse.News.  Her first book of poetry was entitled she: robed and wordless.

Thursday, March 01, 2018

THE KIDS ARE ALL RIGHT, ALRIGHT

by Akua Lezli Hope




Thank you for taking up the cause
for taking on bright lights and not freezing,
for seizing the issue and not flinching
and not folding, for moving through our tears
and your fears which must be there
which are there, ever present behind closed eyelids
and dreams and even waking moments
you carry them through words you must say,
you swim through that treacle that could
embalm, could preserve could choke even as it feeds
you could stay stuck and yet you gather
and you plan and yet you clear your throats and
call us to listen how even choked and choking
heartsore and stumbling you move forward
you coalesce you make arguments that cleanse
that sear that burn obfuscating debris, clear dross
of entrenched rationales of life-taking, of warped
permissions of deranged access,
don’t listen to the naysayers, don’t,
ignore their percussive braying about
what’s become reasonable, their platforms
boom loud, are hollow bleating, you inherited a world
that has made the unthinkable usual
don’t listen to them betting against you
they always bet against you when you say no
to what prevails, when your fresh eyes refuse
to see the unseeable, foreseen, predictably
tragic, decrying the inevitability of senselessness
don’t let their demeaning misnomers distract you
whose lives are on all the lines and ransomed for
profit, whose lives underwrite the very notions
that steal them. we grieve for you we grieve for you
we’ve forgotten we’ve forgotten we’ve forgotten
to think twice about it, about the shortest distance
about straight lines, so thank you for giving
us back to ourselves who called for peace
years ago, who cried for parity, who marched and
moved and were not stuck, or tired, or worn or weary
or silent, who fought for our lives, who sometimes won


Akua Lezli Hope is a creator who uses sound, words, fiber, glass, handmade paper and wire to create poems, patterns, stories, music, adornments, sculpture and peace whenever possible. She has published 117 crochet designs. Her poetry collection Them Gone will be published by The Word Works Publishing in 2018.

RETURNING TO THE SCENE

by Devon Balwit



Parents and students arrived at Marjory Stoneman Douglas High School in Parkland, Fla., on Sunday for the start of what officials are calling a “phased reopening” of the school. Credit David Santiago/Miami Herald, via Associated Press and The New York Times, February 25, 2018


You know you have to go back in,
that day, still sticky and unscabbed.
The border between the past and now is thin.

Few you know have stood where you have been.
Your journal entries wander, the writing crabs;
You know you have to go back in.

You stagger in the web—the whole thing spins—
talking heads with agendas—all the blab.
The border between the past and now is thin.

You hear the pop-pop-pop, the chilling din,
the screams of those now still, on slabs.
You know you have to go back in,

your soul benthic, nothing but a fin
above the waves, a periscope, camouflaged, drab.
The border between the past and now is thin.

You enter, jaw tight, leading with your chin,
by turns belligerent and undone, seeking hands to grab
You know you have to go back in,
though the border between the past and now is thin.


Devon Balwit is a writer/teacher from Portland, OR. Her poems have appeared in TheNewVerse.News, Poets Reading the News, Rattle, Redbird Weekly Reads, Rise-Up Review, Rat's Ass Review, The Rising Phoenix Review, Mobius, What Rough Beast, and more.

Wednesday, February 28, 2018

BIRDSONG

by Bunkong Tuon


Abby Spangler and her sixteen year-old daughter Eleanor Spangler Neuchterlein hold hands as they participate in a "lie-in" during a protest in favor of gun reform in front of the White House, Monday, Feb. 19, 2018, in Washington. (AP Photo/Evan Vucci) via Boston Herald.

Here, in the Northeast,
There is snow on the frozen ground.
Birds are flying from the South,
Crying madly in the mourning sky.
A man with a gun is hunting them.
The branches shake against
My bedroom window.
Their song is plaintive,
Sad, and urgent.
My glass window will shatter
If nothing is to be done.
They sing about a teacher
Crouching in the broom closet
With her high school students.
A survivor says afterward,
“First we thought it was firecrackers.
Then my friends fell down,
One by one.”
They sing about the adults
Behaving like children,
Taking no responsibility
To protect the young.
They sing about the children
Acting like adults
Marching to that great mansion,
Lying on cold concrete,
Eyes closed.  Some held hands,
Others over their chests,
As if caught dead in prayer.


Bunkong Tuon is the author of Gruel (2015) and And So I Was Blessed (2017), both poetry collections published by NYQ Books.  He's also a contributor to Cultural Weekly.

Tuesday, February 27, 2018

TRIOLET TO A RAINMAKER

by Robert West




                                  “ . . . a society awash in gun violence . . . ”
                                                                    – Los Angeles Times, February 17, 2018


If only you could get this through your head:
   we’re drowning in a bloody flood of guns.
We need to stem the torrent, count the dead;
if only you could get that through your head.
You call for more guns, everywhere, instead.
   Who knows whose daughters might grow up, whose sons,
if only you could get it through your head
   we’re drowning in a bloody flood of guns?


Robert West lives in Starkville, Mississippi. His poems have appeared in Light, Poetry, Southern Poetry Review, Alabama Literary Review,  American Life in Poetry, and other venues. Co-editor with Jonathan Greene of Succinct: The Broadstone Anthology of Short Poems (Broadstone Books, 2013), he's also the editor of The Complete Poems of A. R. Ammons, published in two volumes in late 2017 by W. W. Norton.

Monday, February 26, 2018

GOD GAVE US THE RIGHT

by Howard Winn


Photograph by Erik Ravelo from his 2013 sequence “Los Intocables” (“The Untouchables) featuring a variety of issues plaguing children around the world. “The right to childhood should be protected,” Ravelo writes.


to bear arms
announces the high priest of
the Church of the Rifle
and not a mere mortal
even though the government
wrote the laws that
support the dogma of this
Faith where the AK-47
has replaced the wine
and wafer that becomes
the blood and body of
the redeemer who kills
children without a qualm
as part of the new sacrament


Howard Winn has just had a novel Acropolis published by Propertius Press as well as poems in the Pennsylvania Literary Journal and in Evening Street Magazine.