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Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label #BanAssaultRifles. Show all posts
Showing posts with label #BanAssaultRifles. Show all posts

Monday, August 12, 2019

JUST A NORMAL HIGH SCHOOL LOCKDOWN

by Ed Gold




In the fifties, in first grade,
I learned that crouching under my desk
would protect me from the blast
of an atomic bomb,
dropped on the playground.

In the sixties, in seventh grade,
I learned that when a knife is pulled
anywhere near me to run
and not look back.
But I never saw a gun.

Today, in twelfth grade,
my niece has learned the protocol
for when the shooter enters,
texting her parents every five minutes
so they know she is still alive.

She wears a bullet-blocking backpack
her mother ordered on the internet
pricier than the bullet-resistant model.
It won't protect her from an assault rifle,
but every little bit helps.


Ed Gold is originally from Baltimore, got an M.A. from the writing seminars at Hopkins, taught poetry at U of Md for years, and is now down in Charleston, SC, writing happily and madly. He has one chapbook, Owl, and about 80 poems published in TheNewVerse.News, Kakalak, Ekphrastic Review, Window Cat Press, Rat’s Ass Review, Cyclamens and Swords, and elsewhere. Active in the Poetry Society of South Carolina, he runs the Skylark Contest for high-school poets and co-chairs its two-week poetry series at the Dock Street Theater for Piccolo Spoleto in Charleston

Friday, August 09, 2019

RED FLAG

by Tricia Knoll








































You stepped in the doorway.
Come, you said, to comfort me.

A long way to come without
having gone anywhere new,

I thought, the nurse watched
over me to help me contain

my anger, but I could not.
The background: strangers

arrived to check out a victim.
Such a long way to come

without moving an inch.
My fingers searched

for a red flag to hold up
when I spit out

ban assault rifles,
don’t let white men

use them as banners
for hate.

The hate you wave
at every turn.


Tricia Knoll asks how she might feel if she were in a hospital bed after a shooting and the President arrived.

Friday, July 13, 2018

TRADING FLESH FOR METAL

by Austin Davis



On Monday, police said [Matthew] Edwards shot and killed his wife and their three children — Jacob, 6; Brinley, 4; and Paxton, 3—before turning the gun on himself. The family instantly became five of the 1,200-some people killed that way each year in the United States. —delaware online, July 12, 2018


House Republican appropriators Wednesday rejected a proposal to designate millions of dollars for the Centers for Disease Control and Prevention for gun violence research, voting 32-20 to keep the language out of a fiscal 2019 spending bill. —Politico, July 11, 2018


I.

I realized that poems nowadays
are measured by the lull between bullets
instead of a lover’s heartbeat
after I got my haircut at Supercuts
by a woman with a Pink Lady Handgun
staring me down from her hip.
The woman looked as if
she’d been attacked on her way to work
by the bubblegum monster
I used to draw on all my math homework
but she had a smile on her face,
something that was missing from me.

It’s SO CHIC—
my husband makes me take it
with me wherever I go
and at first I was against it
but then I got used to it
and now I feel SOOOOOO
safe and protected
and are you okay
because you look a little bit like
a skydiver wearing a paper parachute
who just noticed
he was a foot from the ground.

II.

Well, last year I had a vase
thrown at my head in Greer, Arizona
after I told a white man in white pants
that he was cleaning his assault rifle
as if it was a porcelain doll
because he felt naked without it,
not because of his OCD.
I told him that keeping
his bullets in a different room
could never stop them from crawling
under his pillow every night

and if I wasn’t holding his gun right then,
the man would have shot me
and ended my life right there.
One moment would have shattered
into a million, but instead,
there was a silence
deeper than any grave.

The crickets outside
went back to their small talk,
the trees held back their laughter,
and the scared old man
cried with his head on my shoulder
until morning.

III.

During March for Our Lives
almost a month ago
I watched Donald T***p
ride his motorcycle
to his Palm Beach Golf Course
and complain about
those young, idiot protesters
over a little wine and cheese
when just four years ago,
T***p had accused Obama
of “playing golf on the job.”

IV.

If saving 600 women
from being killed every year
because their insecure boyfriends
are overcompensating
isn’t “part of the job,”
then I think we need to change
T***p’s job description
from ‘President’ to ‘orange cement.’

If standing between 2,555 children
and the bullet their fathers
forgot was in the rifle
isn’t “part of the job,”
then I think someone better add
“20% chance of death”
to the weather forecast
on the school announcements
every morning.

If preventing 13,000 homicides
and giving more than 35,000
Americans another day
to tell their girlfriends and boyfriends,
wives and husbands, sisters and brothers,
and mothers and fathers
that they love them
isn’t “part of the job,”
then I think we’re just letting
those who are malnourished of power
but are the least suited to hold it
trade our human flesh for metal.


Austin Davis is a poet, writer, and spoken word artist from Mesa, Arizona. Austin's poetry has been widely published in literary journals and magazines, both in print and online. Most recently, Austin's work can be found in Pif Magazine, Ink in Thirds, Folded Word, The Poetry Shed, In Between Hangovers, One Sentence Poems, and Tuck Magazine. Austin’s first chapbook The Moon and Her Ocean was published in 2017 by Fowlpox Press. Cloudy Days, Still Nights, Austin’s first full length book of poetry, was published in May, 2018 by Moran Press.

Monday, February 26, 2018

GOD GAVE US THE RIGHT

by Howard Winn


Photograph by Erik Ravelo from his 2013 sequence “Los Intocables” (“The Untouchables) featuring a variety of issues plaguing children around the world. “The right to childhood should be protected,” Ravelo writes.


to bear arms
announces the high priest of
the Church of the Rifle
and not a mere mortal
even though the government
wrote the laws that
support the dogma of this
Faith where the AK-47
has replaced the wine
and wafer that becomes
the blood and body of
the redeemer who kills
children without a qualm
as part of the new sacrament


Howard Winn has just had a novel Acropolis published by Propertius Press as well as poems in the Pennsylvania Literary Journal and in Evening Street Magazine.