THE BANALITY OF MASS SHOOTINGS

by Julie A. Dickson

Photo from “Terror on Repeat: A rare look at the devastation caused by AR-15 shootings” in The Washington Post, November 16, 2023. WaPo Editor’s note: The photos, videos and personal accounts [in the report] are extremely disturbing and may be too upsetting for some people.

Repetition in media, another shooting
should sound as old news, except that
tragic loss of life keeps occurring, 
 
more automatic weapons in the hands
of unstable, unhappy humans;
we should have realized, they say
 
each time,  the signs were all there,
an uprising follows: gun rights for some,
while others weep redundantly each time
 
more are shot. The banality of killings,
mass slaughter should lead to change,
not complacency and resignation.

Julie A. Dickson regularly submits to online and printed journals. Her poetry is seen in over 70 journals, including Blue Heron Review, Hotel of Broken Hearts, Ekphrastic Review, and The New Verse News. She writes from art prompts, current events, nature and environment. Her elephant poems help to advocate for captive zoo and circus elephants to be sent to sanctuaries. Dickson holds a BPS in Behavioral Science and shares her home with two rescued feral cats.

FOR EVERY LOST SOUL, A CANDLE

by Mary K O'Melveny

Glowing Christmas candle in frosted home window, photograph by Thomas Baker —Fine Art America

For every lost soul, a candle

in the window spills its light

into dusky night. Darkening air

softens with hope’s holiday

aromas—sage, balsam, fir, spruce.

Its flame offers a mirror into a forest’s

beating heart, warming deep woods

where easy pathways have slipped

past sight, obscured by doubt, loss.

Its flickered patterns soothe us

as we glance inside into a world

beyond our reach. We want to see

our own reflections there, as if we

had struck the match, poured a glass

of claret, turned on seasonal carols,

smiled at loved ones gathered fireside.

Not the other side where time fells us.

Where its passage startles us anew

as memories sparkle, seduce us

for an instant before they waiver,

then devolve to our collective umbra.

Author's Note: As of November 27, 2022, there have been over 617 mass shootings in the United States and more than 40,000 people have died of gun-related deaths. www.gunviolencearchive.org 

Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her most recent poetry collection is Dispatches From the Memory Care Museum, just out from Kelsay Books. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

MY CANNOTS

by Kim Malinowski

I cannot say ban guns 

 

I cannot say ban assault rifles 

when the Uzi I fired at eight still thrums 

its song through my veins, the recoil still smacking muscle 

rifle stabled on rusty hood 

merging in fierce moment with those before me 

deep in warrior chant. 

 

I cannot cannot say ban assault rifles 

the morgue has seen enough mangled 

enough loved ones pointing at shirts that should be muddy 

not tie-dyed with blood. 

 

I cannot cannot cannot watch faces line up  

as if on the milk carton shelf 

rows of parents, rows of children, wives, lovers, husbands, police 

panic the pledge of allegiance 

 

I cannot cannot cannot 

 

cannot see plague 

 

when I prime flintlock, inherit ancestors’  

gunpowder  

  savor gritty aftertaste  

Kim Malinowski is a lover of words. Her collection Home was published by Kelsay Books and her chapbook Death: A Love Story was published by Flutter Press. She has three forthcoming verse novels. Her work has appeared in War, Literature, and the Arts, BOMBFIRE, S/tick, Mookychick, and others. Her work dictated that she become a political science defined rebel, advocating for listening and understanding of our individual and collective history and bringing it to the page. She writes because the alternative is unthinkable. 

UNINTENDED CONSEQUENCES

by Michael Calvert

“The NRA at FedEx.” Cartoon by Nick Anderson, April 20, 2021.

“Even as National Rifle Association leaders are called to testify in the second week of a bankruptcy trial, the gun rights organization is launching plans to lobby Congress against gun-control measures backed by President Biden and leading Democrats.” —The Washington Post, April 22, 2021

Our founders, in their wisdom, did decree

That, to protect their sacred liberty

And keep their wives and sweethearts from all harm,

All had the right to own a firearm.

 

To own a flintlock musket, that is, so

When called, those brave and stalwart men could go

To form up a militia, march off, and

Defend their precious homes and native land.

 

However, there's been one annoying glitch,

A technicality, and it's a bitch,

In the amount of time that they allowed

To load one shot, some nut can kill a crowd.

 

So now we bleed, and more die every day

To make our land safe for the NRA.

 

Michael Calvert has worked as a teacher, writer and editor in the corporate world. His poems have appeared in Light and Writer’s Digest.

WHEN I DIE IN THE NEXT MASS SHOOTING, HERE'S WHAT I LOOK FORWARD TO

by William McCarthy

"American Exceptionalism" by Nick Anderson.

“We never thought it would happen here,” my neighbor Sheila says.

Flags fly at half-staff; the governor holds me in his thoughts and prayers.

Another surge in the sale of assault weapons.

My senator reiterates that guns don’t kill people, people kill people.

 

My senator holds me in his thoughts and prayers.

More dollars promised to help the mentally ill.

Flags fly at half-staff; my governor reiterates that guns don’t kill people, people kill people.

Congress proposes another bill, weakens it, lets it die in committee.

 

Even more dollars promised to help the mentally ill.

On the six o’clock news, my children leave the church with my coffin.

Congress proposes another bill, weakens it, lets it die in committee.

The surgeons release my wife from the ICU.

 

On the six o’clock news, my children leave the church with my coffin.

Newspapers savor the irony: I survived a mass shooting a month ago, only to die in this one.

The surgeons release my wife from the ICU.

My thirteen-year-old daughter tells Anderson Cooper how much she will miss me.

 

Newspapers savor the irony: I survived a mass shooting a month ago, only to die in this one.

Another surge in the sale of assault weapons.

My governor’s wife holds my two-month-old son in her arms.

“We never thought it would happen here.”

Thirty years ago William McCarthy joined the Connecticut Writing Project and hasn’t recovered yet. “Since then," he writes, "I've tendered my drafts almost monthly in a writing group of other recovering CWP teachers. There’s a closeness among us we get nowhere else, as we share bits and pieces of our lives—our trials with truculent pianos, unpredictable children, and failing parents. Part is honing our craft, part is shaping our experiences, part is understanding who we are.”

THE NEW MATH

by Howie Good

If a total of eight people

are shot to death

at three massage parlors

in Atlanta, Georgia,

 

and the following week

10 people are shot

to death at a supermarket

in Boulder, Colorado,

 

how long before

the next mass shooting

in the U.S. occurs?

 

Show all work.

Howie Good's most recent poetry collection is Gunmetal Sky, available from Thirty West Publishing.

ACHE

by Ron Riekki

Artist Frederic Remington painted “The opening of the fight at Wounded Knee” in 1891. The massacre took place on December 29, 1890.

"There have been more mass shootings than days this year: As of December 25, the 359th day of the year, there have been 406 mass shootings in the U.S., according to data from the nonprofit Gun Violence Archive (GVA), which tracks every mass shooting in the country. Twenty-nine of those shootings were mass murders." —Jason Silverstein, CBS News, December 25, 2019

“The deadliest mass shooting in U.S. history took place in 1890, when representatives of the U.S. government executed as many as 300 Native men, women, and children at Wounded Knee, South Dakota, for practicing Ghost Dancing, a spiritual tradition within our culture.” —Allen Salway, Teen Vogue, June 14, 2018

“Arise from their graves” —William Blake, “Ah! Sun-flower”

Ugh! Gun-powder!  weary of EMT
shifts, how it may look like an entrance
wound in front and an exit wound in back,

but it was really two bullets, fired behind
and in front, and bullets, now, with shitty
NRA-backed legislation are made to

ricochet around in the chest once they
enter, going from organ to organ, intro-
ducing themselves with a bloodbath,

destroying colons and lungs and spleens,
the way that colonizers smallpoxed
and large-poxed and sent poxes upon

thee—the Pawnee, the Cherokee, the
Kansa?  Have you never heard of the
Kansa?  Because extinction is erasing—

worse than erasing, de-racing, destroy-
ing the -ing of a people: their breathing,
talking, writing, hearts beating, cultures

living.  And over an Xmas dinner,
we get on guns, and I say that I wish
I could take all the gun-owners and

put them on an ambulance with me,
allow them to see what bullets do,
see bullets in merry-go-rounds and

bullets in dollhouses and bullets in
Etch A Sketches where you shake
the world and nothing changes.

Ron Riekki's most recent book is Undocumented: Great Lakes Poets Laureate on Social Justice (Michigan State University Press, 2019).

AGAIN

by Lenny Lianne

Again the man said he’d just lost his job.
Again he said he lost his girlfriend.
            He’d just lost his way.
Again the man was lost yet
            said it was a free country.
            The man was lost in a free country and
again he said in this free country
            he’d lost everything,
                           everything that gave him any power,
                                                               any purpose,
                        — except his guns.
            He said in this free country the man with guns
                        had the power, was in power.
            The gun was all-powerful in this country and
again the man said he’d be damned
            if he’d give up this country
to low-life peons,
            said he’d go out of his way to shoot
all good-for-nothing outsiders
with their brown, black or yellow skin,
            illegals who didn’t look like him.
Again he said it was a free country
            and he was free to shoot riffraff
                        whether he looked in their faces first
                        or just aimed straight ahead or
                        to the left or the right.
Again the man said guns gave men power.
            In this free country the man with guns
                        was in charge.
Again he said he was in charge.
                                    In charge of the main event,      
                        the grand slam, the squeeze play,
            the final solution in his free country and
            he and his guns were center stage
                        and in charge.
       In charge of life and death
but mostly death.
Again the man with guns shouted “Charge”
            and shot straight ahead and
            to the right and the left.
And again death,
                   death again,
                        someplace, someday,
anywhere, at any moment,
                        in our country,
                        in this free country,
                   guns and death again
            and again and
again.


Editor's Note: President Trump met in the Oval Office on Friday with Wayne LaPierre, the chief executive of the National Rifle Association, and discussed prospective gun legislation and whether the N.R.A. could provide support for the president as he faces impeachment and a more difficult re-election campaign, according to two people familiar with the meeting. —The New York Times, September 27, 2019

Lenny Lianne is the author of four full-length books of poetry. Her poems have appeared in Rattle, Poet Lore, Third Wednesday, Southern Poetry Review and other journals and anthologies. She holds a MFA from George Mason University. She's taught poetry workshops on both coasts. Lenny and her husband live in Peoria, Arizona.

WAYNE LAPIERRE

by Mark Danowsky

Illustration by Tony Calabro

The world is on fire
so fire back

Fire before fire can be declared

Fire before anyone can shout fire

whether the building is crowded
or otherwise

Shout fire, fire, fire
in the hole
Fore!

Man down
Woman down
Child down

down child down

Who else is left down?

You know who
is cowering in the bathtub
fearful of a stray
bullet in the brain
Wayne saw John
Wayne or The Baptist

Showed him The Way

Fear, Love

the world becomes
a scary place

Wayne at night

his family in harm’s way

he prays for them

prays for us

pray we understand why

why guns save
not shatter
lives of a feather


collapse us with shards

a million little pieces of shrapnel

 Wayne, god
can’t you see

the rest of us shot thru

bleeding out


Mark Danowsky is a poet / writer from Philadelphia and author of the poetry collection As Falls Trees (NightBallet Press, 2018). He’s Managing Editor for the Schuylkill Valley Journal.

HISTORY OF A BIGOT

by David Spicer

“*trigger warning* Rabid Trump supporter” by alex674 at Deviant Art.

I never learned to love
a butterfly’s wings, the ripple of wavy hair.
My old man numbed me with buckles of belts,
along with barbed-wire insults and blame
he loved to wrap around my sensitive head.
He watched with glee when I winced and cried,

a weak kid. As an adolescent I didn’t cry
but with those lack of tears I couldn’t love
myself anymore than a turtle that swallows its head.
I began my journey of odium by growing long hair:
I felt kinship with hippies who blamed
society for their alienated rage and dodged belts

from fathers, who thought nothing of belts
of Jimmy Beam and Johnny Black before they cried
and always found their sons to blame
for being losers in life and love.
Ten years later, I buzz cut my hair,
joined a gang of skinheads

who grunged guitars and cracked heads.
This didn’t happen in Frisco, but the Cotton Belt,
where haters despised long hair and short hair,
but I loathed rednecks— they never cried,
didn’t know the meaning of love
since they never accepted self-blame.

As children, their mothers told them, You’re to blame—
I ought to bash your stupid head
in. Fifteen years later, I still didn’t know love,
so I joined right-wing crackpots who swung belts
at smaller victims, young men we kicked until they cried,
slashing their faces with swastikas, hacking their hair.

Twenty years later, I wonder what happened to my hair.
If I could, I’d find some cretin to cut with blame.
I’d feel better if the whiner whimpered and cried.
Then I’d notch it up and grind his head,
tie up his arms with rusty chains, poison-laced belts,
and after I finished him, I’d call his death my act of love.

I’m not prejudiced. I hate everybody: long hair, bald head.
Who cares, as long as I can blame and whip with a belt?
I can’t cry. I hate myself. I think I’ll buy a gun to love. 


David Spicer has published poems in Alcatraz, Gargoyle, Third Wednesday, Reed Magazine, Oddball Magazine, The Literary Nest,The Tipton Poetry Journal, Synaeresis, Chiron Review, Ploughshares, The American Poetry Review, and elsewhere, and in the anthologies Silent Voices: Recent American Poems on Nature (Ally Press), Perfect in Their Art: Poems on Boxing From Homer to Ali (Southern Illinois University Press), Homeworks: A Book of Tennessee Writers (The University of Tennessee Press), and A Galaxy of Starfish: An Anthology of Modern Surrealism (Salo Press). He has been nominated for a Best of the Net three times and a Pushcart once, and is the author of one full-length collection of poems, Everybody Has a Story (St. Luke's Press), and six chapbooks, the latest of which is Tribe of Two (Seven CirclePress). He is also the former editor of Raccoon, Outlaw, and Ion Books.

AMERICAN GHAZAL

by Gail Thomas

Crosses for each of the victims of a mass shooting in El Paso, Texas, sit before being taken to a memorial site. CALLAGHAN O’HARE / REUTERS via The Atlantic, August 5, 2019

Innocence dies in every season, bullets spray in America.
Red blossoms swirl and drip, night and day in America.

Prayers don’t erase the names waiting to be spoken.
How many voices stilled? Money betrays in America.

School, church, temple, mosque, theater, mall, club.
False gods, assault weapons stay in America.

Oh, he was a hater, loner, misfit, bully?
Rage hides in plain sight, decay in America.

Abraham, faith-blind father, God saved your son.
We know the enemy within, but we pray in America.


Gail Thomas has published four books: Odd Mercy, Waving Back, No Simple Wilderness, and Finding the Bear. Her poems have appeared in many journals and anthologies, and awards include the Charlotte Mew Prize from Headmistress Press for Odd Mercy, the Massachusetts Center for the Book’s Must Read for Waving Back, and Naugatuck River Review’s Narrative Poetry Prize.

TRES Y VEINTIDOS AND NINE

Samuel Klug, left, and John Neff visit a memorial at the scene of a mass shooting in the city's historic Oregon District in Dayton, Ohio. (Jahi Chikwendiu/The Washington Post)

1

Tres personas fueron asesinadas en Gilroy, California

Trevor Irby—Stephen Romero—Keyla Salazar

2

Veintidós personas fueron asesinadas en El Paso, Texas

Jordan Anchondo—Andre Anchondo—Arturo Benavidez—Javier Rodriguez—Sara Esther Regalado Moriel—Adolfo Cerros Hernández—Gloria Irma Marquez—María Eugenia Legarreta Rothe—Ivan Manzano—Juan de Dios Velázquez Chairez—David Johnson—Leonardo Campos Jr.—Maribel Campos—Angelina Silva Englisbee—Maria Flores—Raul Flores—Jorge Calvillo Garcia—Alexander Gerhard Hoffman—Luis Alfonzo Juarez-Elsa Mendoza de la Mora—Margie Reckard—Teresa Sanchez

3

Nine people were killed in Dayton Ohio

Megan Betts—Monica Brickhouse—Nicholas Cumer—Derrick Fudge—Thomas J. McNichols—Lois Oglesby—Saeed Saleh—Logan Turner—Beatrice Warren-Curtis