DREAMING SUMMER DOWN

by David Chorlton

Yesterday’s news sent the city to bed
with domestic terror for a nightcap, home grown
it said, easy to fund, you can’t
keep bad men down. And fall begins today
even if summer still has
a scorpion’s tail. A night of interrupted sleep
 
with a dream of far away;
how well those friends of years ago
appeared. Good health among the living
and even better with
the dead. Who would have expected such
 
a fine reunion, or found
the references to erotica made in Vienna?
Outside, it’s Arizona warm
with coyotes wandering the starlit streets
and bus shelters doubling
as bedrooms for the poor. The midnight traffic
on the interstate is singing
 
in a sparkling monotone
and the moon hangs
like half a cup of fire between two
leaning palms. Let the past
 
be the past, say Goodnight
and ride a beam of dreamlight home.
Fumble for the key.
Ignore the splinters in the door where someone
must have brought a crowbar.
Imagine! The cracking wood, the aching
hinge, the next door neighbor’s
 
reassuring words: don’t worry,
it could never happen here.

David Chorlton has considered Phoenix home for several decades. He used to live in Vienna but rarely dreams about it. Much of his poetry comes from life in Arizona, where he has found strains of unrest and social disquiet that he can't ignore.

LE GRANDE REPLACEMENT

by Susan Cossette

Image credit: Tayfun Coskun/Anadolu Agency via Getty Images

Blood moon rises over the horizon,

over Minneapolis, Auckland, Buffalo,

over blood spilled in schools and supermarkets,

hot orb, hatred splayed on the pavement.

 

In Minnesota you know you’re dead to the world

if you see your obituary in the Star Tribune a week before you die.

The loons’ eerie tremolos and yodels call to you—

outsider, peculiar threat, excised one, unwelcome.

 

Strange bugs come calling each spring.

They crawl up your walls in curious unison,

fleeing, seeking escape.

You find them on the kitchen floor,

dead in the window wells,

silent and withered.

Susan Cossette lives and writes in Minneapolis, Minnesota. The author of Peggy Sue Messed Up, she is a recipient of the University of Connecticut’s Wallace Stevens Poetry Prize. A two-time Pushcart Prize nominee, her work has appeared or is forthcoming in Rust and Moth, Vita Brevis, ONE ART, As it Ought to Be, Anti-Heroin Chic, The Amethyst Review, Crow & Cross Keys, Loch Raven Review, and in the anthologies Fast Fallen Women (Woodhall Press), Tuesdays at Curley’s (Yuganta Press), and After the Equinox.

A NIGHT AT THE RNC

by Lucille Gang Shulklapper

Oh, say can you see, by dusk’s dimming light, fake news spewing from the worst on the right, from the Senate’s blind mice, ignoring all vice, the children in cages, the jobless... no wages, federal troops, crushing protest groups, voters’ hopes flailing, domestic terror prevailing.  Oh say, can you see, by dawn’s angry red glare, pollution and hatred on the air, in praise of T***p’s props and photo ops, truth denying, the sick and dying, our worst fears rearing, Kent State reappearing.

Aging rapidly, alternately sad, and depressed, Lucille Gang Shulklapper is at other times the fortunate author of numerous poems (a dozen or so published in TheNewVerse.News since 2008)and stories, as well as five poetry chapbooks and a picture book. She recently started a program in her residential community titled Edgewater Poets, giving seniors a voice on a community channel as well as the staff employed there. 

SEVENTH NIGHT

by Judith Terzi

A fleeing suspect was arrested
with blood spilling over his clothing
smelling of bleach. Candle wax
dripping down my silver-plated
menorah. Multi-colored wax
clinging to its round base, clogging
its candle holders that we clean
each festival night. My family
closed blinds when we lit the candles
just after the war in Philly. This
same menorah with a star of David
in the middle guarded by the claws
of a lion on either side. The suspect
could have stabbed my grandfather
and my great-grandfather––Hasids
like the five he stabbed on the seventh
night of Chanukah. My grandfather
could have given me a check for $5,
written Chanukah gelt in the lower
left-hand corner with a hand unused
to writing English letters. My parents
could have given me another pair
of pajamas on the seventh night,
or a jigsaw puzzle, or a Toni doll,
or a dress my mother would have
sewn on her Singer. We closed
blinds when we lit the menorah.
The suspect wielded a large knife.
The children stopped singing, and
the dreidel stopped spinning, and
the rabbi prayed for his congregants
and for his son who were stabbed.
And for the victims of the twelve
other acts of violence against
Hasids in the past three weeks.
And the people are terrified.
And the country stays divided.

Judith Terzi is the author of Museum of Rearranged Objects (Kelsay Books) as well as of five chapbooks including If You Spot Your Brother Floating By and Casbah (Kattywompus). Her poetry appears widely in literary journals and anthologies, has been nominated for Best of the Net and Web and a Pushcart, and read on Radio 3 of the BBC. She holds an M.A. in French Literature and taught high school French for many years as well as English at California State University, Los Angeles, and in Algiers, Algeria.

AMERICAN GHAZAL

by Gail Thomas

Crosses for each of the victims of a mass shooting in El Paso, Texas, sit before being taken to a memorial site. CALLAGHAN O’HARE / REUTERS via The Atlantic, August 5, 2019

Innocence dies in every season, bullets spray in America.
Red blossoms swirl and drip, night and day in America.

Prayers don’t erase the names waiting to be spoken.
How many voices stilled? Money betrays in America.

School, church, temple, mosque, theater, mall, club.
False gods, assault weapons stay in America.

Oh, he was a hater, loner, misfit, bully?
Rage hides in plain sight, decay in America.

Abraham, faith-blind father, God saved your son.
We know the enemy within, but we pray in America.


Gail Thomas has published four books: Odd Mercy, Waving Back, No Simple Wilderness, and Finding the Bear. Her poems have appeared in many journals and anthologies, and awards include the Charlotte Mew Prize from Headmistress Press for Odd Mercy, the Massachusetts Center for the Book’s Must Read for Waving Back, and Naugatuck River Review’s Narrative Poetry Prize.

YES, THEY SOW GUNS INTO THE BELLY OF THIS WORLD

by Ariana D. Den Bleyker





You cannot sow leaves back to a tree,
unpluck the plume of an eagle.
When words begin to rot the tongue,
those words cannot be swallowed back.

There is a dish to hold the sea,
a brassiere to hold the sun,
a compass for the galaxy,
a voice to wake the dead.

But this is the silence between us.
And this is why there will be no nest.
Because this is a relationship
between a bird & a gun.

Shots burst out into a crowd;
and, we saw the red-hot glint,
watching & crying & asking
that question over again.

Talons fall from the sky,
settle, & turn to rust. I hate you,
I think, as you shoot me
to death with a rifle in my face:

Born to pull the trigger.
Born to light the match.
Born to see the blood.
Born to steal the hope.

You feel rage & there are bodies
on the floor, me, dying,
almost dead, knees stuck
together with feathers & blood.

One gun to hold the bullets;
one finger to pull the trigger.
Truth wears everyday clothes.
Tufts crimson as sunset pass us by.


Ariana D. Den Bleyker is a Pittsburgh native currently residing in New York’s Hudson Valley where she is a wife and mother of two. When she’s not writing, she’s spending time with her family and every once in a while sleeps. She is the author of three collections, including Wayward Lines (RawArt Press, 2015), the chapbooks Forgetting Aesop (Bandini Books, 2011), Naked Animal (Flutter Press, 2012), My Father Had a Daughter (Alabaster Leaves Publishing, 2013), Hatched from Bone (Flutter Press, 2014), On Coming of Age and Stitches(Origami Poems Project, 2014), On This and That (Bitterzoet Press, 2015), Strangest Sea (Porkbelly Press, 2015), Beautiful Wreckage (Flutter Press, 2015), Unsent (Origami Poems Project, 2015), The Peace of Wild Things (Porkbelly Press, 2015), Knee Deep in Bone (Hermeneutic Chaos Press, 2015), Birds Never Sing in Caves (Dancing Girl Press, 2016), Cutting Eyes from Ghosts (Blood Pudding Press, 2017), Scars are Memories Bleeding Through (Yavanika Press, 2018), A Bridge of You (Origami Poems Project, 2019), Even the Statue Weeps (Dancing Girl Press, forthcoming 2019), and Confessions of a Mother Hovering in the Space Between Where Birds Collide with Windows (Ghost City Press, forthcoming 2019). She is also the author of three crime novellas, a novelette, and an experimental memoir. She hopes you'll fall in love with her words.

GARDEN VEGETABLES

by Joan Mazza

The garden blooms again in profusion,
offers snow peas and sugar snaps,
lettuces green and crisp. The tomatoes
have never tasted so good. Maybe
the heavy spring rain kept the ground
moist during  a critical window, maybe

it’s the usual cycle of the earth. Hands
in the dirt provide distraction,
the sense of doing something useful,
healthy, with an outcome you can eat—
most basic feeling of security. Logs
on the wood pile cure for winter
while you can tomatoes, pickle cukes.

Without TV or radio, without knowledge
of the height of children, you’d never know
the year. Gardens’ bountiful vegetables
are an annual constant, a salve.
In Dayton and El Paso, the experts
are closing out crime scenes, taking

photos, mopping up blood, notifying
next of kin. When you hear the number
of injured victims along with the dead,
you won’t know how their lives have been
altered to live with chronic pain and fear.
How many young men are cleaning their
guns and counting their bullets today?

Joan Mazza has worked as a medical microbiologist, psychotherapist, and has taught workshops nationally with a focus on understanding dreams and nightmares. She is the author of six books, including Dreaming Your Real Self (Penguin/Putnam), and her work has appeared in Rattle, The MacGuffin, Valparaiso Poetry Review, and The Nation. She lives in rural central Virginia, where she writes a poem every day and is working on a memoir.

BOMB MAKERS

by Lucille Gang Shulklapper

This is how the demagogues rose
with orange hair and Pinocchio nose
with wobbly chin and a plow that froze
one white woman and ten white men
who bent and bowed and said amen
to the free press, and the FBI,
to ethics and our flag flown high
to only abort
the supreme court.

Let the history books name
those leeches who brought shame
to facts in fake news voice
with dictators of their choice
who buried hopes with shoveled fears
who lost allies with unfit smears

who sent pipe bombs bombs from rhetoric born
from twisted minds to those they scorn
who leached democracy to death
who sucked its blood, its guts, its breath.

Lucille Gang Shulklapper's poetry and fiction  has appeared in numerous journals  including Slant, TheNewVerse.News, Lummox, and Poetic Voices without Borders.  Recent publications also include Gloss,  a fifth chapbook of poetry, and a picture book Stuck in Bed Fred. Presently, she is a volunteer with Caregiver Youth of America, and The Pap Corps. She has started a poetry column in her community newspaper and worries about deadlines or is it dead lines?

GRAB-ORIENTED FLEXION

by Jennifer Clark

Photo by Nathan Atkinson on Unsplash

I do as Greg says, for five minutes, three times a day.
I feel silly, sifting my fingers through a medley of dried
lentils, black-eyed peas, and rice, trying to grab and release.
Instead, my right hand wants to pull the skyscraper of weeds
rising through the weigela. My thumb and forefinger itch to pinch
the dead heads of zinnias and marigolds. I should be thinning
the obedient plants, trimming the crazy-haired boxwood.
There is so much work to do in this world.

Attempting to grab and release, my hand wants to seize and shake
the trumpet vine that my well-intentioned neighbors planted.
The orange thug invades the garden with fire and fury.
It loves to feast on fences, has been known to break windows
and pry the siding off homes. Round Up and yelling don’t work.

As the trumpet vine threatens to take over the neighborhood,
I recall one weary gardener’s opinion: it is not a plant, but a form
of domestic terrorism. Here is the best way to handle this noxious
vine that thrives in poor soil yet can attract the sweetest hummingbirds:
Do not ignore it.

Left locked and loaded to its own devices, it will only
displace desirable vegetation. Call it by its true names:
Campis radicans and cow-itch. Don’t fight it. Give it
excessive care. Water it. Nourish the soil. Love it to death.

We can not give up on this good world, even as it slips
through our fingers, we must keep trying. So, go ahead,
roll up your sleeves, plunge into this seeded and weedy
life, and grab and release. Grab and release.

Jennifer Clark, whose left hand wrote this poem, is the author of Necessary Clearings (Shabda Press). Her second poetry collection Johnny Appleseed: The Slice and Times of John Chapman is forthcoming from Shabda Press. She lives in Kalamazoo, Michigan.

HOME GROWN TERRORISM

by F.I. Goldhaber

In the years since the 9/11 attacks, the United States has suffered sixty-five assaults associated with right-wing ideologies—“sovereign citizens,” white supremacists, and anti-abortion extremists—and twenty-four by Muslim extremists, according to the National Consortium for the Study of Terrorism and Responses to Terrorism, at the University of Maryland. You might think that this underrepresents the risk of a spectacular, high-casualty attack, but, as my colleague John Cassidy has written, the security officials who protect the public against both domestic and foreign terrorists say the domestic risk is greater. The terrorism experts Charles Kurzman, of the University of North Carolina at Chapel Hill, and David Schanzer, of Duke, surveyed nearly four hundred state and local police agencies, and found that the “main terrorist threat in the United States is not from violent Muslim extremists but from right-wing extremists.” . . . It will take time to discover what mix of ideas and madness contributed to the attacks in Colorado Springs and San Bernardino. But it is a different kind of madness to pretend that we’ve learned nothing about why these types of events happen. In a study published this year in the journal American Behavioral Scientist, Mark Pitcavage, of the Anti-Defamation League, examined thirty-five “lone wolf” attackers—their tactics and ideas, and the consequences of their actions. He found that “ideology seems to have played a substantial role in the majority of the violent acts.” Nearly two-thirds of the attackers had a clear sense of what they were doing to their “perceived enemies,” and why. —Evan Osnos, The New Yorker, Dec. 2, 2015. CREDIT PHOTOGRAPH BY NICK COTE / THE NEW YORK TIMES VIA REDUX VIA THE NEW YORKER

The hypocrites rage on, refusing to accept responsibility
when one of their own slaughters police, doctors, and innocent bystanders.
The rhetoric that sends terrorists to attack women seeking health care
erupts anew as those fomenting hate spew vitriol across airwaves.

No one questions why medical facilities find it necessary
to have safe rooms and armored doors. Too many accept how easily those
with criminal records and mental instability acquire weapons.

Those who immediately condemned all Muslims after some radical
fundamentalists violated their own religious texts to bomb and
shoot Parisians, urge us to wait for all the facts when their protégés
splatter the blood of strangers and destroy buildings on American soil.

Violent extremists threaten the U.S., but they call themselves "Christians,"
use Bibles not Qurʾans to justify destruction and murder. We won't
eradicate terrorism if we ignore the ones we raise at home.


As a reporter, editor, business writer, and marketing communications consultant, F.I. Goldhaber produced news stories, feature articles, essays, editorial columns, and reviews for newspapers, corporations, governments, and non-profits in five states. Now, her poems, short stories, novelettes, essays, and reviews appear in paper, electronic, and audio magazines, ezines, newspapers, calendars, and anthologies.  Her newest book of poetry Subversive Verse collects poems about corporate cruelty, gender grievances, supreme shambles, political perversion, and race relations.