DOES IT UPSET YOU?

by Mariam Saidan

After Audre Lorde’s “A Woman Speaks”

 

I have been woman

for a long time

youth was fragile

scary at times

most of the times

nonadjustable to 

the shape I was becoming.

Misunderstood I was.

Out of mind, troubled

when I didn’t quite like 

the safety of home, 

control or harassment. 

I died many deaths  

each time returning

with a new survivor in me.

Fear no longer suited me. 

I’ve grown into a 

thousand-year-old tree.

They cut a branch,

take a leaf,

it grows back.

It always grows back.

Try and take the sun out

of day. 

There are birds living in me,

one always sings,

and a fox curled up on the shed

just a stone’s throw away in 

my garden, looks at me.

Under my living room where 

I keep vases in different shapes 

and colours, painted and 

filled with wildflowers, 

there’s a cellar

and below that,

an ocean,

pounding.

With every tide 

I become water.

Offending waves.

Dramatic drops.

Vast freedom.

Bewildering imagination.

There’s no end to this thirst.

I’m not scared of pain,

it makes things interesting.

My eyes sometimes

look into yours,

but no, not asking to be

touched.

I’m here

to live this life

like no one but

the woman I have

become. 

I’m not ashamed to

drown in this sea.

Mariam Saidan is a Specialist Advocate for Women’s Rights and has worked as a Children’s Rights Advocate, studied Human Rights Law at Nottingham University (LLM) and Creative Writing at Kent University. She is Iranian, based in London, and has lived in Iran, France, and the UK. She wrote her first journal at 8 years old while living through the Iran-Iraq war.

THE LAYING ON OF HANDS

by Kathie Giorgio

Trigger Warning: The following poem narrates scenes of the sexual abuse of a child by an adult.

I was always told that

God is Love.

From the church I no longer attend

From the catechism I’ve forgotten

From Buddhists, reiki masters, Wiccans,

psychics, evangelists, all whose words

have blended together into a quagmire.

But… God is Love, I was told.

My ninth grade science teacher wore a

pin on the lapel of his suit jacket.

Every day. In a public school.

It said, “PTL Anyway!”

I asked him what it meant, in a quiet moment

during study hall.

He said, “Praise The Lord Anyway!” and laughed.

Then he asked me if I was saved.

I was anything but.

He told me to follow him and we weaved through

the classroom of students and desks. Right in

front of them. They turned and watched us go.

He held my hand.

He took me to the storeroom at the back. We went

inside. He shut the door. Locked it. Turned off

the Light.

Then he folded my hands between his and he prayed.

For me. He prayed hard. His hands grew warm around mine.

I thought I felt the Holy Spirit.

And then

Well, and then

he put my hands on himself.

and then his hands on me.

He lifted me onto a table and laid me back.

As he pressed into me, he said,

“Always remember I love you. Always remember.”

God is Love. PTL Anyway!

And I so wanted Love, I didn’t fight back.

I was fourteen years old.

I have always remembered his declaration.

And I’ve always wondered about Right and Wrong.

And now

Well, and now

I think of all the stories I was told. All the stories I read

as I devoured the bible front to back, side to side, old and new.

Looking for God. Looking for Love.

The Good Samaritan, who helped the beaten man on the side of

the road, passed over by others.

The rich man who boasted of his wealth, giving to the church,

but only from his surplus

while a poor woman gave all she had.

Two pennies.

Let the little children come unto me.

Jesus wept.

And I shudder as I think of those who call themselves Christians

electing a man they say is of God, who would push the Samaritan

out of his way

and kick the beaten man over the border.

The man of God, who held up an upside-down bible with one hand

while grabbing women “by the pussy,” he said, with the other.

The man of God, who would save bits of tissue

tissue with no heart, no brain, no body,

no thoughts, no wants, no cares

and ignore the cries of children who are hungry.

Who are cold.

Who have no homes.

Who are looking for Love.

Who become pregnant by a man who wears a pin.

PTL Anyway!

And I hear again now, God is Love.

I think back to that ninth grade science teacher

who made me feel like I might be Loved

Whose PTL Anyway button pressed into my bare breast

as he pressed into me.

And I gasped with the hope of it.

I cried with the pain of it.

And then spent years, wondering about Right and Wrong.

PTL Anyway

But I feel the last nail driven in,

not the Holy Spirit.

I see who they call a man of God

and what they believe God’s Love would do.

There are no hands to deliver my spirit into.

I believe in Nietzsche.

God is Dead.

Kathie Giorgio is the author of eight novels, two story collections, an essay collection, and four poetry collections. A new poetry collection Let Me Tell You; Let Me Sing will be released in 2026. She’s been nominated for the Pushcart Prize in fiction and poetry and awarded the Outstanding Achievement Award from the Wisconsin Library Association, the Silver Pen Award for Literary Excellence, the Pencraft Award for Literary Excellence, and the Eric Hoffer Award In Fiction. She is the director/founder of AllWriters’ Workplace & Workshop LLC.

FRIDA KAHLO AS A KEYCHAIN

by Terri Kirby Erickson

My Frida Kahlo keychain, a gift from a longtime
friend in Lubbock, is made of felt, hand-embroidered 
with the brightest threads. Her pink floral headdress 
 
is rainbow-shaped, her eyebrows like a minimalist 
painting of a bird in flight—one solid line, double-
arched, meeting in the center of her forehead. With
 
eyes forever closed, this keychain Frida is always 
smiling. She never had polio or walked with a limp. 
Her spine and pelvis were never broken, her uterus 
 
never pierced by an iron bar. In fact, she has no body, 
only a lime-green tassel where her neck should be. 
To her, Diego is just a name, not a faithless husband, 
 
no one to whom her tortured letters were addressed. 
Hanging from a set of keys, she cannot know the fate 
of brown-skinned immigrants gathered like herds 
 
of cattle, handcuffed and transported, the families who 
may not find each other again, the crying babies, their 
stolen mothers. Keychain Frida has no arms to paint 
 
their pain in vibrant colors—a small portrait of herself 
in the corner of the canvas, boldly staring, her blood-
red heart dangling between her breasts like a pendant.

Terri Kirby Erickson is the author of seven full-length collections of award-winning poetry. Her work has appeared in “American Life in Poetry,” Latin American Literary Review, ONE ART, Quarterly Literary Review Singapore, Rattle, The SUN, Valparaiso Poetry Review, and many other literary journals, magazines, newspapers, and anthologies. Among her numerous awards are the Joy Harjo Poetry Prize, International Book Award for Poetry, and the Annals of Internal Medicine Poetry Prize. She lives in North Carolina, USA.

TRUMP INAUGURAL

by Paul Hostovsky

AI-generated graphic by NightCafé for The New Verse News.

The day Trump takes office

I’m quitting sugar

to protest the irreplaceable

place of sweetness in the dark

world. I mean look

around. The ice is melting into everything and the levels

of pain are rising worldwide with alarming

silence seeping into everything 

and there’s nothing

I can do about it. I need

to do something about it. I’m quitting

sugar as an act of solidarity, 

a way to keep the sweetness 

holy. Kind of like the sabbath, only

secular. Kind of like a hunger strike, only

healthier. Of course the symbolism

will be lost on Trump, whose own

blood sugar levels are a state 

secret—if it weren’t

lost on Trump he probably wouldn't

have won. Hell, he wouldn’t have 

run in the first place if he understood 

the irreplaceable, unimpeachable,

inexpressible place of sweetness 

in the dark world, which is growing 

darker and more bitter apace, 

and is just as irreplaceable as it ever was.

Paul Hostovsky’s poems have been featured on Poetry Daily, Verse Daily, The Writer’s Almanac, and Best of the Net. He has been published in Poetry, Passages North, Carolina Quarterly, Shenandoah, New Delta Review, Bellevue Literary Review, Atlanta Review, Poetry East, The Sun, and many other journals and anthologies. He has won a Pushcart Prize, the Comstock Review's Muriel Craft Bailey Award, the FutureCycle Poetry Book Prize, and chapbook contests from Grayson Books, Riverstone Press, Frank Cat Press, Split Oak Press, and Sport Literate. Paul has thirteen full-length collections of poetry, the most recent being Pitching for the Apostates (2023). He makes his living in Boston as a sign language interpreter. He lives with his wife Marlene in Medfield, Massachusetts.

SADLY, NO ONE HAS NOTICED

by Sister Lou Ella Hickman

AI-generated graphic by NightCafé for The New Verse News.

during this past terrible season of pain

with its headlines and news stories

of voice gun metal cacophony

the screams

becoming louder and longer

            

the plague of words

feeding on each other

a frenzy of fear…

sadly, no one has noticed

hope’s sacred pity

as she kneels weeping

amid the carnage

Sister Lou Ella Hickman, OVISS is a former teacher and librarian whose writing appeared in numerous magazines and anthologies. Her first published book of poetry is she: robed and wordless (Press 53, 2015) and her second, Writing the Stars (Press 53, 2024). She was nominated for the Pushcart Prize in 2017 and in 2020. Using five poems from her first book, James Lee III composed “Chavah’s Daughters Speak” first performed at 92Y in New York City.

WARFARE IS THE OPPOSITE OF PRACTICING TONGLEN

by Catherine Gonick

Tonglen, or “taking and giving” is a meditation where you imagine taking in others’ suffering as dark smoke and giving all that they need as bright light. —A Skeptic’s Path to Enlightenment

Asked to inhale

your pain

and to exhale

my compassion

I instead

inhale your righteous

rage

feel fear

exhale my own

just rage in return

and too fast to notice

a fiery fence

springs up

the burning barricade

of exhaled words

that separates

my dangerous pain

and yours

and makes us equal

in unsafety

Catherine Gonick has published poetry in journals including Live Encounters, Notre Dame Review, Forge, and Beltway Poetry Quarterly, and in anthologies including Support Ukraine, Grabbed, and  Rumors, Secrets & Lies: Poems About Pregnancy, Abortion and Choice. She works in a company that slows the rate of global warming through projects that repair and restore the climate. 

MY PRAYERS FOR HOSTAGES DIDN'T END WHEN MY PRAYERS FOR PEACE BEGAN

by Laurie Rosen

With college campuses seized by conflict over the war, is there anywhere for students who don’t want to choose a side to turn? Image by Yoav Einhar. —Forward, December 6, 2023

For every child kidnapped, 
burned, bombed 

I believe there is someone 
on both sides grieving 

the pain of the other, 
hearing cries from the other,

growing wary 
of taking sides. 

For every yes, but someone is saying 
this is true and so is this,

Elu v’elu divrei Elohim chayim: 
these and these.   

For every life displaced,
beaten, brutalized 

I believe in the hope 
of two hands holding

multiple truths,
two hands plowing a path 

for compassion and peace. 

Laurie Rosen is a lifelong New Englander. Her poetry has appeared in Peregrine, Gyroscope Review, The New Verse News, Oddball Magazine, The Inquisitive Eater: a journal of The New School, One Art, and elsewhere. Laurie won first place in poetry at the 2023 Marblehead, MA Festival of the Arts.

PLEASE CHOOSE

by Donald Sellitti

Nina Chanel Abney, “Hobson’s Choice” (2017), acrylic and spray paint on canvas, 84 1/4 x 120 3/16 x 1 15/16 inches (image via Hyperallergic)

Please choose which dead to mourn. Now,
with your sorrow and your anger still as
raw as the shoveled earth above them. Please choose.

The children in their shorts and Messi jerseys
dead beneath the mothers clothed head to toe
in garments turned to shrouds, or

the children lying bloody in their soccer shirts
shot point blank with mothers forced to watch.
Mourn either one, not both. Please choose.

Scream loudly in my ear until I hear
you. It will never make me feel your pain, but
I might finally come to understand. 

I will not judge you for the choice you make, 
but you have no other choice but choosing.
Please choose which dead you will avenge.
Please choose.

Donald Sellitti honed his writing skills as a scientist/educator at a Federal medical school in Bethesda, MD before turning to poetry following his retirement. Numerous publications in journals with titles such as Cancer Research and Oncology Letters have been followed by publications in journals with titles like The Alchemy Spoon, Better than Starbucks, and Rat’s Ass Review, which nominated him for a Pushcart Prize in 2022.

DESPITE MANY EDITS, THIS POEM REMAINS A SCREED

by Devon Balwit

Martin Keep/Agence France-Presse—Getty Images via The New York Times

 

Individualized animal abuse is a crime; systematic animal abuse is a business model. —Nicholas Kristof, The New York Times, June 10, 2023

 

What we can’t bear to look at, we tolerate hidden:

the living penned with the dead, vivisection,

 

infants torn from their mothers. Already, I imagine

you, reader, lamenting this poem’s wanton

 

cruelty. Or protesting that you don’t eat red

meat or chicken flesh and so aren’t implicated .

 

Unfortunately, milk and cheese also equal

death. I wish it weren’t so, for I was partial

 

to Gouda—and eggs—but the free range birds

we imagine exist mostly in our heads. Farmyards

 

would span entire states were the hens to peck

at will. Back we retreat, then, into our dark

 

ages, some fated to suffer in a preordained hierarchy.

We’d squirm if this logic were applied to our species:

 

Women, brown people, the poor—What

can one do? They just happened to draw the short

 

straw. Surely, mere appetite can be retrained

once we admit animals know pleasure and pain.

 

Devon Balwit walks in all weather. In her most recent collection Spirit Spout [Nixes Mate Books, 2023] she romps through Melville’s Moby Dick. 

THINGS EASIER THAN MARRIAGE TO IKE

by Elaine Sorrentino

Sprinting across the I-30
in the dead of night 

the leggy legend 
with infectious charm 

 

turned trauma into triumph, 

swapped bloodied and beaten
for surviving and thriving
in an act of self-preservation. 

She dared to be the needle 
that pricked the heady
Love Team balloon,
indestructible Tina  

in leather and denim
scrubbed toilets
scaled the Eiffel Tower in heels
unearthed her pain 

instead of maintaining
her 16-year limelight lie,
transforming thirty-six cents
and inconceivable drive 

into the Queen of Rock,
self-love, that second-hand emotion
had everything to do with it, 
Buddha offered nirvana.  

When the shine was off the penny
she was at peace slowing down,
asking her devoted public 
not to disturb her before noon. 

Elaine Sorrentino has been published in Minerva Rising, Willawaw Journal, Glass: A Journal of Poetry, Ekphrastic Review, Writing in a Women’s Voice, Global Poemic, ONE ART: a journal of poetry, Agape Review, Haiku Universe, Sparks of Calliope, Muddy River Poetry Review, Your Daily Poem,  Panoplyzine, Etched Onyx Magazine, and at  wildamorris.blogspot.com. She was featured on a poetry podcast at Onyx Publications. 

PASSOVER 2023

by Eric Greene

The Israelites were told that if they painted their doorposts with lamb's blood, their first-born child would not be killed by the angel.

The Angel of Death 
is running amok
 
and no amount 
of lamb’s blood
 
smeared 
on the schoolroom doors 
will keep him away
 
Columbine, Red Lake, Virginia Tech
 
No cup of sweet wine
will dull the suffering
 
Sandy Hook, Marjory Stoneman Douglas, Santa Fe
 
No bitter herb
will burn 
like a mother's pain
 
Oxford, Robb Elementary, Michigan State
 
In bondage 
once again
 
with no exodus 
in sight
 
we wait 
for the next child 
to be taken
 
The Covenant School… 
 
 
Eric Greene is a longtime member of The Southeast Michigan Poetry Workshop Group. His poems have appeared in The New Verse News and other online publications.

REGIME CHANGE

by Bonnie Naradzay

Remember when Muntadhar al-Zaidi, 
an Iraqi journalist, hurled his shoes 
at Mission Accomplished Bush, 
the man incapable of introspection? 
Bush ducked.  Mission Accomplished.
Bush painted himself relaxed
in the bathtub, pink toes showing.
“This is a gift from the Iraqis; 
this is the farewell kiss, you dog!” 
Zaidi shouted in Arabic.  
“You feel bitterness as you see people's pain 
24 hours a day,” Zaidi said.
Bush ducked.  Mission Accomplished.
Corporations made a lot of money off the unprovoked war.
Bush painted himself relaxed
in the bathtub, pink toes showing.
You could hear cries of pain, 
muffled from behind a door, 
during the news conference. 
During the Q&A’s, 
blood spatters on the carpet.
 “You feel bitterness as you see people's pain 
24 hours a day,” Zaidi said.  
Bush ducked.  Mission Accomplished.
Corporations made a lot of money off the unprovoked war.
Bush painted himself relaxed
in the bathtub, pink toes showing.

Left: self-portrait by George W. Bush; Right: take-off by Laura Finck.

Bonnie Naradzay's poems have appeared in AGNI, New Letters (Pushcart Nomination), RHINO, Kenyon Review online, Tampa Review, Florida Review online, EPOCH, Crab Creek Review, Cider Press Review, The American Journal of Poetry, Poetry Miscellany, and other places. She leads poetry salons at day shelters for the homeless and also at a retirement center, all in Washington, DC. 

SHOWING UP

by Ed Ryterband

Tyre

 

Now I cannot turn my eyes

the pile up so monstrous.

Black bodies lumps of coal

shoveled in a furnace of indifference.

 

Now a land to deconstruct

terrain of my white privilege

unexamined legacy presumed

justice, access, possibility. 

 

Now I will concede

the wind’s been at my back

for years and centuries

no bondage, redlines, stop and frisk. 

 

Now I’ll steer into the maelstrom

air thickened with our certainties

clouds of righteous indignation

amplify the howling

 

Now I do proclaim

I’ll never know the pain of my Black neighbors.

I declare I do believe them.

I will show up for them. 

Ed Ryterband is a psychologist, has been a standup comic and is now a poet and memoirist. His poems have been published in Paterson Literary Review, Two River Times, US1 Worksheets. He has three collections of poems published by Kelsay Books: Life On Cloud Eight (2019); Beyond Cloud Eight (2020); Rain Witness (2022). He’s working on a fourth collection Equanimity and a memoir about his immigrant parents Who They Were.

HELPLESS

by Anne Harding Woodworth

Support the rescue efforts of the White Helmets.

     a prayer of sorts, Tuesday, February 7, 2023, 4:30 a.m.

In the quiet of this early morning, he’s left our bed

and walked into the hall, then to the kitchen

 

probably to get a “swig of klim,” as he calls it.

I move my foot over to his side just to feel the warmth

he’s left behind. At that moment, I know how survivors

in Turkey and Syria are shivering, reaching for warmth

where there is none, no lingering vestige of a spouse,

parent, child, no body next to them that said, “I’ll be right back.”

Buildings have fallen, din deafened, and then silent,

as snow passes into illicit spaces, upside down rooms,

and chairs drop into cold chasms of confusion,

terror, and pain with no one there to explain

what has happened. This is nightmare, a woman thinks,

held down in darkness between two concrete blocks

with one leg bent the wrong way. I tell her I am coming

with a blanket and lamp, but that too is dream

and will never happen. When he comes back to bed,

sweet-smelling of milk, I move closer to him

for his warmth, seeking comfort and more air

for those still breathing, buried deep in the rubble.

Anne Harding Woodworth is the author of eight books of poetry and four chapbooks. Her recent collection is GENDER: Two Novellas in Verse, which was a Literary Titan Silver Award Winner. Her chapbook The Last Gun won the COG Poetry Award and was subsequently animated (at https://vimeo.com/193842252). Anne is a member of the Board of Governors at the Emily Dickinson Museum in Amherst, MA, which is opening soon after two years of restoration.