TRADE

by Zumwalt

President Trump on Monday lashed out at communities that are protesting data centers, suggesting that residents who do not go along with the artificial intelligence revolution must prefer to be “backwards and poor.” —The New York Times, August 31, 2026

It’s a fair trade.

Water for compute.

Convert all the reservoirs.

Pump the aquifers to cool the language models.

Water for compute.

It’s a fair trade.

Energy for the processing.

Switch the substations to priority routing.

Make the desert a giant server farm.

Energy for the processing.

Prices are right for data and power.

Step up production:

More servers, more carbon in the air;

More processing, less rivers, more exhaust in our lungs.

Rising global temperatures are ripe to drive up prices.

Droughts increase water’s premium.

Aquifers get depleted.

Power becomes even scarcer.

Cooling costs rise.

Little Johnny wants to make money.

How can he not help to do so?

Invest in AI and pollute at the same time.

Easy money.

Pollute on a small scale:

Pocket change.

Pollute on a large scale:

Wealth beyond dreams.

Rising Temperatures,

Erratic Weather,

Algorithmic Growth,

Scarce Water Resources,

Civil Unrest

All put stress on

Grid supplies.

Now Johnny has to work harder.

He burns the midnight coal.

And makes more money.

Data centers, crypto mines and gigawatts

Make deserts out of wetlands.

Cooling fans, diesel backups and transformers

Make hazardous waste the specialty in trade.

But it’s a fair trade.

Quality of Life for Velocity of Life.

It’s a reasonable trade.

More processing for less plants and animals.

We will switch the future for the present.

Make our dreams a giant dustbowl.

Swap future prospects for a generated prompt.

Principles are right for the harvesting.

Let’s step up consumption:

More compute, more poison, hotter temperatures;

More processing, less rivers, less need for people.

It’s a good, honest trade.

I can write away the guilt.

Post my outrage to a monetized feed

And feel just a little better

As everyone increasingly feels worse.

Zumwalt’s poetry examines the intersection of identity, instability, and the mechanics of perception. Zumwalt is a proud repeat contributor to The New Verse News.

WHEN THE NEXT DELUGE COMES

by Debra Orben

When the water comes rushing, gushing down,

Where will you be?

 

Stranded by the side of a flooded road with limited visibility

By the ocean’s edge witnessing the newest high tide

On a mountain top watching the hillside give way to landslide

In a clear-cut forest, seeing newly planted seedlings uprooted

In a homeless encampment without shelter from the pelting

In an old tired house whose roof leaks and windows creak

Standing amid ruins of your former refuge, now burned home

Or helpless as water rises higher, reaching beyond the first floor.

 

Place matters, we can all shelter from the coming storms

But not all in one place and not all places are safe

Some will survive, but left without anchoring memories

No sanctuary from the coming days of floods and fires

No arks or promising rainbows on the horizon.

 

If only we could build bridges high enough and connections

Deep enough to withstand our climate’s growing heat and fury.

If only we could make sure no one is left to drown

Before the next deluge comes trying to wash us all away.

Debra Orben is a retired elementary teacher and Quaker activist who cares deeply about the natural world and the future of all children.  She is an aspiring poet whose poems have been published in several anthologies, including ICE Out by Moonstone Press and Pennsylvania Bards, Easter PA Poetry Review 2026  published by Local Gems Press.

PUBLIC TRUST

by Dustin Miller

this morning
a woman walked alone
through the park

early sixties maybe
black mullet
lycra shorts 
cutoff cotton shirt

the sleeves removed
close to the seam

across her chest
in white and red:

TRUST GOD 
NOT GOVERNMENT

i heard instruction
or warning

the path continued
smooth beneath her

trust GOD
not government

sprinklers turned
their measured arcs
across the grass

trust god 
NOT government

a city truck
moved slowly
along the curb

trust god 
not GOVERNMENT

trash emptied
branches cleared
a bench bolted into shade

four words
and already
i had made her unreasonable

given her
the voice
i needed
the shirt to have

i believed the park
proved me right
because i trusted
the government enough
not to see it

the path
the water
the doggy bags
the expectation
that she could walk alone
and keep walking

but the stress was mine

nothing on the shirt
said where
to place the weight

nothing told me
what had failed her
what had held
what god meant
inside her mouth

or whether the shirt meant anything
beyond the shirt

she passed beneath the trees

black cotton gathering
beneath one arm

for several steps
god disappeared

then government

then both returned
with her stride

the path held her weight

she did not thank it

Dustin Miller is a Dallas-based poet whose work appears or is forthcoming in Cathexis Northwest Press, Eunoia Review, Jackdaw Review, Audience Askew, Icebreakers Lit, and Wingless Dreamer. His poems explore embodiment, desire, language, queer identity, place, and the systems that shape intimacy.

ETHNIC CLEANSING CALLED KATRINA

by Raymond Nat Turner

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

SOSs— frantic patterns pounded on

Pots and pans — Counterpoint

Shattering surreal quiet …

Tired hands trembled and cramped

White towels; white T-shirts; white sheets

Waved furiously. Invisible to the heart of

Dixie in confederate helicopters casually

Hovering above. Tired arms trembled and cramped

Tired voices, plaintive pleas for “HELP!” faded. 

Slipped into soup of sewage. Oil-gas-gumbo-slop.

Spewing from tanks and pipelines like some toxic

Spittle, rising to their throats from a trumpet’s spit key

Katrina square-danced ‘round New Orleans.

Went easy on The Big Easy.

So, why was the city still swamped? Why’d

The London Avenue levee break in three places?

FEMA flew over and knew on Monday. 

W’s War House knew by midnight. But

The People—salt of the earth— heard it through 

The grapevine— or on TV— sometime Tuesday

Levee built 1 and 1/2 feet lower than specs.      A capitalist

Disaster wrapped in an accident; Concealing a ticking time

Bomb. Set decades ago. Add Big Oil’s hurricane highway. AKA, MIGO—

Mississippi Gulf Outlet — 12 gauge shotgun pointing at NOLA’s heart!

BOOM! Prayers of white nationalist worshippers answered. Prayers of

Hoods concealed beneath Mardi Gras masks answered! Prayers of those

Who preyed to their god; to their profits, “Do unto Lower 9th Ward N-

Words what white sheets behind spreadsheets wet dreamed for decades.”

They’d preyed for a chocolate city bleached beignet-white … Lower

9th Ward N-words out! By any means necessary. They’d preyed to rid 

Themselves of low-wealth ones. Elderly, ill ones. The non-swimmers

Who didn’t own cars.

Their privatized Emergency Evacuation Plan was always: NOYO 

(Nigras On Your Own) Sink or swim. Water-swollen homes— “Xs”

Spray-painted on their skins. Circled numbers. Circled 3 = 3 bloated 

Black bodies pulled from bones of homes. Some pregnant. Some children.

White god was good— weaponizing water! Water raged. Rose rapidly

Ethnic cleansing Land of Louis; second line; trumpet tree roots. Made 

Martyrs of Big Chiefs, Brass band-juju Jazz conjurers. Ancestors of Blues babies

Who’d drown in their own tears with yellowed photos and decomposing dreams …

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

Ching-ching-ching-a-ling …

Ching-ching-ching-a-ling …

Ta-tah-ta-tah-ta-ta-tum …

Raymond Nat Turner is a NYC poet; Black Agenda Report's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC.

REWRITING THE BORDER

by David Chorlton

It’s doves and thorns and sunsets
all the way into night, and blue mountains
float away at dusk. The border
isn’t what it used to be, no
Spanish is the Lovin’ Tongue or Marty Robbins
riding out of El Paso. Used to be
a line between the cowboy sky
and shops whose colors overflow
to make tourists feel as happy
as they couldn’t be at home. A hawk still hovers
with each wing in a different country
and ravens cross over with ease when they
dip and dive for joy, but there are
no visas for the jaguars
drawn by the scent of survival. Twenty pesos
for a dollar, undocumented sunlight,
new lives for old and corridos
from the radio playing
on an August roof in Phoenix. Taco Tuesday
in El Norte, deportation
on the menu every day. A flag of wind
still flying west of Lukeville, hammer tap
in a mechanic’s workshop, trucks
with hearts of steel between
Brownsville and Tijuana, highway never
sleeping, flan for dessert. A family lost
and a Rufous-capped warbler
in southern Arizona, slow river
leading a line of cheap labor
to the interstate; wasn’t that a time
when water was the passport
for anybody carrying their first home
in their pockets. Cheap labor on the move,
supply and demand, a cupful of rain
for a day digging fields. A trogon
calling from the oaks and sycamores. Summer 
is his time before the sky opens;
fly south, fly north, never fly at all
for fear that dreams
come only in translation.

David Chorlton is a longtime resident of Phoenix who continues to learn what he can from the desert about writing and art as well as the natural world. 

I CAN’T HEAR YOU

by Chad Parenteau

the chief 

of sticks

proclaimed.

Too busy

turning on

faucets

 

hoping to

sluice away

immigrants

 

back down

to Mexico. 

Water. 

 

It goes 

right down

the hole.

 

Know that

from pre-k

diarrhea.

 

Excuse me.

Listening

for cracks

 

and all of

the people

falling through.

 

Once screams

finally stop

close hole.

 

Not right now.

Reapplying 

ear stigmata.

 

Need to have

gold card to

reach in here.

 

Have these 

documents 

to soak out

 

in deep south

salted by tears

of crocodiles 

 

that are now

jealous of 

our alligators.

Chad Parenteau hosts Boston's long-running Stone Soup Poetry series. His latest collection is The Collapsed Bookshelf. His poetry has appeared in journals such as Résonancee, Molecule, Ibbetson Street, Pocket Lint, Cape Cod Poetry Review, Tell-Tale Inklings, Off The Coast, The Skinny Poetry Journal, The New Verse News, dadakuku, Nixes Mate Review and anthologies such as French Connections and Reimagine America. He serves as Associate Editor of the online journal Oddball Magazine.

CECCO’S ECHOES

S’ i’ fosse foco, arderei ’l mondo—Sonnet 86 

by Cecco Angiolieri (Siena, c.1260–c.1312)

translated by Julie Steiner

Source: IranCartoon

Trump Tries to Make Sure States Don’t Fight Climate Change, Either: The Trump administration wants to block states from trying to limit the “astounding” costs and impacts of climate change. “This seems to be part of a larger effort to not only do nothing when it comes to climate change but to actively dismantle the climate science and climate accountability enterprise that is being built in response to the costs of climate change that are manifesting in everyone’s daily lives,” says Justin Mankin, a climate scientist at Dartmouth College. —Rolling Stone, May 24, 2025

If I were fire, I’d scorch the world all over.
If I were wind, I’d blast its storm-wracked ground.
If I were water, I’d make sure it drowned.
If I were God, I’d give it Hell forever.

If I were Pope, I’d gleefully endeavor
to prank all Christians, just to mess around.
If I were Emperor—what then? You’ve found
the answer: I’d behead all sorts, whoever.

If I were death, I’d give my dad a visit.
If I were life, I’d turn from him and scram.
And how I’d treat my mom’s no different, is it?

If I were Cecco—as I’ve been, and am—
I’d take the younger women, the exquisite,
and leave for other men each vile old ma’am.

Italian Original:

S’ i’ fosse foco, ardere’ il mondo ;
s’ i’ fosse vento, lo tempesterei ;
s’ i’ fosse acqua, io l’ anegherei ;
s’ i’ fosse dio, mandereil en profondo ;

s’ i’ fosse papa, sare’ alor giocondo,
chè tutt’ i cristïani imbrigherei ;
s’ i’ fosse ’mperator, sa’ che farei ?
a tutti mozarei lo capo a tondo.

S’ i’ fosse morte, andarei da mio padre ;
s’ i’ fosse vita, fugirei da lui ;
similmente faría di mi’ madre.

S’ i’ fosse Cecco com’ i’ sono e fui,
torrei le donne giovani e legiadre :
e vecchie e laide lasserei altrui.

Francesco ("Cecco") Angiolieri corresponded with Dante Alighieri, and addressed one of his 120 extant sonnets to him. Most of his work is humorous.

Julie Steiner is a pseudonym in San Diego. Her most recent verse translations from Classical Greek, Latin, French, Spanish, and Italian can be found in (or are forthcoming from) Literary Matters, The Classical Outlook, The Ekphrastic Review, Light, and The Asses of Parnassus.

DOES IT UPSET YOU?

by Mariam Saidan

After Audre Lorde’s “A Woman Speaks”

 

I have been woman

for a long time

youth was fragile

scary at times

most of the times

nonadjustable to 

the shape I was becoming.

Misunderstood I was.

Out of mind, troubled

when I didn’t quite like 

the safety of home, 

control or harassment. 

I died many deaths  

each time returning

with a new survivor in me.

Fear no longer suited me. 

I’ve grown into a 

thousand-year-old tree.

They cut a branch,

take a leaf,

it grows back.

It always grows back.

Try and take the sun out

of day. 

There are birds living in me,

one always sings,

and a fox curled up on the shed

just a stone’s throw away in 

my garden, looks at me.

Under my living room where 

I keep vases in different shapes 

and colours, painted and 

filled with wildflowers, 

there’s a cellar

and below that,

an ocean,

pounding.

With every tide 

I become water.

Offending waves.

Dramatic drops.

Vast freedom.

Bewildering imagination.

There’s no end to this thirst.

I’m not scared of pain,

it makes things interesting.

My eyes sometimes

look into yours,

but no, not asking to be

touched.

I’m here

to live this life

like no one but

the woman I have

become. 

I’m not ashamed to

drown in this sea.

Mariam Saidan is a Specialist Advocate for Women’s Rights and has worked as a Children’s Rights Advocate, studied Human Rights Law at Nottingham University (LLM) and Creative Writing at Kent University. She is Iranian, based in London, and has lived in Iran, France, and the UK. She wrote her first journal at 8 years old while living through the Iran-Iraq war.