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Showing posts with label Dixie. Show all posts
Showing posts with label Dixie. Show all posts

Friday, November 19, 2021

DUNCAN AND BRADY

by Julian O. Long




after the Kyle Rittenhouse verdict
 

Speaking of ’lectric cars,
once at a Fort Worth stop sign
a lowrider lifted a fender
like a dog might lift his leg to piss
and flipped me the bird as he took off
laughing around the corner.
That was long ago, but he knew what
he meant—and he loved it.
 
As the uptight white boy I was
in those days, I may have deserved
his contempt. These days I’d like
to blow him a kiss on the wind he stirred,
as he spun out that souped-up Chevy.
Would it were so, amigo,
would it were so.
 
Staggerlee remembers Xmas
but King Brady, he lies dead
and the ghost of old St. Louie
flew past my naked bed
when the rage for George Floyd started
up and down my street,
and the high-tailed carriages
came and went all night
breaking in the windows
knocking down the door
startling me in bed on the second floor... 
 
Busy now, containing Russia,
smug in my alabaster pink
pragmatism, I rejoiced in my country’s
apparent arrested decline. Cop who murdered
Floyd will go to jail, I thought. We threw out
the bastards who stormed the Capitol, I said—
forgetting only too eagerly
Republicans’ settled intention
to lynch the rest of us, La Migra still
lording it up at the border, catching runaways
jury finding Rittenhouse ‘not guilty on all counts.’
 
Nothin’ for it but the blues?
James Baldwin’s Staggerlee let pent up anger, blues remade,
hiss out of him like rancid air from some hack’s
rubber tire.
 
Seem like King Brady never died,
Duncan shot him,
doctor found him dead
but he just raised his hammy fist, took that doctor by the throat
and growled, “Sumbitch, you know I cain’t be killed!”
 
We’ll not overcome this last lynch mob—they’re us;
we’ll watch polite and passive as the Good Old US steals
away down Dixie one last time; no matter clawhammer steels
 
ring out from edges of fields
to tell it again
how we’ve all of us been—
 
yeah, we’ve been on the job
too long... 


Julian O. Long is a previous contributor to The New Verse News. His poems and essays have appeared in The Sewanee Review, Pembroke Magazine, New Texas, New Mexico Magazine, and Horizon among others. His chapbook High Wire Man is number twenty-two in the Trilobite Poetry series published by the University of North Texas Libraries. A collection of his poems, Reading Evening Prayer in an Empty Church, appeared from Backroom Window Press in 2018. Other online publications have appeared or are forthcoming at The Piker Press, Better Than Starbucks, The Raw Art Review, and Litbreak Magazine.  Long has taught school at the University of North Texas, North Carolina State University, and Saint Louis University. He is now retired and lives in Saint Louis, Missouri.

Friday, August 28, 2015

EMMETT TILL'S CORPSE TURNS SIXTY

by Philip C. Kolin



from Jet Magazine, September 15, 1955 via JetCityOrange.



Sixty years ago today
I started my life as a corpse,
the corpus indelicti of
America the Mournful.
I am sure you have caught me
on the tv, in newspapers,  or over the net.
Ten presidents since Generalissimo Ike
have taken my Jet photo
out of their Oval Office drawers
every time America has a nightmare
about whether black lives matter
and prayed  it would never come to this.
You may have caught me
in the  faces of black boys
whose smiles have turned to pus
because of police  clubs or stray
gangland bullets .
You could have seen  me, too,
in crowds demanding  justice
for Rodney King, Trayvon Martin
or Eric Garner. Did you hear me
in a  recent poetry slam on YouTube
protesting the death of a black man
or boy every 28 hours in a Second
Amendment America where violence
has gone through the roof?
You may have also  picked me out
weeping on CNN or Fox
when the Mother Emanuel Six
were laid to rest and
the state  flag came down
in South Carolina
and all the peckerwoods
could do about it  was whistle Dixie.
I plan to be at the Smithsonian
next year when they unveil my coffin.
Hope it does not debut on August 28th.
I am not sure America has enough tears left
for me and the ravages of Katrina.


Philip Kolin is the  University Distinguished Professor at the University of Southern Mississippi where he also edits  the  Southern Quarterly. He has published more than 40 books on Shakespeare, Tennessee Williams, Edward Albee, African American playwrights as well as  seven collections of poems. His most recent book  is Emmett Till in Different States: A Collection of Poems forthcoming in November from Third World Press.