BREATHLESS

by Peter Witt

A judicial inquiry into city officials’ role in the police chokehold death of Eric Garner—and what his family has described as a subsequent cover-up—is slated to begin in mid-July, a Manhattan judge said Tuesday… Gwen Carr and Elisha Flagg-Garner, Garner’s mother and sister, joined by a group of racial justice advocates, filed a petition in 2019 seeking a judicial inquiry into Garner’s death. —The New York Daily News, April 20, 2021. 

We reap what we sow,

more than we know,

breathe in the wonder

of all things that grow,

from children to forests,

from hummingbirds to toads.

In an instant of feckless harm

we raise the alarm that all

things, even mighty or small,

can be recklessly snuffed out,

trampled in the woods,

destroyed by human hands,

ignored by an uncaring heart.

Eric dared to sell cigarettes

on the street, when a cop

on his beat, took him down

off his feet, his life incomplete,

a gentleman who once

planted flowers that

he no longer can smell,

no longer can breathe,

no longer can breathe.

Author's Note: Eric Garner was a horticulturist at the New York City Department of Parks and Recreation before quitting for health reasons.

Peter Witt is a retired university professor living in Texas.

GEORGE FLOYD ELEGY

by KP Liles 

German artist Eme Freethinker has painted a portrait of George Floyd on what used to be the Berlin Wall to honour the unarmed black man killed May 25 by a white Minneapolis police officer, who knelt on his neck for almost 10 minutes.

George Floyd
George Floyd
George Floyd

And so many
buried unheard
we now cannot unhear

Nor can we ignore
revolutions’ anthem
I can’t breathe

Impossible to unsee
George Floyd
that pressing knee

Ahmaud Arbery
jogging Glynn County
Georgia George Floyd

Breonna Taylor
sleeping Kentucky
Less than a meme’s life apart

Eric Garner New York City
Michael Brown Ferguson Missouri
Nia Wilson George Floyd

Oakland California Trayvon
Martin Sanford Florida
Tamir Rice Cleveland Ohio How

many George Floyd George Floyd
until name becomes flood
spilling all the killed Black folks

into brightly lit kitchens
until the dream’s ghost
upends breakfast table

until No
No Some risks George Floyd
do not resolve in mind

So if it is not for me
to lift your body or name
let mourning

be pallbearer
to token grief
minstrel solidarity

Head bowed shouldering memory
let us at long last George Floyd
carry outrage ‘cross that bloody river

end this procession
where we face off
the uniform night

KP Liles has penned two poetry collections, Singing Back the Darkness (NYQ Books) and Spring Hunger (Plain View Press). He currently lives in the New Orleans metropolitan area.

THRENODY

by Buff Whitman-Bradley

Detail of the Cover of I Can't Breathe: A Killing on Bay Street by Matt Taibbi.

In America now
We can watch real murders
On TV
Then wait for officials to decide
Whether officers
Were justified
In killing the black man
As he lay handcuffed and helpless
Face down on the pavement.
In America now
We can listen to news reports
About whether there might be evidence
That the unarmed black jogger
Behaved in a way
That was threatening in some fashion
To the heavily armed
Father and son
Who jumped out of their pickup truck
And gunned him down.

In America now
We can watch videos
In which white people call the cops
On black children mowing lawns
In the wrong neighborhoods,
On black professionals
Who “seem suspicious”
Entering the lobbies
Of the condominiums where they live,
On black walkers who remind them
To leash their dogs.

In COVID America now
Black people are dying of the virus
At three times the rate
Of whites,
Black people are incarcerated
At six times the rate of whites
Black people are unemployed
At twice the rate of whites.

“I can’t breathe!” cried Eric Garner
For four hundred years.
“I can’t breathe!” cried George Floyd
For four hundred years.
“I can’t breathe!” cry black children
From broken and polluted neighborhoods,
From decaying and crumbling schools.
“I can’t breathe!” cry black parents
From hospital emergency rooms
Holding sons and daughters
In their laps
Who are dangerously ill
Because mom and dad could not afford
Early and dequate health care.
“I can’t breathe!” cry young black couples
Unable to rent or buy homes
And begin family life
In neighborhoods
Where the unspoken understanding
Is “whites only.”

“I can’t breathe!”

“I can’t breathe!”

“I can’t breathe . . .”

Buff Whitman-Bradley's poems have appeared in many print and online journals. His most recent books are To Get Our Bearings in this Wheeling World and Cancer Cantata. With his wife Cynthia, he produced the award-winning documentary film Outside In and, with the MIRC film collective, made the film Por Que Venimos. His interviews with soldiers refusing to fight in Iraq and Afghanistan were made into the book About Face: Military Resisters Turn Against War. He lives in northern California. He podcasts at: thirdactpoems.podbean.com .

FOR GEORGE FLOYD

by Donna Katzin

In the streets of Minneapolis                                                            
fires, flashbangs rip night from slumber
as marchers breach barriers,
swell down 27th Avenue
to the Third Precinct.

From its roof, gas wrings tears
from eyes that thought
they’d cried themselves dry,
chokes lungs that burn for breath
in memory of George Floyd—
unarmed, pinned like a sacrificial lamb
by four white men in uniform                                            
for seven never-ending minutes            
while a knee to his neck slowly squeezed
the last air from lips pleading for his life,
gasping Eric Garner’s last words—
I can’t breathe.

While he worked, the cold killer stared into the camera      
of a seventeen-year old brown-skinned girl
who may never graduate from nightmares.

For black mothers, fathers, sons, daughters
terror hangs like a hungry noose.                                                                  
Never takes a vacation.
Refuses to sleep.

It’s not that every officer is a murderer.
It’s just—you never know.


Donna Katzin is the founding executive director of Shared Interest, a fund that mobilizes the human and financial resources of low-income communities of color in South and Southern Africa. A board member of Community Change in the U.S., and co-coordinator of Tipitapa Partners working in Nicaragua, she has written extensively about South Africa, community development and impact investing. Published in journals and sites including TheNewVerse.News and The Mom Egg, she is the author of With the Hands, a book of poems and photographs about post-apartheid South Africa’s process of giving birth to itself.

BENIGHTED

by Shalala Leny

Diana Ejaita’s “Portrait of History”

Black bodies dance under white, bright streetlights
The same way they do under white police
Black guns pierce black souls covered by white sheets
Black skin knows the sun taste better at night
We feed predator, we know this outright
We mourn Garner, the others, we cry, we grieve
We struggle, we bleed, and no, I can’t breathe
They kill us in many, different ways despite
Our protests for rights and liberty
While they rewrite our wide history
So we will ebonize strange, white, bright lies
We are not strange fruit, striped scarred stitchery
One day, revolution will come through benighted skies
One day, you’ll see that still like air, we’ll rise


Shalala Leny is a student and freelance writer in Miami, FL. Her poetry tends to explore the topics of race and identity, especially in a black person in America.

BROKEN WINDOWS

by Alan Walowitz

The New York City police officer whose chokehold led to Eric Garner’s death in 2014 was fired from the Police Department and stripped of his pension benefits on Monday, ending a bitter battle that had cast a shadow over the nation’s largest police force. Commissioner James P. O’Neill’s decision to dismiss the officer, Daniel Pantaleo (pictured above in May), came five years after Mr. Garner’s dying words—“I can’t breathe”—helped to galvanize the Black Lives Matter protests that led to changes in policing practices in New York and around the country. Photo: Eduardo Munoz Alvarez/Associated Press via The New York Times, August 19, 2019.

Some more fake news from the great American fable:
a baseball shatters the neighbor’s window
into a bullseye of splinters
as the old guy emerges, face on fire,
newspaper rolled into a cudgel clutched in his paw.
But a pussy cat at heart,
he’ll remember when he was young and will smile.
Or a doughy lady gets launched like a pinball
after too much slow-baking,
and more than a little tippling,
her apron aflutter and rolling pin awag,
but she’ll offer cookies to the kids.

In our tale, the window always heals itself
or gets forgotten in the false fever
of our Mayberry dreams—
We’ll make America great again.
Turns out it never was about the window,
only a way to get our next episode rolling.

If you attend to a broken window
the whole neighborhood’ll get fixed
and America made great again.
Tompkinsville on Staten Island’ll
become Short Hills, Grosse Point, Scarsdale,
or even Lake Success, right near me,
where the cop who pulls you over
doesn’t know from loosies—
what a lustrous word for a dark occupation,
a guy trying to make a buck on the street.

But just the same the cop might be thinking,
I’d like to strangle this guy,
as he writes you up for driving distracted
by that cracked windshield
you haven’t found the time or money to repair.
But he’s friendly enough
for all his formality
about rights and recourse.
See you in court, he says,
sneering in your rearview mirror
as he waves you on.
We’ll make America great again, alright,
Just be sure you’re white and bring plenty of cash.
We don’t take credit cards or checks.


Editor’s Note from Frontline: The 1980s-era theory known as “Broken Windows” . . . argues that maintaining order by policing low-level offenses can prevent more serious crimes. But in cities where Broken Windows has taken root, there’s little evidence that it’s worked as intended. The theory has instead resulted in what critics say is aggressive over-policing of minority communities, which often creates more problems than it solves. Such practices can strain criminal justice systems, burden impoverished people with fines for minor offenses, and fracture the relationship between police and minorities. It can also lead to tragedy: In New York in 2014, Eric Garner died from a police chokehold after officers approached him for selling loose cigarettes on a street corner.


Alan Walowitz has been published various places on the web and off.  His work was nominated for a Pushcart Prize in 2017 and 2018 and he is a Contributing Editor at Verse-Virtual, an Online Community Journal of Poetry.  His chapbook Exactly Like Love is available from Osedax Press, and his full-length book The Story of the Milkman and Other Poems is available from Truth Serum Press. 

IN THE CLASSROOM

by LouAnn Shepard Muhm

I mention Eric Garner.

All the usual tropes are in attendance.

This was not his only arrest, is in the front row,
wondering when we will get back to
what matters: graded things, things with points.
Her anxiety manifests in demands for rubrics
and in her bouncing leg, her rolling eyes.
She does things right, has no mercy
for digression, for mistake.
She will go home tonight and listen
to her brother and her father fight,
each so disappointed in the other’s
imperfection.

Next to her sits if he hadn’t been doing anything wrong
nothing would have happened to him,
fingering the cross she wears,
this Catholic girl who wants to be a nun
but likes a boy in class. It pains me
to watch her clumsy, unsuccessful bids.
The war inside her is constant
and unrelenting, but she has the naïve
trust in the world that so few
sixteen-year-old girls have anymore.
It’s hard not to envy her,
harder not to cringe against
the ways her knowledge may come.

Everybody knows not to talk back
to a police officer no matter what
is headed for the military, and
I can feel him wondering
what he would do:
chokehold or no chokehold,
chokehold or no chokehold,
can feel the adrenaline jolting him
at the thought, graduation
only two months away
and everything so suddenly looming.

It’s sad, but I don’t see how
that makes it OK to riot
keeps looking at his phone,
waiting for his girl to text him
from the math class three doors down,
waiting for her to tell him
where they can go later to fuck,
waiting for her to confirm that they will
again today, after practice, as they do
whenever they can, because they can
and because they are young
and because it is new
and all-consuming.

Maybe there’s a lot of racism
in other places, but
I just don’t see it here
has a hard time sitting in the desk
at six-foot-two, and wonders
how long he can lift
in the weight room after school
and still get his chores done before dark.

Meanwhile, just last year two people
in this class called me nigger
slides down in her chair,
trying to disappear out of this
conversation that is focused on her
without being focused on her,
as so many conversations have been

and stop asking me if I live on the rez
remains silent as always,
pulls the hood of his sweatshirt
further down his forehead,
turns his music
up.

LouAnn Shepard Muhm is a poet and teacher from northern Minnesota. Her poems have appeared in many journals and anthologies, and she was a finalist for the Creekwalker Poetry Prize  and the Late Blooms Postcard Series.  Muhm is a two-time recipient of the Minnesota State Arts Board Artist Initiative Grant in Poetry and has been awarded scholarships from the Key West Literary Seminar, Vermont Studio Center, and Sierra Nevada College. Her chapbook Dear Immovable was published in 2006 by Pudding House Press, and her full-length poetry collection Breaking the Glass (Loonfeather Press, 2008) was a finalist for the Midwest Book Award in Poetry.  Muhm holds a Master of Fine Arts in poetry from Sierra Nevada College, and was recently granted an 18-month Artist's Fellowship by the Region 2 Arts Council of Minnesota.

MOTHERS OF THE MOVEMENT#DemConvention 7/26/16

by Janet Leahy




Strong women
grieving the loss of a son or daughter
speaking with love
trying to correct what needs
to be corrected
remembering
            Trayvon
            Michael
            Eric
            Sandra
            Jordan
            Dontre
            Hadiya
            Blair
            Oscar
                        and all the others
                        who have gone missing
                        from the table of family.

Janet Leahy‘s poems have been published in print and online journals.  Most recently her poems have won second place and honorable mention in the 2016 People and Ideas Poetry Contest.  She has published two collections of poetry, The Storm, Poems of War, Iraq, and Not My Mother’s Classroom. 

BREATHE FREE AND DIE

by George Salamon

"I can't breathe." Eric Garner, who died on July 17, 2014 after a NYPD officer put him in a chokehold. NY Times, July 18, 2014 

"I can't breathe." Barbara Dawson, who died on December 8, 2015 after a Blountstown FL police officer removed her from a hospital where she had gone to complain of abdomenal pain. NY Times, Jan. 7, 2016

We have got to teach these folks
That there ain't no such thing as the right to breathe.
If you haven't learned to do it the American way
And gobbled up all the air you can swallow,
The cops will not care
And hospitals will tell you to hit the road.
This ain't no socialist state, but one
Built by self-reliance and know-how,
Making us a nation of self-made men who
Won't tolerate weakness or pay for the wages of poverty.

So, get with the program and make enough dough
To pay for the air you pretend God gave us to share.
Let go of such un-American drivel and cant,
And maybe you will never again have to say "I can't."


After teaching German at several East Coast colleges George Salamon breathes the air and writes in St. Louis, MO, primarily for the Gateway Journalism Review, Jewish Currents and TheNewVerse.News.

EMMETT TILL'S CORPSE TURNS SIXTY

by Philip C. Kolin

from Jet Magazine, September 15, 1955 via JetCityOrange.

Sixty years ago today
I started my life as a corpse,
the corpus indelicti of
America the Mournful.
I am sure you have caught me
on the tv, in newspapers,  or over the net.
Ten presidents since Generalissimo Ike
have taken my Jet photo
out of their Oval Office drawers
every time America has a nightmare
about whether black lives matter
and prayed  it would never come to this.
You may have caught me
in the  faces of black boys
whose smiles have turned to pus
because of police  clubs or stray
gangland bullets .
You could have seen  me, too,
in crowds demanding  justice
for Rodney King, Trayvon Martin
or Eric Garner. Did you hear me
in a  recent poetry slam on YouTube
protesting the death of a black man
or boy every 28 hours in a Second
Amendment America where violence
has gone through the roof?
You may have also  picked me out
weeping on CNN or Fox
when the Mother Emanuel Six
were laid to rest and
the state  flag came down
in South Carolina
and all the peckerwoods
could do about it  was whistle Dixie.
I plan to be at the Smithsonian
next year when they unveil my coffin.
Hope it does not debut on August 28th.
I am not sure America has enough tears left
for me and the ravages of Katrina.


Philip Kolin is the  University Distinguished Professor at the University of Southern Mississippi where he also edits  the  Southern Quarterly. He has published more than 40 books on Shakespeare, Tennessee Williams, Edward Albee, African American playwrights as well as  seven collections of poems. His most recent book  is Emmett Till in Different States: A Collection of Poems forthcoming in November from Third World Press.

WHO CAN BREATHE

by George Held

            “I can’t breathe.”
                        Repeated last words of Eric Garner, police victim


Like Fate’s arbiters,
Cops crush the breath
of those they oppress,
let the rich breathe easy;

Hawaiians couldn’t
smell the breath
of standoffish whites,
ha‘oles

(men without breath),
distrusting those whose
withheld breath might stink of
treachery.

If you are rich
or white and can breathe
easy these days,
you should shun

city streets, TV news,
and poems that can
take your breath
away.


George Held, a regular contributor to The New Verse News, has a new book out from Poets Wear Prada, Culling: New & Selected Nature Poems.

THE FALL

by Jan Steckel

Tamir Rice memorial. Source: NBC News.

I don't want to be Joan of the Narrative Arc here,
wielding my flaming sword of story to drive you out
of my personal bleeding-heart-liberal paradise, BUT
here's a prompt: write a poem using the words
grant, bell, garner, brown, ford, and rice.
Employ a light touch, no sing-song or doggerel.
No sentimentality, please. No rants.
Attention to form but not formality.
Invoke all the senses. Let me see, hear, feel
what the twelve-year-old saw, heard, felt
waving that BB gun around the park.
The gold and orange leaves of Cleveland.
The smell of them rotting in rainwater.
The black-and-white pulling to the curb.
The crack. The pavement rushing up.


Jan Steckel's poetry book The Horizontal Poet (Zeitgeist Press, 2011) won a Lambda Literary Award. Her poetry, fiction and creative nonfiction have appeared in Scholastic Magazine, The Bellevue Literary Review, Yale Medicine, American Journal of Nursing, The Pedestal Magazine, and elsewhere.