IT’S THE ECONOMY, STUPID

by Phyllis Frakt 

 

Millions out of work, bellies empty.

Penniless war veterans in rags.

Men out on streets sell apples

or wait in line for bread

as the president’s limo sweeps by.

The ins go out, the outs come in.

It’s always the economy.

 

Always, ever, and now

 

Prices ease down, growth up,

while demagogues drone

down is up, up way down.

Voters wait in line to decide.

It’s still the economy.

But which one do they buy—

the real one or the lie?

Phyllis Frakt writes poetry in New Jersey. She has published three poems in Worksheets. Her previous poems in The New Verse News are "Teach to the Test," "Caught in Between," "Not in Our Star...," "Believing is Seeing," and "The Original Truman Show."

LINES

by Diane Vogel Ferri

People lined up in their cars at a food distribution site in San Antonio, Tex., in April 2020.Credit...Credit: William Luther/The San Antonio Express-News, via Associated Press and The New York Times.

My wall calendar helps me to visualize

my life, the plans I hold dear, the people

I must see so they also see me

At first the lines were through the

scribbling on my calendar,  an oddity,

disappointing at most—a temporary month

Sometimes there were two lines,

an X-ing out, a permanent loss

I catalogued the failures in my journal

Then the lines were of standing humans

waiting to vote, car-lines of hungry children

waiting for the food school had denied them

lines circling the parking lots for tests,

lines at the border, lines at the shelters,

lines at the unemployment office,

lines in the streets to confront the wizard 

behind the curtain, asking when we will be normal? 

But he was a fraud, a canceler of science, of truth

Freedom was not taken by a government

freedom was not taken at all, only

innocent lives, their coffins in orderly lines

The lines are now for a miracle,

for we who are left, whose lives have not

been crossed out, who are free to live.

Diane Vogel Ferri is a teacher, poet, and writer living in Solon, Ohio. Her newest novel is No Life But This: A Novel of Emily Warren Roebling. Her essays have been published in Scene Magazine, Raven’s Perch, Yellow Arrow Journal, and Good Works Review among others. Her poems can be found in numerous journals such as Wend Poetry, Her Words, Rubbertop Review, and Poet Lore. Her previous publications are Liquid Rubies (poetry), The Volume of Our Incongruity (poetry), The Desire Path (novel).

INTERNATIONAL WOMEN’S DAY 2021:A LIST POEM

by Mary K O’Melveny

I.  Jalalabad, Afghanistan

 

Mursal Waheedi

Saadia Sadat

Shahnaz Raufi

 

Buried in fresh graves

along with their hopes

Journalists without portfolio

 

Peace flags at half staff tonight

 

II.  Mandalay, Myanmar

 

Ma Kyal Sin

a/k/a “Angel”

Age 18

 

At the protest front lines

Garbed in bright red lipstick

her black t-shirt emblazoned

 

“Everything will be all right.”

 

III.  Bangalore, India

 

Disha Ravi

Climate advocate

Age 22

 

Helping farmers on Fridays

turns seditious

toolkits tied to treason

 

Democracy’s promise reviled

 

IV.  Rochester NY

 

Unnamed girl

“Person in crisis”

Age 9

Pepper spray

even in handcuffs

antidote for “family troubles”

 

Cops say “You’re acting like a child”

 

V.  Rochester NY

 

Unnamed woman

with unnamed toddler

Age 3

 

Allegations of shoplifting

More pepper spray

New policy questions

 

‘I didn’t steal nothing” she said tearfully

 

VI. Pentagon, Arlington VA

 

Unnamed women

Service members

Ages varied

 

Sexual assaults

reported – more than 7,800

unreported – 20,000

 

“You’re more likely to be raped by

someone in your uniform as shot by the enemy”

 

VII.  Washington DC

 

Unnamed women

formerly working

Ages varied

 

2.3 million departed

from the workplace in just one year

140,000 in December alone

 

70 cents per male dollar --“Motherhood penalty”

 

VIII.  Yambio, South Sudan

 

Margaret Raman

Single mother of five

Age 38

 

Beans and ground nuts

for sale at Masiya Market

now rotting in noonday sun

 

business stifled by COVID’s legacy

 

IX.  Maiduguri, Nigeria

 

Hundreds of schoolgirls

kidnapped by gunmen

Ages 12-18

 

Bandits in uniforms

barefoot children

education turns life-threatening

 

“Abduction is a growth industry”

 

X.  Indiana, Montana, South Carolina, Kansas, Wyoming, Tennessee

 

Anxious women

seeking autonomy

Ages unknown

 

Bills passed or pending

legislators emboldened by extreme

agendas and judicial appointments

 

Choices determined by geography

Mary K O'Melveny is a recently retired labor rights attorney who lives in Washington DC and Woodstock NY.  Her work has appeared in various print and on-line journals. Her first poetry chapbook A Woman of a Certain Age is available from Finishing Line Press. Mary’s poetry collection Merging Star Hypotheses was published by Finishing Line Press in January, 2020.

FROM THE OTHER SIDE OF THE SEESAW

by Richard Fox

“SeeSaw” by Leyla Murr (2009)

Ronnie approaches me. I point the tip of my cane at him.
Oops, he says. Forgot you’re one of those social distancing freaks.
Don’t worry, You walk your side of the street and I’ll walk mine.

I wear a mask and face shield. His face is uncovered.
He sneezes. No problem, man. Just allergies.

I lower my cane, ask Ronnie how he’s doing with the quarantine.
He shakes his head, steps towards me, stops, hold his palms out.

Oops. Keep screwing up. I can’t deal with this Coronavirus crap.
How many people you know who’ve died? How many had their lives messed up?
Like me. I’m down to three days a week at work. Masks are mandatory.
My boss comes by when I have mine down—trying to get some oxygen—
sends me home. I lose another day’s pay for this bullshit.

He spits on the sidewalk. I twirl my cane.

Like, you need a mask. You’re sick—so protect yourself. That’s cool.
But why do healthy people have to wear them? Don’t I have rights?

I wonder how his family’s doing.

Little Kenny and I watch Korean baseball. Only game in town.
Daphne complains. Wants to do jigsaw puzzles or watch kid’s movies.
Thinks we should take this opportunity to paint the inside of the house.
I’m tired from all this doing nothing. Can’t go out to eat. Or to the bar.
Hey—did you sell your Prius? My Porsche is for sale.

I tell him my license was pulled after neurosurgery. Deficient vision.

Oh wow. You’re stuck home—forever. That sucks.
But hey—how you doing with that cancer?

I answer—stable.

Oh wow! You’re in remission? Outstanding. Congratulations!

I say, No, not remission. Stable. Cancer’s still in my lungs.
It’s not going but it’s not growing.

Damn it! replies Ronnie. Oh man, that’s shitty. I’m sorry I asked.
Not trying to upset you—you look great, especially for...um...

I think, someone who’s dying. Flash an invisible grin.

Nah, Ronnie. Stable is excellent cancer news.
A good scan means ninety days on vacation until the next one.
Like the Red Sox, I get to play this summer.

I swing my cane like a Louisville Slugger.


When not writing about rock ’n roll or youthful transgressions, Richard Fox focuses on cancer from the patient’s point of view drawing on hope, humor, and unforeseen gifts. He is the author of four poetry collections, the latest embracing the burlesque of collateral damage (Big Table, 2020). His poem "Skating on the Edge of Flesh" won the 2017 Frank O'Hara Award.

THRENODY

by Buff Whitman-Bradley

Detail of the Cover of I Can't Breathe: A Killing on Bay Street by Matt Taibbi.

In America now
We can watch real murders
On TV
Then wait for officials to decide
Whether officers
Were justified
In killing the black man
As he lay handcuffed and helpless
Face down on the pavement.
In America now
We can listen to news reports
About whether there might be evidence
That the unarmed black jogger
Behaved in a way
That was threatening in some fashion
To the heavily armed
Father and son
Who jumped out of their pickup truck
And gunned him down.

In America now
We can watch videos
In which white people call the cops
On black children mowing lawns
In the wrong neighborhoods,
On black professionals
Who “seem suspicious”
Entering the lobbies
Of the condominiums where they live,
On black walkers who remind them
To leash their dogs.

In COVID America now
Black people are dying of the virus
At three times the rate
Of whites,
Black people are incarcerated
At six times the rate of whites
Black people are unemployed
At twice the rate of whites.

“I can’t breathe!” cried Eric Garner
For four hundred years.
“I can’t breathe!” cried George Floyd
For four hundred years.
“I can’t breathe!” cry black children
From broken and polluted neighborhoods,
From decaying and crumbling schools.
“I can’t breathe!” cry black parents
From hospital emergency rooms
Holding sons and daughters
In their laps
Who are dangerously ill
Because mom and dad could not afford
Early and dequate health care.
“I can’t breathe!” cry young black couples
Unable to rent or buy homes
And begin family life
In neighborhoods
Where the unspoken understanding
Is “whites only.”

“I can’t breathe!”

“I can’t breathe!”

“I can’t breathe . . .”

Buff Whitman-Bradley's poems have appeared in many print and online journals. His most recent books are To Get Our Bearings in this Wheeling World and Cancer Cantata. With his wife Cynthia, he produced the award-winning documentary film Outside In and, with the MIRC film collective, made the film Por Que Venimos. His interviews with soldiers refusing to fight in Iraq and Afghanistan were made into the book About Face: Military Resisters Turn Against War. He lives in northern California. He podcasts at: thirdactpoems.podbean.com .

GHOST LIGHT

by Kelley White

We settle into worship. Is it better to pray—
or to listen for the voice of God?

Is it better to wait on God
with eyes closed, cast down, or open to light?

I seek light in the meetinghouse’s tall
windows, the faces of gathered friends—

when Jondhi breaks Quaker silence to speak
of the Nicetown shootings we all know

it is too real—his, our, Healing and Transformation
Center, the Center for Returning Citizens

is a block from the crime scene.
He heard the sirens, he saw the masses

of police, the stunned neighbors, children
evacuated from day care centers.

He asks about community. About
the roots of drug crime. Fear. Economics.

Unemployment. I close my eyes. The ghost
light of the windows a negative beneath my lids. Then

D., who like Jondhi has done serious time, lifts his
walking stick to his lips: I see it

decorated with feathers and red paint, a line of holes
punched along its shaft—

and it is actually a flute, with a voice so pure and deep
it returns me to silence, to my lit darkness, truce.


Author’s Note: J. Jondhi Harrell is the Founder and Executive Director of The Center for Returning Citizens (TCRC) in Philadelphia. Twitter: @JondhiTCRC . “D.” is a pseudonym.

Kelley White, a member of Germantown Friends Meeting is a pediatrician working about 2 miles from the ‘active shooter incident’ this past Wednesday, August 14, in Philadelphia’s Nicetown neighborhood.

RUST BELT

by Steve Deutsch

Sure, we loved the hats and hoopla
the rhythmic chants of lock her up,
but we are not a stupid people.
We know full well this patchy place
between the slag heaps
and the scrub pine--
these crumbling houses perched behind
the padlocked plant once known
for truck tires,
will never be great—
or even good.

You say rust belt
and mean the measure
of empty factories
and gutted storefronts.
The jobs bled out.
The eyesores left behind to moulder.
But the rust is mostly in us.
Too many years of children
born to little hope.
Too many years of promises
from windbags in dingy union halls
and air-conditioned buses
painted red, white, and blue.

This afternoon, I take my maul
to the wood pile
by the rusted chain link fence.
Crisp and clear,
It is a fine day to bust things up--
And the making
of that splintered shattered kindling
with a body that burns
is as near as I will ever come to joy.

Steve Deutsch, a semi-retired practitioner of the fluid mechanics of mechanical hearts, lives with his wife Karen in State College, PA.  He has published most recently in Misfit Magazine, Eclectica magazine, The Ekphrastic Review, The Drabble and TheNewVerse.News. 

UNJUST KIDDING

by Charles Frederickson

Samira, whose name has been changed to protect her identity, is only 3 years old. She has been forced from her home due to violence in the Gaza Strip. Photo credit: Jozef Nateel / Save the Children.

Gaza offspring 3 wars old
Shrapnel unexploded debris littering strand
4 youngsters quicksand sucks victims
Senseless whimsical merciless bullyrag assault

Civilians shouldn’t die 1,780 homes
Mosques hospitals apartment blocs leveled
Leaving distraught families fearing drones
Aimed at tightening stranglehold noose

Power cuts outrage everyday occurrence
Farming limited by security zones
Movement restricted fishermen territorially confined
Raw sewage pumped into sea

UN found that about 25,000
Gaza minors suffer from post-traumatic
Stress disorder infants asking mothers
“Why is Israel bombing us?”

Invader fights simply because it
Can unstoppable grim forecast game-plan
21% deep poverty 40.8% unemployment
Teenager jobless rate skyrocketing 50%

No childhood to speak of
Disappearing dreams replaced with nightmares
Basic human rights freedoms trampled
Unable to live with dignity


No Holds Bard Dr. Charles Frederickson  proudly presents YouTube mini-movies @ YouTube – CharlesThai1 .