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Showing posts with label cars. Show all posts
Showing posts with label cars. Show all posts

Tuesday, August 18, 2026

FOLLOW ME

by Ron Riekki




Protest #2—Stone School Bridge, Ann Arbor, MI, August 14, 2026 (approximate number of protestors: 20)


“Two roads diverged”

—Robert Frost,

“The Road Not Taken”



When I got home, I realized I was having my first serious headache in a long while.

I stood on the bridge, staring at the cars going by on the freeway, a break from the conversations where we were yelling to communicate.

I stood counting the number of vehicles that were beeping.

Out of the first fifty, none beeped.

The second fifty, sixteen.

The average car gave about three beeps.

They were doing this for the beeps.

Of course, more than that, but also the beeps.

About six or seven cars out of a hundred beeped.

Mostly, because they were driving seventy-some miles per hour, with cars all around.

They had signs taped up to the bridge’s fence.

Plenty of them:

JAIL TRUMP 25TH NOW

We the people RESIST

SHE HASN’T SHUT THE HECK UP FOR 3 DAYS

DEFEND DEMOCRACY LINCOLN SQUARE

HAIL NO Los Alamos Data Center

HUMAN NEEDS NOT WAR & GREED

Some of the signs not even facing the drivers, but facing them, like reminders of why they’re there.

I can’t imagine the drivers actually being able to read the signs.


But it’s not about the signs.

It’s about the presence of people, seeing people on a bridge, knowing they’re protestors, even if you have no idea what they’re protesting.

Protesting isn’t protesting—

the way I’ve gone to church and realized church isn’t church.

Sometimes it’s networking, sometimes it’s singing, sometimes it’s duty, sometimes it’s because a person you’d like to date is there, sometimes guilt, sometimes longing for God, sometimes because your Mom made you.

A hundred reasons.  More.

It’s the same here.

I ask people why they’re here and they talk about:

data centers and Trump and trans rights and the complexities of the prison-industrial complex and class issues and there’s no brand no slogan no capitalistic approach to the protest.

The protest is just a protest,

a quiet (very loud) protest.

I get pointed to Sandy, quickly, in her yellow vest, her READ BOOKS. WALK DOGS. FIGHT FASCISTS. ballcap.

She’s been doing this weekly since February 2025, the lead organizer, when “terrible things started” and she predicted “a lot of bad stuff to come.”

I take her to the side of the bridge, the end of the fence, where she says, “That’s enough,” not wanting to go further, not trusting me.

Not trusting runs through the group.

One wears a body cam, “in case.”

They wear dark sunglasses.

Two self-appointed guards watch the cars where they’re parked;

they tell me of five, six of the cars having their tires slashed one time, discovered when they got done, the sun down, telling me of how hard it is when you’re tired, realize you can’t drive, have to wait for multiple tow trucks.

They never caught the person, worries they’ll return.


They tell me of a car swerving towards them.

Talking to the two car-guards, a car goes by and the passenger in back leans out the window, half of his body outside the car, and screams, quick, the feel like it was done to frighten.

There’s a lot of what SNL comedian Michael Che calls “white jogging,” shirtless tan men who run by as if the protest is just people standing in line.

Quite a few black people walk by, none participating in the protest.

It’s a very white protest, an elderly leaning protest, peaceful, non-confrontational, on the outskirts of Ann Arbor.

Sandy tells me 14,000 to 15,000 cars pass by when they do this

I-95.

Sandy tells me their messages change every week.

Last week it was: Michigan is not for sale.

She focuses on class issues,

is relaxed, very, like she’s home, a very noisy home.

She tells me “460 bridges are doing the same thing right now” as part of the Visibility Brigade.

Even if the visibility is a driver seeing them for a split-second.

But that visibility, based on the numbers Sandy gives, means 6 to 7 million cars are seeing these people on these bridges.

“We’re not in anybody’s way,” Sandy says.

I ask if protests are about getting in people’s way, if that’s the point.

“I chose this bridge,” she says, for safety, the roadway separated from the trail for joggers, for protestors.

She says it’s a joint protest, with their presence, and the motorists joining in with “honking and waving.”

I see no waves in the hundred cars I watched, but honking, yes, the semis like sperm whales, the loudest animal on Earth, 230 decibels.

I have no idea how the protestors stay there longer than a few minutes.


For Sandy, it’s a commitment to “get the money out of politics.”

And a despair.

But where “the antidote to despair is action,”

admits she’s not sure where she’s getting the quote from,

the internet insisting it’s Joan Baez.

It’s female-led, this protest.

Multiple grandmotherly types smile at me, welcoming.

They don’t talk to me, due to the inability to speak over the engine after engine after engine, as if America is all gas and metal and oil.

I yell to Landon, a red-haired, laid back, calm man who tells me he’s “on vacation.”

I ask why he’d go to a protest when on vacation.

He yells back that he can’t stand MAGA, that “it’s a cult, it’s a cult!”

adds, “I’m not part of the cult!”

He’s an Ohioan, tells me about the protests down there.

I’m surprised at how laid back everyone is, positive, focused.

I ask Landon if he ever gets exhausted from breathing in all the exhaust, but he just shakes his head no, something monk-like about him, in all the positive ways you think of monks.

I go to leave, the traffic fading fast behind me,

the liminal point between concrete and forest off to the side,

this infinity of reasons why each person is here,

the mix of messages,

and the strong need to connect.


I talk with Gordon, body cammed, but the conversation goes nowhere, mostly because it’s all being recorded, not as open as Sandy, him dressed in police blue.

I go to leave, feeling content.

I can be a bit anti-protest sometimes.

It comes from living in Berkeley, memories of seeing bloody footprints after one of the protests, a streetlight corpsed in the road, a bank I disliked with windows shattered, walking by at one point when a person walked up and put their megaphone to my ear, screaming into it, realizing, later, that, oh, I’d forgotten I’d been wearing an American flag T-shirt and got mistaken for a Trump supporter, but the tinnitus making me a bit angry at the aggression, people I saw, on both sides, who were there to fight, in my opinion, stories of skinheads trucking down from northern California solely for the purpose to confront.

But every single one of the protestors here was focused on getting semis to honk,

the way I used to do as a kid,

there for support,

to support,

more than to protest,

to be unified.

I respected that.

I was just about to leave, when I figured I’d chat with the two car-guards, one final talk.

They reminded me of Through the Looking-Glass characters, a bit of Jeff Daniels’ behavior, 2014-era, to them, standing side by side, one wearing two walkie-talkies that I had as a child,

the two having, comically, the same stance.

I told them I understood their presence now, the vandalism.

One of them implied that’s what conservatives do—vandalize.

We gabbed.

I acted as a devil’s advocate, asking if Democrats and Republicans need to work together, not treat each other as binary opposites.

Asked if it might be time better spent to get involved in politics for actual change rather than just collectively standing on a bridge.

You could feel the discomfort growing.


I’m someone who can be convinced,

always looking for logic, for counterargument,

like to do point counterpoint,

to learn,

to see new ways of viewing things,

but the questions just aggravated.

Maybe it was that it was two-against-one,

maybe it was that they do see things as binary,

that questioning means opposition

and not enquiry.

I told them everyone seems to be here for different reasons,

asked why they were here,

and the conversation turned to their concern of U of M stopping any help for transgender transition.

I scribbled fast, asking if that’s true.

I was shocked, asked their names.

One told me she’d be angry if she was quoted directly.

I won’t quote her directly,

won’t name her.

I pushed for more information that the university medical was banning transgender medical assistance.

Then she changed it to that it applied to under 18 only.


A big difference.

They didn’t see it as a big difference.

I asked how young someone should be able to transition.

And one said,

“We’re done.”

Said they’d say no more,

the interview was over.

Same thing as happened to me at protest 1.

I keep thinking protestors are there to discuss,

that I wanted to learn,

wanted to hear perspective.

She said, “Come on, follow me,” and walked away.

The other one followed.

I thought protesters would fight for what they believe in, would be OK with being questioned, would actually even be able to expand the way I looked at something, give me ammunition that would help me fall even more strongly on their side.

I walked to my car, looked at the tires, all fine.

Every protest is different.

Every protestor is different.

But there’s a strong need I felt there from them to belong,

to connect,

to follow.





Monday, January 13, 2025

THE UNNAMED FIRE

by Alejandro Escudé


Dozens of beachfront homes in Malibu were destroyed overnight in the Palisades Fire on Wednesday, Jan. 8, 2025 (Photo by David Crane, Los Angeles Daily News/SCNG)



The hills were there, lichen green, and I felt the small 

ferocious animals scurrying inside of it. The coyote ever-present, 

ready to pounce on the owners’ three Shih Tzu. Sometimes, we’d 

housesit, and I’d lounge on the front yard overlooking the Pacific Ocean. 

It was as if I could dip a toe in the sea from that cliff, the ruffled white curve

as it wound north toward Malibu, an emerald land too close to call distant.

Now that street has turned ash gray, only the outlines of the lots remain,

that same coast like the edge of a puddle of spilled black ink. I recognize

the people who were caught in their cars, cars that were later plowed

to make way for fire engines and ambulances. The wind spoke in vowels

the night before last across my humble balcony that faces those smoky hills.

The sudden clanks. Buffering curtains. The canyons siphoning destruction.

One could imagine the homes as graves. Ash-people holding on to one another.

In ancient times no machine could whisk them away to safety. A volcano

of wind, torrent of melted metal. What powers do the digital towers have?

What future awaits those of us who traverse this playground of film and filth

and indifference, negotiating the enchanted brutality of this hardened city? 

One can read the scroll of the flames; they speak a crackling language,

letters made of embers. It rages on, the unnamed fire, it wraps itself 

in the gales. A migration begins along an avenue of burning palm fronds.



Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.


Friday, February 02, 2024

SIGNPOSTS IN DANTE’S ECOLOGICAL HELL

by Richard L. Matta


Illustration by Gustave Doré (1832-1883)


third climate opinion—
the surgeon says
why did you wait so long

winnowing wheat
a merchant trades
for a farmer’s daughter

bulldozed forest…
a herd of cars running
at the burger joint

oil and gas
a lobbyist drills 
for a politician 

water rations
a city meeting 
boils over

flame throwers—
a spirit departs 
from a scorched tree 

one more war crime
the drone creates 
a poisonous cloud

a disposal contractor
doubles his profit
leaking drums wetland

mineral reserves
one more leader leaves
a pit in Africa


Richard L. Matta grew up in New York and now lives in San Diego. Some of his work is found in Ancient Paths, Dewdrop, San Pedro River Review, Third Wednesday, Gyroscope, and many international haiku journals.

Thursday, January 12, 2023

THE AMERICAN DREAM

by Peter R. Selover




Has a new address

it is any
gas station
that is open
24 hours a day

that has a kind-hearted
manager who at 3 in the morning
is happy to let the children
of homeless families

who sleep
in their cars
every night

use the bathrooms


Editor's Note: San Francisco’s Coalition on Homelessness organizes homeless people and front line service providers to create permanent solutions to homelessness, while working to protect the human rights of those forced to remain on the streets.


Peter R. Selover is a percussionist and writer, from Cleveland, Ohio. He has been involved in progressive politics since 1972, when as an 11-year-old he spent most of the year stuffing envelopes for Senator McGovern's presidential campaign. 

Tuesday, November 08, 2022

ELECTION DAY

by Howie Good





We shout for help, but the music from a passing car is so loud our shouts are drowned out. I punch in the emergency number stored on my phone and after listening to interminable ringing get a fuzzy pre-recorded message: “All our representatives are resisting” – assisting? – “other customers at this time.” And people wonder why the Wampanoag, the tribe that taught the Pilgrims how to survive their first winter in Plymouth, still regret it 400 years later. I fear for my country. Bodies are lying here and there and walking through dark forests. 


Howie Good's latest poetry book is The Horses Were Beautiful (2022), available from Grey Book Press. Redhawk Publications is publishing his collection Swimming in Oblivion: New and Selected Poems later this year.

Monday, July 25, 2022

THE WEST IS BURNING

by Steve Deutsch





On the rise above 

Route 80, by a trickle

that was once 

a river

 

I watch a line

of traffic

a thousand miles long 

going nowhere.

 

The road has 

buckled and a semi

sits on its side

steam still boiling.

 

One by one

the cars and trucks

run out of gas—

dream irony

 

I suppose,


and people stand

beside their behemoths—

afraid at last.

 

The pine

and hemlock forest 

that lined the road

has turned

 

a sickly brown

and trees light up

like candlesticks

one by one.

 

Children fight

the fire

with blankets

and spit.

 

And the dust

and smoke 

and ash

make breathing

 

an occupation.

The west is burning

and few if any

will make it out.

 

I wake with a gasp—

heart escaping.

Smoke colors the moon

the west is burning.



Steve Deutsch has been widely published both on line and in print. Steve is a three time Pushcart Prize nominee. He is poetry editor for Centered Magazine. His poetry books: Perhaps You Can (2019), Persistence of Memory (2020),  and Going, Going, Gone (2021) were all published by Kelsay Press.

Sunday, May 02, 2021

LINES

by Diane Vogel Ferri


People lined up in their cars at a food distribution site in San Antonio, Tex., in April 2020.Credit...Credit: William Luther/The San Antonio Express-News, via Associated Press and The New York Times.


My wall calendar helps me to visualize
my life, the plans I hold dear, the people
I must see so they also see me

At first the lines were through the
scribbling on my calendar,  an oddity,
disappointing at most—a temporary month

Sometimes there were two lines,
an X-ing out, a permanent loss
I catalogued the failures in my journal

Then the lines were of standing humans
waiting to vote, car-lines of hungry children
waiting for the food school had denied them

lines circling the parking lots for tests,
lines at the border, lines at the shelters,
lines at the unemployment office,

lines in the streets to confront the wizard 
behind the curtain, asking when we will be normal? 
But he was a fraud, a canceler of science, of truth

Freedom was not taken by a government
freedom was not taken at all, only
innocent lives, their coffins in orderly lines

The lines are now for a miracle,
for we who are left, whose lives have not
been crossed out, who are free to live.


Diane Vogel Ferri is a teacher, poet, and writer living in Solon, Ohio. Her newest novel is No Life But This: A Novel of Emily Warren Roebling. Her essays have been published in Scene Magazine, Raven’s Perch, Yellow Arrow Journal, and Good Works Review among others. Her poems can be found in numerous journals such as Wend Poetry, Her Words, Rubbertop Review, and Poet Lore. Her previous publications are Liquid Rubies (poetry), The Volume of Our Incongruity (poetry), The Desire Path (novel).