THE INJUSTICE THAT SCREAMS

by Chinedu lhekoronye 

They say we are free—

But chains still rattle in our dreams.

Not of iron, but of law,

Not of shackles, but of schemes.

The gavel strikes, but truth lies slain,

Beneath the cloak of legal pain.

The voices rise, the system scoffs,

While justice sleeps in ivory lofts.

They loot the land, then preach of peace,

While hunger roams and rights decrease.

They jail the bold, reward the sly,

And feed the poor another lie.

Who gave them crowns to crush the weak?

Who taught them power means not to speak?

Who drew the lines where blood must spill—

Then wrote the laws that bless the kill?

But we are fire, born from dust,

Rising now because we must.

Our words are swords, our truth is flame,

And we will set alight your shame.

For every child denied a voice,

For every vote turned into noise,

For every dream beneath your heel—

We stand. We shout. We will not kneel.

So let the tyrants learn at last:

A nation's silence cannot last.

The day will come, the truth will rise—

And justice will unblind her eyes.

Chinedu lhekoronye is a Nigerian, human rights lawyer, and poetic writer. He uses his writings to draw global attention to injustice in different places. He believes that injustice in one place is injustice globally.

CITY OF ANGELS

by Raymond Nat Turner

“There is no power greater than a community discovering what it  cares about.”  

—Margaret J. Wheatley, Turning to One Another

City Of Angels where

Camouflaged kidnappers; Fascist wrecking-crews rip

Seamstress, roofer, warehouse worker, dishwasher families

Apart. Apart for private prison-profiteers. Apart for a flash-

Bang-buffoon-king of chaos and cruelty. Whose strongman

Handler has him by the short-hairs— Dancing for dollars

City Of Angels where 

Folks know that masters of misdirection mix fantasy with

Fascism. Sprinkle spectacle in with torture.  And laugh

In teargas and rubber bullets—All the way to the bank—

Stealing SNAP; Medicaid; Social Security; and veterans’

Benefits 

City Of Angels ruled by devils

Reflecting fire and ICE.

City Of Angels where everyday 

Angelenos strap on resistance

Wings— And fly in solidarity

Formations through fog

City Of Angels where

Everyday Angelenos strap on mutual aid

Wings— And fly warp speed

Through blitzkrieg. Through hurricanes 

Of big lies. 

Through whirlwinds of racist rubbish

City Of Angels where

“To protect and serve” translates into sonic boom slogans

Bouncing off buildings! Ricocheting as linked arms.

Morphing shoulder-to-shoulder. Out from unlikely alliances.

Into united fronts ten toes down! Into militant movements

Organizing and building. Mastering pressure, mastering choke-points

City Of Angels where 

Everyday Angelenos know it’s no video game

On colorful screens. Know it’s soldiers on their streets

And Marines. Know “less lethal” is Pig Latin for Palestine—

On the down-low—Cookin’ slow … Know Gaza is Raza—

Writ large …

City Of Angels where 

The streets are universities of class struggle

Attended by allies, accomplices, comrades.

The streets are universities of class struggle paved with smoking tear-

Gas canisters; bloody, rubber-coated, steel bullets. And goose-steppers

Coming for Mexicans in the morning— And back for Blacks by noon 

City Of Angels where

Everyday Angelenos hate The Orange Age—

Its latest outrage of tilted table. Loaded dice.

Marked cards. Everyday Angelenos hate the

Capitalist decay—that must be swept Away

With 8.5-hour days of resistance!

Raymond Nat Turner is a NYC poet; Black Agenda Report's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC.

DOWN

by Matthew Murrey

Some nights I think, 

“What a wretched day. 
Tomorrow has to be 
better.” In the morning I 
ride that hope. How it lifts 
up from this bitter earth.
Maybe food will get through.
Maybe safe walls will shelter 
the terrified and displaced. 
Maybe missiles will stay 
stowed in their crates.
 
How it leaves the ground. 
How wide the wingspan is.
How I watch knowing this 
—like so much captured 
footage these days—
does not end well. 
It climbs, then does not. 
Nose up, it goes down, 
more glide than plunge, 
until it disappears among 
low buildings on the ground.
 
A huge billow of fire 
and black smoke tells me 
more than I want to know.

Matthew Murrey is the author of Bulletproof (Jacar Press, 2019) and the forthcoming collection Little Joy (Cornerstone Press, 2026). Recent poems are in Dissident Voice, One, Anthropocene, and elsewhere. He was a public school librarian for more than 20 years and lives in Urbana, IL with his partner. He can be found on Bluesky and Instagram under the handle @mytwords.

CECCO’S ECHOES

S’ i’ fosse foco, arderei ’l mondo—Sonnet 86 

by Cecco Angiolieri (Siena, c.1260–c.1312)

translated by Julie Steiner

Source: IranCartoon

Trump Tries to Make Sure States Don’t Fight Climate Change, Either: The Trump administration wants to block states from trying to limit the “astounding” costs and impacts of climate change. “This seems to be part of a larger effort to not only do nothing when it comes to climate change but to actively dismantle the climate science and climate accountability enterprise that is being built in response to the costs of climate change that are manifesting in everyone’s daily lives,” says Justin Mankin, a climate scientist at Dartmouth College. —Rolling Stone, May 24, 2025

If I were fire, I’d scorch the world all over.
If I were wind, I’d blast its storm-wracked ground.
If I were water, I’d make sure it drowned.
If I were God, I’d give it Hell forever.

If I were Pope, I’d gleefully endeavor
to prank all Christians, just to mess around.
If I were Emperor—what then? You’ve found
the answer: I’d behead all sorts, whoever.

If I were death, I’d give my dad a visit.
If I were life, I’d turn from him and scram.
And how I’d treat my mom’s no different, is it?

If I were Cecco—as I’ve been, and am—
I’d take the younger women, the exquisite,
and leave for other men each vile old ma’am.

Italian Original:

S’ i’ fosse foco, ardere’ il mondo ;
s’ i’ fosse vento, lo tempesterei ;
s’ i’ fosse acqua, io l’ anegherei ;
s’ i’ fosse dio, mandereil en profondo ;

s’ i’ fosse papa, sare’ alor giocondo,
chè tutt’ i cristïani imbrigherei ;
s’ i’ fosse ’mperator, sa’ che farei ?
a tutti mozarei lo capo a tondo.

S’ i’ fosse morte, andarei da mio padre ;
s’ i’ fosse vita, fugirei da lui ;
similmente faría di mi’ madre.

S’ i’ fosse Cecco com’ i’ sono e fui,
torrei le donne giovani e legiadre :
e vecchie e laide lasserei altrui.

Francesco ("Cecco") Angiolieri corresponded with Dante Alighieri, and addressed one of his 120 extant sonnets to him. Most of his work is humorous.

Julie Steiner is a pseudonym in San Diego. Her most recent verse translations from Classical Greek, Latin, French, Spanish, and Italian can be found in (or are forthcoming from) Literary Matters, The Classical Outlook, The Ekphrastic Review, Light, and The Asses of Parnassus.

FIVE THINGS I DID LAST WEEK

by W. Luther Jett

• I wrote three poems: The first compared you to a destructive gale; the second was a lament; the third was a curse.

• I met a friend for lunch. We spoke of you. Our words were not kind.

• I watched a bluebird fall in love. His love was hopeless, still it gave me hope.

• I called a friend in recovery from surgery. This was not the same friend I met for lunch, and we did not speak of you at all.

• I led a poetry workshop and hosted an open mike. I know that poetry alone cannot defeat you, but poetry is one way to say you will not defeat us. Our poems will out live your demands. You cannot fire us. We are the fire.

W. Luther Jett is a native of Montgomery County, Maryland and a retired special educator. His poetry has been published in numerous journals as well as several anthologies. He is the author of six poetry chapbooks: “Not Quite: Poems Written in Search of My Father”, (Finishing Line Press, 2015), and “Our Situation”, (Prolific Press, 2018), “Everyone Disappears” (Finishing Line Press, 2020), “Little Wars” (Kelsay Books, 2021), “Watchman, What of the Night?” (CW Books, 2022), and  “The Colour War”,  which has just been released by Kelsay Books. His full-length collection, “Flying to America” was published by Broadstone Press in 2024.

RED FLAG

by Pepper Trail

This is the way now, the night helicopters orange-bellied from the flames, swallowing mouthfuls of ocean, dropping salt on the mansions, bungalows, trailers, the streets running wild with molten metal, airburst of exploding eucalyptus, every TV speaking wisely, hysterically of ember fall, windspeed, perimeters, acres, percents, containment, containment, containment, canyons, freeways, the survivors somehow calm, brave beside the ruins, char and ash, the scorched tricycle on its side, the bewildered chimneys of the cul-de-sacs, hell on earth you could say and not be wrong, the City of Angels twisting in the grasp of Santa Ana, beneath the red flags and this is the way now though maybe in your town it will be hurricane or tornado or flood or drought or heat unto death or maybe in some blessed places of sanctuary maybe only a tsunami of the desperate and displaced  but this is the everywhere now and we have made it so.

Pepper Trail is a poet and naturalist based in Ashland, Oregon. His poetry has appeared in Rattle, Atlanta Review, Spillway, Kyoto Journal, Cascadia Review, and other publications, and has been nominated for Pushcart and Best of the Net awards. His collection Cascade-Siskiyou was a finalist for the 2016 Oregon Book Award in Poetry.

ON EDGE

by Beth Paulson

NYT, January 14, 2025

It always was where urban met the wild
hilly interface of forest land and city
where on a clear day you could see the sea, 
where roads rose up or meandered into
the steeper, southern side of the San Gabriels. 
 
Today smoky air hangs heavy, sun’s blotted out
where avenues lined with old deodar cedars
grown tall, a firebreak for lucky residents
where we walk uphill from our saved home 
amid downed branches, dangling power lines.
 
The fireman on one corner let us pass
if we promised to head back to our car
down the next road. We don’t talk much,
know sirens in the distance signal fires
still spark and smolder east of Lake Avenue. 
 
Our block of Santa Anita escaped the fire
where this morning knots of neighbors gather
who surely know the line is thin and tenuous
between being a victim or survivor.
We bend to scoop up embers from the grass
 
yet around the corner a home burned to the ground.
A plume of burning gas marks the backyard,
ash pile with charred beams, blackened bricks,
twisted metal, a chimney all that’s standing,
a concrete driveway leading in and out.

Beth Paulson moved recently to Altadena, California from Ouray County, Colorado where she founded the Poetica Workshop, directed Poetry at the Tavern, and served as Poet Laureate. Her poems have been published nationally in over 200 journals and have four times been nominated for Pushcart Prizes.  Luminous (Kelsay Books, 2021) is her sixth collection.  

THE UNNAMED FIRE

by Alejandro Escudé

Dozens of beachfront homes in Malibu were destroyed overnight in the Palisades Fire on Wednesday, Jan. 8, 2025 (Photo by David Crane, Los Angeles Daily News/SCNG)

The hills were there, lichen green, and I felt the small 

ferocious animals scurrying inside of it. The coyote ever-present, 

ready to pounce on the owners’ three Shih Tzu. Sometimes, we’d 

housesit, and I’d lounge on the front yard overlooking the Pacific Ocean. 

It was as if I could dip a toe in the sea from that cliff, the ruffled white curve

as it wound north toward Malibu, an emerald land too close to call distant.

Now that street has turned ash gray, only the outlines of the lots remain,

that same coast like the edge of a puddle of spilled black ink. I recognize

the people who were caught in their cars, cars that were later plowed

to make way for fire engines and ambulances. The wind spoke in vowels

the night before last across my humble balcony that faces those smoky hills.

The sudden clanks. Buffering curtains. The canyons siphoning destruction.

One could imagine the homes as graves. Ash-people holding on to one another.

In ancient times no machine could whisk them away to safety. A volcano

of wind, torrent of melted metal. What powers do the digital towers have?

What future awaits those of us who traverse this playground of film and filth

and indifference, negotiating the enchanted brutality of this hardened city? 

One can read the scroll of the flames; they speak a crackling language,

letters made of embers. It rages on, the unnamed fire, it wraps itself 

in the gales. A migration begins along an avenue of burning palm fronds.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

FIRE

by Gil Hoy

AI-generated graphic by NightCafé for The New Verse News.

The hawk

Soars high

in the sky. Humans
Soar higher,
Faster, 
Farther. 

The fish
Swims majestically 
Through the currents 
of the sea. Humans
Swim faster,
Deeper,
Farther. 

Bats,
Whales, 
Dolphins,
Rabbits,
Don’t destroy

the planet.
 
It’s getting hotter outside.

The fires rage and

There’s not enough water. 

Gil Hoy is a Best of the Net nominated Tucson, Arizona poet and writer who studied fiction and poetry at The Writers Studio in Tucson, Arizona and at Boston University. Hoy is a semi-retired trial lawyer and a former four-term elected Brookline, MA Selectman. His poetry and fiction have previously appeared in Third Wednesday, Flash Fiction Journal, Tipton Poetry Journal, Unlikely Stories Mark V, Chiron Review, The Galway Review, Right Hand Pointing, Rusty Truck, Mobius: The Journal of Social Change, The Penmen Review,  Last Stanza Poetry Journal, Bewildering Stories, Literally Stories, The New Verse News and elsewhere.

OUR LADY’S TRIUMPH

by Marilyn Peretti

Hot orange flame flew up 

melting lead and ancient trees

breaking hearts of Paris.

For eight hundred years

old oaks from vanished forests

served as roof timbers

but no longer able to withstand

the fires of hell, crumbled

to charred matchsticks, as

Our Lady’s backbone,

the vulnerable ridge pole,

tumbled into the holy nave.

                    • • •

A thin white thread 

of smoke rising at the Vatican

signals something new.

The disastrous stream of white smoke,

which roared rapidly to black

then to tongues of fire,

called out every craftsman from

the woodwork, their myriad of skills

rebuilding one great Cathedral,

now signaling Our Lady’s glory.

This poem was written in anguish at the time of the horrendous fire in Notre Dame Cathedral in Paris, but has been modified to celebrate the gallant efforts of dedicated Parisians who carefully rebuilt their cherished centerpiece. Marilyn Woerner Peretti, from Chicago area, is Pushcart nominee, and celebrant of this French achievement! She happily recalls her visit to Paris and tour through this elegant structure.

DON’T MOURN THE THORNS

by Corey Weinstein

Did you smile, even laugh aloud,

A smirk tumbling out of simmering glee?

Yes I was among the first 26,743,226

to feel joy when Notre Dame burned,

A spire collapsed shooting fireballs

through the attic, crashing the crosses,

Yellow flames licked the towers

and tickled my giggle bone,

 

From what abominations the fire sparked?

Of what burnt and musty stench like earth

where children are buried unmarked?

Rats running from their snuggle spots,

The ancient rot to their liking,

Dirty sins in the Savior’s name purified

Plastic icons oozed and bubbled black,

and is the toxic smoke pleasing to God?

 

The grand Dame’s construction marked

two hundred years of persecution

of expulsion, return and expulsion.

Built on the bones and bank notes 

of two centuries of violation,

feeding off the destruction

and exile of the Jews.

 

I won’t be contributing to the Church

where kings were crowned,

Where the crown of thorns stands in state.

Ask me again when plans include

a health center for family planning

and care for survivors of priestly abuse.

 

My joy only muted by the despair of the faithful

and knowing the stinking thing will rise as before.

Corey Weinstein’s poetry has been published in Vistas and Byways, The New Verse News, Our California 2024, The Ekphrastic Review, Forum (City College of San Francisco), California State Poetry Society, Visitant, Abandoned Mine, Speak Poetry of San Mateo County, California State Poetry Society and Jewish Currents, and he wrote and performed a singspiel called Erased: Babi Yar, the SS and Me.  He has been an advocate for prisoner rights and founded California Prison Focus, and he led the American Public Health Association’s Prison Committee for many years. In his free time, he hosts San Francisco OLLI’s Poetry Interest Group and plays the clarinet in his local jazz band, Tandem, his synagogue choir and woodwind ensembles.