2025

by Susan Vespoli

It was the year the garden

wouldn’t grow. Only a few cupped 

palms of sour tomatoes, never red. 

Lettuce leaves limp and bug laden. 

It was the year my ocotillo cracked in half, 

crashed to the ground with a thud. The year 

the U.S. seemed to follow suit. The year of no 

sunflowers in the long rectangular bed stretched 

beneath my office window, (okay, one spindly 

stalk sprouted, then leaned over and croaked), 

the plot where the previous year’s crop had risen 

basketball-player high, a community of petaled 

faces so prolific, neighbors would stroll their babies

past to point and smile. It was the year I bought five

packets of vinca seeds and a big bag of rich mulch,

spread and sprinkled everything over the barren earth, 

and every couple days, through hell-hot summer temps 

and nightly nightmare news, I dragged the hose to the dry

dirt, drenched it until little green arms poked through. 

And the arms grew bodies topped with buds folded

first like origami stars, then unfurled into coral, 

purple, and fuchsia 1960’s-peacenik flower-power 

blossoms that bushed out and flourished like hope.

Flower Power by cressida_carr

Susan Vespoli writes from Phoenix, AZ and believes in the power of poetry to stay sane. Her poems have been published in The New Verse News, ONE ART: a journal of poetry, Gyroscope Review, Rattle, and other cool spots.

DOWN

by Matthew Murrey

Some nights I think, 

“What a wretched day. 
Tomorrow has to be 
better.” In the morning I 
ride that hope. How it lifts 
up from this bitter earth.
Maybe food will get through.
Maybe safe walls will shelter 
the terrified and displaced. 
Maybe missiles will stay 
stowed in their crates.
 
How it leaves the ground. 
How wide the wingspan is.
How I watch knowing this 
—like so much captured 
footage these days—
does not end well. 
It climbs, then does not. 
Nose up, it goes down, 
more glide than plunge, 
until it disappears among 
low buildings on the ground.
 
A huge billow of fire 
and black smoke tells me 
more than I want to know.

Matthew Murrey is the author of Bulletproof (Jacar Press, 2019) and the forthcoming collection Little Joy (Cornerstone Press, 2026). Recent poems are in Dissident Voice, One, Anthropocene, and elsewhere. He was a public school librarian for more than 20 years and lives in Urbana, IL with his partner. He can be found on Bluesky and Instagram under the handle @mytwords.

CUAUHTÉMOC

by Jennifer Hernandez

For the crew members who lost their lives in the tragic crash of the Mexican tall ship into the Brooklyn Bridge. The ship, Cuauhtémoc, was named after the last Aztec emperor.

 
Sometimes the power goes out. 
Sometimes, it’s smallpox. 
 
The most inconsequential events 
can change the course of a river, 
the course of a life. 
 
We never know 
where the journey will end. 
Nor when. 
 
The leader this morning 
might be gone by nightfall. 
 
Through it all, the currents 
keep pushing us forward. 
 
Each moment we are closer 
to the finale. So we must 
choose to resist 
with all our might. 
 
Like Cuauhtémoc—
to never give up, 
never give in, 
never compromise 
who we are and 
what we believe 
to be true. 
 
We must don the fairy lights, 
wave the big, beautiful flag. 
 
We must stand on the bow, 
watch as the sunset plays 
between clouds at dusk, 
glimmers on the water’s surface.
 
Life is fragile. 
Life is glorious. 
 
La vida siempre 
vale la pena vivirla.

Jennifer Hernandez lives in Minnesota where she teaches immigrant youth and writes poetry, flash, and creative non-fiction. Once again, her recent writing has been colored by her distress at the dangerous nonsense that appears in her daily news feed. She is marching with her pen. Pushcart-nominated, her work appears in such publications as Sleet Magazine, Heron Tree, Northern Eclecta, and Silver Birch Press. She is working on a chapbook of hybrid writing about teaching as a political act.

CROCKPOT

by Scott C. Kaestner

Dow Jones?
More like Down Jones, right?

Tariff is just another word
for insider trading.

Wake me up when it’s time 
to eat the rich.

I’ll get my Crockpot out
of the cupboard.

Not me but history says
haves vs have-nots.

Is now, always has been
again… not me but history.

This is why powers that be
don’t want it taught in school.

Now history is screaming
haves vs. have-nots.

A white wine reduction
and garlic should do the trick.

Scott C. Kaestner is a Los Angeles poet, writer, dad, husband, and a man of few words but many syllables. Google ‘scott kaestner poetry’ to peruse his musings and doings—maybe even buy a book.

BETTING AGAINST THE HOUSE

by Rick Ehling

Almost overnight an entire 

country reeks of three AM 

in Las Vegas’ seediest casino

Few truly smiling, everything feigned

All that fatigued desperation

Smoke and sweat settling heavy 

in dayless, temperature controlled space

Coin cups and wallets emptier

Perhaps a bit drunk  Bleary eyed 

Certainly sleepy  Blinking, 

yawning  Or were those sighs

Remembering prior buffet

A feathered line of showgirls

Well past joy’s equinox 

This crash after faux sugar 

Clinks and flashes finally 

overwhelming  Triggering 

a headache or tinnitus  Most 

clinging to whatever chance 

they no longer believe in

Many wishing they counted cards

Rick Ehling is a physician living in the SF Bay Area, working in what was once called a “safety net clinic.” He writes most mornings when he can’t sleep; this started after a family illness but has continued for much of the last decade.

DRONE SHOW, NEW YORK CITY

by Jennifer Phillips

River in flood, night flocks flickering

among the skyscrapers, down canyoned glass
and concrete tunnels, southing,
all their stars obscured. Even at sunset, brass
reverberation highlighting the ledges,
zigzagging a maze like the airport lighting
flashing along their pattern's edges,
splash of solar panel panes squaring 
off on rooftops, while all the unseen soft bodies
steer, or smack and ricochet to paving,
losing their way, losing their lives.
 
In Central Park, the artist paints the same skies,
that glow with missed comets and  lunar eclipses,
with a flock of drones, loose from their hives,
cruising and folding the black air, like a fizz
of fireflies the news compares to starlings'
wondrous convolutions—of all the ironies—
iron substitutions for the flesh and song and wings
belonging even here, city-center, ground zero
for terrors we make in every size. The crows,
tough and wise, don't migrate much. Sad that we do
not notice, or speak of a murder of swallows.

Jennifer M Phillips is a  bi-national immigrant, painter, gardener, Bonsai-grower. Her chapbooks: Sitting Safe In the Theatre of Electricity (i-blurb.com, 2020) and A Song of Ascents (Orchard Street Press, 2022). A poem is like a little brass pan to carry fire's coals through the winter weather, and so she writes. 

WHEN THE AIR COULDN'T HOLD

by Dick Altman

Four killed in helicopter crash after assisting with East Mesa Fire 

—Santa Fe New Mexican, July 17, 2022

Northern New Mexico

I once believed the high

desert immune to fire.

Until I watch in terror a blaze

in the Jemez Mountains,

west of me, nearly consume

Los Alamos’ atomic city.

                   *

And so spin the blades

and up the chopper rises,

as if lofted by the very flames

it douses again and again

with water by the bucketful.

Until its cargo of four, lives

with every pass in peril,

points wearily for home.

                    *

Never thought a fire 20 miles

east, ignited in April, would

refuse to go out until mid-June. 

We may not have much water,

but we have countless mountains

of tinder eager to torch earth,

sear and drought-riven.

                    *

And so we resort to birds

(and planes) to siphon water

from a distance. After awhile,

the droning pulse of copters

infiltrates dreams. Smoke,

from the moment you awake,

is a never-absent cup

of acrid reality.

                        *

And today’s bird? Had I felt it

thrumming overhead?  Before

a few seconds of downdraft—

will we ever know?—transforms

it from an angel of life into one

of death. And blades that morph

into wings, caught in gravity’s net,

plunge to the bottom of a sea of air.

 

 

Dick Altman writes in the high, thin, magical air of Santa Fe, NM, where,at 7,000 feet, reality and imagination often blur. He is published in Santa Fe Literary Review, American Journal of Poetry, riverSedge, Fredericksburg Literary Review, Foliate Oak, Blue Line, THE Magazine, Humana obscura, The Offbeat, Haunted Waters Press, Split Rock Review, The RavensPerch, Beyond Words, The New Verse News, Sky Island Journal, and others here and abroad. A poetry winner of Santa Fe New Mexican’s annual literary competition, he has in progress two collections of some 100 published poems. His work has been selected for the forthcoming first volume of The New Mexico Anthology of Poetry to be published by the New Mexico Museum Press.

SOWERS

by Alejandro Escudé




We’re on a passenger plane
On its way to Ukraine.

All of us on board—the ones
Who economically strain

To carry our beloved,
Unaware of the warlord

Below, strafing shrapnel,
Sower of discord,

Or planning assassination
As though it were a tea.

Who cares? It’s only people
Who have ceased to be.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

FROM THE GAETZ OF HELL

by Rémy Dambron

Assembled in the name
of congressional duty

three committees convened
to depose the unruly

in a secretive facility
known as a SCIF

chaired by the honorable
Adam B. Schiff

but disturbed and perturbed
formed a flock of strange men

flapping and snapping
from inside their pen

all of a feather
both orange and red

disrupting corrupting
due process instead

breeding bad eggs
with old beaks and brooding

regurgitating lies
immorality oozing

storming the doors
and mocking decorum

dive-bombing tricksters
a riotous quorum

circumventing evidence
to circle their circus

distractions by faction
so facts would't surface

crowing and showing
hypocrisy for truth

clutching their phones
such misconduct uncouth

led by none other than
Florida's finest

representative Gaetz
the indignant and spineless

breaking house rules
to demand they be obeyed

came a congress of crows
for their shameless charade.

Rémy Dambron is an activist, environmentalist, and author based out of Portland, Oregon. His work has appeared in What Rough Beast, Writer's Resist, Poets Reading the News, and TheNewVerse.News, focusing largely on denouncing political corruption and advocating for social justice. Without the love and support of his wife Susan, he would not be the writer he is today.  

SKYWRITING

by Shirley J. Brewer

This undated selfie picture available on social media on Saturday shows Richard Russell, a ground service agent at the Seattle-Tacoma International Airport. He is believed to have died when a plane  he stole and flew crashed into Ketron Island, about 30 miles south of Seattle-Tacoma International Airport, setting off a large forest fire. Authorities say he was suicidal. (AFP/Getty Images via USA Today)

Burdened by heavy baggage, he soars
low over Puget Sound,
performs an aerial loop—a suicide note?—
on his first and final flight.
He crashes the stolen plane,
burns in a rush of tangerine flame.

The ride lasts an hour, yet
who dares set a timer on this brief
bird's-eye view of silver wings_
within grief such a fleeting joy.
How long was he falling before he fell?
Like Icarus, no one can tell.

He said he was just a broken guy,
and leaves his family to ponder why.

Shirley J. Brewer serves as poet-in-residence at Carver Center for the Arts in Baltimore, MD. She earned an MBA from the Maryland Bartending Academy. Her poems garnish Barrow Street, Comstock Review, TheNewVerse.News, Poetry East, Slant and other journals. Shirley's books include A Little Breast Music (2008), After Words (2013) and Bistro in Another Realm (2017).

EVEN AS WE SLEEP

by Zara Raab

Disaster: the charred shell of Grenfell Tower a month after a fire in the building claimed 80 lives Getty Images via The Standard, July 27, 2017

To keep tenants warm
or impress rich neighbors,
builders wrap a London tower
in sheets of shiny tin,
and post notices that warn:
“Stay inside in case of fire,
and close your doors.”

Whisked up twenty floors
fire came this hour from outside in,
for the London tower is higher
(twenty stories to the roof)
than the fire man’s tallest ladder,
and the cladding, no proof
against Armageddon.


*

Pakistani residents carry an injured man after twin blasts at a market in Parachinar. Photograph: STR/AFP/Getty Images —The Guardian, June 23, 2017

Every river, its sault.
Where you gather on market
days, or pray in temple pew,
you couldn’t be the target
of doom, but come, still, to bombs
like all unwelcome fate, hidden,
one of many, lit back-to-back

in towns like Parachinar; a photo
of ruined streets will show
just what can happen,
you’ll see, just watch the news.
So too in Baluchistan--
the crucible of guns--in Orlando,
Cincinnati or Syracuse.

*

The damaged USS Fitzgerald sits in dry dock in Yokosuka Photograph: Spc. 1st Class Leonard Adams/AP via The Guardian, July 22, 2017

Once an old oak held a platform
in its gnarly arms
where we children played.
With gumption, we added a wall
or two with our kit of tools,
but spiders soon swarmed by the dozen
to spin, and drove us away.

What comes even as we sleep?
On auto pilot, one big ship
rams another, midnight. As men
sleep in their bunks, the sea pours in,
flooding the sealed rooms where,
un-waking, un-watchful, they’ll be, later,
when we count the drowned.

Zara Raab's books are Fracas & Asylum, Swimming the Eel, Rumpelstiltskin, or What’s in a Name? and The Book of Gretel, narrative poems of Northern California. Her work, including reviews and essays, as well as poems, has appeared in Mezzo Cammin, Verse Daily, River Styx, Arts & Letters, Crab Orchard Review, Raven Chronicles, and The Dark Horse. She lives in western Massachusetts.

400 BIRDS

by Preston Martin

Photos of birds that died Wednesday, May 3, after crashing into a high-rise building in Galveston. Animal Control Officer Josh Henderson said a total of 398 birds crashed into the building, and three —Houston Chronicle, May 5, 2017

In Auden’s low dishonest decade
History displayed a taste for tyrants.
Recent voters share that taste.
Some pray this retreat a wrinkle,
global sense will, with a start, awake.

New reality weighs our days,
our troubled nights; we grow stooped.
We appeal to our turning minds
see the long view, humanity is wise,
yearns for truth, fraternity. As if
wishing could make true.

Yesterday four hundred birds
lost their birdy instincts, reason—
blinded in reflection of a Galveston high rise—
flew full and headlong to greet their deaths.

Speculation by bird authorities:
glare mistaken for the sun, or moon light,
something, that seemed right at the time—
led them, without reason, to their demise.

Warblers, redstarts, ovenbirds,
bluebirds, cuckoos, sparrows, kestrels,
blackbirds, redwings, robins, cardinals,
orioles.

Preston Martin has published poems in literary journals including New Ohio Review, Iodine, Chaffin Journal, Kakalak, won awards or recognition by the North and South Carolina Poetry Societies and the Nazim Hikmet Poetry Festival. He has also published in anthologies including Every River on Earth: Writings from Appalachian Ohio (Ohio University Press), and  Heron Clan III. He reads, writes, and teaches in Chapel Hill and Durham, NC, and chairs the Brockman-Campbell book competition for the North Carolina Poetry Society.

REQUIEM FOR VESNA VULOVIC

by Devon Balwit

A Serbian woman who survived what was said to be a 10,000-metre (33,000ft) fall after a plane exploded in mid-air in 1972 has died aged 66. Vesna Vulović  (above in 1972 AP photo) was found dead by her friends in her apartment in Belgrade, Serbian state television reported. The cause of death was not immediately known. In January 1972 she was working as a flight attendant a Yugoslav Airlines DC-9 plane when it blew up over the snowy mountain ranges of what was then Czechoslovakia. All of the other 27 passengers and crew on board died.Initially paralysed from the waist down, Vulović eventually made almost a full recovery and even returned to work for the airline in a desk job. She never regained memory of the accident or her rescue. She said in 2008 that she could only recall greeting passengers before takeoff from the airport in Denmark, and then waking up in hospital with her mother at her side. She went on to put her celebrity at the service of political causes, protesting against Slobodan Milošević’s rule in the 1990s and later campaigning for liberal forces in elections. —The Guardian, December 24, 2016

The nervous begged to sit beside her on planes,
figuring anyone who had plummeted 33,000 feet
and lived had lucky coiled into her DNA.  Her fall
made her a mosaic reassembled by doctors and
by will.  Changed by gravity, she spoke out,
unafraid to call a butcher’s hands blood-dipped,
even if it cost her job.  The tiniest stone can clog
an engine, resisting from where it’s hurled.

Devon Balwit is a poet and educator from Portland, Oregon. She has a chapbook Forms Most Marvelous forthcoming from dancing girl press (summer 2017). Her recent poems can be found in: Oyez, The Cincinnati Review, Red Paint Hill, The Ekphrastic Review, TheNewVerse.News, Noble Gas Quarterly, Timberline Review, Trailhead Magazine, Vector, and Permafrost.

THE RED SUITCASE

by Jill Crainshaw

she borrowed the suitcase from her cousin

a faded fake leather red one that

stood by the door all those weeks holding

a bathrobe and slippers and baby things ready

to go to the hospital when her first son was born

five years ago now so the suitcase was empty

and made to fit in the overhead

her aunt stuck a magazine in that front

zippered pocket at the last minute

just in case she was hungry for a taste of

home while dining in places far away

it bobs in wild waters now

with sixty-six others spilling out

blouses linen trousers a new blue jacket just in case

those pills she always took to help her sleep

handwritten sticky notes hotel receipts

hidden in the corner from

the trip before the last one

toiletries travel-sized

she planned on returning home

her aunt stares at the television screen

"vanished from radar"

"no survivors"

commentators talk on and on while

she watches wind-swept waves

longing

for something

even a flash of red

Jill Crainshaw is a professor at Wake Forest University School of Divinity in Winston-Salem, North Carolina.

WHEN FACEBOOK CRASHES

by Peg Quinn

A number of Los Angeles residents  . . .  actually dialed 911 – the emergency helpline number used in the United States to report crimes, medical emergencies, fires, and the occasional cat-in-tree crisis – after [Facebook] crashed for nearly 30 minutes at 9:30 pm IST Thursday. --Business Standard (India), August 2, 2014

Let's see a line-up
of the users who called 911
or the Sheriff’s Department
when Facebook crashed
for just one hour.

A Sheriff twitting,
This is not a law enforcement problem!

though Facebook lives were ravaged,
swept asunder.
Let each step forward,
explaining to the world
what they had lost.


Peg Quinn, a two-time Pushcart Prize nominee is a mural painter and teaches art at a private elementary school in Santa Barbara, California.

REMNANTS OF THE CRASH

by Kristina England

            Headline: "Actor Paul Walker dies in car crash,"
            the blaze making his beautiful face unidentifiable.


All I can think is "I hope he died on impact"
because that wasn't the case for you -
no seatbelt, ejected at high speeds,
thrown under your own wheels,
those once vibrant eyes dulling
under the red and white flash of disaster,
your son, stuck in the backseat,
begging for "momma" to soothe
his temporary and long-term boo-boos
as you shuddered out the last breaths
of mother, wife, friend on your graveled grave.

Maybe the driving laws were never meant for the driver.
Maybe they are there for the ones left behind
with the gut-wrenching task of identifying
a once beautiful face.


Kristina England resides in Worcester, Massachusetts.  Her fiction and poetry is published or forthcoming at Extract(s), Gargoyle, The Story Shack, Tipton Poetry Journal.