NEW YORK CITY, 7 AM, SUNDAY, 2026

by Naomi Pliskow

Fat pigeons peck hopefully

at Saturday night’s scat–

tickets, receipts, ketchup-stained napkins–

dotting grey cement as though they were 

the leaves of autumn.

 

The Saturday night squawks and judders, 

the clangs and gulps and sighs,

are replaced by an echoing quiet,

as though covered by a layer of soft cotton

intruded on only by pigeon murmurs and 

the petulant honk 

of a single metal beast on rubber legs

piloted by some human who didn’t   

make it home last night.

 

The smell of sweat and alcohol

from a hooded passerby  

interrupts the aroma   

of bread baked at four this morning

when the baker’s dark hands grasped soft white dough 

trying to hold on to these islands 

for just a little while longer

before being forced to return  

to his ravaged own,

where people peck for leavings

like hopeful morning pigeons

and bake bitterness into 

every scarce loaf.

Naomi Pliskow published her first poetry collection in a three-ring binder at age eight. She recently returned to writing poetry after a long hiatus. Her poems have been published in One Art, Adanna, Schuylkill Valley Journal, Canary, and several anthologies. Her satirical song lyrics were published in The New York Times in 2024. Her chapbook Entering the Water will be released in September of 2026. She is editor of the Philadelphia Mad Poets Society newsletter.

ON THE MORNING THE CITY CHANGED ITS WALK

by Khayelihle Benghu

 

 

 

 

On the morning the march moved through Johannesburg,
shop gates came down early.


Metal shutters lowered like tired eyelids


before the day had fully spoken.
Foreign-owned stores locked their doors


before noon,


keys turning twice


as if once was no longer enough


to believe in safety.
The taxi driver changed his route again,


avoiding streets where voices


had grown sharper than traffic,


where even the robots seemed unsure


who they were guiding anymore.
No one calls it fear,


but everyone adjusts their walking speed.


Everyone becomes a little more careful


with how they look at strangers.
Somewhere, a shopkeeper counts what might be lost


stock, rent, the years built behind a counter.


Somewhere else, a protester counts what has already been taken


jobs, space, the weight of being seen.
And between them,


the city keeps breathing uneven, uncertain,


but still holding everyone inside it.
A child watches from a doorway


that is neither open nor closed.


A flag lifts, then folds back into itself


as if unsure what it is becoming.
No one says the same story.


But everyone carries the same heat


under their skin.
Later, when the streets grow quiet again,


when footsteps return to ordinary distances,


there is still this question left behind:
how do we live here together


without teaching ourselves


to fear each other's names.

Khayelihle Benghu is a South African writer and an author of The Names We Carry. She explores the themes of resilience grieve, silence and love in every day setting.

SAVE YOUR BREATH

by A J Dalton

 

 

AI-generated graphic by NightCafé for The New Verse News.

They    put   tariff    words now
So   ll use 10% less
God help     hyperverbal
–they    probably end    homeless
 
Marketing    all visuals now
Cos   picture paints   1000
Or strange performance pieces
    actions speak louder,      say
 
Some took   vow    silence
There are fewer arguments truly
   , it   wasted breath
Yet   never hear ‘  love you!’
 
  fear     proposed tariff    space next
As immigration needs controlling
This poem   gone    too long though
And cost      flaming fortune!


A J Dalton is a UK-based writer. He’s published the Empire of the Saviours trilogy with Gollancz Orion, The Satanic in Science Fiction and Fantasy with Luna Press, the Dark Woods Rising and Green Man Ascendant poetry collections with Starship Sloane, and other bits and bobs. He lives with his monstrously oppressive cat named Cleopatra.

LEARNING HER ABCs

by Madlynn Haber

A tiny girl, with sweet face, gentle features,

soft voice, recites her ABCs for me.

She learned them from an older, bolder cousin. 

The speech is hard for my aged ears to decipher. 

Mingled languages, English, Spanish, baby talk, 

an imitation of the elder cousin’s careful pronunciation. 

She smiles shyly, appreciating my attentive listening 

without noticing my lack of comprehension.

Her mother was not deported today.

 

The mother showed up at the immigration center 

with the little girl in her arms. The fearful father 

stayed home. Bail money collected by well-meaning 

neighbors filled her pockets, just in case.

Sighs of relief as she returns with a four-month reprieve. 

The little one will know her letters and some numbers, 

in English, the language of the only home 

she's ever known, by the time she escorts her mother 

to the immigration office again in July.

Madlynn Haber is the author of Seasons of Sorrow and Joy (Metaphysical Fox Press, 2025). She lives in a cohousing community in Northampton, Massachusetts.Her writing has been published in many literary journals and anthologies including, Eunoia Review, Months to Years, Orenaug Mountain Poetry Journal, Bright Flash Literary Review, Sheila-Na-Gig and The Metaworker Literary Magazine.

LEFTOVERS

by Daniel Romo

I’m waiting or dehydrating in this midlife loop, 

stuck between nothing and what to do, thirsty 

for a shot of life’s finest spirits and a sip of 

more than just stagnancy. Meanwhile, the 

taco man that sets up across the street from 

me everynight calls out sick on Instagram 

for fear of being caught up in the immigration 

sweep that’s devoured the Southland. One 

minute you’re slicing al pastor for a hungry 

Caucasian community, the next you’re seized 

by men hiding in masks and Americana. I 

prefer my carne asada with a slight char and 

I’m not even mad as the protesters burn the 

US flag in the Long Beach streets because the 

man who likes his meat rare and the neighbor 

who wants it well-done both bleed out when 

hurt and my city is being stabbed, which 

resurrects me as my blood boils into an 

inferno while I offer a torch to scorch every 

dirty star, to incinerate every misplaced stripe.

Daniel Romo writes, lives, and loves in Long Beach, CA.

CITY OF ANGELS

by Raymond Nat Turner

“There is no power greater than a community discovering what it  cares about.”  

—Margaret J. Wheatley, Turning to One Another

City Of Angels where

Camouflaged kidnappers; Fascist wrecking-crews rip

Seamstress, roofer, warehouse worker, dishwasher families

Apart. Apart for private prison-profiteers. Apart for a flash-

Bang-buffoon-king of chaos and cruelty. Whose strongman

Handler has him by the short-hairs— Dancing for dollars

City Of Angels where 

Folks know that masters of misdirection mix fantasy with

Fascism. Sprinkle spectacle in with torture.  And laugh

In teargas and rubber bullets—All the way to the bank—

Stealing SNAP; Medicaid; Social Security; and veterans’

Benefits 

City Of Angels ruled by devils

Reflecting fire and ICE.

City Of Angels where everyday 

Angelenos strap on resistance

Wings— And fly in solidarity

Formations through fog

City Of Angels where

Everyday Angelenos strap on mutual aid

Wings— And fly warp speed

Through blitzkrieg. Through hurricanes 

Of big lies. 

Through whirlwinds of racist rubbish

City Of Angels where

“To protect and serve” translates into sonic boom slogans

Bouncing off buildings! Ricocheting as linked arms.

Morphing shoulder-to-shoulder. Out from unlikely alliances.

Into united fronts ten toes down! Into militant movements

Organizing and building. Mastering pressure, mastering choke-points

City Of Angels where 

Everyday Angelenos know it’s no video game

On colorful screens. Know it’s soldiers on their streets

And Marines. Know “less lethal” is Pig Latin for Palestine—

On the down-low—Cookin’ slow … Know Gaza is Raza—

Writ large …

City Of Angels where 

The streets are universities of class struggle

Attended by allies, accomplices, comrades.

The streets are universities of class struggle paved with smoking tear-

Gas canisters; bloody, rubber-coated, steel bullets. And goose-steppers

Coming for Mexicans in the morning— And back for Blacks by noon 

City Of Angels where

Everyday Angelenos hate The Orange Age—

Its latest outrage of tilted table. Loaded dice.

Marked cards. Everyday Angelenos hate the

Capitalist decay—that must be swept Away

With 8.5-hour days of resistance!

Raymond Nat Turner is a NYC poet; Black Agenda Report's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC.

TRAVEL ADVISORY

by Shalmi Barman

"A visa is not a right. It's a privilege," [US Secretary of State Marco] Rubio said on Tuesday. Trump administration officials have said student visa and green card holders are subject to deportation over their support for Palestinians and criticism of Israel's conduct in the war on Gaza, calling their actions a threat to U.S. foreign policy and accusing them of being pro-Hamas. —Reuters, May 21, 2025

The State Department has told U.S. consulates and embassies to immediately begin reviewing the social media accounts of Harvard’s student visa applicants for antisemitism in what it called a pilot program that could be rolled out for colleges nationwide. —Politico, May 30, 2025

Counselors who work with foreign students eager to attend college in the U.S. are advising them to purge their social media accounts of posts that could attract the attention of U.S. State Department officials. —CBS News, May 39, 2025

To demonstrate that I don’t pose a threat,
I strip the stickers from my laptop case,
purge the Kindle reader, ctrl-shift-del
my browsing history as if the past
two, ten, eighty years had never been.
 
We’re experts here at inoffensiveness,
smalltalk savants, the brightest and the best
arriving on these shores to earn our keep,
inflate the GDP and pay our dues—
the price of entry to the winners’ club—
in labor, taxes, learned neutrality.
 
A privilege, not a right. In Khan Younis
the going rate for a sack of gritty rice
exceeds my weekly wage. Faucets frothing
overrun my glass. A legless child
plucks maggots from his wounds. I sink a knife
deep in the turkey, utter ritual thanks
for innocence far from the blasted plains
of Gaza, Yemen, Iraq, Lebanon…
 
Purpose of visit? To become just like you,
I want to tell the agent matching my name
against a neutered profile. To shop at Target
on the Fourth of July, pledging allegiance
like a marriage vow. For this I stand in line,
bereft of fluids, jacket, shoes, and shame,
not-thinking of checkpoints a world away,
asking smilingly how much? how high?


Shalmi Barman is a South Asian national, a holder of a student visa, and a newly minted PhD. She spent several years at the University of Virginia writing a dissertation on class and labor in Victorian fiction, and doing other things that would likely be deportable offenses today. Her poetry has previously appeared in The New Verse News and also recently in Boudin, Blue Unicorn, EcoTheo Review, Gyroscope Review, and elsewhere.

I DREAMED LAST NIGHT

by Gordon Gilbert

Mile Stretch Road, Fortunes Rocks, Maine. Photo by the poet.

I Dreamed Last Night
of Mile Stretch Road and of a world to come,
perhaps only after I myself am gone,
but perhaps in my remaining years.  
 
I dreamed last night
that I was walking south
along a down-east beachside stretch
of crumbling asphalt.
 
On either side the road lay only ruins
where once stood so many houses
up and down the beach,
like all those visited behind
and not so far ahead,
what I feared I’d soon see.
 
But then I saw the colors
blue and red and white
on wooden boards covering a window
in all that still remained of a beach house,
and I walked over for a closer look
and realized why all this came to be: 
It was the end of immigration,
as the nation forgot
that it was the immigrants
who made this country great.
  
It was end of the commons,
as all had been privatized,
further enriching the already rich,
further depriving the already deprived.
 
In the end, it was the end
of all that we once had,
the end of the American dream. 


Gordon Gilbert is a writer living in the west village in NYC, who finds solace in walks along the Hudson River, even while contemplating with trepidation another new year of climate change and political mayhem.  

SANCTUARY

by Catherine Gonick

after the 1939 film The Hunchback of Notre Dame

I still hear him shout the word

see his jagged teeth and crazy eyes

 

feel his hard arms, our jarring swoop,

the arc we cut through air

 

rope-riding back from scaffold

to Cathedral of Our Lady

 

he the ugly, I the lovely

swinging through the laughing

 

crowd of high and low

that watched him pound up stairs

 

hold my outstretched body

high above his head

 

a trophy 

in a pale linen shift

 

My eyes demurely closed

on every sinner in the square

 

I was only acting

pretending to be the girl

 

Inside I was exulting

two outcasts had escaped

 

and I don’t remember what happened

after the shot

 

only the crew touching

his padded hump for luck

 

that year when as now

rescue was everything

 

Catherine Gonick has published poetry in journals including The New Verse News, Beltway Poetry Quarterly, Pedestal, and The Orchards Poetry Journal. Her work has also appeared in anthologies including in plein air, Grabbed, Support Ukraine, and Rumors, Secrets & Lies: Poems About Pregnancy, Abortion and Choice. She has a book of poetry forthcoming from Sheila-Na-Gig Editions and lives in the Hudson Valley where  she works in a company devoted to slowing the rate of global warming.

THE HIGH SCHOOL BAND AT MADISON SQUARE GARDEN

by Martha Deed

1 The Students

Tonight!
Gigantic Rally
at Madison Square Garden 

Our high school band
invited to play

Admission Free

We will march up Eighth Ave
in a ticker tape parade

President Eisenhower in person!

We will play “Hail to the Chief”
for real

Was I playing clarinet that year?

We will play in Madison Square Garden
as sure as 
as sure as the Knicks
to entertain the crowd

Or was I playing glockenspiel?

2 The School Authorities and the Parents

We’ll let them go
even with the usual field trip worries
the bus could break down
a chaperon on the sauce
a kid throws up on the bus
or starts a fight

We shall vigorously lead the way
to a review and revision
of our immigration laws

after overcoming the fear of partisanship
we will not worry about the bomb threat
phoned to the New York Daily News
an hour before the rally began
because we won’t know about it

Four years ago
we wandered wearily
in the darkness
of a drifting war

because there is no internet to scare us bloodless
yet

we wondered how long a government
could effectively lead the free world
when it no longer commanded
the pride of its own people

We have welcomed an effective attack on inflation

Even as he speaks 

I have seen the face of our land
soil, rivers and forests
their richness and power conserved

and promises

to serve our national interest
to promote understanding in the world
to give new validity
to America’s role of leadership
in this world

they won’t remember anything he said.

3 Two days later

The letter from The White House
The letter copied for each band member
The words forgotten
The letter kept

Martha Deed’s third poetry collection Haunted By Martha was released by FootHills Publishing, July 2023. She has published ten books (poetry, mixed media, non-fiction) and ten chapbooks along with inclusion in more than 20 poetry anthologies. Individual poems have appeared in The New Verse News, Autumn Sky Poetry Daily, Earth’s Daughters, First Literary Review—East, Shampoo, Gypsy, and many others.