Guidelines



Submission Guidelines: Send 1-3 unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.
Showing posts with label Visa. Show all posts
Showing posts with label Visa. Show all posts

Thursday, February 26, 2026

WE CROSSED

by Zebo Zukhriddinova 

 

 

AI-generated graphic by NightCafé for The New Verse News.

 

I want to speak loud enough for the child who 

packed a suitcase bigger than their arms,

for the teenager who learned the word visa before 

they learned how to drive,

for the mother who ironed hope into a shirt at 3 a.m. before a flight that smelled like goodbye.


I want to speak the way drums speak in a stadium,

the way a voice echoes under bright lights like it refuses to disappear,

the way someone stands at a microphone and 

says:

we are still here.


We did not leave because we hated home.

We left because we loved it too much

to watch it close its doors on our future.


We left because dreams were heavier than fear,

because opportunity whispered louder than 

comfort,

because sometimes survival is not dramatic—

it is paperwork, it is embassy lines, it is a number blinking above a counter

where someone decides if your life may continue.


We learned how to pronounce ourselves again.

We learned that “Where are you from?” can be 

curiosity

or it can be a cage.

We learned to laugh at jokes about our accents

while secretly holding our language like a fragile heirloom

we refuse to drop.


They say immigrant like it is a shadow.

Like it is something that sneaks.

Like it is something that takes.


But we are not shadows—

we are sunrise workers, late-night students,

we are the hands that build and the minds that

 innovate,

we are the children who translate bills at the 

kitchen table

while finishing homework about a history that forgot to mention us.


We crossed oceans, yes—

but mostly we crossed versions of ourselves.

We crossed from who we were told to be

into who we dared to imagine.


And if you ask what we carried,

it was not just luggage.


We carried recipes memorized by heart.

We carried songs our grandmothers hummed 

while sweeping.

We carried photographs folded at the corners

from being opened too often in dorm rooms

where homesickness sounds like silence.


We carried love.


Love stronger than border walls.

Love louder than speeches soaked in fear.

Love stubborn enough to bloom in foreign wintersand call it spring.


Because hate is loud—

it chants, it points, it builds fences out of words —

but love is louder in the long run.

Love studies for exams in a second language.

Love sends money back home.

Love stands in graduation gowns and whispers,

“We made it.”


To the ones who left young—

who traded playgrounds for airports,

who learned currency exchange before algebra,

who grew up between time zones—

this is for you.


You are not “temporary.”

You are not “other.”

You are not a debate.


You are the proof

that hope can pack a suitcase

and still make room for courage.


And one day, when they ask what immigration 

looks like,

tell them it looks like a child refusing to shrink their dream

to fit inside a border.


Tell them it looks like love

walking through customs

with nothing to declare

except a future.



Zebo Zukhriddinova  is an international student currently studying in the United Kingdom.

Monday, June 02, 2025

TRAVEL ADVISORY

by Shalmi Barman




"A visa is not a right. It's a privilege," [US Secretary of State Marco] Rubio said on Tuesday. Trump administration officials have said student visa and green card holders are subject to deportation over their support for Palestinians and criticism of Israel's conduct in the war on Gaza, calling their actions a threat to U.S. foreign policy and accusing them of being pro-Hamas. —Reuters, May 21, 2025

The State Department has told U.S. consulates and embassies to immediately begin reviewing the social media accounts of Harvard’s student visa applicants for antisemitism in what it called a pilot program that could be rolled out for colleges nationwide. —Politico, May 30, 2025


Counselors who work with foreign students eager to attend college in the U.S. are advising them to purge their social media accounts of posts that could attract the attention of U.S. State Department officials. —CBS News, May 39, 2025


To demonstrate that I don’t pose a threat,
I strip the stickers from my laptop case,
purge the Kindle reader, ctrl-shift-del
my browsing history as if the past
two, ten, eighty years had never been.
 
We’re experts here at inoffensiveness,
smalltalk savants, the brightest and the best
arriving on these shores to earn our keep,
inflate the GDP and pay our dues—
the price of entry to the winners’ club—
in labor, taxes, learned neutrality.
 
A privilege, not a right. In Khan Younis
the going rate for a sack of gritty rice
exceeds my weekly wage. Faucets frothing
overrun my glass. A legless child
plucks maggots from his wounds. I sink a knife
deep in the turkey, utter ritual thanks
for innocence far from the blasted plains
of Gaza, Yemen, Iraq, Lebanon…
 
Purpose of visit? To become just like you,
I want to tell the agent matching my name
against a neutered profile. To shop at Target
on the Fourth of July, pledging allegiance
like a marriage vow. For this I stand in line,
bereft of fluids, jacket, shoes, and shame,
not-thinking of checkpoints a world away,
asking smilingly how much? how high?


Shalmi Barman is a South Asian national, a holder of a student visa, and a newly minted PhD. She spent several years at the University of Virginia writing a dissertation on class and labor in Victorian fiction, and doing other things that would likely be deportable offenses today. Her poetry has previously appeared in The New Verse News and also recently in BoudinBlue UnicornEcoTheo ReviewGyroscope Review, and elsewhere.

Friday, December 22, 2023

STREAK-BACKED ORIOLE

by David Chorlton




A cloudy desert day. The city smiles.
Slow rain falling. Circles of light on the pond.
The same sad news
                             drop by drop
and no umbrella for protection
against reports from far away. 
It’s numbers day
by smoking day with innocence
as no defence, a conflict over who belongs
and who doesn’t. It’s different
with birds,
              the ones who stray
out of their range are most sought after
like the Streak-backed Orioles
come north to the water reclamation park.
They don’t need papers.
No visas. Just an orange
cut in half
              for easy feeding. Welcome
bright birds. No borders in the air.
The newscast doesn’t reach
to where they are. They leave a question
hanging:
           are there orioles
in the Middle East? Has beauty ever been
a broker between the sides
of an old argument? One side does this, the other
does that.
             They keep doing what they know
to do. Every answer comes
in kind. There must be a field guide
for cruelty. It must be disguised
as a holy book.

David Chorlton lives in Phoenix and takes note of the local wildlife. He had a book out early this year called The Flying Desert in which many of the birds he sees even within the city limits are represented in poems and his watercolor paintings.

Wednesday, March 12, 2014

MONDAY

by D. Gilson


Image source: Mahogany Airplane Models


Malaysia Airlines Flight 370 gone missing
on Saturday local time. Why am I just now
hearing about this? Cue my missing credit card.
Thank you for calling Chase-Visa, this is Mike.
Cancelled, remitted fraudulent charge, lower
interest rate in less than five minutes time.
Somewhere in the Pacific, 239 people missing.
I question the preposition: “in” or “over” or “under.”
I question memory: a single teenage night,
a school project due. Father builds a one-inch
model of the atom bomb, Little Boy. Boy,
he tells me, don’t let this happen again.
We’ve no access to flight logs, how many boys
might be crying or dead. Or will die. I lied
to my father. Put off the project so Nathan
and I could play terrorist, Israel and Palestine,
in the shed behind our house. I bind Nathan.
Demand ransom. In the shed we kiss, a mistake,
and I lop off his head. I wonder when the news
switches from “missing” to “presumed dead”
as the treadmill slows down, pulls time under.


D. Gilson is the author of Crush (Punctum Books, 2014) with Will Stockton, Brit Lit (Sibling Rivalry, 2013), and Catch & Release (Seven Kitchens, 2012), winner of the Robin Becker Chapbook Prize. His work has appeared or is forthcoming in Poetry, The Indiana Review, and PANK.